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Availability:
20 left in stock
Arrives
Nov 1 – Nov 4
Recently Viewed
Color: Clear
Style: Gen 1
Features
- Sound-isolating Earphones with Four Drivers in 3-way Configuration
- Custom -fit Sound-isolating Sleeves
- Lowpass Filter
Description
With four high-definition drivers, a groundbreaking low-pass filter, a customizable frequency response, and a detachable cable, The SE846 professional sound isolating earphones are engineered for unparalleled audio monitoring in a durable, discrete design. Secure, over the ear cable with wire form fit ensures earphones Stay in place and out of the way during hours of wear. Sound isolating technology with selection of sleeves blocks up to 37 dB of Outside noise and ensures custom, comfortable fit. Includes a premium carrying case, 1/4” adapter, fit kit with wide selection of sleeves, and nozzle removal tool with changeable inserts for frequency response adjustments. Designed to withstand the rigors of live performance.
Brand: Shure
Color: Clear
Ear Placement: In Ear
Form Factor: Over Ear
Noise Control: Sound Isolation
Headphones Jack: 3.5 mm Jack
Model Name: SE846-CL
Wireless Communication Technology: Bluetooth
Included Components: 3-Pair Of Foam Sleeves, 1/8" To 1/4" Adapter, Cable Clip, Square Carrying Case, Balanced Nozzle Insert, Nozzle Removal Key, Warm Nozzle Insert, Bright Nozzle Insert, Polishing Cloth, Limited 2-Year Warranty, 60" Kevlar Headphone Cable, Airline Adapter, Volume Control, Pair Of Triple Flange Sleeves, Shure Se846 Sound Isolating Earphones (Clear), 45" Kevlar Headphone Cable, Pair Of Yellow Foam Sleeves
Age Range (Description): Adult
Material: Metal
Specific Uses For Product: Travel, Professional, Sports and Exercise
Charging Time: 10 Hours
Compatible Devices: Smartphones
Control Type: Noise Control
Cable Feature: Detachable
Item Weight: 1.36 Pounds
Frequency Range: 15 Hz–20 kHz
Customer Package Type: Standard Packaging
Unit Count: 1.0 Count
Style: Gen 1
Number of Items: 1
Audio Driver Type: Balanced Armature Driver
Is Autographed: No
Series Number: 846
UPC: 042406277464
Global Trade Identification Number: 64
Manufacturer: Shure
Item Weight: 1.36 pounds
Product Dimensions: 9.1 x 5.7 x 2.6 inches
Item model number: SE846-CL
Is Discontinued By Manufacturer: No
Date First Available: June 21, 2013
Color Name: Clear
Connector Type: 3.5mm Jack
Material Type: Metal
Size: 5.70 x 2.60 x 9.10
Computer Memory Type: DDR SDRAM
Processor Count: 2
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Nov 1 – Nov 4
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Color: Clear
Style: Gen 1
Settle in with some coffee or tea cause this is going to be a long one... ;-) Shure IEM's have been my mainstay daily listening choice for quite a few years now. I bought my first pair of Shure IEM's back in 2007, a pair of E4C's that I (amazingly) found for $100.00 at my local circuit city. From the get go, the Shure house tendency towards neutrality and not over emphasizing any particular frequency really sat well with both my inner music producer, as well as my inner listener. I'm not a fan of exaggerated or unnaturally affected music in regards to any frequency range, really and if given my druthers, I would always have gear that tends towards neutral but that still responds well should I decide to use equalization. Therefore, at least in regards to IEM's, I've always stuck with the Shure brand as the engineers (and ears) there, those behind the design process of their headphones, IEM's and even their microphones (I own several), seem most concerned with a natural, mostly unaffected presentation. From the E4C's, I rather quickly moved on to the SE500's, then the SE530's and then the SE535's. I've enjoyed them all immensely and for mostly the same consistent reasons: solid performance, nothing exaggerated, clean detailed presentation and excellent build quality (not to mention their excellent service department). Here come the SE846 --------------------------------------------------- And so when the SE846 was released, especially with the accompanying “hoopla” around the considerable amount of new technology that went in to the production of the IEM (in-house engineered balanced armature drivers, a miniature ported sub woofer of sorts with 4 inches of acoustic pathway, etc.) … admittedly, I was over the moon and just hell bent on the need to try them. But when I saw the price of $1000.00, I realized this was an item that most likely would not end up as part of my regular, daily arsenal. And, for all intents and purposes, it has not. Something about spending $1000.00 on an IEM just throws some internal checks and balances that have simply not allowed me to actually try (or buy) a set. But lately, I was lucky enough to get to spend a couple weeks with a brand new pair of SE846 IEM's and as a long time and quite devout user of the various 500 series IEM's, I figured I'd take a moment to write a bit about my experience with them. Solid ---------------------------------------------- When