KZ AS10, LINSOUL 5BA HiFi Stereo in-Ear Earphone High Resolution Earbud Headphone with 0.75mm 2 pin Cable, Five Balanced Armature Drivers, Noise Cancelling (Without Mic, Black)
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Availability:
Only 10 left in stock, order soon!
Arrives
Tuesday, May 27
Size: Without Mic
Color: Black
Features
- FIVE BALANCED ARMATURES EARPHONE. Dedicating to offer the wonderful sound for customers, KZ finally released its first pure balanced armature earphones. With 5 balanced drives per side, the sound quality has been greatly improved, more details can be heard. The Special bass driver delivers a strong and detailed bass. The extension of high frequency is soft and flexible, not too sharp but soft. It would be a good companion for pop music, vocals
- UNIQUE 3D PRINTING TECHNOLOGY. For the first time, KZ adopts 3D printing technology in manufacturing the internal acoustic structure which houses the drivers, guiding sound to two individual outputs visible in the base of each nozzle
- PROFESSIONAL CROSSOVER CIRCUIT DESIGN. The AS10 has a big dynamic driver handling bass, two drivers handing high frequency, two drivers handing mid frequency. The AS10 has better impact, speed, and overall agility. Bass is very strong, mid-range is very prominent and the highs is not overly sharp
- STABLE AND CONFORTABLE WEARING EXPERIENCE. With the detachable 2 pin OCC cable, and ergonomic design memorable ear hook, KZ AS10 outstands most earphones in the market with its practical design and long-lasting quality. The detachable cable also offers fully upgradability. You can easily change it to your favorite choices of cables, more fun and more choices
- Wide Compatible 3.5mm Jack& Ideal Gifts. Compatible with most device with a 3.5 mm jack, including Android smartphones, laptops, tablets, computers etc. The AS10 is a ideal gift for home,parties,Christmas Day,music lovers. It's also a great in ear choice for audiophile, singers, musicians or drummers.
Brand: Linsoul
Color: Black
Ear Placement: In Ear
Form Factor: In Ear
Noise Control: Active Noise Cancellation
Frequency Response: 40000 Hz
Sensitivity: 105 dB
Headphones Jack: 3.5 mm Jack
Model Name: KZ AS10
Connectivity Technology: Wired
Wireless Communication Technology: Wired
Special Feature: 5 Balanced Armatures, 3D Printing Cavity
Included Components: Cable
Age Range (Description): Adult
Material: Plastic
Specific Uses For Product: Music
Compatible Devices: Devices with a 3.5 mm jack, such as audio players, smartphones, and computers
Control Type: Noise Control
Cable Feature: Detachable
Frequency Range: 20 Hz -40 kHz
Unit Count: 1 Count
Control Method: Touch
Number of Items: 1
Cable Length: 1.2 Meters
Audio Driver Type: Balanced Armature Driver
Is Electric: No
UPC: 757255500198
Manufacturer: LINSOUL
Item Weight: 3.87 ounces
Item model number: KZ AS10
Is Discontinued By Manufacturer: No
Date First Available: August 1, 2018
Country of Origin: China
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Tuesday, May 27
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Size: Without Mic
Color: Black
I’ve played with a number of so called chi-fi products, but my previous experience with the company KZ was limited to the ZS6 which I liked, but fit wasn’t for me. The AS10 while being same size is much smoother. No sharp edges just curves. It fits nicely even with the stock tips which I don’t mind, they have good isolation, but for longer listening sessions I prefer spinfits. Cable - this is the one caveat that I have with the built quality - I wish it wasn’t so easy to tangle, but that’s probably partially my fault for not being careful enough while rolling it Sound - coming from the ZS6 which has obviously V-shaped signature, the AS10 feels a lot more balanced. Mid bass is still boosted and there is a peak somewhere in the 5-7Khz area but the midds don’t seem to be pushed back. Overall I really like the tuning of this IEM, especially for the price. The 5 balanced armature drivers sound coherent. Vocals are natural, electric guitars sound great. The boost in the bass makes them great for edm, rock and plenty of other genres. “Right next door to hell” by Guns N’ Roses has a great bass riff in the beginning and AS10 handles it excellent, fast