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Canon EOS 20D DSLR Camera with EF-S 18-55mm f/3.5-5.6 Lens (OLD MODEL)

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Features

  • Powered by rechargeable BP-511A 1390mAh battery pack
  • Store images on CompactFlash memory card
  • Includes 18-55mm (3x zoom) f/3.5-5.6 autofocus lens, EF mount compatible with all Canon lenses in EF and EF-S lineup
  • 8.2-megapixel sensor captures 3504 by 2336 pixel JPEG or RAW images
  • Direct printing with PictBridge printers
  • 8.2-megapixel sensor captures 3504 by 2336 pixel JPEG or RAW images
  • Includes 18-55mm (3x zoom) f/3.5-5.6 autofocus lens, EF mount compatible with all Canon lenses in EF and EF-S lineup
  • Direct printing with PictBridge printers
  • Store images on CompactFlash memory card
  • Powered by rechargeable BP-511A 1390mAh battery pack

Description

The perfect EOS for advanced amateurs and professionals alike, the EOS 20D sets new standards in its class. Featuring an all-new 8.2 MP CMOS sensor, a second-generation DIGIC II image processor, 5 fps performance for up to 23 consecutive frames, and a 0.2 second start-up time, the EOS 20D is designed to capture richly detailed, perfectly exposed images with speed formerly found only in cameras several times the price. Other features include a top shutter speed of 1/8,000 seconds, flash sync at 1/250, a new high-precision nine-point AF system, a built-in multicontroller for fast focusing point selection, and a refined magnesium alloy body for rugged, go- anywhere photography. Compatible with not only Canon's new EF-S lenses but the entire EOS system of lenses and flashes, the EOS 20D is a professionally featured camera with a consumer price tag. From the Manufacturer The perfect EOS for advanced amateurs and professionals alike, the EOS 20D sets new standards in its class. Featuring an all-new 8.2 MP CMOS sensor, a second- generation DIGIC II image processor, 5 fps performance for up to 23 consecutive frames, and a 0.2 second start-up time, the EOS 20D is designed to capture richly detailed, perfectly exposed images with speed formerly found only in cameras several times the price. Other features include a top shutter speed of 1/8,000 seconds, flash sync at 1/250, a new high-precision nine-point AF system, a built-in multicontroller for fast focusing point selection, and a refined magnesium alloy body for rugged, go-anywhere photography. Compatible with not only Canon's new EF-S lenses but the entire EOS system of lenses and flashes, the EOS 20D is a professionally featured camera with a consumer price tag. 8.2-Megapixel CMOS Sensor Canon's all-new large-area CMOS (complementary metal oxide semiconductor) sensor captures images with exceptional clarity and tonal range, and offers the most pixels in its class. This second-generation APS-C-size sensor (22.5 by 15.0mm) has the same 3:2 ratio as film cameras, enabling an effective angle of view that is 1.6 times the normal EF lens focal length. The EOS 20D has an extensive ISO range (from 100 to 1600 plus ISO 3200 in extended mode), and the sensor features a newly developed set of narrow-gap microlenses and noise-reduction circuits to improve performance at high ISOs and optimized photodiode configurations for improved performance at all ISOs. This results in larger, clearer, sharper, and more detailed photographs right from the start. Second-Generation DIGIC II Image Processor The EOS 20D benefits from Canon's in-house development: The DIGIC II image processor was developed originally for the EOS-1D Mark II and enhances every aspect of image capture. Information captured by the CMOS sensor is processed and assembled into images of exceptional quality by this new image processor. With the DIGIC II image processor on board, photographers can expect precise, natural colors and spot-on white balance in any number of lighting situations. Through sophisticated signal processing algorithms, the DIGIC II image processor even accelerates all aspects of image capture, while consuming less energy than other processors. Every Function Optimized for Speedy RAW and JPEG Capture The EOS 20D has been designed to capture images with speeds that had been reserved for professional-level cameras. Whether it's the 0.2 second start-up time, the