listening to non-equalized music, The SE535's have always been just a tad to much on the “flat” side of things, a bit too “middle of the road,” a bit to “straight-laced.” This is fantastic from a music production point of view as it allows me to hear music for what it is and without any affectations brought on by the IEM itself (should I care to have a “clinical” listen to any given sort of music). But in daily use, I have always insisted on using equalization to bring the default, somewhat subdued presentation of the SE535 more in to focus in regards to what I enjoy insofar as recreational music listening is concerned. It's true as well, as you've most likely read or heard, the SE535 has fairly rolled off, stunted highs that I can only imagine were decided upon to make the IEM most palatable with the most sorts/genres of music. But in the final analysis, I enjoy a bit more sparkle than the SE535's naturally provide and too, I like a bit more sub bass and bass presence in general. Therefore, I've always used equalization with them. Currently, I use a Cowon J3 with it's formidable Jetaudio EQ to fine tune the SE535's and prior to the Cowon, a Teclast S:flo 2 with an Arrow amp's bass/treble boost. And so the primary difference I would note between the SE535 and the SE846 is that the SE846 requires NO equalization to sound “right” to my ear. In fact, at all default/non-EQ'd settings, the SE846 sounds about like my SE535's with equalization applied. And yet, for various other reasons discussed below, the SE846 still sounds markedly more impressive for several other reasons. SE535 vs SE846 … a general breakdown --------------------------------------------------- The SE535's, in general, sound a bit more “flat line” or “homogenized” than do the SE846's. I think this has everything to do with the rather dramatically better instrument isolation/separation that the four drivers of the SE846 provide. The two IEM's are without a doubt from the same basic tuning camp, they are both somewhat neutral and neither overly accentuate any given frequency; with the SE846, I never found myself thinking, “wow, those highs are too bright,” or … “that bass is totally unnatural (think Bose)” … but Shure really took things to the next level with the SE846's and they are a fantastic successor to the ubiquitous SE535 if only for the fact that they solve two of the most obvious issues with the SE535 (to my ear, mind you): first, the rolled off highs and second, the lack of a visceral sub bass. I just wish they'd have released them at a closer price point to the SE535's instead of basically doubling the price, but that's just my limited income and other interests (that require my money) talking. :-) But it's true. Take every criticism you've heard regarding the SE500 series IEM's and just imagine them all rectified. That's what the SE846 brings to the table. It's not just the superior bass performance of the SE846 (which is significant), it's the high frequency presence, the sound staging, the instrument separation and micro detail retrieval, it's everything really. The improvement over the SE535, really is that significant of a thing. I have listened to the various 500 series Shure IEM's nearly every single day for 4 to 6 hours a day and for the past six years; I am intimately acquainted with them and the above comments are made with a good deal of confidence. The SE846 is a real evolutionary step away from the Shure SE535's. But as mentioned, they definitely hail from the same sonic camp... The one area I think the two IEM's are most similar is in regard to mid range frequencies. Upon first listening to the SE846, I was very happy to hear that Shure decided to stay with the (my opinion) utterly brilliant, somewhat forward and very present take on mid range that just about all of their headphones/IEM's are known for. I like my bass and I like my highs but I think somebody once said that the music is in the mid range and I for one, would tend to agree. The SE846 mid range is nearly indistinguishable from the SE535 mid range, if not just a tad more refined around the edges. Couldn't be more happy about that and the huge improvements in overall frequency retrieval and separation make the SE846 almost a perfect headphone for me. Lows --------------------------------------------------- And as most every review will mention, the bass performance of the SE846 is rather astonishing. However the Shure design team came up with that ingenious (and gorgeous) sub woofer-like “porting” system, whereby they give the bass frequencies, literally, four inches of metallic path to trace before exiting the tiny IEM's sound tubes, is beyond me but I can say they've worked a minor miracle with it as the bass performance is the best I've heard from any IEM. It is not an overwhelming, huge, constantly present bass like one might hear in some of the “bass head” cans out there on the market; unless the particular track calls for it, you will never even know such potential is dormant there, but