SONICAKE Modulation Pedal Modulation Guitar Pedal Phaser Flanger Chorus Tremolo Vibrato Autowah Guitar Effects Pedal 11 Modes
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Availability:
Only 10 left in stock, order soon!
Arrives
Wednesday, Apr 22
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Color: Modulation
Features
- 11-Mode Digital Modulation pedal adding multiple Sonic Dimensions to your Tone.
- Chorus, Vibrato, Flanger, Phaser, Tremolo, Univibe, Auto Wah, Bitcrush with 3-Knob controls on this modulation pedal
- Tap Tempo Function for Real-time RATE Control on this guitar effects pedal
- Special Design Buffer Bypass Circuit Keeps the Sound Pristine for the modulation pedal
- Working with 9V Center Negative Regular Pedal Power Supply(not included) on this guitar effects pedal
Brand: SONICAKE
Style: Wah,Choir,Modulation
Color: Modulation
Product Dimensions: 2.05"L x 1.65"W x 3.68"H
Item Weight: 0.23 Kilograms
Voltage: 9 Volts
Amperage: 200 Milliamps
Audio Output Effects: Modulation
Controls Type: buttons
Power Source: DC Adapter
Hardware Interface: 1/4-inch Audio
Signal Format: Digital
Style: Wah,Choir,Modulation
Color: Modulation
Item Dimensions L x W x H: 2.05"L x 1.65"W x 3.68"H
Item Weight: 0.23 Kilograms
Item Dimensions: 2.05 x 1.65 x 3.68 inches
Connector Type: 9V DC Center Negative
Brand Name: SONICAKE
UPC: 843037100714
Global Trade Identification Number: 14
Manufacturer Part Number: QSS02-10
Included Components: pedal
Item Type Name: QSS-08 (5th dimension)
Warranty Description: 90 days free returnable.
Manufacturer: SONICAKE
Model Name: QSS-08E
Model Number: QSS2-10
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Wednesday, Apr 22
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Color: Auto Wah
I am a musician that has been performing for 30 years on the stage, in the studio and stage on a a professional. I have a degree in guitar performance and I play everything from classical, jazz, bluegrass, rock, pop, etc...I have owned approximately 75 pedals currently and have owned twice as many through the years. Yes, I am addicted to shopping for guitars, pedals, amps....you get the point. I am going to first talk about the build of the pedal. It is in a small 3.5" x 1.5" x 1.5". It is built like a tank in a durable metal casing. It does have 3 plastic knobs that have rubber rings around them. I am guessing this is used for both gripping and turining the knobs comfortably and to protect them. It also has a regular size knob in the center that is common on many pedals on the market. That being said, the hardware is great quality and I believe this pedal could withstand the day to day abuse from a professional performer for years if not a life time. The build is simply very high quality for the price. I first decided to try this pedal using a clean sound. It has the following 4 adjustable functions: 1. "Sense" knob - The large knob in the middle. It acts as a tone filter/sentativity for the sound. Turn the knob all the way to the left and you get a really throaty wah sound and as you turn the knob to the Right the tone brightens. As you pick softer you get more of that "Cry" sound. I found a good sweet spot for a wah sound was this knob between 10 to 11 o'clock. This could be different depending on the guitar and amp etc...you are using. 2. "Freq" controls the frequency. I like this knob a little before 12 0' clock 3. "Decay" I found this knob sounds best turned all the way to the right for a more intense wah sound. 4. "Pres" Presence knob - acts just like a presence knob on an amp. Fine tunes and smooths out the sound. I liked this best at 2 o'clock. The above settings for each knob was what worked for me as far as getting a professional wah sound. Now, as I experimented with turning the knobs, I found I could get synth like swelling sounds to actually using the pedal as an equalizer to get more of a muted sound for jazz tones or get more of a "Fuzz" sound running it through disortion. I also found I could use the pedal to "melow" the sound and make my bridge pickup on a Les Paul sound like the neck pickup on a tell or a neck pickup on a Les Paul itself. I could get a lot of different cool tones just from this tiny pedal. The sensativity of each of the knobs used to change each setting are very sensitive and usable unlike other higher end auto wahs or filter pedals I have used in the past where I could not tell whether turning the knobs did anything. This pedal is especially great for funk and syncapated rifts where dynamics are needed to help accent certain notes or making different percussive sounds in between notes or chords. This pedal I will be using for live performances and studio. When I purchased it, I did not plan on using it except as a toy to play with per say and wasn't expecting how professional, clean, and sturdy this pedal is. This pedel is true bypass and there is no drop in the volume when engaged. No popping, no fizzle, and the sound does not manipulate the original signal that can cause the intergrity of your sound to change. Summary: This pedal is as sturdy as it gets. Super versatile as it can be used as a auto wah, equalizer/filter, synth tones, etc... Professional sound quality and sounds better than pedals I spent 4 plus times for. I have owned auto wahs from the popular cock fight pedal (which I returned), to all the major brands and have refused to use any of them for live or studio use. Most I have returned and have just stuck to a wah pedal. This pedal can really free you up to move around on stage and will use it for live and studio performances. I will buy another one so I can have two different settings I can utilize while performing live without adjusting the knobs and since it is so small it does not take up a lot of space on my people board. Note: I will update this with a video when I get a chance to video and record the different uses I found intriging about this pedal.
