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Availability:
In Stock.
Arrives
Friday, Oct 16
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Features
- Dynamic cardioid microphone
- Reduces proximity effect to maintain uniform LF response at any distance
- 3 switchable filters: one high frequency
- 2 low frequencies
- and an internal blast/wind filter cover3-year warranty
Description
Dynamic Cardioid Multipurpose Microphone
Recommended Uses For Product: Singing
Brand: Electro-Voice
Model Name: RE27N/D
Connectivity Technology: Wired
Connector Type: XLR
Special Feature: Variable-D, Selectable Filters, Wind/Blast Filters
Compatible Devices: Amplifier, Audio Mixer, Speaker
Color: Silver
Included Components: warranty_card
Polar Pattern: Unidirectional
Connectivity Technology: Wired
Connector Type: XLR
Special Feature: Variable-D, Selectable Filters, Wind/Blast Filters
Compatible Devices: Amplifier, Audio Mixer, Speaker
Polar Pattern: Unidirectional
Microphone Form Factor: Microphone Only
Power Source: Corded Electric
Signal-to-Noise Ratio: 78 db
Number of Channels: 1
Frequency Response: 15000 hertz
Audible Noise: 78 db
Color: Silver
Enclosure Material: Stainless Steel
Item Weight: 2.2 pounds
Item Dimensions: 12 x 6.9 x 3.4 inches
Antenna Location: Singing
Brand: Electro-Voice
Model Name: RE27N/D
Model Number: RE27N/D
Built-In Media: warranty_card
Unit Count: 1 Count
Global Trade Identification Number: 99, 70
Manufacturer: Electro-Voice
UPC: 701001010899 888365423593 800549414470
Mfr Part Number: RE27N/D
Warranty Description: 1 year.
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Friday, Oct 16
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
I record a podcast with two main hosts. We used to use nice (AKG 420) condenser mics with pop filters attached, but I found the variability as the hosts moved their heads to be a real problem. As soon as I placed this microphone in front of each host, most of my headaches went away. The Variable-D technology that they talk so much about (which seemed gimmicky) on the product actually works beautifully. Listening back, all that variability is gone, and though the hosts haven't changed how they talk into the mics, the sound no longer reflects their movements. Another plus is that the internal plosive/pop screen seems to suffice, so I don't have to lug around the akward pop filters I have had no issue plugging these into a Zoom H6 recorder and getting great signal, the lack of line noice is amazing! An added bonus is that I no longer have to use the phantom power which helps a lot in battery life, nice for when you are on location and you forgot to bring extras! Watching videos online comparing this mic to it's older brother, the much lauded Electro-Voice RE-20, they mention that the high end is more pronounced in this mic, I found this to be true, but the high end roll-off switch seems to compensate for this quite well. It's especialy helpful if you have someone who lovesss to draw out their "S" sounds. I appreciate this top end sensitivity at times though, as I've also collected some lovely field audio with this mic. The crack of lightening absolutely sparkles when recorded by this mic.
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Reviewed in the United States on June 11, 2014 by Mike
This is everything the RE-20 is and more. Add about 6db overall gain. More tighter and controlled bottom end with a bit more sparkle on top. Without any eq. Definitely the go to without any eq or preamp needed. Can just go raw out and have no shame!
Reviewed in the United States on November 8, 2025 by Gerald S.
I picked up the RE27 after trying out the Shure SM7B and the RE20. The SM7B was the most gain hungry of the bunch and had the flattest frequency response, which is great for audio engineers as a "blank canvas" to work with. I used the mic for live meetings and video voice overs so I wanted something that sounded better without the need to equalize [for the meetings]. I saw a comparison between the SM7B and the RE20 and thought the latter blew the former out of the water for spoken word; it adds more presence and sounded more authoritative (you'll see this adjective a lot when researching on the RE20). I bought it and enjoyed the sound for a bit but then saw a video comparing it to the RE27... Before I continue with my opinion, I should add that everybody's voice is different and these mics might sound better/worse for you. For me, the RE27 outperforms the other two mentioned here. It's not nearly as muddy as the SM7B and RE20, and requires slightly less gain (SM7B required the most, RE20 was a little better, RE27 requires the least). The lack of coloration/proximity effect is nice. It also has three manual switches that will affect the sound--a high-pass filter (-3DB for higher frequencies that can help with sibilance), a mid-range filter (100-1000Hz) which I keep off because it makes your voice sound flat, and a bass rolloff. I'll add to this review once I have more time for it but I thought I'd write this up for anybody comparing the three mics mentioned here.
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Reviewed in the United States on January 9, 2021 by Research Mama
I've used a variety of mics for different applications over the years, this is my favorite for spoken word. I use this mic for audiobooks, podcasts, and overdubbing videos. It was a tough choice between RE27, the RE20 (my long time favorite), and Shure SM7B, but I feel the RE27 gives the most crisp, clean, and modern sound. If you're trying to mimic the sound of terrestrial radio stations, the RE20 is the way to go. The SM7B is loved by many and I'm not going to knock it, but I feel if you're trying to get the most clear and accurate sound, the RE27 is my choice. Every voice is different but I feel this mic is a little bright in its neutral position, so I use the built in filter and roll off the top. The mic is very well built–solid construction, quality materials, strong, and attractive. It's one of the most expensive dynamic mics out there, but I've been very happy with mine. If taken care of, it will last a lifetime.
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Reviewed in the United States on January 3, 2020 by SWH
Boxed in original packaging, next day shipping arrived as promised. Pricing equal to other sellers. For my application it works great. Excellent audio reports. Amateur radio operator.
Reviewed in the United States on October 7, 2025 by Michael A Jones
Wow. I bought the RE20 two weeks ago and absolutely love it! Today the RE27 arrived and it blew my mind at how well it works for my voice. If you have a thinner voice and or talk from the throat this mic will not be your friend, so I would suggest the RE20 for you. But for those of you with a full thicker voice this will be a mind blower for you with some compression and stereo limiter slapped on.
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Reviewed in the United States on March 7, 2024 by Coup De Grace
This RE 27 is like 3 microphones in one, In normal setting it sparkles with clarity and a nice even bass at the low end.If you use the bass roll-off switch it sounds like it's cousin, the warm RE 20. Very quiet, great polar pattern, and doesn't pick up every little noise in the room. I have an average voice and it sounds spectacular on this mic. I also tried it with a standard foam filter (mesh is even better), and the sound did not lose any luster and it cancelled most of my plosives. Remember, this microphone already has some pop filter material built into it. ... Plus, if you speak directly into it there is barely a hint of proximity effect, so your voice won't sound deeper, but will sound very accurate. Also very good for drum/kick drum amplification. Electro-Voice microphones have sustained their legacy as one of the most sought after broadcast microphones in the industry. This baby is a solid winner! Still the best sounding and most satisfying microphone I own.. Add a Fethead for dynamic microphones and it becomes turbocharged and even cleaner!
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Reviewed in the United States on April 26, 2018 by A. Meyer
I just purchased the RE27N/D and LOVE IT! The sound is fantastic for my home studio. I have been using a Neumann TLM49. A great mic but too sensitive for my home studio. (I'll be selling it soon on Amazon). The RE27 is well built and sounds great. It has a built in pop filter that really works. It's nice to record audio books without having to look around a large pop filter. I had planned to purchase the RE20 but when I discovered that this mic brings out the highs and has a little more power I spent the few extra dollars and bought this one. A great decision. I've used the Heil PR40, Neumann TLM 102, 103 and 49, and the RODE NT1A. Save yourself some time and buy the RE27N/D. I don't think you'll regret it.
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Reviewed in the United States on February 28, 2015 by John