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Twentieth Century Fox

The Innocents

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Description

Deborah Kerr stars in this "horrifying Gothic ghost tale" (Newsweek) based on Henry James' "The Turn Of The Screw,' a powerful psychological drama about innocence possessed by evil. Shortly after coming to live with orphans Flora and Miles in their dark, eerie mansion, the new governess (Kerr) mistakes their strange behavior for preciousness. But she soon comes to believe that the charming, beautiful children are possessed by evil, malicious spirits - the souls of their previous governess and estate manager who are now dead. With its shocking conclusion and sinister cinematic effects. The Innocents "catches an eerie, spine-chilling mood right from the start" (Variety) that never lets up.

Format: Anamorphic, NTSC, Widescreen


Contributor: Clytie Jessop, Deborah Kerr, Eric Woodburn, Henry James, Isla Cameron, Jack Clayton, John Mortimer, Martin Stephens, Megs Jenkins, Michael Redgrave, Pamela Franklin, Peter Wyngarde, Truman Capote, William Archibald See more


Language: English


Runtime: 1 hour and 40 minutes


Color: Black & White


Aspect Ratio ‏ : ‎ 2.351


Is Discontinued By Manufacturer ‏ : ‎ No


MPAA rating ‏ : ‎ Unrated (Not Rated)


Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 0.01 ounces


Item model number ‏ : ‎ FOXS2230296DVD


Director ‏ : ‎ Jack Clayton


Media Format ‏ : ‎ Anamorphic, NTSC, Widescreen


Run time ‏ : ‎ 1 hour and 40 minutes


Release date ‏ : ‎ September 9, 2008


Actors ‏ : ‎ Deborah Kerr, Martin Stephens, Megs Jenkins, Michael Redgrave, Peter Wyngarde