high-speed mirror drive, the class-leading 65 microsecond shutter release lag time, or the predictive AF focusing at speeds up to 5 frames per second, the EOS 20D will amaze and delight photographers who don't want to wait for their camera when they're ready to shoot. The 20D's CMOS sensor allows four-channel high-speed data readout, and the DIGIC II image processor processes the data quickly, writing files to the CompactFlash card faster, and allowing continuous shooting for up to 23 frames (JPEG Large/Fine) with significant reductions in buffer clearing times. JPEG or Simultaneous RAW+JPEG Whenever you shoot the EOS 20D, you can choose to have it record RAWs or JPEGs alone, or in RAW plus JPEG formats simultaneously. The JPEG recording format is ideal for purposes such as Internet image transfers that require reduced file sizes. Canon's proprietary RAW (.CR2) format, on the other hand, employs lossless compression to ensure the highest possible image quality, and is recorded at 12 bits per pixel to provide a wider range of tones and superior detail in bright highlights and deep shadows when compared with JPEG files. RAW files must be processed before they can be opened in your computer's image-editing software. This conversion process typically takes only a few seconds using the dedicated driver software, which will convert the RAW file into a standard 8-bit-per-channel JPEG or TIFF file, or for maximum tonal range, a 16-bit TIFF. There are six selectable settings for in-camera JPEG image quality, when CF card space is at a premium. Expansive Sensor Array for Easier Composition The EOS 20D has a newly developed high-precision nine-point AF system for speedy and accurate focusing in any situation. An improved focusing screen with precision matte finish enables brighter and easier manual focus. A newly developed multicontroller, conveniently located on the back of the camera for thumb-controlled action, allows the photographer to instantly choose any of the nine focus points or direct the camera to choose them automatically. Focusing points are positioned in the viewfinder in a wide diamond-shaped array, allowing the user to achieve focus quickly in numerous compositions and situations. Features Formerly Offered Only in Canon's Pro Cameras Allow for More Fine-Tuning Photographers will find their options for color settings greatly expanded in the new EOS 20D. Taken directly from the EOS-1D Mark II, the white-balance compensation function utilizes the new multicontroller and a nifty LCD monitor display to tune any white balance setting up to +/-9 steps in blue, amber, magenta, or green hues to ensure spot-on color. The new white- balance bracketing feature produces a series of three files varying white balance from magenta to green or blue to amber, depending on the lighting situation. Images can be processed directly for the industry print standard Adobe RGB or standard sRGB, and are compatible with DCF 2.0 and Exif 2.21 standards for greater flexibility. A range of in-camera image processing parameters can optimize JPEG files for direct printing or post-processing, or can be customized to the user's tastes and needs. The EOS 20D also features a built-in monochrome mode, a first in Canon digital SLRs, which uses digital processing to re-create the effects of a number of different black and white filters and toning effects. These features help to take the guesswork out of black-and-white photography, reducing the need for post-processing by delivering the desired detail and contrast of a black-and-white image from the start. Strength and Elegance Combined The EOS 20D feels solid and rugged in your hands, ensuring stable, easy handling. Its rigid chassis combines engineering plastic with stainless steel and is covered by strong, lightweight magnesium alloy panels on the top, front, and rear. Controls are ergonomically shaped and positioned to sustain the EOS tradition of ergonomic excellence and sure-fire operation. The newly designed grip, shutter button, and rubber skin contribute to this excellent holding comfort, and the camera's high-profile built-in flash is compact and hides itself neatly into the top of the body. A newly refined finish adds to the elegance of the camera body. Expanded Zoom Display During Playback While