and clean. Reminds me of planar bass. “Angel” by Massive Attack is a good test for lows, it hits pretty deep but in control, without any mud. “Hold on” by Amber Rubarth is a favorite of mine vocal track with great soundstage and acoustic instruments all around you - sounds great, she is right in the middle of the mix, not too forward or too far back. Another favorite track for me that has a whole world inside to explore is “Quizas Quizas Quizas” by Pink Martini. I love her voice with all the little details in the background. There is moment at 0:35-0:37 when her voice gets sibilance if listened on the wrong gear, but AS10 does it well without any harshness. Soundstage and imaging are decent on this iem, I’m tempted to compare with a much more expensive Item that I have but it would not be fare. Overall I’m impressed with the sound of this IEM. It’s a very strong competitor for the price range. I’m curious to see what KZ will do in the future
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Reviewed in the United States on April 24, 2019 by Lubo
Size: Without Mic
Color: Black
I have waited a while to write the review on these earphones to see if my initial favor faded with time. These are nearly perfect reference earphones and are great for critical listening and on stage in-ear monitors. I am an audiophile and use very expensive and equally fantastic 12 driver custom molded earphones on stage. I purchased these as a backup and to test them as inexpensive alternatives for my fellow musicians. When I compare the two I am blown away by the extended frequency response and realism afforded by these earphones. They are comfortable to wear for hours and provide good but not perfect isolation from outside noise. In order to optimize both bass response and acoustic isolation it is critical to have the right size ear tips and to seat them so they make a good seal in the ear canal. With the right size tips and proper placement they are very accurate across the entire acoustic range and exhibit high detail and low distortion. They are not as good as the custom molds for acoustic isolation but are as pleasing and acoustically revealing and cost less than 4% of the price of the custom molded ones!
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Reviewed in the United States on March 31, 2019 by Mark V. Fletcher
Size: Without Mic
Color: Black
I went through 3 pairs of Shure SE215s. They sounded ok, but cables went bad etc... Bought these just for a cheap temporary replacement and have loved them. Sound is great without fatigue. I always felt the Shures (215s) would easily distort, but not these. Nice bottom end, but not muddy. They're comfortable. Only complaint is the cable that comes with it was a little short. It's ok, but for my preferences I wish it were a little longer for the way I like to tuck it in my shirt. But that's just me being a diva. If you need a reliable, quality sounding IEM, check these out.
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Reviewed in the United States on November 30, 2022 by Jon Owen
Size: Without Mic
Color: Black
I have used these for 3 years now and I must say they are great. Still performing at high quality and I love the design
Reviewed in the United States on July 8, 2024 by Amazon Customer
Size: Without Mic
Color: Black
INTRODUCTION/DISCLAIMER: The KZ AS10 is an in-ear monitor with five balanced armature drivers per side. KZ is the brand that started my Chi-Fi journey years ago with the ATE. Since then I have owned the KZ ED9, which I liked, and the ES4, which I disliked enough to return. PACKAGING AND ACCESSORIES The KZ AS10 comes in a black rectangular cardboard box marked with the KZ logo on the front panel. Stickers on the bottom panel indicate the mic and color options as well as the contact information for the manufacturer. The box has a flip cover which opens to the left, revealing a foam inlay containing the earpieces and a metal plaque. Behind this inlay are two translucent white plastic bags containing the AS10’s removable cable, 3 sets of KZ Starline eartips (S, M, L), a user manual, a QC pass chit, and a warranty card. The AS10 does not come with a carry bag or case. BUILD QUALITY / DESIGN The AS10 earpieces have piano black plastic housings with