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Top Amazon Reviews

    • Haunting 1961 haunted house classic!
This black and white 1961 haunted house classic is a winner all around. Set in 19th century England, The Innocents has a haunting, gothic atmosphere throughout the movie that is perhaps unmatched. This movie is based on the novel "The Turn Of The Screw" by Henry James. This is a ghost story that stars Deborah Kerr, who plays a governess named Miss Giddens who is caring for two orphaned children (Miles played by Martin Stephens and Flora played by Pamela Franklin) in a huge Victorian mansion. Throughout the movie there are ghosts that appear once in a while, such as a ghost of a woman who walks down a hallway, a ghost of a woman in a field (the previous governess Miss Jessel, played by Clytie Jessop), and the ghost of a man who appears on the roof of the house and outside a glass door (Peter Quint, who is Miss Jessel's lover). As the movie progresses and the ghosts continue to appear, the childrens' behavior changes to the point of being strange and obnoxious. As a result, Miss Giddens starts to wonder about what happened to the previous governess and her lover. The governess feels that it's possible that the ghosts of these people are trying to destroy the childrens' innocence by possessing the children. On the other hand, the haunted happenings could be just her imagination. The children really get angry with the governess when she insists she's seeing ghosts and wants the children to notice them, but the children don't see them. The only thing I don't like about the movie is all the yelling and screaming by the children. It occurs a little too often. One of my favorite scenes occurs when Miss Giddens is walking through the house with a candelabra in hand, investigating strange things that are happening. It is such a spooky scene with perfect lighting, shadows, background noises, and innovative camerawork. There are some classic haunting situations throughout the movie that are eerie and will scare you, some familiar, some innovative. The musical score by Georges Auric is good. Just like The Haunting (1963), this movie's atmosphere benefits from and is enhanced by the black and white filming because to me, black and white makes it darker and spookier. There's just something about black and white that works. It elevates the creep factor by bringing out the shadows and darkness. This movie is always compared to The Haunting by horror fans and critics. Why? It's because both films were released around the same time (1961 and 1963), both are black and white films, both are ghost stories set in haunted Victorian mansions, both are based on novels, both are extremely creepy, both have innovative camerawork, and both have good musical scores, although I think the score for The Haunting by Humphrey Searle is superior. I often have a hard time deciding which of these two films is better. Of course, the books these movies are based on (Henry James's "The Turn Of The Screw" and Shirley Jackson's "The Haunting Of Hill House") are night and day different. The movies, however, will always be compared due to the above reasons and simply because it comes down to what a person looks for and prefers in a haunted house ghost story movie. When it comes to comparing haunted house movies, I personally put the movie's atmosphere first and the story second. The next person might do the opposite. Deborah Kerr is one of the greatest actresses of all time. How this woman didn't win an Oscar for her performance in this movie is beyond me. In fact, she never won an Oscar in her entire career, even though she was nominated countless times (though she did receive a Lifetime Achievement Oscar). If you're up for a good ghost story, buy The Innocents. You won't be disappointed. It's one of the all-time great haunted house/ghost story movies. ... show more
Reviewed in the United States on August 3, 2009 by Joker
    • "Something secretive, whispery and... indecent." AN EXCELLENT GOTHIC CHILLER.
"The Innocents", Jack Clayton's masterful adaptation of Henry James' "The Turn Of The Screw" (artfully scripted by William Archibald and Truman Capote, and photographed by Freddie Francis in beautiful Black and White) is a rare thing you don't find these days; a first-rate, intelligent chiller in the Gothic "haunted mansion" genre. It's all very moody, atmospheric and ultimately unsettling. Deborah Kerr is Miss Giddons, a governess in sole charge of Flora and Myles (Pamela Franklin and Martin Stephens) at Bly Mansion, a large country estate. Their Uncle (Michael Redgrave) has no interest in or time for the children. He tells her that if any problems arise, she must deal with them by herself and never bother him. All is pleasant enough until little Flora, with a seemingly psychic sixth sense, starts gleefully screaming that "Myles is coming" home. Odd, since Myles is away at school. Next day, Miss Giddons receives a letter stating that Myles has been expelled from school for being an "injury" to others. As she begins to delve into the dark history of Bly Mansion, Miss Giddons suspects that the children are being haunted/possessed by the ghosts of Miss Jessell, their deceased governess, and Peter Quint, Bly's gardner and Jessell's sadistic lover. One evening while playing hide and seek, Miss Giddons is convinced that the ghost of the menacing Quint is outside the windows. The kind and plainspoken housekeeper Mrs. Gross (Megs Jenkins) is not given to supernatural