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Availability:
Only 1 left in stock, order soon!
Arrives
Sunday, Sep 6
Style: Base
Color: Black
Set: Base
Features
- Newly-developed 24.3MP X-Trans CMOS III APS-C sensor reduces moire and false colors to dramatically improve image quality and X-Processor Pro engine increases response times, achieves faster AF, lower noise and better color reproduction
- Advanced Hybrid Multi Viewfinder featuring a Multi-Magnification function that automatically switches view-finder magnification according to the lens and simultaneous EVF over OVF display
- Electronic shutter maximum speed of 1/32000 sec and a focal plane shutter with a top speed of 1/8000 sec. with flash synchronization of up to 1/250 sec.
- Intelligent Hybrid Phase detection AF with 273 selectable AF points, Dual SD Slots
- 16 Film simulation modes including the new ACROS monochrome mode and Grainy effect
Description
The FUJIFILM X-Pro2 takes X-Series camera performance to new heights. The new 24MP X-Trans CMOS III image sensor and high performance X Processor Pro image processing engine dramatically improve image quality. The Ad-vanced Hybrid Viewfinder is capable of instantly switching between optical and electronic viewfinders. Fast focal plane shutter and intelligent Hybrid Phase detection take performance a step further. Plus, there's a new weather resistant rugged body and dual SD memory card slots to fulfill the wishes of every pro photographer. By combining these features with the ultra-high image quality of FUJINON X-Mount lenses and FUJIFILM's renowned color reproduction technology, the X-Pro2 delivers the best ever results from an X-series camera.
Compatible Mountings: Fujifilm X
Aspect Ratio: 32
Photo Sensor Technology: CMOS
Supported File Format: JPEG, Raw
Image Stabilization: Hybrid, Optical
Optical Zoom: 1 x
Maximum Aperture: 3.5 millimeters
Expanded ISO Minimum: 100
Metering Description: Average, Center-Weighted Average, Multi-Zone, Multiple, Spot
Brand: Fujifilm
Compatible Mountings: Fujifilm X
Aspect Ratio: 32
Sensor Type: CMOS
File Format: JPEG, Raw
Image stabilization: Hybrid, Optical
Maximum Aperture: 3.5 millimeters
Expanded ISO Minimum: 100
Photo Sensor Resolution: 24.3 mp
Photo Sensor Size: APS-C
Maximum Shutter Speed: 1/32000
Minimum Shutter Speed: 1/32000 seconds
Exposure Control: Manual
Form Factor: Compact
Effective Still Resolution: 24.3 mp
Special Feature: Brightness Control
Color: Black
Screen Size: 3 inches
Shooting Modes: Advanced filter modes toy camera, miniature, pop color, high-key, low-key, dynamic tone, soft focus, partial color; 15 types of film simulation mode
Item Weight: 2.9 pounds
Video Resolution: FHD 1080p
Viewfinder: Optical
Flash Modes: TTL
Camera Flash: Hotshoe
Skill Level: Amateur
Specific Uses For Product: Photography
Compatible Devices: HDTVs, monitors, computers, some external storage devices
Continuous Shooting: 8 frames_per_second
Aperture modes: F2.8
Flash Sync Speed: 1/250 Second
Video Capture Format: MP4
Connectivity Technology: HDMI, USB
Wireless Technology: Bluetooth, Wi-Fi
Total USB Ports: 1
Total USB 2.0 Ports: 1
Hardware Interface: AV Port
HDMI Type: Type D Micro HDMI
Display Type: LCD
Display Fixture Type: Fixed
Display Maximum Resolution: 2400 x 1600 pixels
Display Resolution Maximum: 6000 x 4000
Auto Focus Technology: Phase Detection
Focus Features: Hybrid
Autofocus Points: 273
Focus Type: Auto Focus
Focus Mode: Continuous-Servo AF (AF-C), Manual Focus (MF), Single-Servo AF (AF-S)
JPEG Quality Level: Fine
Supported Image Format: JPEG, RAW
Bit Depth: 14 Bit
Total Still Resolution: 24.3 mp
Maximum Image Size: 24.3 mp
Optical Zoom: 1 x
Lens Type: Wide Angle
Minimum Focal Length: 3.5 millimeters
Real Angle Of View: 54 degrees
Focal Length Description: Wide Angle
Digital Zoom: 0.59 x
Metering Methods: Average, Center-Weighted Average, Multi-Zone, Multiple, Spot
White Balance Settings: Auto
Self Timer: 10 seconds
Crop Mode: APS-C
Brand: Fujifilm
Model Name: Fujifilm X-Pro2
Built-In Media: X-Pro2 Camera^Li-ion battery NP-W126^Battery Charger BC-W126^Shoulder strap^Body cap^Strap clip^Protective cover^Hot shoe cover^Sync terminal cover^Clip attaching tool^Owner’s manual^U.S.A. Warranty
Model Number: Fujifilm X-Pro2 Body Black
