Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras
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Availability:
Only 2 left in stock, order soon!
Arrives
Sunday, Oct 25
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Features
- Tilt and shift lens compatible with all Canon EOS cameras; ultra wide 24mm focal length
- High-precision lens elements for low distortion and high resolution; +/- 8.5 degrees Tilt and +/-12mm Shift
- Aspherical and UD lens elements minimize chromatic aberration
- Sub-wavelength structure and super-spectra coatings minimize ghosting and flare
- Circular aperture for creative, blurred highlights
Description
Filter size: 82 mm, Closest Focusing Distance: 0.69 feet.
Brand: Canon
Focal Length Description: 24-24 lens
Lens Type: Tilt Shift
Compatible Mountings: Canon EF
Camera Lens Description: Canon TS-E 24mm f/3.5L II Tilt-Shift Lens
Focal Length Description: 24-24 lens
Lens: Tilt Shift
Compatible Camera Mount: Canon EF
Maximum Focal Length: 24 millimeters
Minimum Focal Length: 24 millimeters
Lens Design: Prime
Focus Type: Auto Focus
Lens Fixed Focal Length: 24 millimeters
Lens Coating Description: Subwavelength Coating
Zoom Ratio: 11
Image stabilization: Digital
Real Angle Of View: 84 degrees
Maximum Aperture: 3.5 f_stop
Minimum Aperture: 3.5 f_stop
Number of Diaphragm Blades: 8
Compatible Camera Models: All Canon EOS models
Photo Filter Size: 8.2 centimeters
Lens Mount: Canon EF
Screen Size: 8.2 centimeters
Color: Black
Compatible Devices: DSLR Camera
Exposure Control Type: Automatic
Media Type: ProductImage
Water Resistance Level: Not Water Resistant
Brand: Canon
Camera Lens: Canon TS-E 24mm f/3.5L II Tilt-Shift Lens
Model Name: TS-E 24mm f/3.5L II
Number of Packs: 1
UPC: 013803108613
Number of Items: 1
Manufacturer Part Number: 3552B002
Global Trade Identification Number: 13
Unit Count: 1 Count
Built-In Media: Instruction Book, Lens Case LP1319, Lens Hood EW-88B, One Year Limited Warranty Card, TS-E 24mm f/3.5L II Lens, Unit Option Cap
Item Weight: 790 g
Manufacturer: Canon Cameras US
Warranty Description: 1-year warranty
Model Number: 3552B002
Model Series: TS-E
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Sunday, Oct 25
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To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
After years of missing large format cameras with their swings and tilts, and of course their wonderful large film size that together produce incredible images, I think I have found something that will lessen my longing. This tilt-shift lens combined with a high-pixel DSLR (like the Canon EOS 5D Mark II) enable a photographer to produce images that can rival the best from medium format cameras and even can under the right circumstances push image quality into 4 x 5 inch sheet film territory. I got this lens, snapped it onto my camera and got excellent results right away. It helped to spend some time refreshing my memory about how to use tilts and shifts but aside from that, there was nothing mysterious about this lens other than the magical quality it possesses for producing sharp, colorful images that can be free of converging lines or offer incredible field of focus control. Other's have described various technical qualities of this lens and most online reviews describe the several improvements this lens offers over it's predecessor. The big ones are better control over chromatic abberation and the ability to independently control the axes of shift and tilt. Closer focus is also a bonus. Opinion varies about sharpness in the corners but all agree this is perhaps one of the sharpest lenses in Canon's line-up. My example delivers sharp corners so perhaps my copy is better that some of the reviewers? I had to choose between this lens and more traditional ones (I was looking at the 70-200mm) and decided that this lens offered me the things I could get with no other lens - a lens great for interiors, exteriors (architecture) and new landscape dimensions. I can get the zoom later! This lens is unique. I wasn't sure how much I would like it but now that I've had some seat time with it, I could never think of being without it. Usual L quality - beefy, precise, and consistent behavior for all controls! Not a bargain price but it's the old adage - you get what you pay for!
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Reviewed in the United States on April 23, 2010 by Paul M. Provencher
I bought my lens copy used in mint condition as upgrade from my 24/3.5 vers. I T/S lens. Optically it is a visible improvement - shifting the lens fully up or down does not lead to any cumbersome vignetting in the corners as the old lens version did. The lens overall is very sharp and provides an excellent image quality. I also like that tilt and shift functions can now be rotated against each other easily in any angle. Compared to my old version of this lens, I only see a few drawbacks which I want to mention here. Optically it does not make a difference, but the built style of the old T/S version was a metal housing while this new version uses plastic. This is especially visible when using the interlock buttons which are now tiny plastic locks (formerly metal). As mentioned in other reviews below, the new version now uses a 82 mm filter thread. This might have been needed to create a larger image circle of the lens to shift it better and to remove vignetting issues, but it forces you to get a new polarizer and/or ND filter if needed. In comparison with the older 24 mm T/S lens, you need now to keep a close eye on the scale of the tilt/shift positions. My old lens "jumped" easier back into the zero position while the new lens doesn't do this and might easily still be one mm off center if you are not careful. But you get used to the new system easily to center back correctly. In my opinion it is the best 24 mm lens which Canon has available in regard to sharpness and for the tilt/shift performance image-quality wise.
