JOYO 8-in-1 Analog Overdrive & Distortion Guitar Pedal, 8 Classic OD/Distortion Modes (T.OD/SWEETY/CRUNCHY/RIOTER & More) with True Bypass (Baatsin R-11)
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Availability:
Only 10 left in stock, order soon!
Arrives
Friday, Oct 30
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At a glance
- Condition
- New
- Color
- Green-Gold
- Size
- R-11
- Set
- Overdrive, Distortion
- Model
- Manufacturer-JOYO-R11-0010
- Dimensions
- 4.92 x 1.89 x 3.09 in
- Weight
- 290 g
- In the box
- Guitar Effect Pedal (Not included power supply)User Manual
- Warranty
- 1-year manufacturer warranty we stand behind the quality of our product. This warranty covers any manufacturing defects in materials or workmanship for one year from the date of purchase. If you encounter any issue, please contact us directly. We will provide a replacement, repair, or refund after we receive and verify the returned item.
Features 4
- 8 CLASSIC OVERDRIVE & DISTORTION MODES IN ONE PEDAL: The Baatsin packs 8 legendary analog circuits into a single box: T.OD (transparent, dynamic low-gain), SWEETY (bright, touch-sensitive boost), B.BOOST (thick clean boost), T808 (mid-focused classic overdrive), OVERDRIVE (tight, articulate crunch), CRUNCHY (British-voiced medium gain), RIOTER (high-gain distortion with extended low-end), and O.C.DRIVE (thick, saturated drive with massive presence). From subtle blues breakup to full-on distortion, one click of the OD MOD selector instantly transforms your tone.
- PURE ANALOG CIRCUIT 3-KNOB CONTROL: The all-analog signal path delivers organic, touch-sensitive response that reacts naturally to your picking dynamics and guitar volume knob adjustments. Three intuitive controlsVolume, Tone, and Gainmake dialing in your sound fast and intuitive. The OD MOD selector clicks through all 8 modes for instant access to a full palette of drive tones. No digital menus, no option paralysisjust great analog tone.
- DESIGNED FOR GIG & STUDIO VERSATILITY: From country twang to bluesy breakup, classic rock crunch to modern high-gain, the Baatsin covers the full spectrum of overdrive and distortion tones. Use it as your primary drive pedal, a secondary flavor for specific songs, or an always-on tone enhancer. Works equally well into a clean amp, driving an already-dirty channel, or stacked with other pedals. Players describe it as "the last overdrive pedal you'll ever need."
- TRUE BYPASS & ROAD-READY R SERIES DESIGN: True bypass switching preserves your guitar's natural tone when the pedal is disengagedzero tone coloration and zero signal degradation. Encased in a rugged aluminum alloy chassis (12578.548mm, 290g), the Baatsin features the iconic R Series ambient LED lighting with 3 modes (Sync, Always On, or Off) via a recessed switch. The smooth, responsive knobs maintain your settings even under aggressive use.
Specs 24
| Brand | JOYO |
|---|---|
| Style | Classic |
| Color | Green-Gold |
| Product Dimensions | 4.93"L x 3.07"W x 1.89"H |
| Item Weight | 290 g |
| Voltage | 9 V DC |
| Amperage | 30 microamps |
| Audio Output Effects | Distortion, Overdrive |
| Controls Type | Knob |
| Power Source | Corded Electric |
| Hardware Interface | 1/4-inch Audio |
| Signal Format | Analog |
| Item Dimensions L x W x H | 4.93"L x 3.07"W x 1.89"H |
| Item Dimensions | 4.92 x 1.89 x 3.09 inches |
| Connector Type | 1/4-Inch Right Angle, 1/4-Inch Right Angle to Straight, 1/4-Inch Straight |
| Brand Name | JOYO |
| Number of Items | 1 |
| Number of Packs | 1 |
| Item Type Name | Electric Guitar Electronics |
| Manufacturer | ShenZhen JOYO Technology |
| Model Name | JOYO Baatsin |
| Model Number | Manufacturer-JOYO-R11-0010 |
| Manufacturer Part Number | 031-00R11-0010 |
| Set Name | Overdrive, Distortion |
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Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Friday, Oct 30
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Great Pedal for any shredder!!!
Style: Octave,MOD
Color: Pink
I own a whammy, and although the whammy is great in it's own right's, the joyo xvi might be better. It work's better, in that it's crispy clean, and doesn't breakup like a bit fracture in the note. The signal hit's the tone perfect, with no delay. Sound's like a double neck guitar, being played at the same time. Harmonic's sound spot on the dime. I love it!