Model Series: X-PRO
Global Trade Identification Number: 81
Generation: 2nd Generation
UPC: 074101027181
Unit Count: 1 Count
Age Range Description: Adult
Manufacturer: Fujifilm
Manufacturer Part Number: Fujifilm X-Pro2 Body Black
Warranty Description: 1 year coverage for labor, 1 year coverage for parts, This warranty doesn’t cover accessories not made by the manufacturer, batteries, or flash equipment
Image Capture Type: Stills
Flash Memory Type: SDXC
Memory Slots Available: 2
Write Speed: 150-300 MB/s
Compatible Flash Memory Type: SD
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Sunday, Sep 6
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
I am a hobbyist photographer focused mainly on capturing everyday imagery: family, travel, architecture, and the like. I've used mirrorless cameras since their inception, snapping up a Panasonic Lumix DMC-G1 when it was released. When Fujifilm announced its entry into the space, I was attracted to the larger APS-C sensor, the JPEG quality (I can't be bothered to post-process), and the promise of a more analog feel (my Micro Four Thirds cameras felt a little too automated to keep me interested in the creative process). I jumped on the X-E1 and later upgraded to the X-T1. I own a handful of Fujinon lenses, including the 18-55mm, 23mm, 35mm f/1.4 and f/2, and 56mm (non-APD version). I prefer rangefinder-style bodies for aesthetic reasons, but the X-Pro2's body feels a little large in my small-ish hands; I think I prefer the size of the X-T1. That said, I can still easily hold it with one hand, and I appreciate its solid feel. I also miss the X-T1's EVF. As a glasses-wearer, the smaller hybrid viewfinder is a little tougher to see. Nevertheless, the camera feels very refined: the build is solid, the controls fall nicely under my fingers, and the haptics are spot on (the exposure compensation dial, in particular, has the perfect amount of resistance). I moved from the X-T1 to the X-Pro2 for three primary reasons: the 24 megapixel X-Trans III sensor, the ACROS film simulation, and the 1/8000 shutter speed. To my eyes, image quality is very similar to the X-T1 with the added benefit of additional cropping latitude--exactly what I was hoping for. I'm also really enjoying the Acros film simulation. It seems a little more contrasty than the standard monochrome simulation, and the film grain effect adds a new dimension to printed photos. Finally having a 1/8000 shutter speed has already proven useful for outdoor shooting with fast lenses (I'd rather not have to carry ND filters). Overall, for a JPEG shooter like myself, the X-Pro2's image quality and tweak-ability is a dream come true. Unfortunately, autofocus speed does not seem significantly improved to me, even with the new Fujinon XF35mm F2 R WR. Fujifilm did a nice job explaining the X-Pro2's autofocus and associated limitations on its web site (in brief: a handful of lenses, like the new 35mm, use a newer chip that enables quicker autofocus), but I was still hoping to see some additional speed. When shooting young kids, I can't help but feel that my Olympus OM-D E-M1 is subjectively quicker in single-shot autofocus mode. The speed is certainly not a deal-breaker, and for most use cases it's more than sufficient, but it's an area where Fujifilm can continue to improve. [Update] After spending a little more time with the camera, I'd like to point out two additional features that I've enjoyed. First, the grain effect for JPEGs. I initially thought this might be a gimmick--and, indeed, it might be--but I've found that dialing in some weak grain provides a nice microcontrast-like effect, especially when used in conjunction with the classic chrome film simulation. Second, the dual SD card slot. I have the camera set to record RAWs to one card and JPEGs to the other. That way I can tweak images in-camera using the built-in RAW converter, but easily transfer only the JPEGs to my computer. It also gives me a backup in case one of the cards should fail (something that's only happened to me once). In sum, the Fujifilm X-Pro2 provides a very refined experience: a solid and evolved physical package that produces beautiful image quality. I'm most happy with the X-Pro2, and I look forward to continuing to get to know it.