speculation, and advises her that it is not good to go on and on about things that are "over and done" with. Nevertheless, Miss Giddons is convinced that something "secretive, whispery and indecent" is going on; and she alone must save the children's souls from ghostly influence and possession. Deborah Kerr gives a brilliantly modulated performance; skillfully moving from a gradual fear to an almost religious, zealous conviction. Clayton gets excellent performances from the children as well; particularly Martin Stephens as Myles. Stephens simultaneously suggests innocence and a frightening poise and knowledge well beyond his age. Are Myles and Flora influenced/possessed by the ghosts of Jessell and Quint, or is it all a figment from the mind of their repressed governess Miss Giddons? The genius of Clayton's style is suggesting that both conclusions are entirely possible and logical. Megs Jenkins played Mrs. Gross again in a 1973 TV version opposite Lynn Redgrave. Unfortunately, Redgrave's spooked governess, unlike Deborah Kerr, becomes shrewish when she becomes frightened. That "other" version, available on DVD as part of "The Dan Curtis Macabre Collection", is very good. "The Innocents", however, remains the excellent and definitive screen version of this story. The unnerving terrors that Jack Clayton presents in "The Innocents" are the primal, lasting terrors that linger forever in the mind. ... show more
Reviewed in the United States on November 20, 2013 by DEWEY M.
    • "What shall I say when his feet enter softly, leaving the marks of his grave on my floor?"
The Innocents, is, despite being made over 40 years ago, one of the most disturbing and frightening horror films I have ever seen, and that's saying a lot, coming from someone who has seen as many scary and "disturbing" films as I have. I guess it's mostly because it's so unexpected. I mean who would expect a black and white film from the early 60's that takes place during the Victorian era in England and focuses on Upper Class characters to be so creepy and unsettling? And for anyone who has yet to see this masterpiece of horror, don't let the rather pleasant setting, polite characters, and old fashioned clothing fool you. The Innocents is no lighthearted period drama with a few eerie scenes thrown in. It's a full-blown atmospheric, gothic horror film which takes place in an English manor in the country. The film itself is just one adaptation of the classic Henry James novella The Turn of the Screw. And as I have never read the novella before, I have no idea how close or far it is from the movie. However I have heard that it is quite good, maybe I'll give it a read one day? Anyway back to the film, it follows a woman named Miss Giddens (Deborah Kerr), who travels to a country estate in Bly to look after the niece and nephew of a young rather handsome, popular gentleman who lives in London and is too busy to concern himself with two orphaned children Flora (Pamela Franklin) and Miles (Martin Stephens). Giddens accepts her job as governess to the two children and seems to get along well with them, however right from the start there are ominous signs that something is wrong as Giddens hears disembodied voices calling in the garden and the girl Flora makes odd, somewhat disturbing remarks at times, even foretelling Miles premature return from boarding school where he is expelled for "corrupting" the other boys. Eventually after learning more about the history of the manor and the tragic deaths of two former lovers who, in addition to working at the manor, were in an abusive relationship and very close to the two children, she begins to suspect that the children are in fact possessed by their souls, which would explain the very "adult" language and knowledge they both occasionally use and exhibit. The film never makes it explicitly clear whether or not the voices and apparitions Miss Giddens hears and sees wandering the corridors and grounds of the mansion are real or not, making this film very psychological in nature. The Innocents is a fantastic, suspenseful, mysterious film which has aged remarkably well and continues to be as engrossing, spellbinding, and terrifying as it was when it was released back in 1961. In an age where horror films increasingly rely on gore and special effects for their scares, it's refreshing to watch a film that doesn't rely on cheap jump scares and buckets of blood and guts to scare you out of your wits. I mean there are a few cheap scares thrown in, but overall, it's the creepy atmosphere, use of shadow and light, strange behavior of the children, and other more minor details, such as a large insect crawling out of the mouth of a statue in a rose garden, that will prove far more effective and memorable after your done watching this total creepfest! ... show more
Reviewed in the United States on March 7, 2013 by Scrimshaw
    • This Is NOT a B-list Horror Film, Fox--a Little Respect, Please!!!
