KZ AS10, LINSOUL 5BA HiFi Stereo in-Ear Earphone High Resolution Earbud Headphone with 0.75mm 2 pin Cable, Five Balanced Armature Drivers, Noise Cancelling (Without Mic, Cyan)
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Availability:
In Stock.
Arrives
Friday, Jul 25
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Size: Without Mic
Color: Cyan
Features
- Please notice that the logo on faceplate will be KZ or AS10 randomlyFIVE BALANCED ARMATURES EARPHONE. Dedicating to offer the best sound for customers, KZ finally released its first pure balanced armature earphones. With 5 balanced drives per side, the sound quality has been greatly improved, more details can be heard
- UNIQUE 3D PRINTING TECHNOLOGY. For the first time, KZ adopts 3D printing technology in manufacturing the internal acoustic structure which houses the drivers, guiding sound to two individual outputs visible in the base of each nozzle
- PROFESSIONAL CROSSOVER CIRCUIT DESIGN. The AS10 has a big dynamic driver handling bass, two drivers handing high frequency, two drivers handing mid frequency. The AS10 has better impact, speed, and overall agility. Bass is very strong, mid-range is very prominent and the highs is not overly sharp
- STABLE AND CONFORTABLE WEARING EXPERIENCE. With the detachable 2 pin braided cable, and ergonomic design memorable ear hook, KZ AS10 outstands most earphones in the market with its practical design and long-lasting quality
- What you will get? 1 full year warranty and 24 hours easy to reach customer service
Description
This is a newly lauched version KZ AS10. Fiver drivers, improved material and design, better fit. Specification: 1. Product Name: Original KZ AS10 In-ear Earphone 2. Brand: KZ 3. Model: AS10 4. Earphone type: In-ear 5. Impedance: 14Ω 6. Earphone sensitivity: 105dB/mW 7. Frequency range: 20-40000Hz 8. Interface: 3.5mm Gilded 9. Plug Type: L curved 10.Cable Length: 1.2m±3cm 11.Color: Black, Cyan 12.Whether with cable: Yes 13.Earphone interface: 0.75mm 2 Pin 14.Whether with mic: Optional 15.Detachable cable: Yes 16.Driver unit: 5 Balanced Armatures Per SideDriver Configurations 1 Low Frequency 22955 1 Mid Frequency 296898 2 High Frequency 30095 1 Mid & High Frequency 31005
Product Dimensions: 5 x 3 x 2 inches
Item Weight: 3.52 ounces
Item model number: KZ AS10
Is Discontinued By Manufacturer: No
Date First Available: July 26, 2018
Manufacturer: LINSOUL
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Friday, Jul 25
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
It's been 2 years since I bought a new set of IEMs or Headphone, but I figured I'd give KZ's new flagship a go and see how I like them. Here's my collection to date KZ ATE / KZ ZS6 / KZ ZST / KZ BA10 Xiaomi Piston 2 / Xiaomi Piston 3 / Xiaomi Headphone Pro IEM / Xiaomi On-Ear headphones) Shure SRH440 / Shure SRH550DJ Skullcandy Smokin' Buds 2 / Skullcandy Ink'd 2 Noble Audio Trident Fiio EX1 (aka: Dunu Titan) Philips SHP9500S Needless to say, I have had a good share of audio experience under my belt...but I will never consider myself an "audiophile - audio'fool". I will ALWAYS give you my honest impressions about what I hear! Test Equipment - Fiio Q1 DAC/AMP - LG V20 (integrated DAC/AMP) Eartips Used - JVC Spiral Dots / Size: M - KZ Star Tips / Size: Stock - Comply Comfort T500 Build Quality / Packaging ---------- They're all metal and the cable is nice enough, they're about what can expect in the $80-100 range. The box they came in was kind of neat, clean minimalistic presentation. The cable reminds me a little bit of my Noble Trident, but I find the wire to be a a little cumbersome to shape comfortably...once you have the shape they're alright. Comfort ---------- It's a square/cube Ironman looking IEM - - it has not and will not win any awards for ergonomics...My ears are weird, I have large ears, but my ear canal is narrow. They were comfortable for about an hour, but eventually the corner closest to the connector started to annoy my ears. They're not awful for me personally, but sorry KZ it was a valiant effort to design a unique mold, but definitely stick with the ZST/ZSN shape, those are WAY better. Highs ---------- To me they seem cold and relaxed, tending to be a little on the thin side of sonic expression. This isn't bad imo as their ZS6 had an awful frequency spike in the highs which were only curbed into good manners with foam ear tips (Comply Comfort work great) which would cut down those highs. The BA10's highs are clean and well detailed with good sparkle without the harsh spike that KZ's older models were plagued with. I actually like the way they're positioned in a slightly back area of the sound stage which gives the highs more breathing room around the mids and behind lows. If you're looking for high-centric IEMs, you should take a pass on these as they are not a high emphasized set, the highs are there to provide the music details, but are