Buy Now, Pay Later
As low as
$3
/ mo
Learn more
- – 4-month term
- – No impact on credit to apply
- – Instant approval decision
- – Secure and straightforward checkout
Ready to go? Add this product to your cart and select a plan during checkout.
Payment plans are offered through our trusted finance partners Klarna, Affirm, Afterpay, Zip, Apple Pay, and Google Pay. No-credit-needed leasing options through Acima may also be available at checkout.
Learn more about financing & leasing here.
Selected Option
Free shipping on this product
30-day returns
Learn more
FREE 30-day refund/replacement
To qualify for a full refund, items must be returned in their original, unused condition. If an item is returned in a used, damaged, or materially different state, you may be granted a partial refund.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
Availability:
Only 1 left in stock, order soon!
Arrives
Saturday, Oct 24
Recently Viewed
Format: DVD
Description
The King's Speech DVD
Package Dimensions : 7.09 x 5.43 x 0.59 inches; 2.88 ounces
Media Format : DVD
Best Sellers Rank: #4,986 in Movies & TV (See Top 100 in Movies & TV) #4,500 in DVD
#4,500 in DVD:
Customer Reviews: 4.8 4.8 out of 5 stars (5,087)
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Saturday, Oct 24
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
- Klarna Financing
- Affirm Pay in 4
- Affirm Financing
- Afterpay Financing
- Zip Pay in 4
- Financing through Apple Pay
- Financing through Google Pay
Learn more about financing & leasing here.
![Hocus Pocus [Blu-ray] [2018]](https://m.media-amazon.com/images/I/715B1bRIvVL._AC_US500_.jpg)
![True Romance Limited Edition BD [Blu-ray]](https://m.media-amazon.com/images/I/91OaEtl1vHS._AC_US500_.jpg)
![Isle of Dogs - Ataris Reise [Blu-ray] [2018] [Region A & B & C]](https://m.media-amazon.com/images/I/71gnxgzI7DL._AC_US500_.jpg)
![Halloween II [DVD]](https://m.media-amazon.com/images/I/61R0rMfFQbL._AC_US500_.jpg)
![Scooby-Doo Where Are You! Vol 1 & 2 [DVD] [UK Import]](https://m.media-amazon.com/images/I/91z7Tqy5lWL._AC_US500_.jpg)
![American Pie 1-8 [DVD] [1999]](https://m.media-amazon.com/images/I/71p+eCuiuAL._AC_US500_.jpg)
![Thomas & Friends - The Royal Engine [DVD] [2020]](https://m.media-amazon.com/images/I/91+KKDbSZAL._AC_US500_.jpg)
![NCIS - Complete Series 1-13 - 78-DVD Boxset ( NCIS: Naval Criminal Investigative Service ) [ NON-USA FORMAT, PAL, Reg.2 Import - United Kingdom ]](https://m.media-amazon.com/images/I/81q1Eq3v3VL._AC_US500_.jpg)
Top Amazon Reviews
I can enjoy fine movies with minimalist acting. Where the actors spend a lot of time saying nothing, but looking very serious, or hurt, or angry or whatever. The kind of the thing that lots of young American actors like to do these days. Where emotions are bottled up. This can be very effective. But sometimes, you just want to have a good, old-fashioned wallow in the kind of meaty, no-holds barred acting that, frankly, the British do best. And the best, most satisfying example of that this year is THE KING'S SPEECH, a terrific, interesting, engrossing and surprisingly emotional film about a monarch who stutters. In the years between the two great wars of the 20th Century, King George V ruled England and its colonies with a stern disposition and unshakeable self-confidence. His eldest son, Edward, is a dashing playboy type, but looks forward to his time on the throne. Younger son Albert ("Bertie") is shyer and more conservative...in large part because he has a rather pronounced stammer that years of consulting experts has done nothing to cure. He has a strong wife in Elizabeth, and dotes on his daughters Elizabeth