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Fujifilm X100 12.3 MP APS-C CMOS EXR Digital Camera with 23mm Fujinon Lens and 2.8-Inch LCD

  • Based on 224 reviews
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Availability: Only 1 left in stock, order soon!
Fulfilled by Luxe Four LLC

Arrives Wednesday, Jun 26
Order within 17 hours and 13 minutes
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Color: Silver


Features

  • 12.3-megapixel APS-C CMOS sensor
  • Newly-developed lens offers a focal length of 23mm (135 equivalent: 35mm) and a widest aperture of F2. Made from molded glass, the lens contains 8 elements in 6 groups
  • Hybrid Viewfinder combines the window-type "bright frame" optical viewfinder, and the electronic viewfinder system
  • HD Movie Mode; capture 720p video

Description

The Fujifilm FinePix X100 is a high-precision digital compact camera that combines modern technology with a traditional camera design to deliver the ultimate in image quality.Featuring an APS-C CMOS sensor (12.3 megapixel), a Fujinon 23mm Single Focal Length Fixed F2 lens, a 2.8-inch LCD with 460K pixel, and the world's first Hybrid Viewfinder, the FinePix X100 captures exceptionally high quality images.What's in the box: Fujifilm FinePix X100 Digital Camera, Li-ion Battery (NP-95), Battery Charger (BC-65N), Shoulder Strap, USB Cable, Lens Cap, Metal Strap Clip, Protective Cover, Clip Attaching Tool, CD-ROM, Owner's Manual and 1-Year Limited Warranty. From the Manufacturer The Fujifilm FinePix X100 is a high-precision digital compact camera that combines modern technology with a traditional camera design to deliver the ultimate in image quality. Featuring an APS-C CMOS sensor (12.3 megapixel), a Fujinon 23mm Single Focal Length Fixed F2 lens, a 2.8-inch LCD with 460K pixel, and the world's first Hybrid Viewfinder, the FinePix X100 captures exceptionally high quality images. Fujifilm FinePix X100 Highlights Custom 12.3-megapixel APS-C CMOS sensor The FinePix X100 features a custom 12.3-megapixel APS-C CMOS high-performance sensor, internally optimized and developed exclusively for this model. Optimization of the angle-of-incidence in conjunction with the specially developed lens maximizes light gathering efficiency extending to the perimeter of the sensor for a sharper image with exceptional clarity. When shooting HD movies, the combination of the large- sized sensor and the large aperture F2 lens, lets users create a soft out-of- focus image--a capability not available in conventional compact cameras. The ideal combination of a fixed focal length lens, high-sensitivity sensor (approximately 10 times the sensitivity of a conventional compact) and a high-performance image processor captures extremely high quality images from low sensitivity to high sensitivity. In standard form, the planned ISO range is from 200 to 6400, but this can be expanded to include 100 and 12800. The newly developed EXR Processor takes EXR processing to new heights. Combined with the high-sensitivity sensor, the EXR Processor achieves the highest resolution, sensitivity and dynamic range ever produced by a FinePix digital camera for the ultimate in image quality. The high-speed CMOS sensor read-out and the EXR Processor's enhanced focusing system contribute to the high-speed AF performance, while the combination of the optical viewfinder and extremely low shutter lag time enhance the image capture experience. High-performance 23mm F2 Fujinon lens The FinePix X100 comes with a new Fujinon non-collapsible lens structure that expands the realm of photographic expression with sharper resolution from the center to the corners. It has a 23mm (135 equivalent: 35mm) F2 lens, with eight elements in six groups. One aspherical glass molded lens. The adoption of the non-collapsible lens structure with minimized lens length not only contributes to the compact size, but also eliminates telescoping of the lens when the power is on. It's ready to start taking photos the moment the user turns it on. In addition, the lens features not only the large F2 aperture value, but also an optical architecture that maintains a high degree of resolution even when closed by 1 to 2 stops. The adoption of a 9-blade aperture diaphragm combined with the large F2 aperture and high-quality optics lets users take photos with a beautiful circular soft out-of-focus (bokeh) effect. With macro shooting capability as close as four inches, users can explore the fun and fascination of close-up photography. The built-in ND filter (equivalent f-stop reduction of three) can be switched ON/OFF via simple in-camera settings. World's first Hybrid Viewfinder The true enjoyment of photography begins with the thrill of seeing the world through a viewfinder. The new Hybrid Viewfinder has been developed to reintroduce users to this essential camera experience. It combines the window-type "bright frame" optical