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Electro-Voice RE27N/D Dynamic Cardioid Multipurpose Microphone

  • Based on 48 reviews
Condition: New
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Availability: Only 3 left in stock, order soon!
Fulfilled by GearNuts

Arrives May 21 – May 23
Order within 10 hours and 40 minutes
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Features

  • Dynamic cardioid microphone
  • Reduces proximity effect to maintain uniform LF response at any distance
  • 3 switchable filters: one high frequency
  • 2 low frequencies
  • and an internal blast/wind filter cover3-year warranty

Description

Dynamic Cardioid Multipurpose Microphone

Recommended Uses For Product: Singing


Brand: Electro-Voice


Model Name: RE27N/D


Connectivity Technology: Wired


Color: Silver


Included Components: warranty_card


Polar Pattern: Unidirectional


Item Weight: 2.15 Pounds


Microphone Form Factor: Microphone Only


Item Dimensions LxWxH: 12 x 6.9 x 3.4 inches


Item Weight: 2.15 pounds


Product Dimensions: 12 x 6.9 x 3.4 inches


Item model number: RE27N/D


Is Discontinued By Manufacturer: No


Date First Available: April 13, 2004


Color Name: Silver


Size: 3.50 "x 6.80" x 12.10"


Power Source: Corded Electric


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: May 21 – May 23

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • My Favorite Mic
I've used a variety of mics for different applications over the years, this is my favorite for spoken word. I use this mic for audiobooks, podcasts, and overdubbing videos. It was a tough choice between RE27, the RE20 (my long time favorite), and Shure SM7B, but I feel the RE27 gives the most crisp, clean, and modern sound. If you're trying to mimic the sound of terrestrial radio stations, the RE20 is the way to go. The SM7B is loved by many and I'm not going to knock it, but I feel if you're trying to get the most clear and accurate sound, the RE27 is my choice. Every voice is different but I feel this mic is a little bright in its neutral position, so I use the built in filter and roll off the top. The mic is very well built–solid construction, quality materials, strong, and attractive. It's one of the most expensive dynamic mics out there, but I've been very happy with mine. If taken care of, it will last a lifetime. ... show more
Reviewed in the United States on January 3, 2020 by SWH SWH

  • Excellent broadcaster mic
What can I say? It's an RE27/ND, 'nough said. It's a bit hot, but with the high cut (low pass) filter, it sounds great for my voice. It's incredibly clear and solid, has excellent noise rejection, and no issue with proximity. I use a windscreen because of my plosives and sibilants, but with good voice work, you wouldn't even need one. It's a sportscaster standard for a reason. I can't recommend it enough. ... show more
Reviewed in the United States on October 4, 2021 by jwillson

  • Pro-Level Podcasting
I record a podcast with two main hosts. We used to use nice (AKG 420) condenser mics with pop filters attached, but I found the variability as the hosts moved their heads to be a real problem. As soon as I placed this microphone in front of each host, most of my headaches went away. The Variable-D technology that they talk so much about (which seemed gimmicky) on the product actually works beautifully. Listening back, all that variability is gone, and though the hosts haven't changed how they talk into the mics, the sound no longer reflects their movements. Another plus is that the internal plosive/pop screen seems to suffice, so I don't have to lug around the akward pop filters I have had no issue plugging these into a Zoom H6 recorder and getting great signal, the lack of line noice is amazing! An added bonus is that I no longer have to use the phantom power which helps a lot in battery life, nice for when you are on location and you forgot to bring extras! Watching videos online comparing this mic to it's older brother, the much lauded Electro-Voice RE-20, they mention that the high end is more pronounced in this mic, I found this to be true, but the high end roll-off switch seems to compensate for this quite well. It's especialy helpful if you have someone who lovesss to draw out their "S" sounds. I appreciate this top end sensitivity at times though, as I've also collected some lovely field audio with this mic. The crack of lightening absolutely sparkles when recorded by this mic. ... show more
Reviewed in the United States on June 11, 2014 by Mike

  • Great for Spoken Word
I picked up the RE27 after trying out the Shure SM7B and the RE20. The SM7B was the most gain hungry of the bunch and had the flattest frequency response, which is great for audio engineers as a "blank canvas" to work with. I used the mic for live meetings and video voice overs so I wanted something that sounded better without the need to equalize [for the meetings]. I saw a comparison between the SM7B and the RE20 and thought the latter blew the former out of the water for spoken word; it adds more presence and sounded more authoritative (you'll see this adjective a lot when researching on the RE20). I bought it and enjoyed the sound for a bit but then saw a video comparing it to the RE27... Before I continue with my opinion, I should add that everybody's voice is different and these mics might sound better/worse for you. For me, the RE27 outperforms the other two mentioned here. It's not nearly as muddy as the SM7B and RE20, and requires slightly less gain (SM7B required the most, RE20 was a little better, RE27 requires the least). The lack of coloration/proximity effect is nice. It also has three manual switches that will affect the sound--a high-pass filter (-3DB for higher frequencies that can help with sibilance), a mid-range filter (100-1000Hz) which I keep off because it makes your voice sound flat, and a bass rolloff. I'll add to this review once I have more time for it but I thought I'd write this up for anybody comparing the three mics mentioned here. ... show more
Reviewed in the United States on January 9, 2021 by Research Mama

  • Love it!!
If you look at ESPN you will see this mic used by Colin Cowherd, Joe Klat, Jason Williams, Max Kellerman, Ryan Russio, and more. I personally love mine! The main feature is the ability to have great sound if you move around a lot while speaking. Plus, it has on mic adjustments. Quality is amazing
Reviewed in the United States on October 2, 2022 by jp24

  • Wow! An amazing dynamic mic
I ordered this mic from Amazon/BSW about a month ago. I had some doubts about getting a dynamic mic, but after talking with and listening to Mark Jensen's podcast at [...], I went ahead and purchased it. My fears were unfounded and this has become my favorite mic. It has a rich sound, can be used off-axis, and greatly reduces room noise. The mic is incredibly well built, solid with a large diaphragm. It seems to have more gain than many dynamic mics and on the Presonus MaxRack system we have including a Tube Pre, Compressor and Equalizer, it sounds rich, full and extremely professional. A dynamic mic may not be for everyone, but if you do voice-over, this is an excellent choice. My next dynamic will be a Heil Sound PR40, which also looks like a great mic... Can't have enough mics. :) ... show more
Reviewed in the United States on August 26, 2009 by Rick Zanotti

  • That was not because this is a bad mic. It is not
I bought this and returned it. That was not because this is a bad mic. It is not. I liked it. But it has a much brighter sound that what I was looking for. Probably for someone with a heavy voice this will be great mic. For me I think RE-20 will be a better option.
Reviewed in the United States on May 17, 2016 by KingKong

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