I was delighted when I saw that Fox was planning a digital release of The Innocents; it's rarely run on TV--even on the Fox Channel--and is most often in its pan-and-scan incarnation when it appears. A (now former) friend was nice enough to burn a DVD from the old laserdisc release, so at least I had a copy in the correct format that didn't look bad at all. However... Fox, which has done such stellar digital transfer and release work on so much of its catalog (and has made it available at unbelievably low prices), has chosen to include this subtle masterpiece as part of its shlocky "horror collection." Don't get me wrong, I love some of the titles that are included, but they're being given the low-budget treatment and it looks as though a number of them are colorized (a deplorable process which I thought had mercifully expired some years back). So instead of being given the standard Fox treatment that I've come to expect--insert with chapter listings and some history of the feature, commentaries, newsreels, etc.--we're given next to nothing. The original trailer is included (reminiscent of the one for The Thing from Another Planet), and that's IT...unless you call trailers from some of the "horror series" titles "extras." The only inserts are ads for other titles in the series, including a three-for-two mail-in offer that postdates my Amazon order by two days, rendering my purchase ineligible. The other "extra" is the inclusion of the pan-and-scan print...ON THE A-SIDE, no less (perhaps lack of colorization can also be construed as an "extra"). Sigh. The print itself looks pretty good (the widescreen print is anamorphic), although I doubt that much restoration has been done. It appears somewhat sharper than my laserdisc copy, but I suppose that's to be expected under the circumstances. The captions are in yellow, which means they're easy to read, and they appear on the matted area of my standard-screen TV. The stereo audio track sounds fine, and there's a Spanish audio track (mono) and subtitles for those who care about such things. And that's all. Fox's handling of this release is a disgrace; someone over there doesn't appreciate the value of what they're holding in their hands. This is one of the finest, most disturbing tales of the supernatural ever committed to film, right up there with The Haunting and The Uninvited. I'd have to say that this one is my favorite of the three; I find it much more enjoyable than the James novella on which it is based. Deborah Kerr, although somewhat distractingly long in the tooth to be playing a naive, early-20-something parson's daughter, gives a brilliant performance and has equally stellar support from the rest of the cast, the children in particular. Truly, one isn't sure if the children are in fact possessed or if the governess is going mad as the result of sexual repression; things aren't as clear-cut here as in they are in The Haunting, despite the fact that we see through the protagonist's eyes in this film, too. And there aren't too many scenes captured on celluloid that are more disturbing than little Martin Stephens' lust-bloated face as he lies in bed after...well, I don't want to give anything away to first-time viewers. Buy this release at a discount, but if you're as much a fan of this film as I am, take the time to let Fox know that they goofed. ... show more
Reviewed in the United States on September 9, 2005 by MacGuffin
    • A Gothic Ghost Story, perfectly told
I saw this movie for the first time on cable last week; I was about to go to bed when I caught this from the halfway point, right when Deborah Kerr as the Governess, is playing hide and seek with the children and sees through a window, the ghost of Peter Quint. Beginning as a silhoette, he slowly glides into the reflected light from inside and fixes her with his dead stare. Then he glides away again, with only the light in his dead eyes shining in the darkness. It literally sent chills up my spine and made my eyes water! And I bow to any movie that can do that! I was completely transfixed from that point on and stayed up until the very end. You know a good movie when you're sad that it's over, and I was. I wanted it to go on and on! I think I would have watched it til dawn if it had lasted that long. Rare is a movie this affecting and atmospheric. It was literally a sensual pleasure, albeit a tension filled one--to take it in! All of the ghost sightings are handled in a powerfully surreal way. The sight of Miss Jessel's ghost on a distant bank is inexplicably terrifying, maybe because her blank stillness is so incongruous with what we're used to in this genre, which usually depicts ghosts as being in various stages of raging histrionics. Somehow, the stillness of this one terrifies more. Her stillness creates an unbearable tension. You feel on the edge of your seat with the idea that she may suddenly look at you, or scream, explode somehow into violence, so that finally the very idea that she may move at all is unbearable, and it's a relief when the camera cuts away from her and she's off the screen. (Although as with any good suspense, you want it to come right back and scare you again!) I was taken aback by both the unusual ending and the adult nature of the story; they both give this film an "ahead of its time" distinction. In addition, it's so artfully filmed and conceived, almost like Cocteau's "Beauty and the Beast", and definitely a sister to "The Haunting" which, up til now, had been my favorite ghost-themed film. (Not anymore! Much as I love "The Haunting", it looks like an episode of Scooby-Doo next to this masterpiece! ) Likewise, "The Others" which had been another favorite, doesn't shine quite as brightly now that I've seen this. Good as it is, "The Others" is really just a remake of this much earlier film with a few plot points tweaked and a new title tacked on. It's effective, but I think "The Innocents" is more so. I was immediately obsessed enough with the story to buy the book it was based on ("Turn of the Screw") which I thought it served very faithfully, and the screenplay, co-written by Truman Capote, even managed to enhance and improve the original story. Having purchased this film on VHS, I can attest that it's one of those rare films you can watch over and over without getting tired of it. There's always something new it it, and although it's sad and suspenseful, there's a lulling quality to it that is strangely comforting to curl up to with a bowl of soup and a blanket. Bring on the DVD! ... show more