viewfinder found in rangefinder-type film cameras such as the classic 135-size or medium-format cameras, with the electronic viewfinder system incorporated in most compact or mirrorless digital cameras. By integrating a prism for the 1,440,000 dot LCD panel image on the viewing screen in the reverse-Galilean optical finder, the Hybrid Viewfinder can show both the shooting frame and a variety of electronic shooting data. It can also be used as a high-quality electronic viewfinder to compose or playback shots. With this ability to instantly switch between optical and electronic viewfinder modes using the simple "one touch" control, the new Hybrid Viewfinder offers users expanded freedom in the composition and enjoyment of photography in a wide range of challenging shooting conditions. The reverse Galilean optical finder with a 0.5x magnification features all-glass elements made from high-refractive index glass and demonstrates low chromatic aberration and distortion. In optical viewfinder (OVF) mode, the brightness of both the "bright frame" and text data is automatically adjusted according to the brightness of scene area, ensuring that shooting information is always easily and clearly viewable. Also, the displayed shooting data is constantly updated according to changes in shutter speed, exposure, sensitivity and other settings, so that the user's eye never has to leave the viewfinder. In electronic viewfinder (EVF) mode, the photographer can preview the picture or playback the result with the "through the sensor" image review and high- resolution 1,440,000-dot quality. With a flick of the one-touch lever, the user can switch to EVF to preview and confirm exposure settings, depth-of- field, and white balance--an especially useful capability when shooting macro shots and other scenes that are hard to confirm with only an optical viewfinder. Stunning retro design The FinePix X100 features a beautiful, high- quality design inspired by the classic look and feel of traditional film cameras. The top cover of the upper control deck and the bottom surface have been die-cast from magnesium alloy (semi-solid metal casting), contributing to a high-precision camera body. All dials and rings are precision milled from metal. The ergonomics of the design offer the perfect balance between compact convenience and user-friendly functionality. Traditional 'manual' dials lets the user confirm the position of the settings without turning on the power. The camera's controls have been carefully thought out to give the photographer simple and speedy access to aperture, shutter speed, exposure compensation, etc, allowing maximum creative expression with minimum hassle and enabling the user to view settings--even when the power of the camera is turned off. Custom modes can also be accessed with a one-touch settings change. The chassis has been finished with high-quality leather-like accents and is both a delight to use and a pleasure to hold. RAW quality for image enhancement functions Capturing the scene in RAW format is easy with just a press of the readily accessible RAW Button on the back of the camera. Photographers can use the built-in RAW Development function to process the RAW data in-camera using the camera's image quality settings. In addition to Fujifilm's original Film Simulation Modes that give photos the distinctive look of Velvia, PROVIA and ASTIA color reversal film emulsions, X100 expands the scope of photo expression with Monochrome Mode that can be fine-tuned with R/Ye/G filter settings. Separate adjustment of shadow tones and highlight tones lets users reproduce the rich tonality of high-contrast subjects. Additional FeaturesEVF/OVF Focus Area: The FinePix X100 offers users the choice between the 49-point auto EVF focus area or the 25-point OVF auto focus area as well as the selection of 5 different focus area sizes in EVF mode. Depending on the needs of each scene, the FinePix X100 offers easy focusing by design. HD Movie mode: Lets users capture the action in 720p high-definition detail. Just like taking still photos, users can capture movies with aperture-priority AE and enjoy a soft, defocused background effect. In addition, the built-in HDMI Mini connector allows users to easily and directly connect the FinePix X100 to high-definition TVs for showing stills and movies with plug-and-play ease. Motion Panorama: With the built-in Motion Panorama function, it is easy to capture 180° and 120° panoramic photos. Later users can print the results as pin-sharp A3-size (11.7" X 16.5") enlargements and share the enjoyment of high-quality panoramic photography. Multi-Bracketing Functions: The FinePix X100 has four types of bracketing functions: AE, ISO, Dynamic Range and Film Simulation. One click of the shutter captures 3 bracketed images of the scene so the photographer knows he's captured the moment. Star Quality--Premium Accessory Lineup

