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Top Shelf Productions

From Hell

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Description

Alan Moore (Watchmen) and Eddie Campbell (Bacchus), grandmasters of the comics medium, present a book often ranked among the greatest graphic novels of all time: From Hell. From the squalid alleys of the East End to the Houses of Parliament, from church naves to dens of the occult, all of London feels the uniquely irresistable blend of fascination, revulsion, and panic that the Ripper offers. The city teeters on the brink of the twentieth century, and only the slightest prodding is necessary to plunge it into a modern age of terror. Moore and Campbell have created a gripping, hallucinatory piece of crime fiction about Jack the Ripper. Detailing the events that led up to the Whitechapel murders and the cover-up that followed, From Hell is a modern masterpiece of crime noir and historical fiction. Read more

Publisher ‏ : ‎ Top Shelf Productions


Publication date ‏ : ‎ May 1, 2004


Edition ‏ : ‎ Reprint


Language ‏ : ‎ English


Print length ‏ : ‎ 576 pages


ISBN-10 ‏ : ‎ 0958578346


ISBN-13 ‏ : ‎ 49


Item Weight ‏ : ‎ 2.9 pounds


Reading age ‏ : ‎ 16 years and up


Dimensions ‏ : ‎ 7.5 x 1.6 x 9.9 inches


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Top Amazon Reviews

    • Nothing like it
Spectacular. Haven’t read many comics or graphic novels, but I was blown away by this. I’d recommend googling some of the characters’ names when you first hear about them in the story — helps to orient you as you read. Also, heads up, this is a very graphic work in terms of sex and violence. Not something you’d want a kid of almost any age to flip through casually and it’s not a book you’d want to read on the subway with people looking over your shoulder. Still one of my favorite books ever. Incredibly thought provoking and compelling and riveting to read. ... show more
Reviewed in the United States on March 4, 2024 by B Johnson
    • Hellishly Ingenious Account of the Ripper Murders
This is an ingenious hatching of a theory of the Whitechapel Murders case, one that flies in the face of all that's good and civilized in Victorian Britain and the British Empire at its peak, despite all those well-known wens, warts, and suppurating lesions. And perhaps the greatest graphic novel yet produced, despite the oftentimes nearly illegible lettering in what I must assume is a reduced page size from the normal magazine- or comic-page sizing of around 8.5” x 11” or so. (You may need strong reading glasses to make out some of the text.) Alan Moore is an indefatigable researcher and brilliant storyteller. Eddie Campbell's spidery, scratchy drawings suit the murky mood of the story. (And even so, when called upon to render historic London architecture, Campbell’s panels burst into glorious, meticulous copperplate-etching-type, scaled architecture-textbook detail and quality.) This book gripped me from front to back. The conspiracy Moore conjures, supported by 42 pages of dense notes and an additional graphic appendix, unfolds splendidly. It includes, of course, the London neighborhoods, and volumes (or is it simple myriad panels) on 19th century social mores, to include, yes, all those whores and other species of “loose women” and, to our eyes today, reprehensible men, but also – for those who are unprepared, but this is no spoiler, because the Ripper stories have been in circulation for sometimes more than a century – royalty, to include Victoria, Druidism and the Old Gods, Freemasonry and its secrets and rituals, icons of 19th century art, architecture, and literature, details of contemporary police and Scotland Yard procedure, and, believe me, very much more, crammed into its 572 pages. And on my next visit to London I'm going to bring with me chapter 4, as my guide to the buildings of Nicholas Hawksmoor. For an architecture buff, as I am, who has stomped around London peering into old churches and ancient structures, as I have, chapter 4, and its beautiful renderings of some of London’s greatest churches, was a particular unexpected, delightful serendipity. I would urge every reader to narrate chapter 14 aloud, in the most refined English accent they are capable of producing. I found it to be a chilling reading experience. And parents, if the title fails to warn you sufficiently, do examine the contents closely before leaving this one out for the kiddies on a rainy Saturday. The copy I read had no "for mature readers only" markings. From Hell is most assuredly for mature readers only and deserves, at the very least, an “NC-17” rating. This is simply a terrific read and one that, I see from other reviews, will require from many a measure of patience. Moore unfolds his tale at what some will find a too-leisurely pace. Other readers have greater toleration for both glacial pace and a carefully studied narrative ambiguity. For those of us who wallow in detail, texture, and explanatory endnotes, as well as a horror stories that, in the end, are truly disturbing, this should be just the ticket. ... show more
Reviewed in the United States on October 17, 2017 by Paul Frandano
    • Raising the bar with Alan Moore
Like the Ripper strips away at is victims, Moore stuffs this bird exponentially giving a gluttonous serving of the arguably first modern day serial killer. Moore is the standard of the brilliant and astute student, well rounded in his efforts. He will bring his angle and create a sturdy foundation and a hell of a dwelling for fiction, where is served, the richest food for thought. It’s all there laid out, the process and reasoning in the end of the book just as entertaining as the story itself. Moore, like any great author doesn’t just provide a narrative, he hones in on the time and setting and the spirit of the times and its people. The well stratified view of who walks the streets in 19th century England and how they are fleshed out. No matter the strata, he displays the culture of a people, somehow whether in a classroom or a carriage riding around in the streets, literature, mathematics, philosophy, even quantum physics will prevail in a panal of comic book action. The black and white art is classic and undeniable as moody set pieces range throughout. Adding to the dodgy underbelly. Surprisingly, how the gore not only came through, neutral also, manifested itself and claimed the rest of the senses and creating the shadow world of what lies just beneath. Moore’s work will be reread, because there will be so much Ed missed and overlooked, at least by me. There is a richness that calls out for a brilliant leftover feast. ... show more
Reviewed in the United States on September 7, 2020 by Juan

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