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Tascam

TASCAM 4-Channel Portable Audio Recorder for Videographers, 2 Combo XLR/TRS", Dual 3.5mm Inputs, Limiter, HP Filter  (DR-60DmkII)

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Arrives Thursday, Jun 6
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style: DSLR Recorder


Features

  • 4-track Ptable Audio Recder with Slate Transpt Controls
  • 1/8" Camera Audio In/Out
  • 1/8" Headphone Output
  • 1/8" Stereo Input
  • 2 x Mic Preamps

Description

The Tascam DR-60DmkII 4-Channel Portable Recorder for DSLR is the new audio recording solution for on-set filmmakers and videographers using DSLRs. For years, filmmakers have been trying different methods for recording audio - including the use of bulky recorders designed for music and trying to transform the inferior audio technology built-into DSLRs. Now TASCAM has designed an answer that pros and amateurs alike have been waiting for. The DR-60D is a brand new 4-track solid-state recorder utilizing TASCAMs decades of experience. The recorder utilizes high-grade HDDA pre-amps, legendary AD converters, and a durable but lightweight structure and shape. This device will fit snuggly under any camera or into any rig, and record up to 96kHz/24-bit high quality audio straight to SD/SDHC media. Filmmakers have at their disposal two 1/4"-XLR Locking Combo MIC/LINE Inputs, 3.5mm Stereo MIC Input, Camera In, Camera Out, Line Out and Headphone Out. Both 1/4"-XLR Combo Inputs supply +48V Phantom Power and the 3.5mm Input supplies Plug-In Power for microphones requiring a bias voltage. The DR-60D is incredibly easy to use, employing TASCAMs very popular user interface and external controls for every major operation. The body structure, soft-touch keys and dials are designed specifically to help eliminate handling noise. The multiple record modes include, 4-Channel Record, Auto Record and TASCAMs Dual Record "Safety Track" Mode make the DR-60D one of the most versatile recorders on the market. Quality mic preamps are a necessity for quality sound. The DR-60DmkIIs HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and parts, approved after months of evaluation testing by Tascam. The HDDA s circuit achieves a high equivalent input noise (EIN) of -120 dBu for low input noise. The DR-60DmkII mic preamps have been u.pgraded from their predecessor for up to 64 dB of gain with XLR input jacks for greater cable comp.


Compatible Devices: MP3 Player


Brand: Tascam


Hardware Interface: SDHC, Secure Digital Card


Microphone Form Factor: Built-In


Format: WAV


Headphones Jack: 3.5 millimeters


Number of Batteries: 4 AA batteries required.


Item Dimensions LxWxH: 3.07 x 5.24 x 3.67 inches


Memory Storage Capacity: 64 MB


Item Weight: 1.12 Pounds


Item Weight: 1.12 pounds


Product Dimensions: 3.07 x 5.24 x 3.67 inches


Domestic Shipping: Item can be shipped within U.S.


Country of Origin: USA


Item model number: DR-60DMK2


Batteries: 4 AA batteries required.