should any given track need it? The bass comes and it comes in just that amount that the track/recording calls for and is always in perfect relation to the high frequencies and the mid range frequencies. That last bit is perhaps the most astonishing facet of the SE846, the fact that at any volume, from the subtlest of settings to the loudest, the SE846 remains absolutely well behaved, with everything in it's place. The bass never bleeds into or drowns out the highs/mids and the mids, though generally always the backbone of the Shure IEM sound (any of them), never dominate in a way that seems outside the requirement of the given track/recording. I sat one day for over an hour just turning the volume way down and way up, marveling at how in the world they kept the relationship between highs/mids/lows so consistently perfect no matter how loud or soft the volume became, truly a feat. But the bass is ridiculously good and miles beyond anything the SE535 is capable of. I consistently use equalization to give my SE535's just that little bit of extra something at both ends of the frequency spectrum as they are just so “flat line” that at times I find them to be a bit boring … not so with the SE846, though. Straight out of the Ibasso DX90, with no equalization, the SE846 are pretty much perfect sounding to this guys ear and I had no need or desire to equalize them in the slightest. Highs --------------------------------------------------- Another quality often discussed regarding the SE535 is the obviously rolled off high frequencies. I don't think it is debatable at this point, either for reasons of sounding the best with the most types of music or otherwise attempting to make them non-fatiguing, the SE535's are designed with a rather pronounced “roll-off” of the upper high frequencies. This isn't altogether bad as they can be easily massaged with a decent equalizer if one prefers more sparkle (I do); should one have a player with a decent equalizer (think Cowon J3) then that can be remedied; or worse case scenario? Should one be stuck with an exceptional player that has a pretty bad equalizer (think Ibasso DX90), then it can become vexing. But again, as a person who has lived with the SE535's for many, many years and many thousands of listening hours, I can happily say that the SE846's are much more resolving and have far more sparkly, more detailed high frequencies. Everything about the high frequencies is more resolving and more detailed. I would put a section here discussing the mid range but suffice it to say, the SE846 come with the same, rather pronounced and “confident” mid range presentation that the SE535's and most other Shure headphones count as hallmark. I for one was very pleased to hear this as I'm a big fan of a leading mid range and nothing else can really be said about it other than the fact that the SE846 presents that same mid range in an even more detailed, articulate manner (most likely having everything to do with more drivers). Otherwise? --------------------------------------------------- Sound staging is a bit more out of the head than the SE535's … the increased number of drivers and perhaps the design of the housings, give one the impression of the music coming from a slightly greater distance (in a pleasant way). The SE846 is a noticeably more detailed/resolving IEM than the SE535, presenting music with a much greater, more discreet separation among the various instruments in any given bit of music; this is not a subtle thing, either. There is more “silence” between the various players and overall, one finds one's self more intimately experiencing the sonic landscape. An interesting thing is that as I would switch from the SE846 back to the SE535, I had a very intense and nagging desire to keep turning the SE535's volume up, thinking that if I did so, I would be able to hear the same sort of details I was getting via the SE846; but increasing the volume thru the SE535 just didn't assuage that nagging itch; in the end, I realized it was simply a matter of the SE846 being a much more resolving listen and there was no issue or discrepancy with the volume setting when switching between the two IEM's. Apparently, the number of drivers and overall design differences inherent to the SE846, really do make a very positive difference. -- Using the Shure “black olives” the noise isolation was identical between the two IEM's (and quite remarkable, as always with that particular tip). -- The fit of the SE846 was approximate with that of the SE535's, even though the SE846 is without a doubt a bit larger of an IEM; still, I had no issue with the fit (my ears are what you might call “medium” sized). -- The build quality of the SE846 is something out of an Engineering or Industrial Design periodical, I mean it's a freakishly gorgeous bit of gear to look at with a magnifying glass. :-) … the cables are ridiculously tough and well put together (microphonic free, BTW) and overall the entire package screams quality. -- I did not experiment with the