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Caline

Caline DCP-11 Andes Boost Overdrive Effect Pedal Dual Guitar Pedal

  • Based on 8 reviews
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Availability: Only 2 left in stock, order soon!
Fulfilled by Amazon
Arrives Monday, Sep 1
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Features

  • Caline's DCP series is a line of dual pedals. 2 popular combo of effects in 1 unit for a very useful space saving feature.
  • It combines caline's very popular Pure Sky pedal with a boost pedal in front of it for maximum headroom and drive.
  • Gain, Boost Controls in boost channel and Treble, Bass, Volume in pure sky channel.
  • Uses standard 9V center negative adapter (not included).

Description

Introducing The DCP-11 Andes Overdrive/Boost. On the left is the pedal that some consider to be one of the best affordable pedals ever made, our Pure Sky overdrive. The right side is our recently popular Recluse boost. The middle is the Voice, which switches the order of both sides stacked.SpecificationsMaterial: Aluminum AlloySignal Input: 1/4"Monaural JackSignal Output: 1/4"Monaural JackPower Supply: DC 9V power adapter(center negative)Current consumption: 100mAProduct Dimensions: 129.23.8cmWeight: 0.43kgsNote: Please use the power adapter whose polarity is positive pole outside and negative pole inside. Otherwise, the product may not work properly.


Item Weight: 14.8 ounces


Product Dimensions: 4.72 x 3.62 x 1.5 inches


Item model number: DCP-11


Is Discontinued By Manufacturer: No


Date First Available: January 15, 2021


Voltage: 9 Volts


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Monday, Sep 1

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • Very versatile.
Husband replaced two pedals with this one. He loves the versatility.
Reviewed in the United States on January 8, 2022 by S. Ashton
    • Don't let the red screening on a blue box scare you off -- it sounds fantastic.
The media could not be loaded. TL;DR — Huge range of tones; Low-to-mid-gain powerhouse; Responsive EQ First off, I don’t really keep up on the “this is a clone of that, but that is a clone of that other thing” lines of forum chatter. I know that most mass-produced circuits aren’t going to be original, but that’s OK. I’ll just watch demos and trust my ears. And that approach led me to the Andes. At this point in the game, I’ve got a barrow full of fuzz boxes, but I realized I’m light on the low-to-mid dirt pedals, and the more I listen to my favorite shoegaze/post-rock bands, the more I realize there are loamy “layered-overdrives-colliding-with-reverb” veins I have yet to mine. And I couldn’t be happier with what the Andes offers: you get a super-musical overdrive and boost that react to each other very pleasingly. There’s plenty of gain on tap, and reversing the flow to slam to the drive into the boost gives you even more to play with. The boost on its own, by the way, is terrific, supplying great lift with no ill side effects. The signal flow switcher is a godsend, and I’ve long-marveled why all two-in-one pedals don’t have it. With the right set-up, you could easily get 3 very different tones to deploy in a single song, and there’s something to be said for that sort of utility and economy. Check out the video: loops fed through the Andes into a DAW (you will hear ample reverb courtesy of one of my favorite plugins; I usually would avoid using plug-ins in a demo, but it’s just that kind of Sunday morning, y’know?). By the way, I also used these same loops for my review of the Caline Brutus. Again, normally I wouldn’t do that, but in this case I think it’s helpful to hear the difference between these two boxes that both contain Caline overdrives. If you’re looking for something to give you more of your guitar’s existing sound, or something that will dirty things up in a most musical way, head for the Andes. [Extra bonus points to Caline for not making the condor’s(?) eye an LED.] ... show more
Reviewed in the United States on April 4, 2021 by Wm. Beecher Stoneman

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