and Margaret. And he has no ambitions to be king. His wife convinces him to start consulting with Speech Therapist Lionel Logue, a commoner with some highly uncomment techniques. Not only does he work on the mechanics of speech, but he believes that stammers also come from a psychological place as well. He's a sort of psychologist too. He works with the prince, insists that two men work on a first name basis, and through sheer force of his eccentric personality, begins to wear the reserved Albert down to the point where we learn much about his upbringing. And then, as WWII nears, George V dies and Edward serves only briefly, because the scandal of his love affair with divorced American Wallace Simpson forces him from the throne...and George is horrified to find himself about to be crowned. And eventually, George will have to give perhaps the most important nationwide radio address anyone had ever given in England up to that point...a speech rallying his people to the cause of war. He can ill afford to stammer his way through a speech that needs to inspire confidence and patriotism. It's a fascinating story, utterly engrossing. But it's the uniformly great acting that elevates this to such a high level. Small but effective parts are handled by folks such as Michael Gambon (King George V...excellent), Derek Jacobi as the archbishop, Guy Pearce as King Edward (he's quite good) and Jennifer Ehle in a small but delightful role as Logue's wife. Helena Bonham Carter is more restrained than usual, but also very effective as the Queen. She clearly dotes on her husband, which makes her very sympathetic, yet she also shows that the trappings and conventions of royalty suit her. The two appear to be that seeming rarity, a royal couple that are actually happy with each other. But all this great acting is just icing on the cake for the pure movie-going joy of watching Colin Firth (as King George VI) and Geoffrey Rush (as the uncommon commoner) go toe-to-toe. Both actors are at their finest. Rush can incline towards the hammy (as in the PIRATES OF THE CARRIBEAN movies) but when the script matches his natural characteristics (such as the unappreciated QUILLS)...he's just a joy to watch. His timing is exquisite and his commitment to his work is amazing. And Firth, though a more "restrained" actor, chews into his role with understated ferocity (this seems to make no sense...but see the film and you'll understand). He makes his Bertie so sympathetic...but rather than just playing a shy stammerer, we see his integrity, his wit, his pain and his explosive temper. His struggle against the casual attitude Logue takes with him is so much fun to watch, as are the great moments these two have together when they discover how well the King speaks when he is cursing. The two develop an odd but deeply affecting friendship. I don't know if the film presents history accurately...but it sure presents history as it would be nice to believe it happened. Both actors should be slam dunks for Oscar nominations...and Firth will be hard to beat. It may be his best "upper class British" performance to date. The film is a bit manipulative. The climactic moments being heavily punctuated with Beethoven seems a bit heavy handed. Some of the dialogue is just TOO good to be believed. But the two actors and their co-stars plow right through any weaknesses or pandering to the audience. A measure of the success of the film...my 23 year old son and 18 year old daughter loved it. For a film so far out of my son's comfort zone to grab him to the extent it did says a lot. This is a film worth seeking out and seeing immediately.
...
