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Canon

Canon EF 24-105mm f/4 L is USM Lens for Canon EOS SLR Cameras

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Features

  • 24-105mm standard zoom lens with f/4 maximum aperture for Canon EOS SLR cameras, Macro Focus Range : 0.45 m
  • 1 Super UD glass element and 3 aspherical lenses minimize chromatic aberration and distortion
  • Ring-type USM system delivers silent but quick autofocus (AF); full-time manual focus
  • Image Stabilizer technology steadies camera shake at up to 3 stops; weighs 23.6 ounces
  • Dust- and moisture-resistant; measures 3.3 inches in diameter and 4.2 inches long; 1-year warranty
  • E7Magnification - Extension Tube EF25 II - 1 Only compatible at tele.

Description

L9) Canon 24-105Mm F/4 L Is Usm Lens. The L-Series Is Canon'S Flagship Professional Lens Range, Representing The Best In Precision- Designed Ef Optics. L-Series Lenses Combine Superior Performance With Superlative Handling, And Are Resistant To Dust And Moisture. The Ef 24-105Mm F/4L Is Usm Features Canon'S Three-Stop Image Stabilizer (Is), Making It Ideal For Handheld Work. Is Permits The Use Of Shutter Speeds Up To Three Stops Slower Than Normal, With No Perceptible Increase In Image Blur From Camera Shake. E7Magnification - Extension Tube EF25 II - ¹ Only compatible at tele. From the Manufacturer Dust and moisture resistant and incorporating Canon's very finest standards of precision optics, the EF 24-105mm f4L IS USM is designed for reportage, event, travel, and celebrity photographers looking for a lightweight and maneuverable lens with minimal image quality compromise. Complementing the EF 17-40mm f4L USM and EF 70-200mm f4L USM, the lens completes Canon's f4L-series zoom lens range. These lenses are designed for professional photographers requiring a light zoom lens with a fixed aperture throughout the zoom range. For outstanding camera-shake reduction, Image Stabilizer allows shutter speeds of 3 stops slower than would otherwise be possible, with no perceptible increase in image blur.The L-series is Canon's flagship professional lens range, designed to include outstanding image performance, ultimate operability, and weather resistance. The EF 24-105mm f4L IS USM offers a lightweight alternative to the renowned EF 24-70mm f2.8L USM.Image Stabilizer Image Stabilizer (IS) dramatically reduces image blur caused by camera shake. Gyro sensors detect unwanted vibrations, triggering the corresponding movement of a correcting lens group perpendicular to the optical axis. This alters the light path, returning the image to its correct position on the sensor or film plane.The 3-stop advantage means that photographers normally shooting a 105mm lens handheld at 1/125 second can obtain a shake free result with a shutter speed as low as 1/15 second, for vastly extended options in low light conditions.Superb autofocus The ring-type USM motor found in the EF 24-105mm f4L IS USM employs ultra-sonic frequency vibrations to drive autofocus with unrivalled speed and near-silent operation. A powerful CPU and improved AF algorithm contribute to speed performance. Good holding torque stops the lens with precision and accuracy, the instant it arrives at the correct focus point and without overshoot. Photographers can choose manual focus instantly and at any time simply by moving the manual focus ring without first having to switch out of autofocus mode.Constant f4 aperture from 24 to 105mm The EF 24-105mm f4L IS USM offers the highest possible optical quality with no change in aperture over the full focal range of the lens. This allows photographers to set exposure at the widest aperture and zoom all the way through to 105mm without having to vary the shutter speed. It is the perfect lens for professional photographers looking for a lightweight and extended zoom alternative to its EF 24-70mm f2.8L USM counterpart. The lens employs an almost perfectly circular barrel aperture, helping create attractive, defocused backgrounds.Image quality To limit lens size and improve image clarity over the total image area, an Ultra-Low Dispersion glass (UD) element is used to eliminate the secondary chromatic aberrations that otherwise reduce sharpness and introduce color fringing. Aspherical lens elements correct spherical aberration for crisp, high- contrast, corner-to-corner quality. By optimizing Super Spectra lens coatings and lens element shaping, Canon's engineers have been effective in suppressing flare and ghosting--more prone to occur with digital cameras due to reflection off the image sensor. By increasing light absorption, coatings reduce reflections off lens element surfaces to deliver crisp, undistorted images with natural color balance.EOS system integration The EF 24-105mm f4L IS USM includes distance metering information, providing compatibility with the E-TTL II flash system of late-model cameras such as the EOS-1D Mark II N and EOS 5D. When used in conjunction with Canon's range of EX Speedlite flash units, the lens passes distance information to the flash algorithm for markedly improved flash exposure metering. To match the weather resistance afforded by EOS-1 professional camera bodies, an O-ring seals the lens against the lens mount and numerous seals around the lens' moving components provide protection against the ingress of dust and moisture.AF Mode and IS switches have been reshaped, making them less susceptible to being engaged or disengaged accidentally.The EF 24-105mm f4L IS USM comes with a bayonet mount lens hood EW-83H and soft lens pouch LP1219. In keeping with Canon's Kyosei philosophy of living in harmony with the environment, the lens features only lead-free glass.What's in the box Canon 24-105mm f/4L IS EF USM AF Lens, E-77U 77mm Snap-On Lens Cap, Lens Dust Cap E (Rear), EW-83H Lens Hood, LP1219 Soft Lens Case, 1-Year Warranty.

