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This item is eligible for return within 30 days of receipt
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Availability:
Only 1 left in stock, order soon!
Arrives
Tuesday, Jul 1
Features
- Cardioid pickup pattern: Insulation from other on-stage signals
- Neodymium ferrous magnet with boron: Keeps microphone stable regardless of climate
- Made in Germany
- Metal construction: Rugged and reliable
- 10 year warranty
Description
The e935 is a cardioid vocal stage microphone specially designed to perform under pressure while cutting through the mix with its high output. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year. First choice for rental companies.
Item Weight: 1.4 pounds
Product Dimensions: 10.4 x 4.5 x 3 inches
Item model number: e 935
Batteries: 1 Lithium ion batteries required.
Is Discontinued By Manufacturer: No
Date First Available: April 13, 2004
Color Name: Black
Compatible Devices: Radio, Amplifier, Karaoke System, Speaker
Material Type: Metal
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Tuesday, Jul 1
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Lifelong vocalist / guitarist. I have fronted more than a few bands. My current (and last band) have all been using various mics since we got together about 6 months ago. My go to for years has been the indestructible Shure SM 58 Beta, and we had a Shure SM 58 and an EV something and a cheap Audio Technica (drummers...sheesh). I've had my beta for 12 years or more. I swear by em'. Well now let's just say... I swore by em. I was on a band forum online and the microphone debate came up. 80% of the musicians argued this mic was the one to have. I am an old dog, but am open to new tricks. I bought one. It says refurbished or returned and I got it for 129.00 Looks absolutely brand new to my eyes. I took it to rehearsal 2 weeks ago. I plugged it in along side my trusty beta and sang a few bars into each acapella...... WOW. So much clarity and crispness from this Sennheiser. I have read reviews here that state that these sound bright or even tinny....... well adjust your EQ and you will be amazed. We did have to redial my mix a bit, but once we did the difference was so noticeable that our lead guitarist ordered one that very evening. My trusty Beta is now in my gig bag as back up. I am betting I will never need it. Sorry Shure....it was fun while it lasted.
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Reviewed in the United States on October 27, 2017 by 69 Les Paul
We are a 3 piece band. A family band. My daughter is 15, she’s got a nice contralto going without too much power. My son, 13, is adjusting from his voice change, he went from an alto to a unsettled baritone. Lots of power, though, and perfect pitch. As for me, I am a bass who can go pretty high. We do the range of songs, from Obladi-Oblada to Fly me to the moon, from classic rock to classic jazz. Some we scream, some we whisper. Also, we do not have a microphone dedicated to one person. This is because we each play 4 or 5 or 6 instruments and we keep switching. Almost every song has a different set up. Sometimes we sing lead, sometimes back up, depending. Ok, so now that you understand the situation, I need to say that I bought just one of those seinheiser. I wanted to try it and replace the old EV 967 I believe is their number that we had. We loved the EV. We put them through the Bose L2 system. It has a tune controller. That little controller helps a lot to define the hardware you plug into it. That was for the EV. So I tried the Seinheiser. It shines through it. It is so clear, so vibrant, so accurate. We are studying blending, dynamics, articulations, harmonies. We can hear everything. The Seinheiser project every little details. So, I bought 3 more of the Seinheiser e935. One on the drums, one on the bass, one on the guitar and one on the keyboard. They are all adjusted the same: same volume, same eq, same trim, same reverb. We love them. Also, they are heavy. They feel like good craftsmanship. My children are careful with the gear in general, but, still, they’re kids, and adult size, and clumsy. Those microphone haven’t moved. They stay with the same qualities. They’ve been dropped, bumped, slapped a few times. They’re still going strong. We do three rehearsal per week. It has been a blast, these Seinheiser have helped a lot. It forces to be aware of what we sing. No muddy sound here. Just plain music when we can manage it.
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Reviewed in the United States on May 3, 2018 by Olivier Garnier
Firstly, let us begin with the direct competition: the Shure Beta58a. It's a microphone that has excellent range and dynamics, presence, excellent off-axis rejection, and good build quality. They aren't very pretty, however, but that doesn't matter all that much. For the same cost as the Beta58a, however, you can have this. The sound signature on this seems to be as if they took the Beta58a and just did some clean-up. Its vocal presence is a bit clearer, the off-axis rejection is a little better, the dynamics and presence are all there. It is almost scary how directly these two can compete. Maybe there was some cheating going on in the microphone design classroom. Speaking of design, the Sennheiser e935 is very pretty, so if that's a consideration, there you go.
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Reviewed in the United States on February 12, 2017 by Larscis
Overall, I really liked this mic. As a soprano, it captured my voice very well. However, I was not aware that you needed to have an interface with matching impedance to get the best sound quality. The impedance is how much power is being put back into the interface by the mic itself. If the impedance of the mic is higher than the interface, it can override the system and cause feedback. I only found this out the day my delivery was set to arrive. So, my recommendation would be to be sure to have an interface that is higher or on the same level as the mic that you connect it to. I am currently using the Forsurite Scarlett 3rd Gen which is 200 ohms, but this mic is 350 ohms. As a result, the interface cannot handle the mic well at all. However, if you have the right interface, I am sure this mic would work fine. I am getting a Shure 55sh II Gen instead. It is the same price and has slightly lower range than the Sennheiser but it has an impedance of 150 ohms, which is perfect. I usually don’t write reviews on products, but I felt the need to write one so that people don’t waste time and money like I did. If you have the right interface, I am sure that this mic would work fine for you! Thank you! ☺️
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Reviewed in the United States on July 8, 2020 by Victoria L. Victoria L.
I'm a mezzo soprano vocalist in a metal band that features two guitarists and one bassist who likes to play LOUD. I sing clean vocals, and have to be heard over all of the guys' noisyness. This mic does the job really well. I rarely get feedback with this mic -- in fact, this mic is actually lot nicer than most of the mics at the venues that we play at, so I oftentimes will bring it with me and swap theirs out. Really good sound, very rich quality and it does pick up the high notes well when I have to hit them. Really glad I purchased this as my first professional mic, I am sure I will get a lot of use out of it before I get a new one. Only one gripe is that it doesn't have an on/off switch, but I got used to that pretty quickly. EDIT: After using this at a bunch of different venues, I will say that this mic will pick up the snare and on my drummer's kit if I am directly in front of him, which can be a little challenging for sound. That's my only criticism.
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Reviewed in the United States on October 11, 2017 by Piper