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Shure

Shure VP83 LensHopper Camera-Mounted Condenser Shotgun Microphone for use with DSLR Cameras and HD Camcorders - Capture Detailed, High Definition Audio with Full Low-end Response

  • Based on 540 reviews
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Availability: 11 left in stock
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Arrives Thursday, Dec 18
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Style: Standard


Features

  • Detailed, high-definition audio with full low-end response for professional results every time.
  • Highly directional super cardioid/lobar polar pattern rejects unwanted off-axis audio while clearly capturing the intended sound source.
  • Superior RF immunity to avoid against unwanted audio artifacts from cellular and RF devices.
  • Integrated Rycote Lyre shock mounting system provides superior isolation from vibration and mechanical noise through its customized, robust design exclusively developed with Rycote for the VP83 model.
  • 125 hours of battery life from 1 AA alkaline battery (included). Connector type is 0.125 inch dual mono, unbalanced. Frequency response is 50 to 20,000 hz. Sensitivity is minus 36.5 dbv per pa

Description

The ultra-compact VP83 LensHopper is an all-in-one solution for capturing detailed, high-definition audio with full low-end response for professional results every time. For use with DSLR cameras and HD camcorders, the VP83 features a rugged build and true-to-life audio quality, expertly combining form and function. Its easily accessible controls enable quick adjustments for different recording environments.

Recommended Uses For Product: Singing, Streaming


Brand: Shure


Model Name: VP83


Connectivity Technology: XLR


Connector Type: 0.125 inch dual mono, unbalanced


Special Feature: Lightweight


Compatible Devices: Camera


Color: Black


Included Components: VP83 LensHopper Camera-Mounted Condenser Microphone


Polar Pattern: Super Cardioid


Audio Sensitivity: 36.5 Decibels


Item Weight: 0.33 Kilograms


Microphone Form Factor: Shotgun


Item dimensions L x W x H: 10 x 4.2 x 5.2 inches


Power Source: Battery Powered


Number of Batteries: 1 A batteries required. (included)


Material: Metal


Signal-to-Noise Ratio: 78 dB


Hardware Platform: Camcorder, Camera


Number of Channels: 1


Frequency Response: 20000 Hz


Global Trade Identification Number: 93


Manufacturer: Shure


UPC: 042406276993


Item Weight: 11.7 ounces


Product Dimensions: 10 x 4.2 x 5.2 inches


Item model number: VP83


Batteries: 1 A batteries required. (included)