Compatible Mountings: Fujifilm X


Photo Sensor Technology: CMOS


Supported File Format: JPEG (Exif 2.3), RAW, RAW+JPEG, MOV


Image Stabilization: Optical, Hybrid, Digital


Maximum Focal Length: 135 Millimeters


Optical Zoom: 4 x


Maximum Aperture: 2 f


Expanded ISO Minimum: 200


Metering Description: Multi, Average, Spot


Brand: Fujifilm


Product Dimensions: 4.98 x 2.12 x 2.93 inches


Item Weight: 15.7 ounces


Item model number: X100


Batteries: 1 Lithium Ion batteries required. (included)


Is Discontinued By Manufacturer: No


Date First Available: September 20, 2010


Manufacturer: Fujifilm


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Wednesday, Jun 26

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • Get used to it. It's worth it. IQ will make you tremble.
Color: Silver
First, a little about me and why I chose this camera. I've been a street shooter for 34 years. Went to SVA and studied with Lisette Model at the New School. Worked as a custom printer and assistant for many photographers in NYC and printed for Modernage and Berkey K&L.... which is a long way to say, I know film. I have owned several digital cameras and still shoot 120 film with a Yashica. I read everything there was to read about the X100. Last year a week after it was announced I started selling my Lumix GF1, EVF and lenses. The Lumix was just not intuitive for me as a street shooter. I also felt like I was going to break it. Shooting with Nikon F2's and F3's one gets used to feeling like you could use it as a weapon if needed. Not so with small plastic feeling cameras. The X100 has the only things I want or need. Shutter, aperture and focus. Give me a decent meter and I'm set. I like the fact that the X100 has done away with the nice but unnecessary Program modes. The controls are real metal knobs. The build quality is like a good film camera. If you hit yourself in the head with it, it's going to hurt. Image quality: You have to see it to believe it. I always liked to shoot RAW but the JPEG quality will blow your doors off. I see no reason to shoot RAW with this camera. The lens is sharp and fast (f2.0). It is matched to the sensor. The image quality will make you weep. Flash: The built in flash does the best fill flash I have ever done. Your mileage may vary but I doubt it. Read the review of this camera at Ken Rockwell's website. Regarding video: If I wanted to shoot video I would bring a video camera. It's 720p, looks nice but it's not an $80k Ikegami. If I want to shoot video, my phone does that just swell. The quirks that I had read about: The manual focus is fly by wire and very slow. What can you do? You spend 15 minutes learning how the camera auto focuses and you use it. Focus is slow, writes to the card are slow, start up time is slow. I didn't find any of these things to the extent that I had read about. If I hadn't read these things, I would not have even thought about them. If you know what you shoot and how you shoot and you actually go out and make lots of images, any camera becomes intuitive. The photographers brain is the most important part of the image flow process.... you learn to use the tool and then you don't have to think about it. Menu structure: It's not a Canon or Nikon or Lumix... it's an X100. Some say the menus are not intuitive and difficult to navigate. You figure it out and use it. After a while you don't have to figure it out. Non-Interchangeable lens: It's a 35mm equivalent. The only 2 lenses that I ever use are 28 and 35mm so once again a non issue for me. Funky filter issue, lens cap and lens shade: Yeah the filter ring thing is kind of stupid but once you do what you need, it's not. I purchased an aftermarket lens shade which was 110.00 less than the Fuji. Makes the camera look more like a Leica but I end up taking it off most of the time. The lens cap is metal, very high quality and you will lose it. I've read some negativeness about this inexpensive lens hood being loose (JJC from A&R). So far no problem... and think about it, if it is so tight that when it takes an impact it translates the force right to the lens barrel that's not good either. It should be like a break away mirror on a motorcycle (BMW only I know or owned) meant to hold until the force begins to exceed the point of doing damage to the more expensive parts and then pops off. Anyway.. the hood and filter mount are fine unless you are going to be using it as a hammer. Battery life: 300-400 exposures. I purchased two after market batteries for 9.00 each. They last as long, are 45.00 cheaper than the Fuji batteries and they haven't set the camera on fire. Hey, when you had to reload after 36 exposures, that was something to bitch about. Only then you didn't know to bitch about it. Battery charger: There is a little plastic piece which holds the battery in place in the charger. Many have complained that it is easy to lose. Two words - Crazy Glue. In conclusion, some people like to talk about their camera. Some like to wear them out. This camera is for the latter. If Eugene Smith were alive, this is the digital camera he would use. If you don't know who Eugene Smith is, shame on you. I have a Nikon D100 that my brother gave me when I had no digital camera at all (He also gave me the Yashica Mat)and the D100 does it's thing very well too. The X100 is just a different tool. These are tools, not jewels. If you want to sit around and talk about your camera and find yourself doing that more than using it, well that's a different kind of tool. One other thing... I purchased the 8 gig Eye-Fi card. It transfers images to the 8 gig sd on my Android phone. It works. Very cool to have a backup made while you are shooting. It will use your battery though. ... show more
Reviewed in the United States on January 21, 2012 by Meatloaf