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Reviewed in the United States on March 9, 2016 by Jacques Gregor
This entire review could just be "it does everything," but that feels like a cop out. First off, and what most people are interested in, the image quality is fantastic. The film simulations render beautiful JPEGs, and the camera saves enough detail and dynamic range into the raw files that you can accomplish just about anything if the JPEGs aren't doing it for you. Most cameras can take beautiful photos though, and the ability to do so isn't what makes this one special. Unlike most digital cameras, this one feels like a mechanical masterpiece to use. Much like older film cameras, all exposure settings are given their own dedicated external controls. No more holding a button while scrolling a dial to change ISO or exposure comp as each have their own dials. For everything else, there are a huge amount of programmable function buttons to map to whatever functions you need quick access to. The main attraction of the X-Pro cameras is the EVF/OVF hybrid viewfinder. Admittedly I use the OVF less than I had expected, but it is an excellent option to have for street or event photographers who can appreciate being able to keep an eye on what's happening just outside of the shot. The EVF meanwhile is fantastic. It's sharp, vibrant, and refreshes so fast that in all but the worst lighting you forget that you're looking at a screen. My only gripe is that the auto brightness is almost always either too bright or too dim in the viewfinder, so I usually leave it set manually. Fuji's flawless implementation of focus peaking means that manual focus lenses that used to be a hassle for DSLRs are now a viable option for most work. Manually focusing with peaking enabled is quick and easy in the majority of situations, and the abundance of adapters for this system means that you can use almost any vintage lens. Have a collection of old Minolta lenses from your film days? They can all be put to use again with a $30 adapter. Prior to buying this camera I shot exclusively with Nikon for almost ten years. For the past three years I'd been using a D610, along with a full lineup of full frame lenses. Image quality was fantastic, but I found myself often leaving my camera at home because it was just too big and bulky. Enter the X-Pro2, and I can have the same fantastic image quality for about half the weight. While this camera is often overlooked for action or sport photography, it is actually quite snappy with the newest firmware. The continuous AF is about what I'd expect from most DSLRs, and when paired with a professional grade lens such as the XF50-140 the tracking is spot on and almost instantaneous. Add an 8FPS shooting speed to that and you have a seriously capable camera. This has quickly become my favorite camera, and it's small size and light weight means it goes more places and takes more great photos. I can't recommend it enough. To summarize my thoughts: Pros- -Same or better image quality as most DSLRs for a fraction of the weight -Mechanical controls for all exposure settings -Programmable controls for everything else -OVF/EVF viewfinder gives you lots of options to fit your shooting style -Weather resistance means no more going inside when the rain starts -Film sims render beautiful JPEGs that require minimum post production -Professional X-mount lenses are almost all less expensive than their full frame counterparts -Built like a tank -Ability to use just about any other lens with an adapter thanks to the super short flange distance -ISO Invariance allows a ton of detail to be pulled out of the shadows when shooting at lower ISOs Cons- -EVF auto brightness is usually wrong -Diopter is REALLY easy to bump out of place -RAW files can look "wormy" when opening with lightroom (Check out X-Transformer for an easy way to resolve this)
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Reviewed in the United States on April 3, 2018 by Erin Jones