various nozzles that reportedly can be used to change the sound; I found the default, “neutral” setup to be so perfect that I didn't have any desire to try the other options and so I can't speak towards that. -- I did not test the SE846 with any sort of amplifier; they sounded brilliant straight from my Cowon J3 and even better, straight out of the Ibasso DX90. Why I won't be keeping this $1000.00 pair of IEMs ---------------------------------------------------------------------------------------- First and foremost, I simply cannot drop a grand on a bit of gear that only has a 2 year warranty. Despite my appreciation of Shure Inc. … their microphones and headphones alike, both of which I have used extensively over the past two decades … I still feel that such a device as the SE846's should come with a warranty that more syncs with the rather heady price tag. Again, I have nothing but love for Shure and their business methodology; for chrissake, they sent me a completely free pair of brand new SE530's once ... simply because I wrote an honest letter to their service department, but that's another thread … But the fact remains, a 2 year warranty is basically the same as Shure saying, “Hey .. we think that these might very well fail after about two years of regular use and if so, your either going to have to buy a new pair or pay for repairs.” And, for a $1000.00 pair of inner ear monitors, this is simply unacceptable for me as a consumer. I'll just EQ my SE535's, thank you very much. ;-) Something I didn't write anything about in the above little essay is that throughout my listening session, I was also swapping in a set of Koss Portapros for even further comparison and I have to say, they are damn near the sonic equal of the SE846's; and, to my ear, a decent bit more exciting of a listen than the non-equalized SE535's. Very similar bass/high freq performance as the SE846's but without the lovely isolation of the latter, and of course not nearly as discreet/portable. And if folks feel that paying $1000 bucks for the 846's is better than $40 bucks for the Koss Portapros or even $500 bucks for the SE535's (both of which I consider fair) … then more power to them. Technically and to make sure the above comparison is understood, the Koss Portapros are not nearly as detailed as the SE846; further, the highs and lows of the Koss' are tipped just so much more towards the “unnatural” … but they are coming close to the sonic performance of the SE846 and so at $40.00 and change, and with a lifetime warranty? It makes dropping a grand on the SE846's sort of hard to justify (even though I still want them real bad) … ;-) But again, can't say it enough … the Portapros, even at a mere $40 bucks, still have a life time warranty (which I've used more than once). Hell, even the $1000 dollar Koss ESP-950 kit comes with a life time warranty, which I've also used on more than one occasion. Ultimately? ------------------------------------------ Shure has done a genuinely remarkable thing with the design/engineering behind the SE846 and I certainly feel the price is okay for such work and especially the resulting performance; if you have the coin to spare and want pretty much the best sonics one can find today in the market of universal fit IEM's? Then buy the Shure SE846 immediately and feel good about buying them. I certainly would if I could and I might still, anyway ... if I can just find somebody who might want to buy one of my kids (just kidding, I don't have any kids but selling one still comes to mind and as I try and juggle responsibilities in an attempt to justify buying the SE846's for real) If the SE846 IEM's had a life time warranty? I would buy them happily, immediately and without hesitation. Hell, even if the warranty was five years instead of two, I'd still buy them. Shiza! Just look at Blendteq blenders! They build a remarkable product as well (Blendteq is like the Shure SE846 of blenders!) and they back it with a very respectable 8 year warranty and those only cost about $500.00 bucks! But I digress .. Much of this last bit of playful vitriol is just my annoyance at not allowing myself to keep the SE846's (really, I'm bugged to hell). It's been a couple weeks since I returned them to Amazon and every time I put my SE535's in, I'm immediately reminded of how superior of an IEM the SE846's are. The pain is real... Further, the sonic differences between the SE535 and the SE846, though quite significant, simply do not warrant a $1000.00 upgrade when considering my other interests that require financing and my relative income level as well. I really enjoy the SE535's and combined with a clean, capable EQ, they can be made to quite nearly approximate the general frequency performance of the SE846, though the better separation among frequencies and the better isolation of individual players that are hallmarks of the SE846 sound, simply cannot be matched by the SE535 with any sort of hardware or software equalization; it is a simple matter of better physical engineering and design (great job, Shure!!). So yes. I will pine for the SE846's for some time and yes, I sorely wish that Shure had released them closer to the price point of the SE535's or even so, a much better warranty term when priced at their current $1000.00. But at the same time I'm hugely pleased with Shure's innovation and the quality of the product that they chose to make and introduce to the audio market, both for those of us making the music and for those of us who listen. Keep up the great work, Shure. I remain a fan.... ... ;-)