Is Discontinued By Manufacturer: No


Date First Available: September 15, 2014


Color Name: Black


Compatible Devices: MP3 Player


Connector Type: XLR


Hardware Interface: SDHC, Secure Digital Card


Size: 3.67 x 5.24 x 3.07 inches


Battery type: Alkaline


Media Format: WAV


Standing screen display size: 1.75


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Thursday, Jun 6

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Similar Products

Top Amazon Reviews

    • Great Value!
style: DSLR Recorder
I'm not an Audio guy, but... I bought the DR-60DmkII to use as a simple, easy to use mixer when shooting with my DSLR camera. But this little unit has exceeded my expectations. I've now used it as an Audio "master" recorder while shooting interviews. Being able to send a reference feed to two different cameras at once through the stereo "camera out" port, plus monitor the audio though a separate headphone jack comes in mighty handy. Powering my shotgun mic (48V) through the XLR port is an essential feature, too. If I had a knock for this mixer is that it does go through AA batteries kinda fast. I've taken to powering it through the mini USB port with an external battery if it looks like I'll have to record for an extended amount of time. ... show more
Reviewed in the United States on August 16, 2023 by Amazon Customer
    • Makes excellent, clean crispy recordings!
style: DSLR Recorder
We used this on-site with batteries to record a 3+ hour political speaking. We did have to replace the batteries after 2 hours. I set the gain to medium and set the limiting to medium. We used a sennheiser e850 microphone. We took the recordings back to the studio for production for broadcast and the results were excellent. Very simple for non-tech staff to learn to operate. We did some test runs at the studio to get the settings adjusted and Didn’t have to adjust any settings on-site. **make sure you get a TASCAM approved SD card** ... show more
Reviewed in the United States on July 19, 2023 by Chris Marsalis
    • Clean preamps, easy to use and tiny
style: DSLR Recorder
Review Image by P.K. Frary P.K. Frary
The media could not be loaded. The DR-60D MKII is optimized for DSLR video audio—lacking music extras like a tuner and metronome—but sports most of features of the DR-40 but housed in a tripod and camera friendly case. APPEARANCE & BUILD: Although small, the boxy form factor isn’t palm friendly and is at its best on a Magic Arm or tripod. The plastic body feels well made but isn’t as sturdy as the metal clad DR-100 II. Unlike most Tascam portables, there are no built-in mics. A tiny monochrome LCD displays levels, modes and menus. It’s not a touchscreen but is clearly visible in darkness and direct sunlight. And, because it’s not angled like the DR-70D LCD, it’s visible in a bag, on the floor or topside a camera. A tripod socket beneath and tripod bolt above allow connection to studio support and cameras. I use an Arca plate for fast mount/dismount. The top tripod bolt feels flimsy and I wouldn't trust it to hold anything heavier than a battery pack. CONTROLS: I choose the DR-60D MKII over the DR-70D due to the abundance of physical controls—specifically phantom power switches—and the forward facing LCD. When attached on an arm or tripod, the frontal LCD and controls are easier to see and use compared to “palm” recorders like the H6 or DR-100 MKII. The rubberized buttons and wheels operate smoothly and are easy to access. Channels 1/2 have individual gain controls but, oddly, 3/4 sports only a single global level adjustment. MIC CONNECTION: Combo XLR and TRS inputs allow recording from external mics or line level sources such as mixers or outboard mic preamps. XLR preamps have four levels of input sensitivity but, unlike the DR-100 II, sensitivity is set via menus (no switches). There’s a switch to toggle XLR inputs from mic, phantom power and line level. Mini/3.5 mm stereo mic input is also supported, defaulting to channels 3/4. Power for the 3.5mm mic input lacks a switch and must be activated from a menu. BATTERIES: Four AA batteries are housed in a backside compartment. Batteries can be swapped out while the unit is on a tripod. I use Eneloop Pro rechargeable batteries and they only last about four hours with 48v phantom power. Standard Eneloop work okay but the slightly larger size make them tough to install/remove. The short battery life is disappointing but easy to work around (see below). The mini-USB port is only for bus power or uploading to a computer. For long sessions I plug in a USB “lipstick” battery bank and it yields an additional four or five hours. For marathon sessions I strap on a USB battery bank, the Anker Astro E4 13000mAh Portable Charger : power for days with phantom power and can be attached to the top of the DR-60D with a smartphone tripod mount. SOUND QUALITY: I mainly record soft finger picked guitars and preamps have plenty of gain when set to “high” sensitivity: 25 to 50% gain for -12 dB set with KM-184 mics. Quiet passages and rests of classical guitar pieces were wonderfully clean and devoid of noise. Preamps are significantly cleaner than the DR-40 and a notch better than the DR-100 II. The DR-60 MKII and two Neumann KM-184 mics were used to record the audio of my uploaded video at 48kHz/24 bit (synced to EOS 70D video). Finally, the 60D MKII can record various combinations of stereo and mono modes, e.g., stereo plus two mono tracks, but these tracks must be recorded simultaneously. In other words, unlike the DR-40 and DR-44WL, it lacks the ability to “punch in,” while playing back a track. Normally I’d add additional audio in a DAW during post production but it seems odd to omit such features when similar units have them. LAST BLURB: I'm happy with the DR-60D: excellent recording quality, clean preamps, plenty of gain for soft instruments and easy to use form factor for "selfie" audio and video recording. Operation is straightforward and I barely needed to open the manual. Cons are short battery life, no built-in mics, small LCD and no punch-in features. All in all, the DR-60D MKII is a great choice for those needing to record live music performances and DSLR audio. ... show more