viewing recorded images on the camera's 1.8-inch, high-definition TFT color LCD, you can enter enlargement mode and enlarge them up to 10 times in 15 stops for detailed analysis of lighting, composition, camera movement, focusing accuracy, facial expression, and more. The new multicontroller enables horizontal and vertical scrolling, while the main dial enables viewing of the previous or next image stored in the CF card at the same enlarged view. In the maximum reduced view, nine images are displayed simultaneously on the screen, making them quicker to find. The camera can be set to automatically rotate vertical images so they can be viewed easily on the monitor and also after downloading to your computer. Direct Printing with PictBridge-Compatible Printers The EOS 20D lets you print beautiful photos with minimum time and effort--directly from the camera. Simply connect the camera to any PictBridge-compatible printer via the high- speed USB 2.0 port to print images stored on the CF card. You can even set the EOS 20D to trim the image, add a surrounding "frame," superimpose a date, or print multiple copies. The EOS 20D's direct-printing feature complies with Exif v2.2 (Exif Print) and DPOF v1.1. With a host of portable and home printers available from Canon, including the new PIXMA iP4000 and PIXMA iP3000 photo printers, getting tangible results from the camera has never been faster or easier. Software The EOS 20D comes bundled with three software CDs: Canon's Digital Photo Professional 1.1, the EOS Solution Disk 8.0, and Photoshop Elements 2.0. Each application is designed to optimize captured images and streamline the digital workflow. Includes EF-S 18-55mm f3.5-5.6 Lens The EF-S 18-55mm f3.5-5.6 is a standard zoom lens. Effective focal length is equivalent to 29-88mm in 35mm film format. Compact and lightweight 11 elements in nine groups, including one high-precision aspherical lens element High image quality at all focal lengths Optimized lens coatings to minimize ghosting and flare Fast AF speed Very close focusing distance (0.28 meters at all focal lengths) Circular aperture gives a more attractive appearance to out-of-focus background areas in photos shot using the widest apertures Lead-free optics EF and EF-S Lenses The EOS 20D is compatible with all Canon lenses in the EF lineup, ranging from ultrawide-angle to super-telephoto lenses, and including Canon's new EF-S series lenses, manufactured specifically for the 20D and Digital Rebel. The EF lineup employs advanced optical know-how and micron precision engineering to deliver unprecedented performance in all facets of the photographic process. Aspherical optics and fluorite elements, for example, are featured in the universally acclaimed L-series lenses. Canon's image stabilization feature minimizes the effect of camera shake. Through Canon's EF lenses, photographers can truly maximize the quality and liberating performance of the EOS 20D. Flash Photography The EOS 20D features the acclaimed E-TTL II flash metering system introduced with the EOS-1D Mark II. Whether using its flush mounted integral flash (guide no. of 43/13 @ ISO 100 m/ft.) or any of the flashes in the EX Speedlite line, E-TTL II provides stable flash brightness through numerous exposures. Additional Accessories In addition to Canon's EF series of lenses and Speedlites, several other accessories are designed to work specifically with the EOS 20D. The Battery Grip BG-E2 adds a vertical shutter release, and is compatible with up to two of Canon's BP-511/511A/512/514 lithium-ion battery packs, or alternatively a set of six AA batteries, for greater convenience when traveling. Canon's Semi Hard Case EH/7-L can accommodate the EOS 20D with a small zoom lens (EF-S17-85mm f4-5.6 IS USM included), and the EOS 20D is compatible with Canon's DVK-E2 image data verification kit to check original image data authenticity, whenever verification is essential. What's in the Box EOS 20D digital camera, EF-S 18-55mm f3.5-5.6 lens, Lithium-ion battery pack (BP-511A) with protective cover, battery charger (CG-580), USB cable (IFC-400PCU), video cable (VC-100), EB eyecup, wide neck strap, EOS Digital Solutions Software CD- ROM, Adobe Photoshop Elements 2.0 Software CD-ROM, EOS 20D instruction manual, 1-year USA limited warranty

