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Availability:
Only 1 left in stock, order soon!
Arrives
Saturday, Sep 13
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Features
- With Stereo I/O and 2 Voicing Modes
- Dimensional Chorus Effects Pedal
Description
Boss DC-2W Waza Craft Dimension C Pedal
Brand: BOSS
Style: Acoustic
Item Dimensions LxWxH: 6.75 x 5.55 x 3 inches
Item Weight: 1.25 Pounds
Voltage: 2 Volts
Item Weight: 1.25 pounds
Product Dimensions: 6.75 x 5.55 x 3 inches
Item model number: DC-2W
Batteries: 1 9V batteries required. (included)
Is Discontinued By Manufacturer: No
Date First Available: October 8, 2018
Hardware Interface: 1/4-inch Audio
Signal Format: Analog
Battery type: Alkaline
Power Source: Electric
Voltage: 2 Volts
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If you place your order now, the estimated arrival date for this product is:
Saturday, Sep 13
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View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
The DC‑2W shares some of the basic concepts of a conventional chorus pedal, in that it utilizes modulated delay lines — but it does so in a far more subtle way. The effect is achieved by using dual modulation sections running out‑of‑phase with each other, each having its own internally set depth and rate parameters, along with cross‑feedback networks that connect the sections. Adding feedback in this way adds further complexity to the effect, giving the impression that there are more than two modulation processes at work — so you don’t hear the familiar churning sound inherent in typical chorus effects. To enable all the modulation options to be delivered with precision in a pedal‑sized enclosure, the LFOs and control circuits in the DC‑2W are digital, however, the audio signal path itself is entirely analogue, meaning, there is no analog signal converted to digital, processed, and converted back into analogue out. This means there's no digital loss of the dynamics of the signal quality passing through the DC-2w, and that, as well as higher quality components, is why Waza is more expensive. I researched this effect pedal to really understand it because most reviewers were dumbfounded, saying they couldn't explain it, but I find it is explainable. What DC-2w is, is a chorus modulation effect pedal that uses a combination of dual splitting of signals and micro-delay feedback effects that does not mess with the total frequency of the sound. So imagine a music staff, like in a music book with notes on it, two lines going across the page, only these lines are signal paths with a sine wave going up and down, signifying the modulation effect. The top line is the main modulation, the second line is another modulation, both being played simultaneously. At one point, the signal modulation may be at a peak, the other can be at its valley, effectively canceling out the modulation effect. So what the effect circuitry does is create intelligently (digitally controlled for perfect timing) offset the two paths so they do not entirely cancel each other out. This is what creates the subtle vs. in-your-face apparent modulation. Now combine all of this with the delay feedback where it's timed perfectly, and you get even more (layered) offset inverted phase modulations in different frequency (timing, not tone) relationships between signals. This makes the combined effect even more subtle (i.e., smooth) where there is such a myriad of intentionally yet variously timed modulations playing off of each other in each signal path and this is what creates it's 'dimensionally mysterious' (i.e., modulation harmony) effect that no one can seem to explain. All it really is a marriage between a chorus and delay pedal done in stereo. I saw this unit as being described as, “the ultimate chorus effect for people who don’t like chorus!” I'm like, “Yup, nailed it”. I really am not a fan of modulation effects. It's just 'too much' change in the sound that makes it a bit weird to me. It's like a playful girlfriend that gets a little too playful and it goes from enjoyable to “Ewwww, get away from me”, weird, but if you get playful in intelligent ways that play off of each nuance, that's awesome. That's what this pedal does. It makes the chorus not SIMPLE, STRAIGHT FORWARD, BRUTAL, IN-YOUR-FACE (masculine) but rather complex (feminine) and beautiful (mathematical geometry) with so much going on you don't know know or understand what's what's really happening, like women (it's actually a good thing), and all you notice is the overall total effect. I think that's what this is, and it's why I like it vs. simple modulation pedals. Just like guys are like, “I don't know why I like women, I just do”, the exact same principle applies here. This a very feminine pedal. In my opinion, as a guitarist, it works great with clean/acoustic. It's a little modulationy (perhaps awkward is a good way to describe it) with distortion and that's OK (personal preference) and lead guitar just doesn't sound right, at least to me. It's interesting, but I prefer without or at setting one (most subtle of the variations) in a distortion lead guitar part. Those of you who are like “I don't have two amps”, don't worry about that. There's very little in terms of effect between mono and stereo. There is only a bit more stereo separation, meaning, in mono, the 180 degree inversion points cancel each other out and you don't hear that part of the modulation in mono, but in stereo, the cancellation points are far less canceled (not at all in headphones) because each ear hears everything in each signal path (L/R). So the effect, in stereo, is more noticeable than when it is in mono. If you still don't know if you want one or not, go to youtube and search for “Boss DC-2w Dimension Demo”, and hear it for yourself, if you haven't already. One star off of five stars because I feel there is one important thing missing from this pedal, and that's a wet/dry signal level control. I would like to be able to control the mix. I can't. It's either 100% or 0%. Update: I was about to return this unit as I was thinking about how I would be able to control the mix, thinking about having to get some contraption to do it with (not making this pedal easy to use) when I thought about how to hook it up through the FX send/return on my mixer and wala, problem solved. I'm now able to fine-tune just how much of the wet signal I want in my mix so that I can create that subtle and sweet tinge of stereo separation in a lead guitar part without it dominating the sound so people are like "what's going on here" and can just not think about it but just enjoy it. So that's the major Con. Boss forgot what this is, a pedal, not a rack unit. They may have 'reproduced a rack unit' but forgot what it is, a unit specifically used in live situations, not in the studio. So Boss, put a wet/dry (true bypass) knob on it, please. Then you won't have people returning the unit because it's "too overpowering" and not able to adjust appropriately to suit your style.
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Reviewed in the United States on February 10, 2021 by Mike
A bit too much high-end when active. Especially when activating other pedals with the effect with potential for high-end. In my case, this is when using my DC-2w with my auto-wah (Aw-3). With my setting preferences, I do not use both simultaneously. Additionally, the buttons, though a nice feature, do not allow much room for subtly when using any combination of the buttons. My favorite feature here are the dual inputs as well as the outputs. This allows my split signal to extend to more options. In my case, placing my PS-6 before the chorus effect, allowing that signal to split which is far better audibly and practically. Definitely when using cheaper amps. I also love the no wave results for this one. Probably not sciencing this correctly but if u maximize any other chorus effect through cheaper amps, u may notice some disruptive low end. Not the case here. All and all, a good buy for a good pedal. If however, u have no interest in signal splitting or issues with inaudible low end, u can probably save a few bucks with other options that'll offer more control of the effect levels. If you're like me, there's actually no other option. At least from boss, so this is your guy.
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Reviewed in the United States on April 16, 2023 by David Blount
Sounds great, but volume drops significantly when engaged. Has no level knob to adjust. Too late to return.
Reviewed in the United States on July 23, 2023 by Jonathan
Very good quality. It's a little pricey b/c it's made in Japan, but I think I got what I paid for. I really like the effect that it gives, but I can't describe it. If you're seriously interested in it, you should see some of the reviews on You tube to get a sense of the features and what it does. For me, it feels a little like a Harmon mute on a trumpet. Playing quietly at home w/ an old Gibson ES-175 through a Fender Tone Master Twin Reverb w/ the attenuator in the 2nd position makes a nice change from the straight, old school, clean tone. But no rock guitar for me, no distortion, no string bending, no high volume, etc. So I'm a little unusual in that sense. For what it's worth.
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Reviewed in the United States on March 17, 2023 by Warren A.