This is my first Fuji—and so far so good. I like shooting smaller mirrorless cameras—mostly micro four thirds (M43) for travel and street photography. When I have time, I also like to shoot serious landscape photography. For most purposes M43 works for me, but occasionally I’d like to have the advantage of a larger sensor. Olympus and Panasonic-Leica are producing a number excellent prime lenses, including Olympus newer f2.8 pro zooms. However, as the apertures have gotten larger, the size and weight is increasing, which tends to defeat some of the purpose of the M43 smaller sensor. Meanwhile, Fuji, Sony, and others have been making some attractive new choices with both APS-C and full frame mirrorless bodies. Sony is leading the way with sensor technology, but the range of lens choices still lags (although you can use adapters for some other lenses) and the E mount full frame lenses are large and very expensive. So after reading many reviews, I decided to try the new Fuji X Pro 2 with its improved sensor and features, and--thanks to a big Fujinon lens sale—I added the 14 mm f2.8 prime and 10-24 mm f4-5.6 for landscape shooting. First impressions: After several days with the new camera and lenses, as well as some head-to-head comparison shooting with my smaller equipment, I’m very pleased with the X Pro 2 and the quality of results from the new lenses. Pros: The X Pro 2 has a solid, well-designed weather sealed body; it allows choice between optical and electronic viewfinder; it has a new larger sensor and image processor, with option to choose between 77 and 273 AF focal points; the X Pro 2 has excellent professional dials for exposure, shutter speed, and ISO with a front lever to switch between the optical and EVF; the useful joystick is useful for moving focal points (but a touch screen would be better); its menus are logical with options for customization; dual SD card slots; and you can add a well-designed optional handgrip. The X Pro 2’s video is good (but not state of the art—but you probably won’t be buying this camera for video anyway). Cons: The X Pro 2 has no in-body image stabilization and no touch screen, and it has a slight flicker of display in low light (at least on my copy). Bottom line: The X Pro 2 has the feel of a sophisticated pro tool, it is a pleasure to use and it produces great results. It is a good choice and complement for my M43 line up.
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Reviewed in the United States on March 6, 2016 by Tempe
Well, where do I start? 1-AF- to me it is excellent, it is so snappy, and works so well, different drives for different work e.g. single point for stationary objects like studio work, wide for BIF or animals, zone for youngsters or bikers or sports. (TURN ON PERFORMANCE MODE) 2-Color, just amazing, the grain effect is beautiful, the color profiles are gorgeous, I would whole heartedly say no one does this as good as Fuji does this. 3-IQ the image quality out of this camera does not leave me wanting, its so nice, its a good file size, and I was already getting great results with the previous 16mp now I have 24mp (I turn my sharpness up +1, this makes post process easier and the photos a tiny bit crisper 4-Ergonomics- just perfect, I love shooting with this thing, great weight, feel, buttons, joystick, dual card slots, large buffer, I really like the ISO/shutter dial, the OVF is beautiful. Make sure to turn on CORRECTED AF FRAME, this make for easier use when shooting telephoto. Conclusion, this is by far the best camera that Ive owned, I prefer it over the Sony A series, and all Micro 4/3, battery life, I get 500 shots on my fuji batteries, using the Fuji 100-400, and switching between OVF/EVF, and settings all the time. I turned off picture preview, I don't really find the need to chimp much. FIRMWARE UPDATE Update: This update is fantastic, the focus is now in wonderful DSLR league, the whole camera is now full circle a professional machine. I usually leave the camera in OVF mode and have center heavy zone focus. It works so well, I love this camera even though I have also purchased the XT2. If you shoot RAW, remember that Lightroom treats the files in an odd way, there are lots of persons who show how to change the defaults. Honestly, I shoot jpeg 90% of the time. Update: Firmware 4.00 More features (although the camera can be a little finicky now.) 4k video and better autofocus. I really can't believe that 2 years on this camera only gets better. I added some photos, but this camera is just so amazing and functional.