Reviewed in the United States on December 5, 2015 by P.K. Frary P.K. Frary
    • love to have it but only have one issue
style: DSLR Recorder
Review Image by Alejandro Espinal Alejandro Espinal
after using it for more than a year, I have to say Im happy to have it but is not stable when I use an external power source, Now I will try instead of AC I will use A Power BANK because I got nose sometimes using AC or crazy message about SD card nor detected or compatible issue, but is a good product I like it because I have the issue under control I got accustomed top the product ... show more
Reviewed in the United States on June 4, 2023 by Alejandro Espinal Alejandro Espinal
    • 1A
style: DSLR Recorder
Excelente producto y envío relativamente corto. Recomendado
Reviewed in the United States on July 25, 2023 by Jimmy
    • Tascam DR-60DmkII nice enhancement over DR-60D and big jump up from DR-40, BP-6AA is essential!
style: DSLR Recorder
The Tascam DR-60DmkII includes enhanced pre-amps that are good enough not to not introduce any measurable noise on battery power with a quiet room and a Pyle podium mic that requires High mic gain setting. However using a USB to 5v adapter (not the Tascam adapter) did introduce noise. For this reason, I am using a BP-6AA identical to the one used on a Tascam DR-40 recorder installed in a church recording system. Though we can run the DR-40 or this DR-60DmkII off external USB port power, noise levels are typically much lower using the BP-6AA which I'll review separately. With such a low noise recorder, and with the BP-6AA using tripod mounts to attach to the top or base of the recorder, no brainer upgrade from 2+ yr old Tascam DR-40! Here are our usual pros and cons: Pros: + lower noise, higher gain pre-amps than prior model DR-60D + safety track record feature is a lifesaver when initial gain settings are too high! (DR-40 has this feature, too) + consistent menus and operation to prior generations of Tascam DR series including when power or computer is externally attached via USB port + available BP-6AA external battery pack gives reasonable life for rechargeable NiMH batteries, but see below... + Broadcast Wave File (BWF) support - can be a lifesaver when merging audio and video from different recorders. To effectively use, you should keep the clock set correctly. Cons: - drains batteries rapidly compared to comparable Zoom or lower end Tascam DR series recorders - no integral MP3 compression, implying you shouldn't use compression with such a high end recorder! I'd like to make that decision!! - there should be a Li Ion external equivalent bolt-on like the BP-6AA instead of lower capacity and bulkier BP-6AA with NiMH batteries! - might want to think twice about putting a relatively heavy DSLR on top of recorder as shown in photos! This puts a lot of strain on the tripod mount in the bottom of recorder; just don't do it if a BP-6AA is used! - menus can be a bit confusing for the uninitiated and this generation manual is not as helpful as prior generations. Look for YouTube tutorials! I was going to put a small shotgun mic on top with a 1/4" to 5/8" adapter, but realized the DR-60DmkII + BP-6AA underneath + mic on top is not very stable. Better to use either a two-in-one bar tripod adapter or multiple tripods adjacent to one another. If a BP-6AA pack is mounted on top with nothing mounted on top of BP-6AA, then BP-6AA batteries may be changed without impacting setup. The DR-60DmkII batteries are accessible, but it isn't easy to pop them in the rear while the whole setup is sitting upright. Edited 07-31: Beware of open box items marketed as "new". I received one from a vendor sold as new that showed a bit of wear on the rear battery cover and underside. However, the style of packaging for this Tascam makes it difficult to tell whether this is a new, returned, or open box item! I have seen some "unboxing" videos on YouTube and this is the first Tascam DR series I've purchased that doesn't come in a sealed box with a plastic protector for the display and a sealed (at least taped) poly bag holding the recorder. I have seen this style of packaging on "professional" gear before. So how are we as consumers to tell whether an item is an "open box" or return? TEAC/Tascam saved perhaps a few pennies but it would be great to go back to providing a screen protector and tape the poly bags! ... show more
Reviewed in the United States on July 30, 2015 by M. R. Smith
    • Great sound from a portable package!
style: DSLR Recorder
