Nikon AF-S FX NIKKOR 50mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras
Condition: Used - Good
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Availability:
Only 1 left in stock, order soon!
Arrives
Sep 7 – Sep 8
Features
- Fast, upgraded f/1.8, compact FX format prime lens. The picture angle with 35 millimeter (135) format is 47 degree and the maximum reproduction ratio is 0.15X
- Focal length 50 millimeter, minimum focus distance 1.48 feet (0.45 meter)
- Newly developed optical system with aspherical lens element, exclusive Nikon silent wave motor (SWM)
- M/a focus mode switch, filter thread 58 millimeter, autofocus: Yes. Dimensions (approx.) (from the camera lens mounting flange): Approximately 2.83 inches diameter x 2.01 inches
- Optimized for edge to edge sharpness on both fx and dx format d SLRS
- Lens not zoomable
Description
What’s in the box: Nikon AF-S Nikkor 50mm f/1.8G Lens, 58mm Snap-On Lens Cap, LF-4 Rear Lens Cap, HB-47 Bayonet Lens Hood for AF-S 50mm f/1.4G, CL-1013 Soft Lens Case, 5-Year Warranty (1-Year International + 4-Year USA Extension).
Brand: Nikon
Focal Length Description: 50.00
Lens Type: Standard
Compatible Mountings: Nikon F (FX)
Camera Lens Description: 50 month
Product Dimensions: 2.01 x 2.83 x 2.83 inches
Item Weight: 6.5 ounces
Item model number: 2199
Batteries: 1 Lithium Ion batteries required.
Is Discontinued By Manufacturer: No
Date First Available: April 24, 2011
Department: mens
Manufacturer: Nikon
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Sep 7 – Sep 8
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
*: Black
--UPDATED REVIEW-- After a good deal of time using the 50mm f/1.4D, I decided that I wanted to pick up a quieter auto-focus lens so I decided to give the 50mm f/1.8G another shot. I'm pleased to say that the experience has been much better this time around. On my D810 and D850, it's still not wicked sharp wide open, but few lenses are on those camera. Once I stop down to around f/2.8 or so, it actually gets surprisingly sharp for such a cheap lens. I won't get into color rendition because it seems rather pointless given how much the colors get changed anyway during post-processing. Overall, I find the rendition of the lens to be rather clinical, which is to say that it's seems to focus more on accurately recording the scene in sharp detail rather than imparting "character" as some other lenses tend to do. I find this to be a good thing in a 50mm since the focal length itself tends to be one that most photographers would consider to be the "normal" focal length. Overall, this lens has been a joy to use this second time around which makes me wonder what was going on with that first copy. Maybe it got knocked around during shipping? I don't know. Either way, after experiencing what this lens is capable of offering, I felt compelled to come and update this review because it really is a great lens for the beginner and enthusiast alike that's offered a very reasonable price. -- OLD REVIEW -- Given all of the positive reviews, I probably just got a bad copy, but the lens was just unacceptably soft for me which I didn't expect since it flies in the face of most of the reviews I've read about this. As far as I could tell, it wasn't a front or back-focusing issue as micro-adjustments didn't seem to help at all and in order to get my copy as sharp as I wanted, I had to stop it down to f5.6, which just completely defeats the purpose. Ended up returning it and trying out a 50mm 1.4D which I just decided to stick with. I know I could have exchanged it and it probably would have been fine, but the whole experience just left a bad taste in my mouth. Aside from my particular issues, I can definitely say that the lens itself felt built pretty well for the price. A lot of people like to cry about how they don't make them like they used to—which usually just means that they don't make them out of metal anymore—but plastics have come a long way over the years and definitely have plenty of benefits. Most of the people that make this complaint just miss that hefty feeling, which is more of an argument of personal preference rather than an argument of the objective merits of the materials used. All materials have their pros and cons, but the materials used to construct this lens seemed more than durable enough while having the benefit of being lightweight. The autofocus responded quickly and crisply without much hunting at all. All in all, given the low cost of the lens, it's worth at least trying out. You'll probably have better luck than me.