Reviewed in the United States on January 15, 2004 by Scott Coblio
    • "Truth is very seldom understood by any but imaginative persons..."
Produced and directed by Jack Clayton (Room at the Top, The Great Gatsby), The Innocents (1961), based on the short story "The Turn of the Screw" by Henry James, was adapted for the screen by William Archibald (I Confess), Truman Capote (Breakfast at Tiffany's, In Cold Blood), and John Mortimer ("Rumpole of the Bailey") and photographed by Freddie Francis (The Elephant Man, Dune). Starring in the film is Deborah Kerr (From Here to Eternity, The King and I, An Affair to Remember), the only actress, to date, to have been nominated for six Academy Awards and never to have won (she received an honorary Oscar for her achievements in 1994). Also appearing is Megs Jenkins (Oliver!), Martin Stephens (Village of the Damned), Michael Redgrave (The Lady Vanishes), Peter Wyngarde (Night of the Eagle), and Pamela Franklin (The Legend of Hell House, The Food of the Gods), in her silver screen debut. As the film begins we meet a middle-aged woman named Miss Giddens (Kerr), who's in the process of interviewing for a position as governess for two, young orphaned children left in the charge of their rather well to do uncle (Michael Redgrave). Seems the man, a somewhat dedicated bachelor, has neither the time nor desire to look after the children, so he's looking for someone he can give complete authority of the children to, removing himself as far from the burden as possible. Miss Giddens accepts the position and soon finds herself whisked away to a large, lonely country estate in the English countryside, populated by a handful of servants including Mrs. Grose (Jenkins) and the man's niece Flora (Franklin)...turns out the nephew Miles (Stephens), is currently away at boarding school. After Miss Giddens settles in, she learns Miles is coming home after having been dismissed (i.e. expelled) from school under curious circumstances, but after finally meeting him, he, or his sister for that matter, seem hardly the type to cause any trouble. As time goes by one can't help notice a subtle weirdness in the children given the fact they're constantly whispering to each other and they, especially Miles, seem to speak and act beyond their years. As the strangeness persists, Miss Giddens begins asking questions about the previous governess, a woman named Miss Jessel, and learns of an `improper' relationship Miss Jessel had with a valet named Quint (who was described as being handsome and obscene), both of whom were close to the children and both of whom died under mysterious circumstances. She also learns Quint, an abusive sort, had complete control over the estate while his master was away, and often abused his authority in various ways (no one seemed all that broken up when Quint was found dead, except for Miss Jessel). Anyway, Miss Giddens soon comes to believe the children, given their close relationship to Miss Jessel and Quint, have become corrupted in someway, and their increasingly odd actions not necessarily their own... As far as gothic ghost stories, The Innocents is one heck of a humdinger. If you're looking for atmosphere, this film has it in spades...a huge, lonely Victorian house complete with creaking doors, clattering windows, squeaking floorboards, flickering candlelight, ethereal voices wafting in on the wind, shadowy corners, and so much more. From the moment we first enter the house there's a persuasive sense of creepiness, one that continues to grow as the story goes on...throw in a couple of spooky children and the occasional apparition and you've got most everything you need for a frightful cinematic experience, the kind rarely enjoyed in this day and age given the heavy reliance on computer generated effects. There are a number of aspects about this feature I thought immaculate, including the performances, the direction, the photography, eerie music, and the writing. I thought both Deborah Kerr and Martin Stephens (who played Miles) did a wonderful job. I really appreciated Kerr's character in that she was fleshed out enough for us to understand why she didn't get while the getting good. In another film we, the audience, might find it questionable why a character wouldn't remove herself from a situation she thought fraught with peril but here it's clear Kerr's character's motivation, along with her belief that the children aren't to blame for their situation or held accountable for some of their wicked behavior. Both the children came off as spooky, but Miles more so as his manipulations and deceitful ways were less obvious (and more sinister). I think what bothered me the most about his character was the way he'd talk to Miss Giddens. His tone felt a little condescending at times, as if it was all some sort of game, one that he was orchestrating, his sister more or less a pawn following his lead. The story is actually pretty simple, but that doesn't make it any less frightening (there's no, cheap `pop out' scares here). The pacing may appear slow at