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Légère Reeds - Baritone Saxophone Reed, Signature, Strength 2.25 (BSG2.25) - Premium Synthetic Woodwind Reed

  • Based on 546 reviews
Condition: New
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Availability: Only 1 left in stock, order soon!
Fulfilled by Amazon

Arrives Tuesday, Jul 1
Order within 13 hours and 20 minutes
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Size: Strength 2.25


Features

  • CLEAR AND EXPRESSIVE SOUND. The Signatures for Saxophone respond without hesitation. They are thinner and stiffer than a traditional cane reed, making them easy to play and wonderfully smooth. They produce a pristine, centered sound with colorful overtones.
  • SYNTHETIC FOR DURABILITY AND LONGEVITY. Legere synthetic reeds are not affected by environmental conditions such as high humidity. Legere reeds last longer saving you time and money.
  • NO PRECONDITIONING. Legere reeds are ready to play. You wont need to pre-soak a Legere reed to get the perfect pitch. Ready to play when you are!
  • INCLUDES CARRY CASE for easy storage. Keep your Legere reeds in one place and safe from the elements.
  • NO RISK 30-DAY EXCHANGE Contact us if you are unhappy with our product for any reason and we will replace your reed at no charge

Item Weight: 0.32 ounces


Product Dimensions: 4.5 x 2.75 x 0.44 inches


Item model number: BSG2.25


Is Discontinued By Manufacturer: No


Date First Available: February 3, 2015


Body Material: Food-Grade Polypropylene


Color Name: Strength 2.25


Material Type: Synthetic


Musical Style: For Intermediate & Advanced


Instrument Key: E Flat


Size: Strength 2.25


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Tuesday, Jul 1

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • Great reeds, and they always play!
Size: Strength 2.00
These reeds are great. I have a couple for all of my saxes. The company will replace it if on your first try you get the wrong strength, which is great because they are expensive. Depending on your playing frequency, these reeds can last a year or more. The biggest plus is that you don't need to wet them or warm them up. THEY JUST PLAY! ALWAYS. Well worth the money. Most of my sax player friends use these now. ... show more
Reviewed in the United States on April 22, 2025 by DEF

  • Great sound and durability
Size: Strength 3.00
I play bari in a community band that practices together once a week for a few hours and then I practice on my own a few hours a week as well. That said my traditional reeds were warping quickly due to moisture and drying and I was wasting a lot of money on new reeds. I decided to try these and they sound almost identical to my normal reeds, they play incredibly easily and don't require prep. They are a bit harder on the mouth, but that is quickly adjusted for. Quality is great, it looks like a normal reed but clear. If you bump something you don't need to worry if your reed chipped which is also nice. The only downside you'll notice is having to empty your spit valve as these don't absorb water. ... show more
Reviewed in the United States on October 10, 2024 by Emilio Horta