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Reviewed in the United States on February 3, 2015 by s1rrah
Color: Clear
Style: Gen 1
Let me preface by saying that I'm not a hardcore audiophile but that I do enjoy listening to music and travel quite a bit for work and am constantly on the hunt for new IEM's and headphones to use when traveling on planes/etc. That being said, I'd probably describe myself more as an enthusiast rather than a hardcore audiophile. I was in the market for some high end IEM's and was choosing between the Shure SE846-CL Sound Isolating Earphones with Quad HiDef MicroDrivers, Crystal Clear and Sennheiser IE 800 High-Performance In-Ear Headphones (Black). I was looking to upgrade from my Shure SE535-CL Triple High-Definition MicroDriver Earphone with Detachable Cable (Clear) and Westone UM 3X In-Ear Musician's Monitor, Universal Fit Earphone with Removable Cable, Clear, 79292 (I have the RC removable cable version of the UM3x's). Anyway, I ended up buying the SE846's and found a pair of used IE800's on another site so now I have all four of these IEM's and plan on selling the SE535's and UM3x's. I know I really don't need two sets of IEM's but with the SE846 and IE800 I love them both so much that I don't really want to sacrifice one or the other. In any case, since I have all four of them now I thought it'd be helpful to some of you out there who may want to know a bit more about these at least in terms of how I rank them. I'll be ranking them using the following criteria (which I adapted from a well known user on head-fi) on a scale from 1-10 each: Bundled Accessories - Which ones come with the best and most comprehensive list of accessories Build Quality - How well I feel they will hold up over time Isolation - How well they block out ambient noise Microphonics - How much cable noise you hear when moving around Comfort - How comfortable each one are after wearing for extended use (over an hour on plane for example) Sound - This is a bit subjective as all people tend to hear details differently in the sound so I'll do my best to describe why I rank them the way I do Value - For the money which one is best? ::Shure SE846:: - 65/70 -------------------------------------------------------------- ::Bundled Accessories:: 9.5/10 - Shure really didn't leave anything out when they put this package together. It comes with a large plastic case like a pelican case as well as a zippered case. It also comes with a plethora of tips and most interestingly a set of 2 additional tubes that can be inserted in to the IEM's that change the sound of the SE846's. I opted to stay with the pre-installed neutral tubes. The only thing that would have been nice is if they included an iPhone/Android compatible cable. At the price they are asking it should be a throw in... ::Build Quality:: 10/10 - All plastic with the exception of the ear nozzle which is metal. From what I hear this is the most susceptible part to break so it's nice they changed them to metal from the previous generations plastic nozzles. ::Isolation:: 10/10 - I use some Comply Tsx-100 Comfort PLUS Earphone Tips (Black, 3 Pair, Small) with these and they isolate noise very well. ::Microphonics:: 9/10 - Shure cables are long and slightly thick. Microphonics are generally not that big of an issue unless you're really moving around a lot. ::Comfort:: 8.5/10 - These are LARGE IEM's. With everything packed in to the SE846's I suppose you could say that they are small but compared to the SE535's these are noticeably larger and if you have smaller ears you may have some comfort issues with these. I've found that I can wear these for extended periods of use but find myself adjusting them from time to time depending on how much I am moving around. ::Sound:: 10/10 - The sub bass is incredible in these little IEM's. I thought I could hear bass in some of my other IEM's but these take it to another level with the low frequencies it can go down to. The bass is there and not overwhelming and the highs are crisp and clear. I find the soundstage to be wide on these but not as wide as the Sennheiser IE800's. Overall, the sound on these is excellent! Also worth noting is the VERY low impedance of only 9 ohms! This means that they can easily be driven from mobile devices and get good volume without having to turn it all the way up! ::Value:: 8/10 - At the price they ask for these, I can't say that they are the best value but they are some seriously great sounding