Brand: Canon


Focal Length Description: 24-105 millimeters


Lens Type: Standard


Compatible Mountings: Canon EF


Camera Lens Description: Canon EF 24-105mm f/4 L is USM Lens for Canon EOS SLR Cameras


Product Dimensions: 4.21 x 3.31 x 3.31 inches


Item Weight: 1.48 pounds


Item model number: 0344B002


Is Discontinued By Manufacturer: No


Date First Available: September 14, 2004


Manufacturer: Canon


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Dec 28 – Feb 2

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Top Amazon Reviews

    • Beautiful warm photos from a wondeful all-around lens
Product Packaging: Standard Packaging
Despite all the technical metrics, the real measure of a lens boils down to the subjective question: does it take good photos? The EF 24-105L not only takes good photos, it takes beautiful ones, notably nicer than several other well-regarded lenses in the same price range. As an avid amateur, I don't make a living from my camera, but the results matter a great deal to me. After reading every review I could find, I bought three well-regarded lenses to try on my Canon Rebel T1i. This EF24-105L, the new Canon EF-S 15-85mm f/3.5-5.6 IS USM UD, and the very-well reviewed Canon EF-S 17-55mm f/2.8 IS USM. Both of the EF-S lenses are newer models than the EF 24-105L and are designed for cropped-sensor cameras. The short: The 24-105 turned out warmer, more beautiful photos in both indoor and outdoor usage, capturing vibrant, accurate colors. The IS works well and is much quieter than the newer IS in the Canon EF-S 17-55mm. While some sort of external stabilization is necessary, it works reasonably well for low-light photography. And the colors...grasses are green, skin tones look healthy, my cat's fur gleams, and every color pops. The best results of any lens I've tried on my Canon DSLR so far. On my cropped-sensor camera, there's very little visible fall-off in sharpness at max aperture of f/4 (although there is some softness); never enough that I found myself dialing down the aperture for that reason. As for the other lenses, I really wanted to like the Canon EF-S 17-55mm f/2.8 IS USM, but it seemed to take unusually few "keepers" in similar shooting situations to the EF24-105L. The captured colors were a little cooler, and the IS comparatively very loud (audible without putting your ear to the lens). All of this was enough to offset the wider-angle and the bigger aperture, so back it went (at the thousand-buck mark, I want my glass to impress me!). The Canon EF-S 15-85mm f/3.5-5.6 IS USM UD was solid all-around but without the oomph I'd expect for 80% of the price of the EF24-105L. It's lighter-weight and has a wider angle, and the IS is a newer generation, but pictures were less rich and didn't pop the way the 24-105L's do. A great walk-around lens if I didn't have the direct comparison to the 24-105L, but only worthwhile if the price difference (or few ounces weight-difference) is make-or-break. I kept this one as a backup (or for travel), but find I never want to swap it in place of the 24-105L. I also considered the well-reviewed Canon EF 24-70mm f/2.8L USM, but its lack of IS and much greater weight turned me away since much of my usage is handheld. And since the EF24-105 is an L series, Canon includes a lens-hood and a structured storage bag, both nice quality. The cons are what you'd expect: it's a large, heavy, expensive lens, with only a maximum aperture of f/4. It's big enough to draw comments when you take it out in casual settings. But, it's much lighter than other L lenses, and only few ounces heavier than EF-S lenses I tried. The aperture is a limiting factor in low-light photography (tripod or flash or other method required, even with the IS), but the results are consistently very good when properly stabilized. I've used it in a number of bars and other low-light situations. The EF 24-105L has pretty constantly stayed on my camera since I've had it, turning into my walk-around lens, my portrait lens, my landscape lens. Very well worth its price. Highly recommended. ... show more
Reviewed in the United States on April 22, 2010 by Omar Siddique
    • Amazing Lens!
Product Packaging: Standard Packaging
Review Image by Nathan Hobbs Nathan Hobbs
Review Image by Nathan Hobbs Nathan Hobbs
This lens is miles above the 28-135 IS, its built much better feels better in your hands and the controls are a delight to work with. Your getting every penny you pay for this in quality and technology with this lens and rest assured it WILL preform. Of course we all could wish it was cheaper, but professional camera gear is just this way... when I go out to do landscape and wildlife photography my jeep triples in value as soon as I put the camera bag in the back. The Image Stabilization system in this camera is great, leave it on always, its sensitive enough to even help absorb the flicker of the mirror in your camera. You don't have to switch it off when you mount it on a tripod. While it will not save every shot and blur is always a possibility when you go below 1 60th of a second with any lens but I have had great luck using this to hand hold images down to as low as 1/4 of a second some of them turn out some of them dont but the fact that ANY of them turn out is impressive to me and proof the technology works. You need to know HOW to use the IS however, its important that you allow the internal gyros time to spin up before you take the shot this takes about a half a second. Learning to see the photo before it happens and anticipating the shot is all part of this process, allowing the lens a half second to spin up to speed will allow you to utilize the full potential of IS The circular aperture of this camera works well and allows you to get the depth of field you want with out the annoying jagged edges in out of focus items that lenses with normal aperture blades will give you. Bokeh is a little weak but we are only at f4 so that is expected. Speaking of F4 it lets in a fair amount of light, I have not noticed any Vingeting at any focal length, but shooting on a 1.6 sensor crops out the edges... Compared side by side with the 28-135 on a rebel xti the shots taken with this lens are easily recognizable as more contrasty and sharper. (the 28-135 IS is STILL a great lens however) As with any lens this one has its own characteristics that you will need to get use to. Flare is very minimal in all but the most extreme lighting situations. However when you do encounter flare (usually only happens when your TRYING to get the lens to flare out on you) you usually get a sharp jagged object with a halo around it, If your trying to create a purposeful flare effect that looks good this is not the lens to use. If you just bought the rebel XTi this is the kind of lens you are going to need to utilize all ten million pixels on the camera. So if you buy this lens, congratulations you have just reached the top of technology and optical performance. If treated right this lens will provide you with a life time of images of uncompromising quality. ... show more
Reviewed in the United States on January 10, 2007 by Nathan Hobbs Nathan Hobbs

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