not full bodied. Mids ---------- The best way I can describe them is a downward sloping curve trending towards the lower mids and mid bass. They are warm and lush sounding and offer a nice depth to the music. I love mids (second only to soundstage) and these are nicely tuned for long mid-centric listening sessions. Male vocals are maybe not as detailed as I would like due to the bias towards the mid bass which can muddy them, luckily if the music is mastered to emphasize the vocals, the highs can pull back in some details to liven them up again. I would only recommend these on their mids if you're looking for a set of IEMs which you can plop in your ears and just relax to, but aren't searching for insane details. Lows ---------- These are the spotlight of this set plain and simple. The lows are gigantic...everything from mid bass down to even sub bass...that is what the BA10 is all about. The BA10's could easily be identified as BA'ss 10's and if anyone else tells you otherwise, question the honesty in their review...or perhaps their ear tip seal was poor or their ears work differently than other humans lol jk. I actually like a little bit of bass nowadays, there was a time when I was a bit of an audio'fool who thought the only "good" sound was neutral sound signatures...eventually I came back and found that in terms of music enjoyment, a well tuned V-shape is nice and having bass is always a nice addition if it behaves properly. Personally I think there might be a little too much bass for many genres, but the ones that can benefit from the bass will sound great. Soundstage ---------- The sound stage is actually quite nice imo, I think the best way I can describe it is that the bass sits closest to your ear, the mids are about mid-way out horizontally and then the highs are the same distance out as the mids, but elevated vertically a tab bit. Make an L shape on with your hand and place your thumb at the IEM, that is the best way to visualize the sound stage placement. The space is the saving grace for the BA10s because it allows the IEM to breath properly despite all the bass it throws at you. By giving the sound dimension to move around, the mids and the highs are still able to remain relevant in the musical experience without getting covered up too much by the lows. I would consider the sound stage to be a bit above average for non-open back IEMs. Genres / Performance ---------- (Excellent) - Modern Pop / EDM / Country / Remastered 70's-80's / Rap / Wave / Chillstep / 8-Bit / Hip-Hop /R&B (Great) - Indie Folk / Folk-Acoustics / Accapella / Modern Jazz / K-Pop / Reggae (modern/remastered) /70's Soul (Good) - Classic Jazz / Indie-General / Original-Reggae / Metal / Modern Instrumentals (Neutral) - Classical *not much testing opportunity* (Needs Improvement) - Rock / Alternative / Punk Rock / Classic Rock The BA10's are generally well versed in a decent variety of genres despite having a little too much bass overall. As a rule of thumb, the better mastered the track is the more likely the BA10's will exceed in the sonic representation of the track. OF COURSE there are artists in each genre listed that will be an exception to the rule! so PLEASE do not take my list as gospel, they are simple generalizations I noted and may be considered as an overview. Rock unfortunately tends to find itself wrapped up in too much energy and ends up being very messy and loud with out distinguishable details and vocals. If you're looking to listen to Rock, consider looking for actual open back headphones as they tend to resolve details in Rock much better than most IEMs can, but if that's not an option a decent pair of Dynamic driver earphones like the Fiio EX1 can do decently. Overall thoughts ---------- For $90 they are about what I would expect to hear sonically in all honesty, they sound good and I will definitely be using them quite a bit. I think KZ has made a great attempt at putting a flagship model into the market. If the bass was a bit better tuned to be less intrusive and the highs were more full-bodied, I think that these could easily be close to perfect. 5 drivers per side is actually very optimal imo and it seems that KZ has realized this as they now have 3 models which feature that. If they fit them into the ZSN mold along with the tuning I mentioned I will not hesitate to buy the next flagship model! Note to KZ ---------- You've now stepped into the ring with the big boys in the audio market, if you want to survive and not be known as the budget king, you will need to really surprise us with your future value propositions. The high-end market is saturated with incredibly well-tuned IEMs. You have the 10 driver setup right, all you need to do is start perfecting the driver tuning and you'll be well on your way to be at the heals of Fiio, Dunu, and Sony...then Noble, Audeze, 64 Audio and all the others potentially. Good work so far and keep it up!