show more
Reviewed in the United States on December 27, 2010 by RMurray847
I saw this film, which I have pre-ordered on Amazon, three times already; and I daresay I shall watch it many more times. "The King's Speech" is adult entertainment in the most noble sense of the expression. The script is outstanding in its intelligence, and if there were an award for the best use of profanity in context without giving offence, I would definitely give it to "The King's Speech." The film is simply splendid! Without benefit of car chases, explosions, or overly-spectacular CGI, the audience is riveted--indeed, held spellbound--for 119 minutes by a simple scenario: a wife seeks professional help for her husband's speech impediment; he undergoes therapy and with persistent practice, he overcomes--if not conquers--his problem despite the low expectations of the public and, most of all, of himself. That the wife is the Duchess of York and the husband is the future King of England is irrelevant and at the same time empowering: the story contains a universal truth; the future king, like the kings of Greek tragedy, represents every man as he learns through suffering. Since the actors have been deservedly praised to the skies, I shall comment only upon a few points that impressed me. Colin Firth's portrayal of Bertie is so believable, because he conveys the unimaginable physical tension of a man whose thoughts are entrapped within his body; and paradoxically, Firth does so with ease; there is nothing forced about his portrayal. Geoffrey Rush, who plays his therapist Lionel Logue with sensitivity and humour, is certainly Firth's equal. It is a shame that a double Oscar could not have been awarded. Both Firth and Rush provide an equilibrium that would certainly be upset if either one were taken away (or if one were one replaced by another actor). I was especially struck by Rush's ability to portray a not-very-good amateur, when he tries out for the part of Richard III; he suggests an ever-so slight hamminess without actually hamming it up. A difficult challenge for any actor, much less one of his stature! I also thought that Helena Bonham Carter, who exhibits a combination of privilege and propriety tempered by kindness, was a perfect foil for Jennifer Ehle (Rush's wife), who exhibits similar characteristics and also understands the boundaries of decorum: a wonderful moment comes when a surprised Ehle politely asks the royal couple if they will be staying for dinner, and the Duchess graciously thanks her and cites a previous engagement as if it were a necessary annoyance. One of the things that British filmmakers do so well is to cast supporting roles with top-drawer actors, disguising them thoroughly. I found myself reading the credits the first time around and exclaiming to my friend: "Good Heavens! Anthony Andrews was playing Stanley Baldwin. I certainly didn't recognise him!" Claire Bloom also inhabited the persona of Queen Mary so thoroughly that I didn't know it was she until the end credits. It took a few minutes for me to recognise Derek Jacobi as the Archbishop, and I recognised Michael Gambon as George V only by his voice, and a certain look in his eyes. Each submerges his own personality into his respective role. Unfortunately, the same cannot be said for Timothy Spall, who provides what I consider the only false note, giving me the impression that he is no other than Timothy Spall, pouting, and acting Churchillian. I found it most expedient to avert my eyes whenever he came on the screen and focus on all the other things to love about this movie. This film combines pathos with humour. My friend and I were blubbering (as silently as possible) and laughing (out loud) all the way through it. And because of the skills of Colin Firth and Jeffrey Rush in conveying the feelings of Bertie and Lionel, our emotional responses were spontaneous and not prised out of us, as happens too often in films nowadays. I was especially moved as the film reached its climax, knowing the tragedy that was about to strike Europe, the people of England, and indeed the world. I therefore found the Allegretto movement of Beethoven's 7th Symphony to be especially appropriate as King George reads his speech. The music acts as a funeral march and it emphasises the gravity of the situation and the gravity of the actual words which King George VI, via the radio, delivered so eloquently to the world, giving it the courage to persist in one of its darkest hours. The King's speech remains emblematic of one man's courage. It serves as an inspiration to us all!
...
show more
Reviewed in the United States on March 20, 2011 by F. S. L'hoir
Love this movie and watched it again last week with my Japanese exchange student, who was unaware of and history of British Royalty. The acting is so expertly performed that the story takes on a believable life of its own! We should all understand about the history of our Kings and Queens. From King Henry VIII to Queen Victoria, Peter the Great to Cleopatra, their lives had a tremendous effect of our world today. This is a story well told and certainly worth the watch!!!
...
show more
Reviewed in the United States on July 19, 2026 by Shopperette
An excellent performance from Colin Firth. Laughing, crying, solemn, interesting to watch until the end.
