Roland JUPITER-XM Professional Iconic Portable Synthesizer with Legendary Sound and Design.
Condition: New
Buy Now, Pay Later
As low as
/ mo
Learn more
- – Up to 36-month term if approved
- – No impact on credit
- – Instant approval decision
- – Secure and straightforward checkout
Ready to go? Add this product to your cart and select a plan during checkout.
Payment plans are offered through our trusted finance partners Klarna, Affirm, Afterpay, Apple Pay, and PayTomorrow. No-credit-needed leasing options through Acima may also be available at checkout.
Learn more about financing & leasing here.
Free shipping on this product
30-day returns
Learn more
FREE 30-day refund/replacement
To qualify for a full refund, items must be returned in their original, unused condition. If an item is returned in a used, damaged, or materially different state, you may be granted a partial refund.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
Availability:
Only 1 left in stock, order soon!
Arrives
Jan 19 – Jan 21
Features
- 37-key Synthesizer with I-Arpeggio
- TS Balanced XLR Outputs
- Headphone Output
- USB-to-Device
- High-quality, balanced connections, full-sized MIDI jacks, and multiple pedal inputs make JUPITER-Xm ready for any situation
- Multi-Effects: 4 systems, 90 types Part EQ: 5 systems Overdrive Reverb: 7 types Chorus: 4 types Delay: 5 types Mic NS / Comp Master EQ / Comp
- HEADPHONES jacks: Stereo miniature phone type (front), Stereo 1/4-inch phone type (rear) MAIN OUT jacks (L/MONO, R): 1/4-inch phone type MAIN OUT jacks (L, R): XLR type MIC INPUT jack: 1/4 inch phone type/XLR type AUX INPUT jack: Stereo miniature phone type HOLD PEDAL jack CONTROL PEDAL jack MIDI connectors (IN, OUT) USB COMPUTER port (AUDIO/MIDI) USB MEMORY port DC IN jack
- 2 Pedal Jacks
- Preset tone: 4,000 or greater User tone: 256 Drum Kit: 90 or greater
- ZEN-Core Various MODEL sound generators
Description
Since the release of the JUPITER-4 in 1978, the name JUPITER has marked the pinnacle of Roland sound and playability. Roland synthesizers with the JUPITER name carry our most advanced sound technologies, are supremely playable, and are built from premium materials.JUPITER-Xm combines classic Roland design and premium build quality with a powerful new synth engine. It faithfully recreates sought-after instruments from our long history of genre-defining sounds. And with multiple layers, loads of polyphony, and deep hands-on control, you can craft huge, spacious sounds that have as much sparkle as they have warmth and punch.
Color: Black
Brand: Roland
Model Name: Jupiter-Xm
Item dimensions L x W x H: 31 x 16.68 x 6.52 inches
Item Weight: 6000 Grams
Body Material: Metal
Included Components: AC adaptor (PSB-5U), Power cord
Manufacturer: Roland
UPC: 761294513477
Item Weight: 13.23 pounds
Product Dimensions: 31 x 16.68 x 6.52 inches
Item model number: JUPITER-XM
Is Discontinued By Manufacturer: No
Date First Available: September 6, 2019
Color Name: Black
Connector Type: USB
Number of Keyboard Keys: 37
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Jan 19 – Jan 21
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
- Klarna Financing
- Affirm Pay in 4
- Affirm Financing
- Afterpay Financing
- PayTomorrow Financing
- Financing through Apple Pay
Learn more about financing & leasing here.
Top Amazon Reviews
Love this synth. You can layer Jupiter 8's, use a Moog filter on a Juno, set a monophonic SH01 as poly, the RD pianos sound great, EVERYTHING SOUNDS GREAT, hundreds (edit: thousands) of PCM sounds, hundreds (edit: thousands) of other Zencore patches, EVERYTHING SOUNDS GREAT. 1 Month update: Still 5 stars. I wanted to take on the criticism about menu diving-- The classic VA models, the Jupiter 8, SH101, Juno 106, and JX8p are all programmed through front panel controls and you can stack, layer, and mix them from the front panel without ever looking at the menu. The PCM stuff, like the XV5080, does require that you sort through the samples in the menu, but that's also what the original XV5080 was, a sample ROM, and so programming is more about picking out samples to layer and then using the panel to dial them in. I think most people would just pick out an existing violin or guitar patch and tweak it a bit rather than try build one, but you can get some wild results here (space flute flugelhorn). Now the base Zenology engine is way more nuanced than everything else, and whereas you can control the same sections (osc, LFO, filter, envelope, effects) from the front panel, it is a menu dive of options. The thing is, you have 4 oscillators in this engine, they can be standard VA waveforms or they can mix and match with PCM samples and each has it's own filter, envelopes, special sauces, modulations sources, etc.. And each of these oscillators (Roland calls them 'partials') has it's own menu page with like 200 settings. There are some nice shortcuts to copy/paste and navigate, but the main obstacle is just learning what and where things are because there is so much. So, menu diving is sort of a yes and no criticism. If you're looking at the XM for the classic VA engines, they sound amazing, the controls are high resolution (i.e. instead of sweeping through 128 bits on each encoder, it's 1023, very buttery) the poliphony and stacking is awesome, there's no menu diving, they're very playable as live instruments-- this is the life. But if you wanted to live in the Zenology engine and patch from init you'll have to spend some time programming, it's a deep engine and the menus are what they are. I get a lot of mileage out of these presets though. They replicated over a thousand patches from the Fantom, AX Edge Keytar, Integra 7, Supernatural and FA synths. You could probably pick up an XM and never touch the Zen engine beyond the presets and be thrilled with the Jupiter 8 and Juno 106 sounds and poliphony. I tend to save the Zen engine for when I'm on the couch in the evening, TV on in the background, tweaking things to see how they work. Also correcting the other reviewer-- There is a 64 step sequencer on board. It's integrated with the arpeggiator. If you've ever seen a step sequencer, you'll recognize how to input a pattern on that bottom row of 16 buttons. The idea is that you have 5 parts (1 drum + 4 synths) that you can either sequence directly with the step sequencer or let the arpeggiator roll through it with some algorithm, and if the arp does a pattern that you like, you can grab it and save it in the step sequencer where it can be edited. It's basically a groovebox in this context. 