Is Discontinued By Manufacturer: No


Date First Available: July 8, 2013


Color Name: Black


Material Type: Metal


Battery type: Lithium Ion


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Thursday, Dec 18

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Similar Products

Top Amazon Reviews

    • Great Package for the Money; Overall Sound Not Spectacular, But Professional Enough
Style: Integrated Flash
Update: the microphone has worked very well this far for our needs. But, it doesn't have good low frequency pattern control. Expect to use a high pass filter if you are in a confined area to make it sound more realistic. That's expected though with a short shotgun mic. The longer it is, the lower the frequency it can control. It looks like that's why they tailor the response how they do. I'm always EQing different amounts of 200Hz and under out depending on the situation to make scenes sound consistent. But, it's a good sounding mic with great transient response. Just take care to learn how to use this one. For $300, this is a great setup. Since it is good for the money, I give it 5 stars. It's pretty awesome that it is a flash recorder as well. The microphone is pretty directional and captures transients well. So, that means it capture details well. The only thing I don't care for is the frequency response. The way it drops off after 10 kHz leaves me some top end I wish I had. It also rolls off the bottom end slightly starting around 200Hz, which can be good or bad depending on the situation. For voice it works well enough for a general purpose shotgun microphone. It's really about convenience with this mic. Sure, I can get a much better sound with my $250 Audix VX5, pop filter, yamaha 01V console, and ADAT interface, but the price is high and convenience is low on that setup. I use that for voice overs. So, for the overall package, the VP83F gets the job done, has quiet enough circuitry, and can give you a good enough sound to make it sound professional. It just won't blow you away with sound quality or anything. It is definitely an upgrade from any internal camera mic. However, if my camera had a mic input of it's own, a $300 shotgun mic would sound better. ... show more
Reviewed in the United States on March 14, 2017 by D. Hoover
    • I very much like the tones this mic records
Style: Integrated Flash
I've had the Shure VP83F LensHopper for about 6 months now and used it in a wide range of settings, subjects, and environments. From shooting steam locomotives to interviews and to children's school recitals it has not let me down once. It continues to work as a key part of my video kit. I currently operate mostly Canon DSLRs in a video setting, but have used this microphone to supplement other video cameras as well. For those solely interested in sound quality, I imagine it would be hard to beat this at the price. I very much like the tones this mic records. I have noticed it is very clear, reasonably sensitive and has a very slight warm tone. The directional aspect is quite good, akin to what I have experienced with high-end Sennheiser shotguns. The flash recording has saved me in several instances where we needed a stand-alone unit too far for reasonable chords. I have come to trust it, if the red light is on, it is recording well. A great feature!!! I have taken to using the flash recording, even if I have it worked into the camera, just in case! My main gripe, and a small one, is that the interface for settings is a bit clumsy. I did miss one shot because I was caught fooling around with it... I needed a good-quality, easy to operate, reliable, durable shotgun and needed it at a decently low price. I ended up with this dandy little guy after a laborious research period. I read review after review and was almost persuaded away from this in favor of a traditional shotgun. In the end, boy am I happy I grabbed this one! ... show more
Reviewed in the United States on January 16, 2015 by wunztwice
    • Seems very sturdy (perhaps the suspension system is the weakest point
Style: Integrated Flash
Seems very sturdy (perhaps the suspension system is the weakest point, demanding careful handlind when opening the battery compartment). Teh on-board controls are very intuitive and detailed, only wish there was an automatic gain control for situation when I have no time to adjust the gain properly. The sound quality is great and the sideways sound cancelation pretty good too, for the type of mic and price point. UPDATE: I recently used the microphone with a slightly older card, a 2gb micro SD, and just let it recording an event. When I came back home, the card wouldn't load on my mac. I used Disk Utility, and Repaired it. This made it possible to mount the card, but it showed up as empty. So after running DiskDrill repair software, I was able to recover 60% of the files. So... what happened? Maybe the older and smaller capacity card was a bad idea. But it definitely was a bummer, and I don't know if it had an issue when the card filled. ... show more
Reviewed in the United States on September 4, 2017 by Alan S Langdon
    • Problem solved!
Style: Standard
This has been an ongoing source of frustration. A few years ago, I purchased the Canon XA10 which has the removable handle with XLR inputs. The onboard mic is pretty good except it's very sensitive to wind. First purchase; an Audio Technica XLR shotgun. Good handling isolation, good base, but "dull" sound; kind of like you've got ear wax build up. Next, a Sennheiser shot gun with mini plug output. Not much base and easily distorted in loud environments due to lack of gain switch. Next up, Rode Video with the rubber bands suspension. Awful pick up from handling the cam, very poor sound isolation. Overly "bright" sound with poor base. Also susceptible to volume overload and distortion. I've been aware of Shures quality for over 40 years and thought I'd give it a try. WOW! Great cam isolation. If you handle the foam on the mic, very loud, touching the cam, very quiet. Put Walk the Line on the stereo and cranked it up. At 20 db with the cam's record volume turned down, some overload distortion. At 0db, much better, and at -10db sweet. Solid base, clear mid and high without "harshness". As a bonus, it's relatively small and unobtrusive. Would love some feedback on which wind sock to get, the Shure or knock off brand. ... show more
Reviewed in the United States on January 20, 2015 by Henrik E. Hansen

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