  • Good alternative to natural reeds. (see user tips at end of this review)
Size: Strength 2.50
First off, this reed is not so good as the best natural reeds I have played; however, it is definitely better than the average of a box of a dozen. I would say typically 1 or 2 reeds in a 12 pack equal or better this reed! I am an amateur played in a couple of New Horizon Big Bands - getting 10 hours a week of sax time, and this reed works well for me and many of the guys I play with. I let my instructor (who is internationally known, gets a minimum of 8 hours sax time every day!) try one and he was impressed with the overall "playability" of it, but it did not convert him from using natural reeds. He knows how to salvage some of the natural reeds, and also does more stuff like harmonics/altissimo and growls, etc. Whether he is just used to how a natural reed behaves or if the natural reed is more capable I cannot guess. However, for me, this solves many problems. The Benefits for me: 1) Consistency between reeds. I won't say every reed plays exactly the same but they are extremely consistent compared to natural reeds! 2) Always ready to go! 2) a) I am "schedule challenged" and not having to wet the reed to get it past the warp before playing is a big plus. 2) b) The same goes for practicing at home. I leave my sax on the stand and it is much easier to pick it up and play when I have 15 minutes free when I know I can immediately begin playing! 2) c) Doesn't apply too me, but some of my friends double, playing sax with an occasional clarinet part. They find putting a Legere Signature reed on their clarinet just makes life easier! I have been playing these reeds for over 3 years and here are some tips I think will help the next guy: 1) Subtract 1/2 to 3/4 from the natural cane reed hardness! I play a #3 natural reed and found the Legere #2-1/4 to be the best match. More recently, I have started playing a #2-1/2. I assume (and like to think) that is because I am getting better and more aggressive in my playing, but I would advise anyone to buy at both 1/2 and 3/4 below your cane reed preference to see which is better for you. Legere has a return policy that allows you to swap reeds while determining your correct number. Go to the Legere website to get details. I am not positive that Amazon orders will adhere to this policy - probably so, but make sure! 2) Buy a second as soon as you determine what number. So, if you tried 1/2 and 3/4 below your normal and returned one, you should now have two of these, so this is covered! The reason it is important to have a second reed is it is the only sure way to determine if the reed you are playing is getting worn out. Essentially, the reed gets softer as it is played. I have not kept track, but would guess I get about 6 months out of a reed. Of course the change is gradual and I subconsciously adjust my embouchure to match the reed. Eventually, I realize I am struggling to pop out a high note (on Bari Sax) and impress myself with how gently I can get a low A to speak at pianissimo levels! That is my clue that the reed is getting past its prime. However, I find a better approach is to have a new reed available for comparison and any time I have a major gig coming up, I will throw on the new reed to see if I like it better! If you are really thrifty, you can switch back to the old reed after your gig (considering it a "practice reed"), but I usually toss the old reed in the trash because otherwise I end up with a collection of old reeds that I will never play again! 3) Break-in the reed! I have no way of knowing if this is real or just psychological, but it seems to me like spending a few minutes with a fresh synthetic reed blasting out low notes helps loosen up the reed. It makes sense in keeping with how the reed changes over months of use, and it seems reasonable that the first few minutes of play on a reed that has not yet been flexed is liable to change the properties. I feel this gets it past those first changes of break-in into a more stable reed for the coming months. I also want to do this before comparing it with an older reed (item 2 above). 4) Soften sharp corners. I don't know why, but every now and then I'll get one of these where the edge of the reed is sharp and feels like it is cutting my upper lip on either side. This would never happen with a cane reed because natural rood fibers are rounded. If this happens you want to gently soften the corner. Obviously you do not want to change the reed much and it only takes a small change to fix this. Probably the safest way to do this is with some 200 or higher (finer) grit sand paper. Do not press (you are only wanting to alter the tiny edge of that corner of the plastic reed). Give it two light strokes straight down (not across!) the sharp edge of the reed. That should do it, but test it to be sure. Another technique for this: I usually don't have sandpaper handy, so I usually take a razor sharp knife or box cutter and turn the blade 90 degrees to the reed and lightly slide it down the edge. You probably won't even see the plastic coming off (if you did, it would be a "wisp"), but one pass should do it. The trick here is to a) keep the blade right at 90 degrees so it doesn't try to dig into the plastic, and b) use a very light touch so there is no "chatter" as the blade slides along the corner! ... show more
Reviewed in the United States on October 26, 2019 by Kurt E.

  • Great reeds
Size: Strength 2.75
I play on a Jody Jazz Jet 7 and these reeds in a 2.75 work great for me. Lasts forever and sound the same every time!
Reviewed in the United States on December 20, 2024 by Astarfishnamedleroy

  • Good Reeds
Size: Strength 2.75
👍🏾
Reviewed in the United States on December 31, 2024 by Brandon

  • Great value
Size: Strength 2.50
This is a great value for the money. The sound quality is still excellent. My son prefers these over all others.
Reviewed in the United States on June 23, 2024 by scott

  • Why use cane?
Size: Strength 2.75
So, you will have to find the right one for your situation. They sound great, once you get used to the way they play. They always work. They never dry out. They don't care about humidity or temperature. They just work. It's a great way to test to see if there is something wrong with an instrument or a traditional reed because they are that predictable and reliable. ... show more
Reviewed in the United States on September 25, 2023 by Brad Nichols

  • Works great but didn’t last very long
Size: Strength 3.50
This reed was fantastic when I got it, playing as good as my best cane reed but it only lasted about a week of heavy use and cracked in the middle.
Reviewed in the United States on February 3, 2025 by Luke Kranyak

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