Excellent audio recording that won't break the bank! My Sony DSLR needed a quality audio solution that could accept XLR mic with phantom power. I found my solution in the TASCAM DR-60DMKII. Why you need it: This device will accept professional microphones that have XLR connectors and require phantom power. The DR-60mkII can provide phantom power even while on battery power and on the go. It has a standard tripod mount screw on the bottom, as well as a place for you to attach your cameras tripod mount to it. You can stack them on your tripod providing and easy way to record high quality audio during DSLR video production. Usage: I won't get into every feature of the mkII as you can see those in the item description, but it's safe to say it does more than expected. I had heard the previous version had issue with the pre-amp causing poor audio quality. I can safely say this issues have been resolved with this current version. Audio is clear and will record as good a quality as your microphone allows. I use this for recording external audio for video, as well as recording audio sessions for my podcast. The user interface is straight forward and anyone with any experience in audio recording equipment should be able to use without any need for instructions. This unit uses standard SD cards for recording so storage should always be easy to come by. As I satiated above, it fits nicely under any camera rig and doesn't ad a lot of weight or bulk. Unit is much smaller and lighter than I expected from the product shots. One great feature is second safety track recorded at a lower level to ensure your audio stays consistent and clean throughout the recording. This has come in handy a few times already! Battery life: The Dr-60mkII can be powered by usb, alkaline, or rechargeable batteries. Battery times can vary greatly depending on weather or not phantom power is used. I find I can get about 1.5 - 2 hours out of Phantom power. I usually use eneloop rechargeable AA batteries and carry an extra set if I think I will be in the field for longer. It's more than sufficient for my needs. Build Quality: The TASCAM DR-60mkII is built extremely well. It has a solid feel, while still being extremely light. The buttons and dials all feel very well made and it should withstand years of use in the field. The display is a basic "old school" lcd with and orange/red backlight. It is nothing fancy, but it does what it needs to do. Incorporating a more modern display, or color LCD would have been unnecessary and would have had a negative impact on battery life. I think they made the right choice here. Overall, I am very happy with the Dr-60mkII. Audio quality is great, and the device is a great addition to any professional setup. ... show more
Reviewed in the United States on September 12, 2016 by Shawn A.
    • An adapter
style: DSLR Recorder
Would be nice. It works. But the adapter and ability to plug in might have been a cool feature too.
Reviewed in the United States on July 31, 2023 by Viking Jesus (Kris Hansen)
    • Great price for a good quality digital recorder with a few minor quirks.
style: DSLR Recorder
No complaints about the audio quality and features. I'm using Sanyo Eneloop AA batteries to power it and after several days use the batteries are still 2/3 charged. I had a heck of a time trying to find the right adapters from my 1/8" (3.5mm) lavalier mic, shotgun mic and wireless mic receivers to the Tascam's combo XLR/1.4" input jacks. When I ordered this the Rode 3.5mm to XLR adapters were out of stock, so I ordered the Planet Waves 3.5mm to 1/4" adapters. Unfortunately, the Planet Waves are stereo in and out (TRS plug), and the Tascam must only accept mono 1/4" inputs; so I got no audio signal (assume it was shorting R to S and sinking the audio signal). I tried a 3.5mm to 1/4" mono adapter from Radio Shack and that didn't work, either. Eventually I bought XLR male plugs and a 3.5mm stereo extension cable to make my own adapters and that worked fine. If you decide to go that route connect both Tip and Ring from the 3.5mm jack to pin 2 of the XLR, and then connect the Sleeve from the 3.5mm jack to both pins 1 and 3 of the XLR, and you'll be good to go. After getting the input connections sorted out my wireless mic receivers and shotgun mic worked fine but the Tascam wouldn't get signal from an unpowered lav mic (JK Mic-J lavalier) plugged directly into the recorder. I knew that phantom power wouldn't be appropriate. I wound up having to call Tascam and got through to someone in support in a reasonable amount of time. The Tascam support tech was professional and competent, and solved my problem quickly (had to enable "PLUGIN POWER" in the menu via Other --> System --> PlugIn Power). The unit itself is rather large, about the same width and height as my Canon 70D. Note that if you plan to feed the output of the Tascam into your DSLR there is no patch cable included, so you'll need a short 3.5mm to 3.5mm stereo audio patch cable. When mounted to the camera you can't access the battery door. But if you loosen the mounting screw you can rotate the camera to get access to the battery without entirely removing the camera from the recorder. The top plate that has the 1/4" x 20 screw to attach to a camera can be entirely removed. I can think of two accessory options here: (1) a longer 1/4" x 20 screw so you can screw all the way through a camera rig/cage, and (b) a 15mm rod base plate that replaces the standard plate, and then can attach to a camera or cage/rig. ... show more