6 month update: Roland released an editor for the XM. I think if you're tied into using your computer for this sort of thing, you'd be just as happy using the Roland Cloud emulations. No judgement. It's a nice visual structure. That said, I'm in my backyard every weekend stargazing and drenching pads with onboard effects; Dimension D, Juno, and SDD-320 choruses are <chef's kiss>. I get about 3.5 hours out of the batteries with speakers and bluetooth off and I keep a stack of rechargeables around to swap out as needed. It's just cool being able to enjoy a nice day without dragging an extension cord out. I am envious of the full keybed on the Jupiter X, but the portability of the XM has been worth it. Other features that I use a lot at this point: Assignable buttons and sliders, using expression and sustain pedals to control parameters like cutoff, vibrato, mixing volume, paging through patches, etc., connecting everything with USB MIDI/audio, bluetooth-- I haven't had any hassles here. I connected a USB hub to the back so that I could sequence in/out/sync with other gear (it can also power/charge that gear from the USB, like a Keystep or an OP-Z) and sometimes I'll have 3 other keyboards connected so there's a different synth engine/voice on each controller. But, mainly I'm charging my bunked phone while sitting on the couch and playing. I still use the classic VAs all of the time, and I think that should be your focus if you're looking at this deck, but I've also really enjoyed the Vintage Keys expansion pack which is a bunch of PCM based sounds for electric pianos, organs, clavs, etc.; I think it was around 400 patches/stems for $20 and it came with extra effects like a rotary speaker sim. They sound good. It won't replace a clonewheel organ or high quality Rhoades, but I like them side-by-side with one. I also bought the JD800 expansion for the classic crystal pianos, adding a bunch of digital sounds that aren't really present, and it came with a premium trial on the Roland Cloud. I like being able to swap out and try different patches, but there's so much on the XM as is, that I haven't spent a lot of time here. Out in the yard or travelling, I use the groovebox design where you store all of the parts of your song in the 'scene'; at home in the studio, I use an external sequencer and drum machine, and I treat the multi-timbral 'scene' design as a quick way to queue up voices rather than storing complete songs. It's kind of like having a shortcut for grouping sounds you frequently. It's a flagship synth-- high build quality, high sound quality, excellent feature set. Don't expect the 2" tweeters to shake the walls and don't plan on working only in Zencore, ignoring the readily accessible Jupiter 8/Juno 106/JX8P/Vocoder/SH101 VAs and you'll love it as much as I do.
...
show more
Reviewed in the United States on March 13, 2021 by Internet Person
The sounds are top notch, and the models of the old Roland synths are great too, no complaints there. In the end, though, other synths can and do sound just as good and just as flexible. The portability is nice to have, and I think aesthetically it looks great. The speakers are OK, could hold a bit more bass. OK actually the speakers ought to blow me away for $1500 -- they do not. Lack of a sequencer, lack of an editor, and lots of menu diving. The layout/interface is similar to the JD-XI, they just the ZenCore into it and upped the build quality. The iArp is nothing special, it's just marketing --- other synth manufacturers do the same thing. My Yamaha MODX61, with full sized keys and a sequencer, for example, can adjust arpeggiated parts to your playing -- in fact, in my opinion Yamaha's is better. It will strum chords along with you when playing a guitar sound, for example. It has over 10,000 arpeggiations built in. The Jupiter XM has like 100... It does just about everything worse than an equivalently-priced workstation. The only reason to get one would be the portability. But I discovered that even that isn't a reason. I am constantly getting "low battery" warnings after just barely 1 hour of it being turned on (2 different sets of fully-charged nicad batteries). Also, when I turn off the speakers in options, they flip themselves on again when I turn it off/on. Whether this is by design or not, I do not know --- but it is annoying. If this thing is hooked up in my spacestation, I do not want to be turning the speakers off every time I flipping turn it on. The Integra-7 can still be had (for ~$1200 or a little less used) if one wants to get a hold of the Roland sounds. The PCM sounds still hold up really well. ZenCore just isn't THAT special -- improvement yes, but at an enormous price tag. In the end, it's a glorified sound module with some added flexibility and novelty. If they can fix some of the bugs and add some decent features (ahem, editor and sequencer), it might get closer to having some value, but otherwise, I'd take a hard pass.
...
show more
Reviewed in the United States on April 1, 2020 by Zothmog
now i got one
Reviewed in the United States on January 10, 2022 by cat feeder