JOYO Pure Analog Overdrive & Distortion Multi Effect Pedal R Series 8 Classic OD/DS Sounds for Electric Guitar (Baatsin R-11)
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Availability:
Only 10 left in stock, order soon!
Arrives
Thursday, Jul 24
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Style: Analog,Multi Effects
Color: Green-Gold
Features
- JOYO Baatsin 8 in 1 overdrive & distortion pedal, picked 8 classic overdrive and distortion sounds after we studied many guitarists' great preference.
- Pure analogue circuit, one pedal offering several genres of music, it's good value for money, with true bypass provide transparent tone,minimize the tone loss to keep the best tone quality.
- Whole new appearance and the iconic ambience lights bring out futuristic and retro styles, will make our soul happy whether are jamming in the bedroom, studio or on the stage.
- JOYO has over a decade of brand reputation, and its most popular budget pedals, amplifiers, wireless systems, controllers, metronomes, tuners have won the love of guitarists all over the world and inspired people's musical dreams.
- Before playing, please make sure the guitar is fully connected with the pedal. in order to make JOYO pedals work properly and avoiding unexpected noise, we recommend you to purchase an extra JOYO original power adapter, or choose the other reliable brands and make sure it meets the working current requirement of single pedal.
Brand: JOYO
Style: Analog,Multi Effects
Color: Green-Gold
Product Dimensions: 3.09"L x 1.89"W x 4.92"H
Item Weight: 290 Grams
Brand Name: JOYO
Power Source: Corded Electric
Controls Type: Knob
Signal Format: Analog
Hardware Connectivity: 1/4-inch Audio
Amperage: 30 Microamps
Audio Output Effects: Analog
Voltage: 9 Volts (DC)
Color: Green-Gold
Style Name: Analog,Multi Effects
Item Weight: 290 Grams
Item Dimensions L x W x H: 3.09"L x 1.89"W x 4.92"H
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Thursday, Jul 24
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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I'll be honest, until it was suggested this pedal wasn't even on my radar of overdrives. I was looking for overdrives and this one was suggested. I like what I've heard about the JOYO R-Series, so I decided to take a gamble on it. With a name like "Maximum" you'd think this was thick, chunky, bordering on distortion overdrive. But, you'd be wrong. In actuality, this based on the Fulldrive 2 MOSFET which is based on the original 808 Tube Screamer. It's so close to the Fulldrive that the enclosure is even the same color. But, that's fine because that's a great pedal and this one is too. You have 6 controls; 4 knobs and 2 switches. The knobs are mostly your standard fare settings: Tone, Gain, and Volume, with an inclusion of Boost for the Boost switch. Think of the Boost switch as a second stage overdrive (because it is) and the Boost knob is the Gain for the Boost stage. The Boost knob does nothing if the Boost switch is not engaged. But, the real meat is in the two switches. The left switch toggles between a hard clip, flat response, and what it calls "Smooth." The original Tube Screamer had a bit of a mid range bump, and that's basically what the Smooth setting is. Flat, as you might infer, is a flat EQ response. Hard Clip gives you increased headroom. I initially thought it really boosted the gain, but it doesn't. It's really not a more overdriven sound, but there is a very noticeable output increase. The second switch goes from your rudimentary standard transistors to the MOSFET transistors. The takeaway here is that the MOSFET transistors behave very much like the Hard Clip on the other switch. Now, that the introductions are made, here's my takeaways from it. If you set up the Maximum on the Smooth and Standard settings, you get a very good Tube Screamer tone. The knobs all work along all levels from low to high. Sometimes you'll see pedals where gain at 10 o' clock is not any different than 1 o'clock. But in this pedal, it's pretty smooth across the board on all knobs. It's true for all settings as well. The flat mode will take out that midrange hump. The interesting thing being in standard mode is that if your gain and boost are in the same territory, let's say they're both around 1 o'clock, the boost switch will make little if no impact. No volume difference or increased gain. It's like they're not stacking, but rather a different stage all together. So, I learned that I can turn the Gain knob down to like 9 - 11 o'clock and the Boost to 3 or 5 o'clock and you'll hear a definite switch. Hard Clip on the other hand is a different animal. The volume on stage 1 is greatly amplified over the other two options. Similarly valued Gain and Boost now show increased gain when enabling the Boost stage. It feels like it's stacking now. If you like it loud, this is where you want to be. Maybe. The very odd thing is that the MOSFET mode feels exactly like the Hard Clip. Except, that you can EQ it in the Flat and Smooth settings. It's so close, in fact, that if you are in Hard Clip, you can switch between MOSFET and Standard and hear no difference at all. It's basically the same setting. Meaning, you can't hard clip the MOSFET to get distortion tones. The Boost seems to stack in all MOSFET configurations. That being said there is a lot of tone in this inexpensive box. Kudos to JOYO for bringing tone within reach of everyone. Outside of tonal range, the Maximum is in a metal enclosure and feels pretty sturdy. Not like a tank like a BOSS pedal, but it doesn't feel flimsy like a cheap knockoff pedal or a Danelectro. The R-Series have these cool indicator lights on the front and back that illuminate across the entire pedal instead of just a little LED. Even the Drive and Boost indicator lights are rectangular instead of round. Gives it a bit of a futuristic "TRON" like feel. If that's something you hate, there is a toggle on the bottom of the pedal to turn off the front and back lights (also if you love it, you can also always have them on). I seriously love this pedal. When matched with my Big Muff clone in "Smooth" mode, the mid bump of the Maximum compensates for the mid scoop of the Muff and makes a really killer tone. Alone, it can tackle most overdriven rock, blues, and country tones from the 70's to current day.
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