Reviewed in the United States on October 17, 2015 by Mark (Bump)
    • Marvelous and Best for Value
style: DSLR Recorder
The TASCAM DR-60DmkII is just marvelous. I use it with a Sony A65 DSLR and my favorite configuration is with a Sennheiser shotgun mic in channel 1 and a Sennheiser wireless handheld mic in channel two. I consider this my perfect field documentation setup. I also use the Dual Record mode, Limiter and Bass Roll Off settings on all of my recordings. I attach it to the bottom of my camera and use a Gitzo Tripod with a Manfrotto 503 HDV fluid video head for a solid field shooting platform. Some complain that stacking the TASCAM unit and the camera together makes the configuration too tall. These people obviously haven't used older professional video cameras that are over a foot tall and two feet long, plus those dinosaurs weighed in upward 25 to 35 pounds. If placed on a solid tripod head rated for the weight of your gear you'll be perfectly fine. Some complain the unit has a plastic feel but I find the unit to be quite well made and the camera mount quite sturdy. Some complain that the menu is too complicated. They obviously haven't used a Zoom, Marantz PMD660 or a Marantz PMD670. I sat down on my stoop, fiddled with the buttons and knobs and figured out the menu in less than 5 minutes without looking at the manual. Remember it is a TASCAM, their manuals read like stereo instructions. If you have used digital audio recorders in the past, you will find the menu quite intuitive. If not good, luck with the manual. The pre-amps are absolutely wonderful, but test and know your input settings in relation to your mics before going to the field. Just make sure your audio levels peak above the -12db delta mark without hitting the 0db Clip wall. This is where your Dual Record mode can save you if audio gets too loud. When using the channel adjustment knobs be careful of stair-stepping the digital signal by turning the knob too much at one time. Only make micro adjustments while recording. If you find yourself slightly clipping just fall back on the Dual Record tracks rather than messing with the knobs. That is what the Dual Record function is for, it is your safety net. Finally, I love-love-love the Slate function. It makes post-production audio syncing a breeze. In summation this TASCAM unit turns my Sony A65 into a truly professional video production camera. I like it so much I ordered a second one. The TASCAM DR-60mkII is perfect for most of my production needs and the price tag didn't put a huge dent in my wallet. ... show more
Reviewed in the United States on June 24, 2016 by Big E
    • Plastic housing not sufficient
style: DSLR Recorder
Well the audio quality is decent enough coming from previously using a zoom H1. I did get a bit of noise in the headphones from time to time from cable but a nudge or push in tightly would solve it. My main issue is the plastic is just subpar. The battery door is thin and feels like it us going to break with just simply opening it. Battery situation is a whole other thing. My advice is to keep some batteries in it as well as power it via USB power bank. As when you disconnect it from the bank if there is no batteries in the unit you will need to reset time when powering back up. Minor annoyance...But the reason I returned it is the cheap plastic. On the second outing in the field the 3/4 screw bolt used to mount the recorder broke though the plastic and dropped the recorder. The weight and tall stance of it causes too much too stress on the thin plastic seat of the bolt. Snapped right out the plastic. It was a small fall and it does have the metal bars on either side. So there was no further damage but the screw hole is done. If you do go with this model I would support it with a cheese plate underneath. As for me I am going with the Zoom H6 ... show more
Reviewed in the United States on November 2, 2022 by Travis Gilliam
    • Nice portable recorder
style: DSLR Recorder
Review Image by Alexei Humeniy Alexei Humeniy
It's very versatile, doesn't need to be used with a DSLR or camera but it's nice to have the tripod attachment to prevent the issue of where to place it when at location. Warning: The USB port (you're going to need it a lot since the batteries don't last very long) is not secured to the chasis and it's only attached to the logic board on the surface level so there's a risk of ripping off the connector. I learned this the hard way. To prevent this, you can tie the USB connector to the handlebar-thing on the side (picture for illustrative purposes, that's not how I use it) ... show more
Reviewed in the United States on November 15, 2022 by Alexei Humeniy Alexei Humeniy
    • Better Than Anything Elvis or The Beatles Had
style: DSLR Recorder