Brand: Canon


Model Name: Canon EOS 20D


Maximum Webcam Image Resolution: 8.2 MP


Photo Sensor Size: APS-C


Image Stabilization: Optical


Min Shutter Speed: 1/4000 seconds


Exposure Control Type: Shutter-priority AE, Program AE, Depth-of-field AE, Manual, Aperture-priority AE, E-TTL II


Form Factor: DSLR


Effective Still Resolution: 8.2 MP


Special Feature: Image Stabilization


Auto Focus Technology: Contrast Detection


Photo Sensor Size: APS-C


Photo Sensor Technology: CMOS


Effective Still Resolution: 8.2 MP


Maximum Webcam Image Resolution: 8.2 MP


White balance settings: Flash torch


Self Timer Duration: 10 seconds


JPEG quality level: Basic, Fine, Normal


Camera Flash: F3.5–F5.6


Image Stabilization: Optical


Flash Sync Speed: 1/250_sec


Video Capture Resolution: 2K DCI 1080p


Video Standard: MPEG 4


Viewfinder Type: Optical


Screen Size: 3 Inches


Batteries Required?: No


Number of Batteries: 1 Lithium Ion batteries required.


Are Batteries Included: No


Rechargeable Battery Included: No


Battery Cell Composition: Lithium Ion


Battery Weight: 45 Grams


Removable Memory: CompactFlash Type I or II


Target Gender: Unisex


Digital Scene Transition: Zoom


Connectivity Technology: USB


Continuous Shooting Speed: 5


Wireless Communication Technology: Yes


Flash Memory Type: Compact Flash


Special Feature: Image Stabilization


Skill Level: Amateur, Professional


Form Factor: DSLR


Hardware Interface: PictBridge, USB


Lens Type: Zoom


Aperture Modes: F3.5–F5.6


Optical Zoom: 3 x


Maximum Aperture: 3.5 f


Minimum Aperture: 5.6


Autofocus Points: 9


Compatible Mountings: Canon EF


Focus Type: Automatic with Manual


Maximum Focal Length: 55 Millimeters


Minimum Focal Length: 18 Millimeters


Expanded ISO Maximum: 3200


Expanded ISO Minimum: 100


Min Shutter Speed: 1/4000 seconds


Exposure Control Type: Shutter-priority AE, Program AE, Depth-of-field AE, Manual, Aperture-priority AE, E-TTL II


Shooting Modes: Landscape, Macro, Portrait, Night Portrait, Close-up, Sports


Model Name: Canon EOS 20D


Brand: Canon


Model Number: 9442A008


Color: Black


Included Components: Battery Charger, Battery, Eyecup, Neck Strap, USB Cable, Instruction Manual