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Reviewed in the United States on December 18, 2016 by Michael Jin Michael Jin
*: Black
Is it really possible to get an excellent Nikon FX-format prime lens at such a low price? Yes it is! This is the first Nikon prime lens I've had in a while, and I am completely satisfied with its performance on my Nikon Z6 using the FTZ adapter. After having used the f/ 4 stock zoom lens for a year, I'm impressed with the low light ability of this considerably faster 50mm prime lens. And of course the much shallower depth of field. If you already have a nice zoom lens and want to check out prime lenses, this 50mm f/1.8 lens is an incredibly inexpensive place to start. I've had a chance to use this lens in bright sunlight and indoor gloom, and find the picture quality to be sharp, and of high quality in general (allowing for my skill level as a photographer). I haven't run any "tests" but distortion seems to be minimal, colors accurate. Autofocus on this lens is par for the Nikon standard - not always the fastest to zero in on an accurate focus, particularly in lower light situations. This lens is quite light-weight, giving it a bit less heft than Nikon's higher end lenses. Although functionality and image quality are excellent and the build quality seems high, this lens feels less significant than the heavier higher-end lenses. Of course, the lighter weight is certainly nice when you are carrying the camera. Overall, this is an incredible high-quality lens at an incredible price. If you have a Nikon Z or Nikon FX-compatible camera, you have no reason not to buy this lens right now. Not at this price.
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Reviewed in the United States on January 28, 2021 by Old Coyote
*: Black
The 50 f/1.8 is a lens almost every FX shooter should have. However, which one of these you should buy is a little tricky. The D is about $80 cheaper, is smaller, lighter, has less distortion, and has manual aperture control. The D doesn't have auto focus but as of right now every FX camera has an autofocus motor built in. What the G really brings to the table is curved aperture blades, better construction, sharper corners, quieter autofocus and instant manual override focus. On a DX camera it is still a no brainer lens but not as much as on a FX. The 1.5x crop makes this a 75mm lens on a DX. Usually portrait lenses start around 85mm. So this lens, on a DX, is too long to be a normal focal length and too short to be a portrait lens. With that said, those are just generalities. Even at 75mm it will work great in a dark house and great outside. In the house you may find yourself running out of room to back up. However, that can probably help some peoples photography as one of the biggest mistakes most people make is not framing in close enough. The 35mm f1.8 DX only lens is probably a better starting lens to get as it is ~52mm on the DX and the 50mm f1.8 a good second lens. I used to own the f1.4G but it was stolen from me. I personally don't believe it is worth the extra money over this. It has 9 rounded aperture blades for a smother bokeh and is 2/3 stop faster but has significant distortion. Also, it has been shown that many manufactures have been playing with the ISO on the edges to get the f1.4. At very wide apertures the light hitting the edges of the sensor is not perpendicular to the sensor but is angled. Because digital sensors are very sensitive to the direction of light, camera manufactures have been increasing the ISO at the edges of the sensor to get the same amount of light as the middle. This causes some noise. It is not hugely noticeable but you are paying a premium for a slightly worse image. However, the bokeh is nicer, you can shoot a 2/3 faster in low light, and you have a shallower depth of field. If those are important to you then the 1.4G is the way to go. Compared to the 1.8D the 1.8G is Bigger Will autofocus on the cheaper bodies with no built in auto focus motor (D3100 and D5100) A little better optically in the corners but has more distortion About $80 more expensive Has full time access to manual focusing 7 rounded aperture blades instead of straight tops out at f16 instead of f22 has quieter focus If you have a body that has a built in autofocus motor and you want the smallest lightest and cheapest kit then the 1.8D is a no brainer. If you don't have the built in autofocus motor and size is not an issue or you want instant ability to manually focus then the 1.8G is the way to go. The 50 f1.8 is a brilliant lens and one of the true bargains in photography. A must for almost every kit.
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Reviewed in the United States on July 13, 2011 by shuTTL3bus
*: Black
Favorite lens! This one hits every single time 👏🏼👏🏼👏🏼
Reviewed in the United States on July 22, 2025 by Preston Holmes