Reviewed in the United States on August 30, 2026 by Shirley55
If you haven't seen the movie yet, you may think it's a well acted movie about a guy who overcomes stuttering. And you would be a little correct. The way "Field of Dreams" was about baseball, and "Titanic" was about a ship that sank. Great Britain was an empire then, and the King was the ruler over countries scattered all over the globe. Europe had survived the worst war with more casualties than the sum total of all previous wars up to that time. Nobody was paying attention to Hitler, and in fact people in the British government thought he was a good guy in the beginning. Then he started trying to take over the world. The first person in line to succeed the King of England wanted to marry a three-timing American divorcee from Baltimore. Would barely cause a stir these days, but back then it was a scandalous head turner, and the Church of England (of which the King of England is the head) was having none of it. The Duke of York, Albert - the second in line of succession to the throne - stuttered. And the "wireless" microphone and radio was on the upsurge. Great Britain was the most powerful country in the world at that time. Capturing the epic drama on film and still preserving the personal drama was the biggest bio-pic achievement since "Gandhi." Saying this was well acted is the understatement of the year. Without going on for eight paragraphs repeating what has already been said in other fine reviews, what is portrayed in the King's Speech is loyalty, friendship, and compassion beyond measure. That alone would set this film apart from most of what was released last year. I never understood England's fixation on the Queen Mother (Queen Elizabeth, portrayed beautifully by Helena Bonham Carter) until I saw this film. Colin Firth turns in a finely nuanced performance, but it is the chemistry between him and Geoffrey Rush that make the film as successful as it is. What makes the screenplay so good isn't just the fine writing, but the fact they discovered Lionel Logue's diary, letter between the real George VI and Logue, and a copy of the actual marked up speech that was used by the king at the climax of the film and incorporated all of that into the script. They didn't just get it "kind of right" They nailed it. If you like bio-pics, good history, or inspirational films, highly recommend. The King's Speech is a result of impeccable craftsmanship and years of perseverance winning out over commercialism. And Lord knows, we can use all the inspiration we can get. I can't wait to see what Tom Hooper is going to serve up next. On Blu-ray the film is pristine sharp, and clear. The cinematography and picture composition really shine. Plenty of extras. A good commentary track, and a 'making of documentary,' and a fun question and answer session with the cast. One of the better transfers I've seen on this medium. Well worth the asking price.
...
show more
Reviewed in the United States on April 22, 2011 by Songbear2369
THE KING'S SPEECH may not be a truly great film but it comes close. The acting is splendid, the costumes well-researched, the background score including some classic pieces of Mozart and Beethoven is inspiring, and Tom Hooper's direction is admirable. What hampers the film is the fact that its protagonist, a stuttering man (Colin Firth) who must ascend the throne when his brother (Guy Pearce) abdicates, is really quite a dull man with a fierce temper and an inability to express himself as a person until he meets the challenge of a speech therapist. But for all his courage in overcoming his handicap, he keeps the story from moving forward until the last thirty minutes when the story's stature becomes more important because of the impending threat from Hitler and WWII. However, it must be said that Colin Firth plays King George VI with gusto, matched only by Geoffrey Rush as Mr. Logue, his therapist. The two of them create sparks in many a confrontational moment of truth, and each has a firm grip on their roles. Equally proficient, but less noticeable and given a smaller amount of screen time, is Helena Bonham Carter as the gracious and adoring woman who stands by her stubborn man and presides over a household of two children, one of whom is a future Queen of England. In a lesser but still rich role, Guy Pearce is excellent as Edward VIII. But unfortunately, because of the film's preoccupation with King George's speech impediment, the film moves forward at a snail's pace and only becomes more urgent during the final half hour when the world awaits the king's reaction to the news that Great Britain has failed to prevent war with Germany. All the technical merits make the film outstanding in various departments, particularly the cinematography, costumes, settings and music. Colin Firth deserved his Oscar and Geoffrey Rush would have deserved a nomination as a Best Actor rather than Best Supporting Actor since his role his clearly a co-starring one. More importantly, the film does a grand job of humanizing the Royals.
...