IEM's. ::CONCLUSION:: The SE846's seem to be an evolutionary step in a long line of IEM's. I've had many Shure's dating back to the e2c's, SE425's, SE535's and now the SE846's. As time progressed and Shure refined and improved their products I've been with them along for the ride and I'm happy to say that the SE846's have many welcome evolutionary steps above and beyond what they've done before. The sub bass is amazing in an IEM and the other improvements like the metal nozzles and removable tubes to change the sound are great. Coming from their previous flagships, the SE535's, I can see that they've put a lot of thought and effort in to these and can say that the higher price is fully justified... if only they'd redesigned the iPhone compatible cable and included it with them too! Honestly, though, that's the ONLY downside I see in these IEM's is that they don't include an iPhone compatible cable like their competitors. Other than that, these are some of the best IEM's on the market today and I highly recommend them. ::Sennheiser IE800:: - 60/70 -------------------------------------------------------------- ::Bundled Accessories:: 9/10 - Not a lot comes with these but what it does come with is REALLY nice. The case is by far one of the best cases I've ever used for IEM's. The case has a cutout inside the case to put them in and the cable wraps around the case nicely so you never have to deal with tangled cords. The IE800's come with a set of replaceable silicone tips that can be cleaned and reused by just running them under the sink with some soap and water... NICE! The only thing as with all of these is that at the price they ask for them they should include an iPhone/Android compatible cable. The other thing you should know is that the tips are proprietary so there are no officially documented comply tips that will work but I hear that some of the comply tips will work. ::Build Quality:: 10/10 - Ceramic housings and a kevlar cable... no other IEM on the market can say that as far as I know... built like a tank ::Isolation:: 8/10 - The bundled silicone tips do an adequate job of blocking ambient noise but they aren't going to block noise as well as others. ::Microphonics:: 5/10 - By far the worst microphonics I've heard out of an IEM. Try not to move much when using these... I think it's mostly due to the downward position of the IE800's when inserted in to your ears. If you're lucky enough to be able to wrap the cord around your ear so you can use them as over ear IEM's then do it. It vastly improves the microphics of the cable. Unfortunately it's a bit uncomfortable when I wear them this way as the upper part of the cable past the Y is only about 9.5 inches. ::Comfort:: 10/10 - These are so small and light that they really disappear when you insert them in to your ears. I find that I can wear these for extended periods with ZERO problems. They may be the most comfortable IEM's I've had to date. ::Sound:: 10/10 - The frequency response on these IEM's is really really nice! It's amazing you can get such rich sound out of a single driver IEM. I was skeptical at first since I'm used to multiple driver IEM's but after hearing these I can say that I'm convinced! I do feel that the mids are more pronounced on these than the SE846's which is nice for certain types of music. The bass is also good on these IEM's... Overall it's a nice and rich full sounding IEM. It's worth noting here that the designer of the acclaimed $1500 Sennheiser HD800 Over-Ear Circum-Aural Dynamic Premiere Headphone also designed these... I've never heard the HD800's but I've read that the IE800's are like mini HD800's. Also, the low impedance of 16 ohms means that it can be driven relatively easily by mobile devices. On my iPhone I can get more than adequate volume from these without having to turn it up too much. ::Value:: 8/10 - Yes they are expensive but they sound great and are extremely comfortable to wear. ::CONCLUSION:: These are great little IEM's and I mean little! I'm wearing these right now going on over an hour with them on at my desk and I don't feel any fatigue at all... and the sound!! The sound is nice and crisp with good bass response and instrument separation despite being driven only by a single driver. Although the Shure SE846's do have some more bass response in the low low end, sound wise I still put these on the same level for it's overall richness and sound. Great IEM's and highly recommended!! ::Shure SE535:: - 60.5/70 -------------------------------------------------------------- ::Bundled Accessories:: 8/10 - Comes with a case, tips, and various other accessories that I don't use... The bundled accessories are acceptable for an IEM in this price range but I feel like they could have included a bit more like an iPhone/Android cable. ::Build Quality:: 8/10 - All plastic but I've had no issues with them in the year+ use I've had with them. ::Isolation:: 10/10 - I use some Comply Tsx-100 with these and they isolate noise very well. ::Microphonics:: 9/10 - Shure