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30-day refund/replacement
To qualify for a full refund, items must be returned in their original, unused condition. If an item is returned in a used, damaged, or materially different state, you may be granted a partial refund.
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Availability:
Only 1 left in stock, order soon!
Arrives
Tuesday, Nov 24
At a glance
- Condition
- New
- Size
- 5
- Model
- OLRTS5
- Dimensions
- 1 x 1 x 1 in
- Weight
- 2.88 oz
- Color
- MultiColored
- Material
- Rubber
- In the box
- MouthpieceLigatureCap
Features 3
- Includes Ligature and Cap
- Wonderful projection and tone quality without becoming very bright and harsh sounding
- suits industry standards
Specs 19
| Color | MultiColored |
|---|---|
| Brand | Otto Link |
| Instrument Key | C Major |
| Material | Rubber |
| Style | Modern |
| Brand Name | Otto Link |
| Global Trade Identification Number | 09 |
| UPC | 812821007409 |
| Number of Items | 1 |
| Manufacturer | Ottolink |
| Unit Count | 1 Count |
| Item Type Name | Accordion Accessory |
| Model Number | OLRTS5 |
| Manufacturer Part Number | OLET 5 |
| Finish Type | Polished |
| Sound Profile | Clear and Strong |
| Material Type | Rubber |
| Item Weight | 2.88 ounces |
| Item Dimensions | 1 x 1 x 1 inches |
No specs match.
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Tuesday, Nov 24
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Learn more about financing & leasing here.
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Top Amazon Reviews
Really woke up my tone!
Worked like a charm. Ligature is so-so. Used a Rovner instead. I was ready to give up on my tenor sax tone. This mouthpiece made me sound much better, immediately. Plenty bright, yet plenty warm. Used a Plasticover 2 1/2 reed. Free blowing, easy altissimo, can sub tone all the way down to lowest note. I’ve heard it is easy to fix a bad one. Well worth the money to try.
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Reviewed in the United States on October 31, 2019 by Jaybapeeba
It's worth the money
To be honest, buying these are almost a lottery because there are so many for around the same price. This mouthpiece allowed me to play louder and better after 7 years of playing sax. It took me a week or two to get used to the big opening, but its defenitely worth it.
Reviewed in the United States on February 16, 2020 by diatomic
Great Choice
Size: 6*
The Tone Edge is a great mouthpiece for the price, with a somewhat dark tone but very responsive. The only weak spot is the ligature, which is a bit on the flimsy side but I am using a Rovner C2R Mark III Ligature to go with the Tone Edge and they complement each other extremely well, making the tone even warmer and darker.
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Reviewed in the United States on January 20, 2016 by Michael Schuette
The projection is great and it produces a big fat sound
I've been playing just about all my life and have a degree in music. I've been using a Meyer, medium chamber mouthpiece on my Selmer Mark VI. I was blown away when I first used the Otto Link Tone Edge. It has a large chamber and it really opened up my sound. I practiced with it for two days (using old brown box Rico reeds 2 1/2, Rico Royals 2 1/2 and Vandoren Blue Box 2 1/2) then used it on a big band gig Saturday night. The projection is great and it produces a big fat sound. I can still play soft enough to blend in with the sax section, can subtone low B flat and hit altissimo with no problem. That Sunday I went to a jam session and sat in for a few tunes, but it was the ballad that really set this mouthpiece apart from my other mouthpieces. This mouthpiece performs! I read where some people had issues with this mouthpiece but I don't. I do not use the ligature that came with it because I prefer a Bonade. I recommend this mouthpiece. Give it a try, you just might be surprised.
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Reviewed in the United States on August 12, 2017 by Mario Gonzalez
A little TLC helps
I remember these were the cool "jazz" mouthpiece so I just got a 7* to learn and develop a jazz tone. I like this mouthpiece but then again I'm not very good. Mine wouldn't pass the "pop" test and it sound a little breathy when blown. I just thought it was me, but I put a straight edge to the flat part (table?) where the reed sits, slightly concave. Not much, so I lapped it with a piece of super, super fine wet sandpaper on a piece of flat glass. Passes the pop test, doesn't sound breathy and is fun to play.
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Reviewed in the United States on March 4, 2024 by Rich Haslacher
Classic design, poor manufacturing
I had read on a number of sites that the quality control of the manufacturer, Babbitt, is poor. Sure enough, the ToneEdge I received would not seal around the reed (failed the 'pop' test). I gently slid the table on #800 sandpaper on a plate glass. The resultant contrast highlighted a depression at the base of both rails, which prevented a proper seal. I gently sanded until the rails and table were flat. It now plays well with a #3 reed, with the dark and woody tone for which this design is known. It's deplorable that a company that owns classic american mouthpiece designs cares so little about quality. It's possible to put out a consistent high quality product - for example, Vandoren mouthpieces are widely praised for being consistently well made and finished, and reasonably priced.
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Reviewed in the United States on August 23, 2018 by Vector
Another Good Product
Size: 8*
This is my second Otto Link mouthpiece. These guys are really on the ball as a manufacturer. In addition to this product I have a New York 10 metal mouthpiece. For projection I would use metal. For shear ease of playing I prefer the hard rubber. The hard rubber has a very full tone and I can find no fault with except that it will not play as loud as the other. Any Otto Link product has my approval.
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Reviewed in the United States on May 1, 2011 by Angel Alford
Nice warm sound
I have tried multiple hard rubber mouthpieces. This Otto link gives me the flexibility that I am seeking . The low and high registers are equally warm. You don’t have to spend big bucks to get the sound that you are looking for . You need a mouthpiece that’s well built and you do the rest . You ultimately control your sound , not y out your mouthpiece .
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Reviewed in the United States on July 2, 2021 by Searcher