show more
Reviewed in the United States on May 14, 2011 by N. Doyle
I'll admit the hype surrounding a film can make it intimidating to want to watch. 'The King's Speech' like 'The Social Network' has been generating so much buzz it's almost silly. Thankfully, like 'The Social Network' 'The King's Speech' is more than worthy of it's praise and while some might disagree with it being called the BEST film it's easily my favorite from 2010. The King's Speech takes place in England in the years before WWII. These are the days before TV where public speaking on the radio was necessary and Prince Albert has an impediment which causes his voice to stammer. Albert's wife, Elizabeth takes him to see Australian speech-expert Lionel Logue who's also trying to make it as an amateur actor. The film focuses both on the relationships between Prince Albert and his family and his friendship with Lionel. Albert soon becomes King George VI and must be prepared to speak to his country before going to war with Germany. The film is very well paced and carries a very warm-hearted tone with some minor political and family situations and even welcome (and surprising) moments of humor. The cast really couldn't be better. Colin Firth is a wonderful actor and really makes us care about Prince Albert (or 'Bertie') and his family. Geoffrey Rush is fantastic as Lionel Logue and his moments with Bertie are both energetic, touching, and drop-dead hilarious! Helena Bonham-Carter is just as wonderful and couldn't have been better cast as the Duchess of York (and then Queen). Michael Gambon appears briefly but memorably as George V and the usually comedic Timothy Spall is surprisingly effective as Winston Churchill. Like Colin Firth, Guy Pearce doesn't bear much physical resemblance to his character: Edward VIII and his characterization along with that of his mistress may seem a bit shallow but they suit the film well. 'The King's Speech' is far from a perfect film. It can be slow at times and it makes a lot of the same points on more than one occasion. However the movie is so entertaining and has so much emotion resonating from it that by the end I honestly didn't care about it's short-comings. It's a wonderful film and despite it's "R" rating is more than appropriate for the PG-13 crowd (there are a few BRIEF instances of the "F" word but none of it in exploitive or sexual context). This one's a winner and not to be missed!
...
show more
Reviewed in the United States on January 15, 2011 by Jason Bean
This is an excellent film that explores the ability to overcome adversity and the power of relationships in providing the support needed to overcome adversity. Colin Firth plays Prince Albert, the Duke of York, who later becomes George VI. Helena Bonham-Carter plays his wife Elizabeth. Early in the film we see that the loving relationship between Elizabeth and her husband, Bertie, as he is called by family members, is in stark contrast to the chilly formal relationship that Bertie has to his father King George V and his mother, Queen Mary. Michael Gambon plays King George V, a not unsympathetic figure, but certainly completely in the dark in understanding the stammer with which Bertie struggles. It is Elizabeth, Duchess of York, who pursues some efforts to help her husband it is she who makes the first contacts with Lionel Logue, an Australian, who came to London after World War I. Gradually a relationship is built between Lionel and Bertie on which the speech therapy can progress. But there is an underlying reason why this story is of such importance. England faced a great challenge with the growth of Nazi Germany and the future was uncertain. In addition, after the death of George V, Bertie's older brother Edward became king. King Edward VIII was not mentally strong or emotionally mature enough to serve as king and he abdicates the throne to marry an American woman who had been twice divorced. Guy Pearce is excellent as Edward VIII, a charming and sophisticated man with limited intelligence and strength of character. Thus Bertie and Elizabeth are thrown into roles they never expected to inherit and Bertie, as George VI, must be the voice of authority and reassurance as England enters a tense and unsure time in relationship to Nazi Germany. This is the historic background on which the film is based, but the film actually spends the majority of time exploring the interactions between Bertie and Lionel as Lionel helps Bertie explore the emotional underpinnings of his stammer and develop the skills to overcome the disability. Elizabeth finds Lionel and begins to believe in his services but the relationship with Bertie has several starts and stops. Lionel comes to understand that Bertie has the moral character and determination to lead England should a war arise with Germany and Bertie comes to judge Lionel by the services he offers and the devotion he has to Bertie rather than by his credentials. The room in which Bertie and Lionel work is certainly worth mentioning since it is a large room with skylights and about 20 layers of wallpaper scraps clinging to the walls forming a fascinating collage that serves as the background of much of the human interaction in the film. Lionel is extremely protective of the process he undertakes with Bertie and even his wife, played by Jennifer Ehle, does not know the true identity of this client. All the actors were superb and Colin Firth is excellent as George VI but Geoffrey Rush was spectacular as Lionel. The film is excellent and its core message of teamwork and trusting relationships in overcoming adversity rings true.
...
show more
Reviewed in the United States on July 17, 2011 by C. Collins