transparent faceplates. The housings are on the larger side with deep nozzles. The AS10’s KZ-branded circuit boards are visible behind the transparent faceplates. Although I love this look, there are many who do not. The model name, “Left/Right,” and “10 Balanced Armature” are printed in silver on the top face of the black plastic housing. “L/R” are also identified on the transparent faceplate above the cable connection. Each earpiece has a tiny circular vent near the top of the inner face of the housing. The AS10 is an all-BA design, so driver flex is not a concern. The nozzle does not have a traditional lip for securing eartips, and instead has 3 small protrusions along the edge of the nozzle. This worked just as well as a lip in my experience. The AS10 has a copper-colored braided 2-pin cable with an L-shaped 3.5mm jack. The KZ logo is printed on the jack housing. The cable has pre-formed plastic ear-guides and “L/R” markings on the 2-pin housings. There is no chin-adjustment choker, and the Y-split is around halfway-down the cable length, roughly 2 feet from the bottom of the 2-pin connections. The cable is not as tangle-prone as the cable included with the CCA-C10, but is still problematic in this regard. Microphonics are minimal. COMFORT / FIT / ISOLATION The KZ AS10 is intended to be worn cable-up only. The wide housings and relatively deep insertion depth make the AS10 tolerable at best from a comfort perspective. Noise isolation is above average relative to dynamic driver or hybrid designs, but not as good as the Tenhz T5, a sealed all-BA design. The AS10 accepts a wide variety of eartips. The relatively deep insertion depth makes getting a good seal easy. I used the small silicone eartips from the Fiio F1 for my listening. SOUND The KZ AS10 has a warm, mildly-V shaped tuning. The AS10 emphasizes mid-bass slam rather than sub-bass rumble. Sub-bass is present and well-extended but not visceral. Bass articulation is quick and precise. Bass texture is dry and clinical. The mid-bass hump bleeds into the lower mids, thickening deep and growled male vocals and causing distorted electric rhythm guitars to come off as boomy. The lower mids are slightly recessed and a tad warm. Both male and female vocals are clear and full-bodied. The upper midrange could use a touch more presence. Both male and female vocals, while natural-sounding, come across a bit flat. The treble, while smooth and inoffensive, has a plastic-sounding timbre. Resolution is adequate for the price, but the AS10 is lacking in sparkle. Imaging and instrument separation are very good. Soundstage is slightly larger than average for the price point and compares well with more expensive IEMs. AMPLIFICATION REQUIREMENTS AND SOURCE PAIRING The AS10 can be easily driven to adequate listening volumes by a smartphone. I did not notice hiss with any of my sources. COMPARISONS KZ AS10 [$62] vs Simgot MT3 [$66] The Simgot MT3 has slightly more prominent and extended sub-bass. The MT3 has slightly more textured bass. The AS10’s bass is better articulated, with more precise attack and decay. The MT3’s mid-bass hump rolls off earlier and does not bloat the lower midrange as much. Male vocals are more prominent on the AS10. The MT3’s lower midrange does not exhibit the boominess that can be heard on the AS10. The MT3 has a livelier but more aggressive upper midrange, which makes vocals sound more exciting at the cost of sibilance. The timbre of the MT3 is thinner than the AS10’s. Distorted electric guitars can be too bright on the MT3. The MT3’s lower treble rolls off earlier than the AS10’s, but is harsher, splashier, and grainier. The MT3 has more air and sparkle. The AS10 has more realistic transients. The AS10 has better instrument separation, a larger soundstage, and more precise imaging. The MT3 is slightly harder to drive. The MT3 is more comfortable thanks to its smaller housing. The MT3 comes with a wider variety of eartips, a nicer cable, and a mesh carry bag. CLOSING WORDS The AS10 errs on the side of caution, presenting a safe tuning that is unlikely to offend. Build quality and technicalities are very good for the price point.
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Reviewed in the United States on April 27, 2019 by Dana Dana