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Reviewed in the United States on October 16, 2024 by Imperial Chinese
Sometimes you get what you need
Style: Overdrive,Dual Channel
Color: Blue
I'll be honest, until it was suggested this pedal wasn't even on my radar of overdrives. I was looking for overdrives and this one was suggested. I like what I've heard about the JOYO R-Series, so I decided to take a gamble on it. With a name like "Maximum" you'd think this was thick, chunky, bordering on distortion overdrive. But, you'd be wrong. In actuality, this based on the Fulldrive 2 MOSFET which is based on the original 808 Tube Screamer. It's so close to the Fulldrive that the enclosure is even the same color. But, that's fine because that's a great pedal and this one is too. You have 6 controls; 4 knobs and 2 switches. The knobs are mostly your standard fare settings: Tone, Gain, and Volume, with an inclusion of Boost for the Boost switch. Think of the Boost switch as a second stage overdrive (because it is) and the Boost knob is the Gain for the Boost stage. The Boost knob does nothing if the Boost switch is not engaged. But, the real meat is in the two switches. The left switch toggles between a hard clip, flat response, and what it calls "Smooth." The original Tube Screamer had a bit of a mid range bump, and that's basically what the Smooth setting is. Flat, as you might infer, is a flat EQ response. Hard Clip gives you increased headroom. I initially thought it really boosted the gain, but it doesn't. It's really not a more overdriven sound, but there is a very noticeable output increase. The second switch goes from your rudimentary standard transistors to the MOSFET transistors. The takeaway here is that the MOSFET transistors behave very much like the Hard Clip on the other switch. Now, that the introductions are made, here's my takeaways from it. If you set up the Maximum on the Smooth and Standard settings, you get a very good Tube Screamer tone. The knobs all work along all levels from low to high. Sometimes you'll see pedals where gain at 10 o' clock is not any different than 1 o'clock. But in this pedal, it's pretty smooth across the board on all knobs. It's true for all settings as well. The flat mode will take out that midrange hump. The interesting thing being in standard mode is that if your gain and boost are in the same territory, let's say they're both around 1 o'clock, the boost switch will make little if no impact. No volume difference or increased gain. It's like they're not stacking, but rather a different stage all together. So, I learned that I can turn the Gain knob down to like 9 - 11 o'clock and the Boost to 3 or 5 o'clock and you'll hear a definite switch. Hard Clip on the other hand is a different animal. The volume on stage 1 is greatly amplified over the other two options. Similarly valued Gain and Boost now show increased gain when enabling the Boost stage. It feels like it's stacking now. If you like it loud, this is where you want to be. Maybe. The very odd thing is that the MOSFET mode feels exactly like the Hard Clip. Except, that you can EQ it in the Flat and Smooth settings. It's so close, in fact, that if you are in Hard Clip, you can switch between MOSFET and Standard and hear no difference at all. It's basically the same setting. Meaning, you can't hard clip the MOSFET to get distortion tones. The Boost seems to stack in all MOSFET configurations. That being said there is a lot of tone in this inexpensive box. Kudos to JOYO for bringing tone within reach of everyone. Outside of tonal range, the Maximum is in a metal enclosure and feels pretty sturdy. Not like a tank like a BOSS pedal, but it doesn't feel flimsy like a cheap knockoff pedal or a Danelectro. The R-Series have these cool indicator lights on the front and back that illuminate across the entire pedal instead of just a little LED. Even the Drive and Boost indicator lights are rectangular instead of round. Gives it a bit of a futuristic "TRON" like feel. If that's something you hate, there is a toggle on the bottom of the pedal to turn off the front and back lights (also if you love it, you can also always have them on). I seriously love this pedal. When matched with my Big Muff clone in "Smooth" mode, the mid bump of the Maximum compensates for the mid scoop of the Muff and makes a really killer tone. Alone, it can tackle most overdriven rock, blues, and country tones from the 70's to current day.
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Reviewed in the United States on September 7, 2020 by J. Price J. Price
Good concept
Style: Modulation,Multi Effects
Color: Brown Gold
I like that it has two sets of multi-efx which can be operated in series or parallel. It’s a great box, def worth the price. Maybe it’s bcos I don’t have tons of free time and haven’t checked it out thoroughly, but it seems like the modulation efx, the choruses especially, are kind of subtle. This box doesn’t sound as “in your face” as I like. But it’s a very clever way of implementing efx, and it does dial in some interesting sounds. A chorus on 1 side and a ring mod on the other for example, I don’t think they “sit on top” of one another; they combine and become one unique effect. If the effects were a bit less bland, this would be the mother of all efx boxes. But I think this would be useful for ppl who are into more mainstream music than I’m into. It looks pretty fantastic aesthetically; it comes across as being more expensive than it is.
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Reviewed in the United States on July 25, 2024 by Gwugluud 77
KILLER PEDAL!
Style: Octave,MOD
Color: Pink
If you want that weird octave combo with your favorite fuzz or heavy distortion, this thing does it well and cheap. The tracking is extremely impressive, it had me droning out the DOOM in no time. HIGHLY recommended!
Reviewed in the United States on October 17, 2024 by Darrell
Sturdy and attractive
Style: Simulator,Cabinet
Color: Royal Blue
I love this product and enjoy working with it to sculpt my tone. There are so many options built into it for versatility. I wasn't looking for one or two ways to express my interest in many genres. This allows me to experiment with so many cabs, mic placements, EQ parameters, and preamps that I can then tweak with my favorite pedals. The only thing I would have wanted is for the directions to explain how to set it up with a pedal train. Set up with interface and DAW is fairly clear and there are lots of You Tube demos for that. Right now, I have it plugged in to my FRFR and added a Reverb/delay and an overdrive or two.
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Reviewed in the United States on September 4, 2024 by Margo P. Morris
It gives me the grit that my sound needs.
Style: High Gain OD,Clean,Boost
Color: Brownish yellow
I play a gibson explorer and when looking for pedals, I kept in mind that the sound I want is very Coheed and Cambria. This pedal is just the right amount of grit I needed to get that sound on a budget.
Reviewed in the United States on October 8, 2024 by Michael Lucio