cables are long and slightly thick. Microphonics are generally not that big of an issue unless you're really moving around a lot. ::Comfort:: 9/10 - These are fairly light IEM's and feel great in the ear and I have had no issues with them wearing them for extended periods. ::Sound:: 8/10 - Nice and crisp highs and mids! The bass lacks a bit when compared to the Westone UM3x's and of course when compared to the Shure SE846's it will be lacking too but nonetheless if you're more in to mids and highs then you can't go wrong with these. These are some nice and neutral IEM's IMHO. These impedance on these is 36 ohms which means that it can be driven from most mobile devices without the need for much amplification. ::Value:: 8.5/10 - If you're in the market for a pair of neutral IEM's these are the ones to go with. ::CONCLUSION:: The SE535's have now been eclipsed by the SE846's but not everyone will want to spend that kind of $$ on the SE846's. At their price the SE535's are still a tremendous IEM that has a great neutral sound with good mids and highs but lacking a bit in the bass department. They are still enjoyable to listen to and are actually more comfortable (to me) than the SE846's due to their smaller design. Recommended for those looking for a really good, neutral IEM. ::Westone UM3x RC:: - 63/70 -------------------------------------------------------------- ::Bundled Accessories:: 7/10 Comes with the standard case, tips, and various other accessories that I don't use. The zippered case is nice and compact but I feel like they should have also included their Westone Monitor Vault - Smoke Gray for them as well. Also, like all of these, they should include an iPhone/Android cable. ::Build Quality:: 8/10 - All plastic but I've had no issues with them in the year+ use I've had with them. ::Isolation:: 10/10 - I use some Comply Tsx-100 with these and they isolate noise very well. ::Microphonics:: 10/10 - The Westone Epic cable is by far the best I've used in terms of microphonics. The cable is thin and light so it really causes no issues in this regard. ::Comfort:: 9/10 - These feel about the same to me in ear as the Shure SE535's... great for extended use. ::Sound:: 9/10 - The mids and highs on these IEM's are crisp and clear but these also pack a punch when it comes to bass. They don't pack as much punch as say the Shure SE846's or even the Sennheiser IE800's but at this price point they are very nice full sounding IEM's. These IEM's have an impedance of 56 ohms... they can be driven from mobile devices but you'll definitely find yourself turning it up a bit. ::Value:: 10/10 - For the price I feel that these are a very good value... good sound, good comfort, and good price! ::CONCLUSION:: I initially bought the UM3x's on a whim at the airport mostly because I craved something with a bit more low end bass over the SE535's... this was of course before the SE846's came out and the Sennheiser IE800's... nonetheless, after auditioning these I bought them on the spot. The highs and mids sound good (not as good as the Shure SE535's but good enough for me) and these IEM's do provide the bass response that I was looking for that the SE535's were lacking. They're warmer sounding to me than the SE535's and more fun because of it. Depending on my mood (before I got the SE846's and IE800's) I'd switch between the SE535's and UM3x's. I recommend these highly! CONCLUSIONS AND RECOMMENDATIONS -------------------------------------------------------------- As you can see from above these are ALL really nice IEM's and for various reasons I've ranked them all very highly. HIGH OF THE HIGH END MARKET If you have the money definitely go for the Shure SE846's or Sennheiser IE800's... They are both well worth the money IMO. The SE846's may be better for those of you on the go a lot (because of the low impedance and low microphonics in the cable) while the IE800's are probably better suited for at home use or for people who won't be moving around much (due to the microphonics issue). LOWER OF THE HIGH END MARKET If you're budget is on the lower end of the high end IEM market then I have no hesitation in recommending either the Westone UM3x RC's or Shure SE535's... the difference between those is mostly in the sound signature. The SE535's are more neutral sounding to me while the UM3x's have a bit more umph when it comes to bass response. It should be noted that Westone has recently released the Westone UM Pro 30 Smoke (Universal Monitor Earphones) and Westone UM Pro 20 High Performance Dual Driver in-ear Headphone of which I auditioned both at a store... These would definitely both be worth looking in to... the accessory bundles alone would be worth it over the competition. They come with a regular cable and iPhone/Android compatible cable and a nice plastic pelican case-like case. My wife got the UM Pro 20's and she's very happy with them and uses them every day.
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Reviewed in the United States on February 8, 2014 by gadgetman