times, but I found it appropriate to the creepy nature inherent within the material. As far as flaws apparent in the production I really couldn't find any, but then I wasn't really looking. I suppose someone could make the argument some aspects of the story weren't fully explained but I felt everything in the story, including the ambiguity, were intentional. The best ghost stories, in my opinion, often leave one feeling unsure, asking questions that may never be answered...and it's not like anything within the story came out of left field, as if it didn't belong. As far as endings go, this one featured a real doozy. All in all, if you're interested in a fantastic chiller reliant heavily on solid storytelling, strong performances, and excellent production values, The Innocents will definitely fit the bill. I thought the picture, available in both widescreen anamorphic (2.35:1) and fullscreen (1.33:1), came across clean and clear, and the audio, available in Dolby Digital stereo in English and Dolby Digital mono in Spanish, came through well. There's not much in the way of extras except for subtitles in English and Spanish, a goofy theatrical trailer for the film, and trailers for The Cabinet of Caligari (1962), The Legend of Hell House (1973), and Phantom of the Paradise (1974). Cookieman108 ... show more
Reviewed in the United States on October 23, 2006 by cookieman108
    • Timeless Masterpiece; the ultimate haunted house film and more.
I studied Henry James' "Turn of the Screw" in college, and I saw this superb and unforgettable film when it was made, and have watched it many times since. It is brilliantly faithful to James' novella. It has never been topped at the ultimate haunted house film in which the horror is beautifully sustained with masterly cinematography and flawless responses on the part of the governess who sees the ghosts and is terrified for the fate of the two children in her charge. It just doesn't get much better than this. The old dark house is engulfing and beautiful; its spaces are perfect backdrops for its four lonely and vulnerable occupants; the grounds are as haunted and forlorn as the structure itself. And two of the scariest ghost scenes take place outdoors in broad daylight. What drives the film of course is the governness, and her extraordinary bravery (if that is what it is) as she confront the horrors she is seeing and their threat to the boy and girl in her charge. Is she mad? Or are there two powerful spirits seeking to commune with each other through the hapless children? ---- James himself would never reveal whether this was a story about psychological breakdown or an actual haunting. One dead give away, that it is about madness, for me, is that there is no good reason for the ghosts --- if they are ghosts --- to be revealing themselves to the governess. But then again, perhaps they cannot help it or have an agenda involving her that I have not understood. ----- But for me, this film and the novella itself work best as classic ghost material. ---- There is not only terror here --- which is so common today in such movies --- but true horror. And I recommend this to anyone who wants to be royally entertained by all the classic elements we expect from English ghost stories. Deborah Kerr gave a magnificent performance in this; the supporting cast is perfect; and the children exceptional. This will be around as long as movies are around. It is indeed a masterpiece. ... show more
Reviewed in the United States on May 11, 2012 by Anne Rice
    • NOT A SCARY MOVIE BUT A PSYCO DRAMA, A GREAT ONE
I would want to begin with saying this is more of a psyco drama then a thriller. This movie was shot in widescreen format black& white with mono soundtrack. They tried to fake the stereo for the dvd but all they got is flat sound after all. The picture quality was quite good but sometimes I see the line on the picture which is a major defact but not so much bothering me since the entire movie was so beautifully shot. It was forgivable. Deborah Kerr was not a gorgeously beautiful but she is pretty enough to make me love her through the movie. She starred from the movies like <THE KING AND I>and I think you know it already. In this movie she starred as a governist and just came to this lovely huge house with two children and a housekeeper. From the first day, she sees the dead ghost from the house and from outside the house. They happen to be the children's parents who died for years. The ghosts doesn't seems that scary in this movie. They more remined me of the other movies like <Wuthering Heights> or even Alfred Hitchcock's <Rebecca>. Meaning, it's more like mental drama. If there's a word like that. Deborah's seriousness makes this movie heavy and she seems the only one who is actually make the movie go on. The children and the housekeeper are just not that concerned about the ghosts that much. But at the ending part we seem to understand that maybe the son and the daughter were haunted by the ghost and the ghosts are inside their body. The lightening was beautifully arranged and the candle shots are more beautiful then Stanley Kubrick's <Barry Lyndon>. People are saying that this movie is a milstone of thriller but I would say this is a milstone of psyco drama. Children are good actors and you will like them acting. And you will fell in love with the house instantly you see it. ... show more
Reviewed in the United States on February 12, 2016 by Hee Chul Kwon

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