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Reviewed in the United States on September 15, 2018 by Michael Cole
Color: Auto Wah
Great price, great unit, sounds awesome with both my Les Paul and Mosrite.
Reviewed in the United States on May 13, 2025 by Snowman
Color: Auto Wah
A decent pedal. A bit mild, even at the extreme settings. It will get lost in the signal chain unless you place it dead last, right before the amp. I have to keep it outside of the effects loop as well But it does add
Reviewed in the United States on October 13, 2024 by MaxRocks
Color: Octave
Sometimes kicks in and out like it can’t figure out what note to octave. When it works it’s a cool retro sound. I use it, don’t hate it, just kind of is what it is.
Reviewed in the United States on May 24, 2025 by Northeast Nerd
Color: Chorus
First, I bought the original version of this pedal in 2018. It was my first time to try a micro pedal, and my expectations weren't that high. In fact, you can see the Boss CE-2 pedal that I've had since the late 80s, or early 90s. Yeah, I've been playing awhile. That is my favorite chorus pedal of all time, and I mostly used it as an always on, very subtle effect. It's fantastic at thickening sounds. You might not notice it if it's just on, but If you turn it off, you notice it. That's about the level I prefer. So it looked like the Sonicake was trying to emulate the Boss CE-2, or the Super Chorus, with the 2018 version of this pedal. When I got it, I was underwhelmed, because even in shallow mode, I could not dial in that specific sweet sound. AND THEN...I noticed a clicking in the background, whether the pedal was on or off, and no matter where it was placed in the chain, etc. My best guess to the cause of that was the groovy lighted knobs, which were cool looking. I thought that all the "less expensive" pedals were probably inferior in that way, and I didn't try any other brands until a few months later. Of course, I had boxed up the original Sonicake, meaning to return it. And promptly forgot about it until it was too late. For some reason, I emailed the company out of the blue about this about 2 weeks ago. I didn't expect anything, didn't ask for anything. But they offered to send a new pedal. This is almost 3 years later! Talk about customer service. And as you can see from the pics, they've re-designed the pedal. Gone are the cool lighted knobs and the toggle switch between "shallow" and "lush". This version is MUCH closer to the bucket brigade type chorus of the Boss unit. In fact, it's so close, (and no noise!) it deserves 5 stars. It's a very good digital simulation of a simple analog effect. With customer service this great, I want to help support their dream. And they have a couple of other pedals I'm not afraid to try out now. Thanks, Sonicake.
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Reviewed in the United States on July 28, 2021 by Bowie in my DNA Bowie in my DNA
Color: Modulation
This is for the 5th Dimension pedal. It's really a piece of junk. Most of the effects are _way_ too pronounced, especially the flangers (can't one of them be more subtle?), and dialing back the "depth" only makes them softer, not more subtle. The "roto" effect is more like another version of the flanger with more "boing", nothing at all like a rotary / leslie type effect. The harmonic trem is terrible, only the optical trem is OK. The auto wah should have an envelope follower, not automatically modulate using the LFO. and the downsampler just sounds like garbage. Also, once you choose a tap tempo, if you change effects it resets to the knob, there should be a way to preserve the tempo. Oh, and also the "mix" knob doesn't mix in dry signal at ALL, it's just an output level for the FX. And, there is no coordination between the "depth" knob in one effect and the next one, so in one case a setting that is relatively weak is super strong on the next effect, and vice versa - so switching effects absolutely requires you to fiddle with the knobs on the fly. They obviously never consulted with any actual guitar players when designing this, I would give this 0 stars if I could - it's not even "entry level", a novice using this will likely feel bad about her playing and may not get how bad the pedal is.
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Reviewed in the United States on February 4, 2025 by BHarley