Let me just say this: When you combine the sound quality, versatility, portability, convenience, feature set, and then the price of this little recorder, you have an absolutely insane value. It's a steal. They should be charging double. For under two Benjamins, you get a device that could theoretically allow you to field record for a feature film, documentary, TV news broadcast, or for material to burn a CD of a live band. To be clear, this is not really a multitrack recorder designed for musicians or bands, but that's not to say you couldn't use it to record practice sessions or live music. I am going to use mine to record dialogue for marketing videos. For that, it'll be perfect. One thing I'll say: If when you first get this recorder, you don't understand it, take some time and patience to dial-it in and get used to navigation. It's not the simplest recorder out there, but once you understand how to best use it, you'll be in business. For example, for my needs, recording with one shotgun mic on an XLR and a lav mic running to the 3.5mm jack with both tracks recording a "safety track" 6db lower is an absolutely bulletproof way for me to make sure I've got the audio without running the risk that I missed something because the talent was off-axis, clothing rustled the lav mic, or we went over the peak (because we've got those safety tracks). Anyway, you get the idea. With a little planning, this bad boy can do it all! ... show more
Reviewed in the United States on March 2, 2021 by Willie V. Hughes
    • No noise. Works great.
style: DSLR Recorder
Really great recorder. There is basically no noise added by this recorder. I have used a combination of mics and they all sound as great as expected. I don't expect a digital recorder in this price range to introduce noise and this one if perfect. Lots of great features and I like that many are accessible without having to go too deep into the menus. It is well built and you will not have any issues confidently attaching your camera to the top of this unit. Battery life is horrible. If you need portability than I suggest you invest in a backup cell phone battery pack. Get the biggest one you can afford. If you are stationary while recording then just bring your cell phone charger and plug in the included cable. The cable provided is very short so one day you will be buying a longer one. No wall plug is provided but any USB plug should work. I am using the Belkin 12watt USB charger and it works perfectly. The manual warns that some USB chargers (such as laptops etc.) may not deliver enough juice for the unit to generate enough phantom power so just get a good modern USB charger. The biggest issue I have is that it seems as if the headphone amp is noisy. When setting levels etc. I have found that with the gain turned up and the headphones turned up, where I can hear clearly, there is noticeably hiss. However when I play back the recorded files on my computer there is absolutely no hiss at all. The recordings are perfect. It is hard to adjust the levels using the headphones to determine the point at which there is no noise when the headphone jack is introducing its own noise at high volume. I have learned to trust that there is no noise. My second issue is that although the unit is a 4-channel recorder there are not 4 fully independent channels. channels 1 and 2 are completely independent with separate gains, limiters, filters etc. Channels 3 and 4 however are combined together with the limit, gain, etc. controls affecting both channels equally all of the time. My final issue is that when I record on all 4 channels I get 2 stereo files. Given that channels 1 and 2 are completely independent I would have preferred to get a separate file for each channel. But any way the channels are easy enough to separate in post production. ... show more
Reviewed in the United States on September 7, 2015 by Leights
    • Great Recorder if You Can Live With the AGC
style: DSLR Recorder
I have had this recorder for more than 18 months and used it in my studio primarily for recording audio during video interviews. I use a separate audio tracks and synch to video in post production because the built-in camera sound mics are not adequate. The DR-60 is well worth the price. It has many super features that you can read about in the specs. But I have only two negative comments or rather, disappointments: First, this unit, like every other recorder that I have tested recently, uses AGC or automatic gain control, which means, that even when you properly set the gain level manually during speech with a given microphone, the gain automatically increases during periods of silence, and boosts the background noise level up to audible, objectionable levels! I use two condenser lav mics that need the gain set up to "high" and the level set to 1:o-clock position to get to -12dB on the display. I get lots of background noise during pauses in speech while my clients are being interviewed. For example, I can pick up refrigerator compressor noise and air conditioners two studios away! Unfortunately, it does not have an AGC cut-out switch like my Radio Shack cassette recorder has! Secondly, I cannot discover a satisfactory way to mix two mics to obtain quality monaural sound with the controls on this unit. Maybe it is my ignorance, but I had to purchase a n Alto ZMX862 mixer to achieve this. And it also solved the noise problem! The Alto does not use AGC, so I was able to feed my two mics into the Alto, and send the Alto output mix to the stereo inputs of the DR-60. This also let me set the Alto gain control to 1 o-clock, the level controls to 3 o-clock, AND REDUCE the DR-60 gain setting to LOW! This eliminated the noise problem. Now, the DR-60 works like a gem along with the Alto ZMX862. If you are recording music, you probably will have no problem at all. But AGC is a problem all audio engineers have to fight for certain applications. Buy one, you will love it. Buy the Alto, too! ... show more
Reviewed in the United States on March 8, 2016 by John R. Gyorki

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