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Reviewed in the United States on April 17, 2016 by King George
I've had my X-Pro2 for almost two weeks now, and absolutely love it. I've been plagued by on-call for work, and now I appear to have a bad cold, so I haven't been able to put it through all of the paces I wanted to, but what I've seen so far, I really like. Pros: - Fits my hands very well - With the XF35mm f/2 lens, is a fairly compact and light weight kit - Hybrid EVF/OVF is nothing short of outstanding - Appears to be built like a tank - Is very responsive - Top-mounted controls are easy to learn and use, without taking your eye away from the view finder - Image quality is outstanding - Acros film simulation. What can I say except "Wow!" - Focus point joystick is brilliant, and is extremely easy to use - Auto focus is fast and sure Cons: - Battery life could be a bit better I bought into the X-Pro2 knowing full well it didn't have 4K capabilities, and I'm more than good with that. I also figured this camera might not be a sports photographer's dream camera. I do know it is a fantastic street and portrait photographer's camera, and probably a wedding photographer's camera as well. I also feel it will be a good landscape camera, but won't know for sure until I can get outside. Anybody who is going to drop this much money on a camera body should do their research ahead of time, and make sure it fits your particular style of photography. It fits mine very well, and I see my Canon kit slowly getting sold off in the near future. In addition to their fine camera bodies and lenses, I also admire Fujifilm's commitment to it's users, by providing firmware updates to fix issues, and also to extend the capabilities of their cameras.
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Reviewed in the United States on March 16, 2016 by Howard W. Pepper Jr.
I’ve been a Fuji X-series fan since I purchased the original X-E1 years ago, along with a few nice prime lenses. The X-Pro2 was the obvious upgrade choice for me. I’ve been using this camera since 2016, and I love it. It’s a great camera. Beyond the stellar image quality, here’s what stands out for me: First, the rangefinder format with an optical viewfinder is really nice. Fuji has designed an efficient workflow for using either an SLR-like view, or an optical view with overlaid displays of the settings and frame for specific lenses. Even with longer 140mm focal lengths that appear as small frames within the viewfinder, this provides a fast way of showing the context of the shot and helping to quickly find the right framing. I’ll always prefer the X-Pro2’s OVF to the LED displays of the X-E or X-T series. And like all X-series cameras, the X-Pro is built well and handles well. Second, the X-series system has proven its value to me over many years. I still use and love the original kit and prime lenses with the X-Pro2 that I purchased for the X-E1. I fully expect to use and love these lenses with any future upgrades. As for upgrades, the technology improvement will have to be pretty significant before I give up this X-Pro2. Third, Fuji as a company has impressed me with their commitment to building cameras that users love. The hardware is the hardware and as mentioned above the X-Pro2 is praiseworthy. Above this, Fuji has consistently improved on this foundation with regular firmware upgrades that have dramatically improved performance over the years on issues like autofocus response (use it all the time) and 4K movies (never use it but glad it’s there). I have also had to have both a flash and this X-Pro serviced by Fuji. The flash issue was my fault—sand at the beach—and Fuji replaced it at a reasonable cost. The culpability for my X-Pro2 issue was ambiguous, but Fuji swapped out the affected parts and shipped it back to me virtually as new with no charge. I was always a loyal Fuji customer because of their line, but their service record with me makes me a loyal customer that wants to write a good review for them. Fourth, I often use my kit in demanding outdoor conditions (Mount Washington in winter is typical) and it has always performed well for me. In comparison, I’ve seen my climbing partners’ comparable cameras from different makers come and go and fail. But I still have my trusty Fuji. Finally, I’m personally confident about the future of the X-series line, which is always an important question for digital products, especially expensive ones that come with expensive accessories. I thought about this with my first X-E1, and decided to jump in because Fuji makes a nice camera. After years of service from these products and the success of the X-series line, when I weigh purchasing a new accessory or lens, I focus on whether it will fill a gap with my photography, not about its longevity or future support.