Processor Description: Digic 2


Item Dimensions LxWxH: 5.7 x 2.8 x 4.2 inches


Item Weight: 1.5 Pounds


Frequently asked questions

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Top Amazon Reviews


  • WOW! The Best Prosumer Digital SLR out there Period!
Update: I just spent three weeks in Africa in a very desolate and harsh environment with this camera. I have to add - Don't overlook the construction on your dSLR. I had heavy long telephoto lenses on it and the performance of the magnesium case, metal mounts, weather proofing, battery grip all is just amazing. I hate to imagine how a lesser plastic frame might have performed. After traveling by rattling/vibration ridden truck for days, dugout canoes in the middle of swamps, airplanes, hiking -- I came to appreciate Canon's commitment to construction. This camera and and the entire EOS system held up superbly under extremely abusive circumstances and can understand why professional photographers prefer this brand. And the pictures? Oh My, the pictures are just simply the best pictures I have ever taken in my life. Not just because of the locations but because of this terriffic equipment. My friend who had another major brand of camera complained about a muddy ant inside his lens, imagine a muddy ant inside his other major brand lens while he was shooting -- not with my Canon equipment (the sealing held up great). Albeit - he's a better photographer so he probably got amazing shots I didn't -- I didn't worry about the equipment. A+++ to Canon for the camera, the lenses, the battery grip - everything. On other news, I just read that canon is releasing the 5D so I guess my info from the original review was correct. Its definitely a bigger higher end camera and at $3,200 definitely in a different class. I think I'll keep my 20D for telephoto work and but with its full frame sensor, I might get a 5D for wide angle photography. Again, amazing equipment from Canon. Original Review: I'm a first time dSLR buyer (bought the 20D from Amazon -- great service). This was a big jump for me and I read and I read before I decided on this purchase and whether I should jump into the dSLR world. I'd outgrown point and shoot a while back. On the 20D. I agonized over the 10D and the 6megapix Digital Rebel until the 20D came out and I quickly decided on the 20D. I picked the 20D because of solid magnesium case, 9point autofocus, 8.2megapix sensor and DIGIC II, and Instant On. So even after the Rebel XT came out -- the 20D is in a different class altogether. The 20D is a professional chassis and you can use it as a pro camera -- the Rebel is for world travelers (In my opinion). My agony now is over what type of photography I want to do. I only have the kit lens and a $79 dollar 50mm f/1.8 II ... lenses are expensive especially the good ones as I'm learning: Here is what I've learned (intended for the new people who are wondering if they want dSLR or not). dSLR is really about the lenses and the options that you can use on the camera. You need great lenses for great pictures. This is my gradeschool version on dSLRs and lenses and I hope it helps: The setup -- Lets suppose you are standing next to your car and on your car's hood sits your girlfriend and on the hood unbeknownst to her sits a litle grasshopper. Behind your car is a lake and in the distance there's a huge snow capped mountain. This is the difference lenses make: Prime Lenses: Would let you take wonderful facial shot of your girlfriend (boyfriend). If the lens has a good aperture, you might be able to blur the background so you only get her beautiful face and get rid of the annoying mountain and they tend to be light and small. (Canon EF 50mm f/1.4 is a prime lens -- $350) Super Wide Angle Lenses: Expands the foreground and compresses the background. So you'd get a picture of your girlfriend on the car which would both be huge and a lake that would stretch to the horizon and the mountain would look tiny in the far off distance. (Canon EF 14mm f/2.8L is a super wide angle lens -- $1,800) Telephoto Lenses: Compress the foreground and magnify the distant objects. You would wind up taking a picture that would magnify the mountain in the background but your girlfriend, car, and lake would either be very small and compressed in the foreground or they wouldn't even come out in extreme telephoto lenses as you'd only get the mountaintop and cut out the rest. Your girlfriend would also wonder about your relationship at the sight of the humongous