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Reviewed in the United States on November 6, 2012 by Martin
Added this lens to my collection and it has produced some really good architectural photos. I have been using mostly the slide feature to take the tilt out of building photographs. The only complaint I would have is knobs are not easy to reach in some orientations.
Reviewed in the United States on May 3, 2010 by F. Kohrs
Best lens I own...I shoot architecture and this is the king. Crazy sharp (as has been said many times here) and compared to the 17mm this thing is easy to focus. I own over a dozen L series lenses, all of which were purchased with a view towards their application in shooting buildings. This is the stalwart of the group; the one I'd never leave home without and the one that is used most frequently on every shoot. I'll also note that this thing has taken a beating...I use it all the time..it's been bumped and banged about a fair bit and still performs perfectly. Amazing piece of glass! I really can't recommend this lens highly enough especially for folks considering shooting architecture / real estate on a professional basis. Beyond the strict formalism of conventional architectural photography I should also note that this lens is great fun to play with in more creative applications. With a little shift and some tilt to throw focus you can make some highly compelling stills and doubly compelling video..fun times. If I had to pick 1 lens for work and fun this would be it.
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Reviewed in the United States on September 5, 2011 by mucker
Not a lot to say here. This lens is not a zoom, not fast and it has a very large image circle. So there's every reason to expect it will perform and boy, does it ever. It's true that shifting, especially if you shift all the way, lowers the image quality. But this lens is so sharp and has so little chromatic aberration there seems to be resolution to spare. Image circle, freedom from CA, vignetting, and ergonomics are all superior to the Nikon 24PC (and that lens is no slouch, either.) Good as the 24TS is, I would recommend stopping it down, even when you're not shifting. I know the test reports always say "Its fabulous wide open so stopping down just invites diffraction." This is certainly true in theory and probably in a test environment, but I find it's best at f/8 - f/11, even unshifted. Liked the 24TS so much I bought the 17TS also. While the 24TS lacks the coolness factor of the 17, the 24 is, in my opinion a much more useful focal length. (It's also a tiny bit sharper but they are both first class.)
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Reviewed in the United States on June 26, 2011 by Coronet Blue
This is the one to get. Chances are some of you are like me and are already a Canon user, have already decided to buy a tilt shift lens, but are trying to decide which focal length to buy. If you can only buy one, this is it. I haven't run into a situation where I needed a longer focal length tilt shift and I rarely wish I needed a wider angle. If you are trying to decide whether to buy the 16-35 or the TSE-24 and you primarily do landscape or architectural work, this is it. I use the 16-35 for weddings and such. I needed to learn how to use the lens but it wasn't that hard. There are a lot of very smart and generous people in youtube land who have helped me...a lot. I almost always use a tripod with this lens and a geared head is now permanently attached to my tripod because of this lens. Yes, you will want a geared head if you use this more than a couple of times. You don't NEED it, but you will want it.
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Reviewed in the United States on September 5, 2014 by fragino
Love this lens. Extremely sharp. Correct focus is still indicated by the usual red square and beep in the viewfinder, It just won't do it for you. Works well with a 2x extender, and has enough light that the focus indicator still works. Requires a little stepping up or down depending on amount of shift or tilt. Challenging to work with, but not in a bad way. It really requires you to stop and think about your composition at a whole new level. This is a wonderful way to get some of the experiences of a view camera while using an SLR.
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Reviewed in the United States on January 20, 2016 by Jeremiah Jahn
This lens does what it says, and this newer II version has a larger field so you get more shift and tilt out of it. It's also very sharp, although I don't know that it's any sharper than the 24-70 II. My only negatives are that in certain configurations, the vignetting is so pronounced that the picture is unusuable. This is worst when you orient the tilt and shift on the same axis, and push them to the same extreme. About 1/3 of the frame has significant vignette, and the aperture has no effect on vignetting. Otherwise a great lens for easy panoramas and large-pixel frames, for fixing skew in architecture shots, for fully focused landscape shots with in-focus foreground, for changing depth of field orientation in artistic shots, and of course the miniature shots (if that's your thing).
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Reviewed in the United States on January 22, 2014 by markylikespie