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Reviewed in the United States on November 1, 2018 by ss
I'm not a very serious or demanding digital shooter. I prefer film, and use digital only to get quick photographs for family sharing or even for work. This probably explains my choice of digital bodies; I have two Nikon dSLRs that are very much reminiscent of the glorious Nikon F100 (the D700 and the D800), and, since I cannot see myself spending tons of cash on a digital Leica, I chose the Fuji X-Pro line as a kind of digital rangefinder. My first one was the X100 (right after the announcement of the X100S). I got it for a decent price... but didn't like it; the colors didn't do it for me the same way the Nikon did, and I found that the camera left a lot to be desired (I was unable to shoot with the lens wide open). I took it on an international trip and only experienced heartache and frustration because the AF was too slow and I couldn't tell the camera where I wanted it to focus, and the menu items were quite confusing... and kept resetting themselves for no reason. In the end, I sold it and decided to give Fuji another chance. When the X-Pro2 was announced I managed to buy an X-Pro1 on offer from a reliable store. While the controls looked a bit like the ones in the X100 (and so did the menus), I kept experiencing the same problems (settings changing on their own, inability to select focusing points, unsatisfactory color rendition). I was ready to give up on Fuji altogether when I started (decided, really) to read reviews of the X-Pro2 and saw that it was a significantly better body. I put any purchase in the back burner because I upgraded my Nikon inventory, but then, when the X-Pro3 came out, I saw my chance and bought a sligtly used X-Pro2. Believe me... even though the X-Pro3 has something I really like (the pivoted screen in the back), I don't think it's still as significant an improvement as the X-Pro2 was over its predecessor. This camera has 300+ focusing points, a lot of choices for film simulation, better organized menus and an excellent color reproduction. Now, one thing that's a vastly better experience in this camera body is the e-finder. Compared to the one in the X-Pro1 (grainy and pixelated), this one offers a clear and sharp view of the image you're about to make. I would use it a lot more if it weren't for the fact that it tends to drain the battery, but, for the moments when you need it, it's available through the front lever. Also, the view mode button is a lot less temperamental than the X-Pro1's and Fuji finally got rid of the absurd Macro mode that always interfered when you wanted to do something with the main selector. I now enjoy, rather than suffer, walking with this camera. Also, the AF is incredibly responsive; I must admit that I like it almost as much as I like my dSLRs because, just like my Nikon bodies, this one has lines that divide the finder in six areas (perfect for the rule of thirds), you can activate any of the focusing points as you please, and even though the finder has a low magnification, it can be customized to show all the information you want or need. Was the X-Pro3 really necessary? I frankly don't know, and given all the complaints about how the cover comes off and the rear screen fails, I don't know if it's even worth getting one for the sake of having the latest toy. I've been always for having the cameras that work, so I'm absolutely thrilled to bits with this one (which, by the way, I use with a zoom lens that's roughly equivalent to a 24-70 in regular film). Add to it the fact that I can shoot both RAW and JPG format, and that I have two card slots (customizable; one can be overflow or used for different formats), this is a camera to keep. I attached a few samples that show the color performance, detail and the way the camera does monochrome (with a yellow filter effect). If you're on the fence about one, feel free to contact me and I'll convince you to get one.
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Reviewed in the United States on November 7, 2020 by Francisco Solareslarrave
CAUTION: I purchased a “New” fujifilm x pro2 body but was given one that was already opened. The seal on the bag was torn and a camera strap was attached to the camera and haplessly wrapped around the body. In addition there was no batter charger in the box for or connector cables. This has be worried that the “New” camera I just purchased was someone else’s before me. I’m disappointed by fujifilm’s quality control on this.
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Reviewed in the United States on February 8, 2020 by Amazon Customer