lens: good telephotos can be HUGE and heavy! (Canon 400mm EF f/2.8L is a super telephoto lens $6,000) Macro Lenses: Let you take pictures of very small things and they tend to allow you to focus quite close in on the subject. You'd walk up to your girlfriend and she'd wonder what you were doing so close to the hood. You'd give her a peck on the cheek and then you'd close in on the little grasshopper next to her. With a macro lens, you'd could take a great picture of the little grasshopper and it would fill my frame. If your girlfriend is like mine, she'd be off the car as soon as she caught glimpse of the bug. Old stereotype here no disrespect ladies - I know a few that would put me to shame. (Canon EFS 60mm f/2.8 is a macro lens -- $450) Zoom Lenses: Are any lenses that allow you to shift the focal length. That is to say I can make it more wide angle or more telephoto. The 20D comes with a 18 to 55 zoom lens which gives you marginal wide angle and up to 3x telephoto. Not a bad kit lens but its not USM (Ultrasonic) so autofocus is not as fast and not as accurate and can fail to focus sometimes and its not IS (Image stabilized) which lets you take clearer pictures without a tripod. (Canon EFS 17-85mm IS USM is a zoom lens that covers some wide angle at 17mm and some telephoto at 85mm -- $600). You can turn the barrel and you can change focal length!! What a wonderful invention but they're more complex with more parts than primes and the extra parts add weight and they generally affect the amount of light they let in (aperture stuff) but you don't have to change lenses and they offer more flexibility. Now bear in mind that if you're out there in the middle of a blooming field in Georgia and start changing lenses, you can get dirt or pollen in the sensor. I only change my lenses indoors in a non windy environment. Exposure and Shutter Speed: Exposure is controlled by the ISO sensitivity of the sensor (ISO rating is another arcane film invention basically lower the ISO number the more sensitivity to light). One of the problems with smaller sensors was noise (graininess) on the pictures at high ISO numbers. Well not on the 20D the noise is imperceptible to me. Shutter speed is also controlled by your 20D...and the 20D has a great shutter 5frames per second, up to 1/8000 of a second. Wow! So you have two out of three big components taken care of here and the 20D is first rate on a ton of other things like custom White balance etc. A note on Aperture. Its just how much light can come into the lens (the size of the hole). The lower the aperture number f/# on the lense the more light it allows. Aperture determines depth of field (how much of the foreground + background is in focus) and it constrains shutter speeds. Now aperture is a function of lens construction -- a 400mm f/2.8 lens is humongous and costs $6,000 while a 70-300mm telephoto f/4.5 to 5.6 is $1,200 but with the 400mm lens (get this)...you can use faster shutters and freeze the action of a quarterback spinning in midair across the field on a night game (or freeze your son as he's swinging a bat in little league: ball bat and son frozen in midair!). With the 70 to 300mm, you'd have to use a slower shutter and you'd get blurr and blurry does not make the cover of the USA Today nor brings a smile to grandpa. On another example, if you've been hiking for a month to take a picture of a sloth that moves at 1cm a year in some god forsaken South American jungle, the 70-300mm lens will weigh allot less and allow you to run faster than the 400mm white monster lens. If I'm a nature photographer, I'd rather come out with the picture than fall victim to some relocated pigmy tribe because I couldn't run fast enough and have someone years later find my bones still clutching my white 40lb $6,000 lens in the middle of Brazil still attached to my 20D with a flashcard full of razor sharp gorgeously blokehed* pigmy and sloth pictures, ala blair witch project. So get a lens for what you need -- I guess is what I recommend. (*Blokeh are those out of focus circles of light in the backgrounds of pictures taken with expensive good lenses) A word on Nikon. There are two camps of photographers these days Canon and Nikon (well there are others like Leica - but if you own a Leica you're probably a pro, don't care about feature battles and are laughing at my gradeschool analysis). The 20D is more expensive and better chassis feature for feature than the D100 - go compare 8.2megapix vs 6.1 and the list goes