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AKG

AKG Pro Audio C214 Studio Grade Professional Large Diaphragm, Single Capsule, Vocal and Instrument Condenser Microphone with Rugged Aluminum Carrying Case. XLR Connector. Gray with Gold

Based on 964 reviews
Condition: New
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$372.65
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Availability: In Stock.
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Arrives Nov 2 – Nov 3
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At a glance

Condition
New
Style
C214
Dimensions
11.3 x 8.6 x 3.9 in
Weight
0.8 kg
Connector Type
XLR
Special Feature
Noise Reduction
Polar Pattern
Unidirectional
In the box
Microphone
Warranty
Limited warranty valid united states of america (*) and canada (**)akg acoustics warrants akg products against defects in material or workmanship for a period of two years from the date of original purchase, and agrees to repair or, at our option replace any defective unit without charge for either parts or labor. akg grants a three-year warranty covering select products mainly studio and boundary layer microphones (see list of products above) against defects in material and workmanship this warranty is valid for akg or akg/crown products purchased and delivered within the united states (*) / canada (**) for the original purchaser only. the purchaser’s bill of sale will serve as proof of sale and warranty validity in the u.s (*) / canada (**). shipment of defective items to akg for repair will be at the customer’s own risk and expense. akg will assume the return shipping cost for all items repaired under warranty.important this warranty does not cover damage resulting from accident, misuse or abuse, lack of reasonable care, the affixing of any attachment not provided with the product, loss of parts, or connecting the product to any receptacle other than specified.this warranty is void unless akg acoustics, u.s.’s service center(*) / the authorized akg service center of canada (**) performs the repair. no responsibility is assumed for any special, incidental or consequential damages caused by the consumer. however, the limitation of any right or remedy shall not be effective where law prohibits such.
Works with
Audio Interface

Features 4

  • Sonic Character Of The C414 Xlii For Beautifully Detailed Recording Of Lead Vocals And Solo Instruments
  • Outstanding Dynamic Range And Ultralow Noise For Close-Up Recording Of High-Output Sources Of Up To 156Db Spl
  • Switchable 20Db Attenuator And Bass-Cut Filter For Close-Up Recording And Reduction Of Proximity Effect
  • Integrated Suspension To Reduce Mechanical Noise And Vibration From Stage

Description

Engineered excellence: The AKG C214 professional large-diaphragm condenser microphone has been designed as a cost-effective alternative to the legendary C414 family. Like the C414, the C214 offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. A switchable 20dB attenuation pad allows recording of loud sources of up to 156dB SPL. A switchable bass-cut filter allows close-up recording with almost no proximity effect. The C214 captures sound by combining one capsule of the legendary C414 dual-capsule system and the patented AKG Back-Plate Technology, resulting in an outstanding performance close to the famous C414 XLII.

Specs 26

Recommended Uses For Product Singing, Streaming
Brand AKG
Model Name C214
Connectivity Technology Wired
Connector Type XLR
Special Feature Noise Reduction
Color C214
Polar Pattern Unidirectional

Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Nov 2 – Nov 3

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


Great microphone
Style: C214
I’ve had this microphone for a while, and I cannot say that this was the best microphone I have ever invested in. I recommend this for any vocalist that wants to do covers.
Reviewed in the United States on April 14, 2026 by Amanda G

A wonderful, low-noise, Austrian mic
Style: C414 XLS Single
Excellent Mic. I own many mics and they all have their own characteristics. The standout characteristic of this microphone is it's very low self-noise. At 50dB gain, in my "quiet" room, on a very quiet Liquid Channel preamp, I register ~ -110dBFS across the spectrum. This is sensational for my recordings of quiet sound effects and acoustic guitar. Particularly with an acoustic guitar, paired with a small diaphragm condenser mic, the sound is just beautiful. Quiet picking or a strum sustaining never gets caught up in the noise floor. I can crank the track all the way up in post and never hear more than room noise. Vocals are great on this mic, both speaking and singing. I do adjust EQ a bit in post to boost some of the high end, but it works out fine. It handles loud and quiet segments beautifully without distortion or large swings in volume. Some of my mics require much more adjustment of the singers distance during recording than this mic. And since the noise floor is so low, I can compress my tracks much better. It is expensive but it is a tough-built, all around mic with exceptional audio quality. Think of the price as relating to a lifetime of use, especially if you plan to make money recording with it. It will work so well for you, put up with abuse, and resell for a good price. ... show more
Reviewed in the United States on September 25, 2014 by Max

A clean, clear and crisp microphone.
Style: C214
If your looking for a professional high quality MIC to add to your collection or looking for your first professional MIC, this is it. Many are asking the question on what MIC do i buy, what pre-amp do i get etc.... I use this MIC with a PRO MPA II pre-amp made by ART. It sounds awesome. Its clear, clean and crisp. The MPA II has a low noise floor and works very well with this MIC. Any frequencies you don't like, you can cut them out during the mix phase. I do plan to buy another MIC pre because i want to have versatility in my studio but i assure you, this MIC is a smart buy that wont disappoint you. UPDATE!!! As i stated above, there is a low noise floor with the setup i have. After doing some recording, it dawned on me that i was using low quality MIC and patch cables from the pre-amp to the sound card. I purchased two Hosa pro series balanced TRS patch cables and a 15 ft MOGAMI gold analog reference cable. Doing so has given me virtually no noise at all in the recording. Cable quality matters, especially if you are a mix engineer and the details are important. I'm not endorsing these brands, merely sharing the results I've obtained with these purchases and this setup. ... show more
Reviewed in the United States on November 11, 2017 by Valid

I've tested a lot of mics
Style: C214
It was a struggle to determine just how much to spend on a mic for our start-up podcast. Everyone says start small, you can always upgrade. Well, my friends, I don't want to always be upgrading. You spend more, in the long run, that way. There are other places to save money, but your voice IS the podcast. I read reviews for weeks, you know what I found out, people that write these reviews get a commission if you buy the mic from there link. Which made my skeptical mind think, just how unbiased are they? So I went to several guitar stores in my area and tested out every single mic they had in the store. $40 mics all the way $5,000 mics. What I found out was this: you know imediately which ones you hate. It comes down to how the mic makes your voice sound. I repeatedly found that the AKG mics work best for my voice. The sound is rich and warm without any tweaking. (Remeber I was testing in a guitar store, all controls were the same, just the mic was different.) When I saw the price tags, I had a mini heart-attack. Then I thought about my studio needs. So I did a mental budget check and decided I'd rather spend the money on the mic since it's the most important piece of equipment for a podcast. I couldn't be happier. It's solidly made and should last me for years to come. If I need to buy another mic, it will for more hosts on the show, not to replace this one. ... show more
Reviewed in the United States on September 21, 2018 by Amazon Customer
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