  • Trials and Tribulations
I own the Fuji X-Pro1 and decided to buy the Black Edition x100 as more of a carry anywhere camera. Just arrived today-Saturday-with an extra battery from Fuji and the camera is dead. It will not start up with either battery after charging both or with or without a card. This is utterly unacceptable. Turns out this is more common than I ever imagined as there are many posts of either dead X100's or ones where start-up is inconsistent. Sent Fuji an email but may just box it up and send it back. I love my X-Pro1 and have never had any of these kinds of issues with it. For this weekend it's an expensive paperweight until I can either talk to someone on Monday or just send it back for a refund.***As a follow-up, I've spoken with Fuji and Amazon and have decided to return it. In the past 48 hours since I purchased it the price has dropped $300. Bottom line is while it feels like a hefty well-made product, I've decided after reading too many comments on quality issues to not have it replaced. Maybe the X200 will come in as a better product. My X-Pro1 still works awesome. It's just too bad this X100 doesn't work.*** ***10/11: As a final follow-up, I decided to give the X100 another try with another Black Edition. This time, after much crossing of fingers and candles burning with chants to the Fuji gods, the battery went in and the X100 actually turned on. Something the previous one never did. So far it keeps turning on and the output is truly lovely. While it doesn't have the Xtrans sensor of my X-Pro1, I don't know if I would be able to tell unless I really started pixel peeping. I bought the X-Pro1 for the simple reason that my D700 and lenses were not great traveling companions due to their size and weight and needed something smaller and more inconspicuous. As small as the X-Pro1 is compared to the D700, it still isn't a pocket camera. The X100 feels like an X-Pro1 left on high in the dryer for too long. It will fit-barely-into my jeans pocket and looks diminutive sitting next too my X-Pro1 with the 35/1.4. The quality and weight actually feels better than my X-Pro1. The first time I picked up the X-Pro1 I thought it would feel heavier while I had the opposite view and reaction to the X100. It is small, solid and feels substantial in the hand. The silent mode was a pleasant surprise as it is literally silent. If I didn't see the picture come up I wouldn't know it had taken one. That's how utterly silent it is. Here are some of my personal conclusions around the mirrorless enthusiast camera segment after owning a few: 1: The rangefinder style works great on smaller sized cameras. Your nose is out of the way as you look through the viewfinder and it is very easy and quick to go from observing to shooting something you just came upon. 2: I'm not a fan of the style that does not have a viewfinder at all. I owned an X1 for a couple months and sold it for many reasons. A big one-after the WB issues and slow performance-was using the lcd screen only left me feeling disconnected with what I was trying to capture. The viewfinder for me is the tunnel where everything else falls away and I can concentrate on the moment and outcome. 3: The only time I miss my D700 or 1DS Mark II-both of which have gone onto ebay heaven-is low light combined with movement such as kids moving around the Christmas tree, etc. Other than that, my back, wrist and briefcase are all much happier. There are trade-offs with the Fuji(s) but so far the trades are good ones. 4: While I have been in software for 20 years and love hearing people talk about iPhone versus Android around features and interface, the original interface starts with your hands and fingers. How something feels to grab and hold relates directly to if you want to pick it up or put it down. Fuji has figured out how to build beautiful quality products that I want to hold and ultimately use. The OM-D has a similar feel. Light, thin, slippery-smooth with cheap plastics just don't encourage usage for me. Heft and quality make the difference and you'll find both Fuji's always charged and ready to go on my desk and one always with me in person. I want to use them. There are so many great new cameras coming out in this segment and it will be fun to see what comes next around the RX1, X200, etc. Doubt you could go wrong nearly anywhere. Just find your style of shooting and what makes you want to pick one up and use it. ... show more
Reviewed in the United States on October 7, 2012 by J. Miller

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