from there. Nikon owners will tell you that their lenses have backwards compatibility 50 years...yes but you'll have to manually focus those lenses and on some of them you have to pay some guy to saw off some metal flaps to make them fit the D100. Canon EF has been around since 1986 and there are a ton of autofocus lenses out there. EF is the standard lens mount that fits the 20D and there is a newer mount called the EF-S Mount that also fits. Canon is very conservative in their advertisement as they aim for educated consumers: D100 claims a burst mode of 144 pictures -- yes but on the low quality setting, 20D can do the same if you cut the quality down...you'll hear spot metering, megapixels, focus speed --- you need to read to understand all of this and make a sound decision. Nikon makes great cameras and I don't want to get into a war. If you already own a bunch of recent Nikor lenses -- your mind is already made up. A good friend of mine owns the D70 and another the Digital Rebel and me with the 20D -- we're all happy. After much review and a ton of reading, I liked the 20D better for my purpose as a personal preference I bought it and am very happy. On crop factors. Lenses are still stuck in the 35mm film focal length format world and 35mm film is bigger than the sensors on the 20D and this means simply that the EF and EFS lenses turn out more telephoto on the 20D. So a lens marked 10mm is actually a 16mm (multiply mm times 1.6 to get actual focal length) on a 20D and other small sensor cameras (Rebel and Rebel XT). The crop 1.6 crop is not extra zoom -- it only appears that way, its actual lost information. So, to telephoto photographers, this means you carry more weight than you need in physical glass and to wide angle photographers, it means its harder to find lenses that do true wide angle bc the sensor is too small to capture all the information. EFS was designed so they could make smaller lenses at least so don't lose information but they're still labeled "old school" and you still have to multiply. EFS was designed to take advantage of the smaller sensors on the 10D 20D Digital Rebel and Rebel XT. The higher end Canon cameras use a 35mm size sensor. People wonder if Canon will adopt bigger sensors for all lines and if they do, then EFS will probably go the way of the dodo. On the other hand, bigger sensors are expensive to make so who knows where it will go and the 20D has very low noise at higher ISOs (used to be one of the reasons they thought bigger sensors would prevail -- that and the 35mm mindset and large number of lenses out there for 35mm). I can't predict the future -- Canon seems to be still investing in both EF and EFS though and I think that for the next 3-6 years you're fine with either EF or EFS. I heard a rumour that Canon is planning to release a new camera between the 20D and their higher end 1Ds around December? If you must have latest and greatest and have $4,000 to spend you might want to wait. If true, I'm sure the chassis will cost $2,500 - $3,000 -- just rumours here. I'm keeping my 20D until I can make money to justify more expensive than this extremely good camera. In my opinion, this new camera would not supplant the 20D as much as it would provide Canon a more complete EOS Digital line from Digital Rebel all the way up to the 16.7megapix 1Ds -- they'd provide an true entry level Pro Camera in the $2,000 to $3,000 range. Most interesting to me will be if it has 45pt autofocus and the size of the sensor. Also interesting, Canon is releasing a new 60mm EFS f/2.8 Macro lens. Good quality and interesting choice in focal length. Amazon carries it. I think Canon is telling us something with the type of EFS lenses they're releasing and the market they are targetting. Keep watching Canon. Back to my 20D, I've only bought a 50mm f/1.8 lens for $79 and the kit lens and a tripod. I can't wait to get a USM (ultrasonic silent 0.5 second focusing lens) with IS (Image stabilization) -- if I can only decide what type of photography. But with what I have, I've taken pictures that have floored my friends and everyone who has seen them. Someone actually said, "I'll pay you for that picture." And that is a great complement to me and to the 20D and the complement goes to the 20D because my lenses are cheap! I am a huge Canon fan now and long and short of it, the 20D is an amazing camera and the best prosumer chassis out there (period!). ... show more
Reviewed in the United States on April 16, 2005 by RenaissanceMan