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Reviewed in the United States on February 8, 2019 by CommonConsumer
Size: With Mic
Color: Black
If you're like me, you're just looking to upgrade your phone's stock headphones, and want to find the best quality headphones, without blowing through a wad cash. You're probably wondering if it's worth spending more, to get something better. Maybe you're telling yourself: would I even be able to tell the difference between $30, $300, and $3000 headphones? And, more importantly: are those differences worth the price? Unless you're a professional musician, sound engineer, or just someone with tons of disposable income, the answer is probably no. So, as someone in the latter group, here's what I've learned: * Differences in audio and build quality, in the sub-$200 headphone range, are noticeable. But, when you start getting beyond $200, those differences diminish exponentially. Put differently: most people can discern audible differences, between $20 and $200 headphones. But discerning differences between $400 and $1,500 headphones? Not so much. * Take reviews on YouTube or audiophile websites (like head-fi) with a healthy dose of skepticism. Some of those reviewers, put bluntly, are shills. They're doing it just to get free gear from companies. Of the remaining reviewers, they may have different musical tastes than you. E.g., If they recommend headphone "A", that's fine, but what music did they listen to, to make that recommendation? That matters because if they listened to Jazz or vocal-heavy tracks, but you enjoy more bass-heavy music like electronica or hip-hop, you may find those headphones lacking in bass. So, all that being said: this is my first foray into IEM reviews. I did dozens of hours of research (for fun; I just enjoy exploring new things) and found the KZ AS10 reviews to be almost universally positive (both shills and honest reviewers alike). So I took the plunge and bought them. I've been listening to them for about 15 hours, and I'm impressed. I'm hearing new things in songs I've been listening to for decades. E.g., Phil Collins' In The Air Tonight. At 00:02:12 - 00:02:52, there's a male voice, only in the left channel, talking and repeating Phil Collins' words. Did you ever notice that? I sure hadn't. When I heard it, I was surprised. Surely, I thought, this must be a remastered track. But, when I went back and listened to the original 1981 release, there it was! And that's the moment it all clicked for me: THAT's what it means for something to be "HiFi". High Fidelity is essentially how faithfully something can be reproduced. In visual terms, you can think of it as the difference between a cheap poster print and an expensive lithograph. Pros: Bass is clean and accurate. (Jazz and rock lovers will be particularly pleased.) Mids sound rich and lively, with only some minor sibilance. (Acoustic guitars and vocals are clear and pleasant.) Trebles are clear but not harsh. Cons: Despite the overall good balance, between lows, mids, and highs, I find the sub-bass to be somewhat lacking. It's there, but I just wish it was more present. For jazz and rock, it's perfect. But for bass-heavy genres, like electronica, you may need to adjust the EQ. The cable just plain sucks. No matter how well you wrap it, the memory wire manages to snag, making untangling it a chore. This causes the memory wire to lose its customized shape, forcing you to re-shape it each time you put it on your ears. It's a mess and detracts from the headphones. Seriously consider upgrading the cable. Verdict: I recommend it, with some caveats. The KZ AS10 is clear, balanced, and very fun to listen to. You won't realize just how bad your stock headphones really were, until you listen to these for a few hours, then go back and try to listen to your old headphones again. If you primarily listen to rock and jazz, and are looking for great IEMs, under $100, look no further. Buy these. The near-unanimous positive online reviews of these headphones are spot on. If you're into more bass-heavy genres (hip-hop, electronica...) you may still like these headphones. The bass is there; it's just not the brain-rattling kind. If you're a bass-head, these IEMs may not be for you. For everyone else, put these IEMs on your shortlist. Some of the tracks I listened to for this review: Rock: AC/DC - Back In Black Billy Brag & Wilco - California Stars John Mellencamp - Pink Houses Queensrÿche - Silent Lucidity Pop: The Cars - Drive Fleetwood Mac - Never Going Back Again Michael Jackson - Billy Jean Phil Collins - In The Air Tonight Prince & The New Power Generation - 7 The Proclaimers - I'm Gonna Be (500 Miles) Electronica: Daft Punk - Giorgio By Moroder Dillon Francis, DJ Snake - Get Low Donna Summer - I Feel Love Stereo MCs - Connected Jazz: Jeff Goldblum - Cantaloupe Island Irish: The Dubliners - Raglan Road
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Reviewed in the United States on December 1, 2018 by D. Stamatis