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Vandoren SM822E T6 V16 Ebonite Tenor Saxophone Mouthpiece , black

  • Based on 233 reviews
Condition: New
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Availability: Only 1 left in stock, order soon!
Fulfilled by WeinerMusic

Arrives Jun 29 – Jul 3
Order within 21 hours and 24 minutes
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Model: SM822E


Features

  • Versatile mouthpiece with a long facing and a particularly rich sound
  • Tip Opening - 250 (1/100mm)
  • Long Facing
  • Works best with Vandoren #2.5-#3.5 Reeds

Description

The V16 Series is the new jazz standard. The mouthpieces were inspired by the sounds of the greatest jazz players from the fifties to present day. Available in soprano, alto, tenor and baritone saxophones.

Color: black


Brand: Vandoren


Instrument Key: B Flat


Material: Brass


Style: T5


Item Weight: 2.11 ounces


Product Dimensions: 1.75 x 6 x 1.75 inches


Country of Origin: France


Item model number: SM822E


Is Discontinued By Manufacturer: No


Date First Available: February 7, 2010


Color Name: black


Material Type: Brass


Instrument Key: B Flat


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Jun 29 – Jul 3

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • Excelente
Model: SM823E
De Calidad
Reviewed in the United States on March 15, 2025 by Alexandra Chavez

  • Nice (expensive) mouthpiece
Model: SM825E
Most reviewers love the Vandoren mouthpieces, and I have to agree. This one was much bigger then I can use, but it was (for some reason) reasonsbly priced so I got it. I have 2 other mouthpieces, and when this one arrived I imediately put it on and tried it out. Sound was surprisingly much different from my others (Selmer C* and Rico Metalite). My wife asked me what had changed after I had played it for about a half hour. When I told her I got a new mouthpiece, she said it sounded like a different horn, really nice. BTW my horn is an old Selmer SBA from the late 40's - and she's right - it sounded really nice to my ear too. Deep rich sound that is hard to explain, (but everyone tries). But since the opening is pretty big and I'm not playing as much as I should, controling it is too much effort for me. I use Bari plastic reeds exclusively these days (lower cost, no maintenance). Maybe a softer rereed would solve it. So, I love the sound, and recommend the Vandoren V16, but be sure to get one with an opening you are ready to play now, and you'lll be likely to put more practice hours in - simply because you enjoy listing to how nice it sounds. ... show more
Reviewed in the United States on December 27, 2013 by AmazonReviewer01

  • Great flexibilty at a reasonable price
Model: SM822E
I have only been using this mouthpiece for a week but I love it already. I primarily play alto sax,, but I recently purchased a used Yamaha tenor and I tried several tenor mourhpieces before I decided on this model with a 6 tip opening with medium strength reeds. This seems to be the ideal setup for me, and I can go from from whispering subtones, to robust, rich centered tone with sufficient brightness in the upper register at louder volumes. To my ear, this is giving me a sound that can be used across a broad range of styles and settings. A saxophone mouthpiece is obviously a highly personal choice, and others' mileage may vary, but I am highly satisfied. And the price is much less than other comparable mouthpieces that do not seem to be as flexible, in my opinion. Highly recommended. ... show more
Reviewed in the United States on November 29, 2020 by Michael D., Sparta, NJ

  • Excellent
Model: SM823E
Very good
Reviewed in the United States on March 25, 2024 by Excellent

  • Very popular for a reason
Model: SM823E
I have tried this mouthpiece on my Yamaha 62III and my naked lady. On yamaha it works really well. sounds bright. clear and sound-full and good intonation. However on my naked lady, I couldn't get a good intonation and tone. I prefer dark tone and couldn't make the dark tone that I like on this mouthpiece. However, overall quality and the tone it makes is wonderful. It is very consistent and you can feel the craftsmanship of this mouthpiece. I would recommend it but also warn you that try it out before you purchase it. ... show more
Reviewed in the United States on June 20, 2019 by BenKa

  • I found this MPC great for big band section work - great sound and intonation.
Model: SM823E
This MPC is a complete turnaround for me Having played a Dukoff D8 for over 30 years in small groups, I needed something that would blend better with a big band sax section, and I found it! The sound of the V16 is big, yet controlled. It produces a full, vibrant but not brassy, tenor sound. It is easily controlled top to bottom, and for me the most important part: it plays in tune! I'm able to match tone and pitch in all registers, yet sing through on solos when the time comes. I'm also using the same MPC on alto which makes switching very easy - something I do in two bands. I'm considering getting one next for bari. ... show more
Reviewed in the United States on August 14, 2015 by Lee

  • Great step up in sound from my Yamaha 5C tenor mouthpiece
Model: SM823E
Based on other reviews and viewing many videos, I purchased the size 7 medium chamber. I was pleasantly surprised at the difference in sound over the Yamaha 5C. I know I am not comparing apples here, but the price versus performance I think I got a winner. Highly recommended.
Reviewed in the United States on April 18, 2021 by DAVID M.

  • too quiet
Model: SM822E
The T6 has a nominal tip opening of 2.5 mm (98 mils). The one that I received measured slightly more open. I could not play it much louder than mp. Even that volume was difficult to attain. No baffle to speak of. It's a beautiful mouthpiece, and has a lovely quiet sound, but it takes a lot of air. It's not for me. There was evidence of a tooth patch having been removed, so I am not the first to send it back. ... show more
Reviewed in the United States on September 1, 2023 by Jive Dadson

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