  • Best Digital camera for under $2000
This is my second digital camera. Previously I had used the Fuji Finepix s5000, but wanted to move up to an SLR system so that I could eventually use a variety of lenses. I was very concerned at the beginning of my DSLR buying process- it seems to me that once a person buys a body and a few lenses, they are committed to that camera maker's "system" pretty much for life, so I wanted to be very certain that this was the right choice. If you purchase a 20d, you are not just buying a 20d, you are making (often) a pretty serious financial commitment to Canon technology. I chose a canon 20d for a few reasons; I had decided early on in the process to stick to Nikon or Canon, as they are the clear leaders not only of Digital SLRs, but of Camera technology in general. Thus, though certain other SLRs like the Olympus E-Volt or the Pentax *istD are attractive, they simply do not have the range of accessories or the support community of either Canon or Nikon. I ended up seriously considering three cameras; the Canon 350d (Digital Rebel), The Canon 20d, and the Nikon D70. From talking to other folks who were in the same situation as me, This seems to be a common range of choices people face I ended up choosing Canon because it seems to me that they have a slightly better line of lenses than Nikon, particularly those available on the used market. This is important, because the more you use your DSLR, the more you will want that lens that is just a slightly wider angle, or just a slightly faster aperture, etc. Once I decided to go for Canon, I chose the 20d over the 350d primarily due to size and toughness. The 350d is a great Camera, and its sensor is very similar to the 20d. However, the 20d's magnesium alloy chassis is much heavier than the 350d. It can certainly take a lot more abuse than the plastic 350d body- and I tend to take my camera on a lot of long trips. The 350d is a lot lighter, which is nice- but I frankly found its body too small to grip easily. As I have very large hands, this was a serious disadvantage to me. For someone with smaller hands the 350d probably feels fine. You will have to pick one up and judge this for yourself. The layout of the camera itself is a lot easier to use than the 350d as well. The camera requires far less attention when shifting settings than the 350d, and thus frees up your "focus" for the subject you are shooting. I cannot stress how ergonomic and intuitive I find this camera to be. Since I have purchased the 20d, I have not regretted it for a minute. This camera is a real joy to work with. The viewfinder is nice and bright (looking through glass again instead of an EVF is a pleasure, believe me). The range of ISO settings from 100-1600 is wonderful, particularly nice are long twilight/night shots at ISO 100 that give you some lovely colors. Shooting night and low light with the 20d will blow your mind. The CMOS sensor of the 20d produces almost noiseless images at high ISO settings. The best feature of the camera is the quick start up time. It can go from dormant to actively autofocusing in 0.2 seconds. My previous camera took 2 seconds to "turn on." That may not sound like a great deal, but I lost countless shots due to that fact, and it is what pushed me most to upgrade my camera. I tend to shoot on aperture priority or A-DEP (like auto, but with no flash), but there are a variety of "pre-set" modes for portraiture, sports, night shooting, and so on that are easy to use. The megapixel count is nice, but not really that important. Comparing images made from the 6 megapixel Nikon D70 and 8 megapixel Canon 20d, one can't really notice any difference until you blow them up to ridiculous sizes. At this level of the MP game, the quality of the lens you use is far more important to final resolution than the sensors pixel count. If you compare the kit lens (18-55mm f3.5-5.6) at its wide focal lengths and lower apertures with the canon 50mm f1.8 prime lens at f8, It looks like you are shooting with 2 different cameras. The same holds for Nikon as well, so don't decide for the 20d simply because it has more megapixels than the D70. Of course, even the worst canon lens beats the hell out of my old digicam on its best day. I have had a few problems with some older third party manufacturer lenses made for the Canon mount, Like Sigma and Tamron, not working with the new 20d body; but I have been told that if you ship off the lens to the manufacturer they will rechip it for free. All currently manufactured 3rd party lenses ought to work with this body. Keep in mind that the Canon digital sensor is smaller than 35mm film, so there is a "focal length multiplier" that makes your lenses "longer" than they would be on a regular film SLR. The focal length multiplier for the 20d is 1.6 . That means a 100mm lens on a film camera acts like a 160mm lens on a 20d. For those who like to focus close up with telephoto, that's great, because you can buy a relatively inexpensive 300mm lens, and it will shoot almost like a 500mm telephoto. I, however, usually shoot wide (more "peripheral vision") and prefer shorter lenses, so this is a pain. Of course, I would love to have a "full frame" camera like the Canon 5d, but the price is simply to much. It has a number of strengths and weaknesses, which I will detail below: Strengths: The variety of lenses is excellent. Lenses on second hand market are reasonably priced Introductory high speed lens (less than f2) is inexpensive (canon 50mm f1.8) Autofocus aquires targets quickly Continuous shooting mode is quick- autofocus recalibrates for each shot. Extremely high ISO capability (1600) for low light situations Body is physically tough. Very fast top shutter speed (1/8000) allows open apertures in well lit situations. Manual focus easy to use Pop up flash is very high above camera, and thus avoids casting shadows Flash recycles quickly CF card memory system is versatile and inexpensive User interface is the best I have ever seen Can be used as a blunt weapon if you are mugged Weaknesses: It ain't cheap Very heavy, particularly with long lenses You may end up spending money on glass that rivals a serious crack addiction Longer focal length multiplier (1.6) than film, or than Nikon (1.5). Doesn't work well with older 3rd party lenses without rechipping. Mirror is very loud, particularly if you are used to a point and shoot. Comparison with Nikon: 20d is better at telephoto (lenses have internal motors) D70 is better at wide angle shots (focal length multiplier is lower) 20d is better at low light (lower noise, lower ISO setting). Nikon fans believe that all Canon users are heretics, and vice versa, so why compare them you dirty heathen. ... show more
Reviewed in the United States on December 27, 2005 by Ryan Davis

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