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Availability:
In Stock.
Arrives
Sep 5 – Sep 7
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Size: 8-Channel
Style: Audio Interface
Features
- USB 2.0 Audio Interface with 8 Preamps
- Dual Headphone Outputs - macOS/Win
- 18-in/20-out
- 24-bit/96kHz
- S/PDIF I/O
Description
The incredible U-PHORIA UMC1820 bridges the gap between your creativity and your fans. This blazingly fast USB 2.0 studio-in-a-box will have you recording your next masterpiece in minutes with all the connectivity required for your microphones, guitars, keyboards and even MIDI-, S/PDIF- and ADAT-devices. Expand to 16 Midas designed Mic Preampilfiers, when adding a Behringer ADA8200 (not included), simply via a single optical cable. Not to forget the ultra- flexible monitoring options, from Dim and Mute functions for the Main Mix, up to the DJ-Style monitor A/B cueing, mono and stereo listening options, individual source select and level control for both headphone outputs separately, and a blend mix control for smooth crossfading between your latency free input signals and the DAW playback.
Brand: Behringer
Compatible Devices: Personal Computer
Supported Software: S/PDIF
Connectivity Technology: USB
Number of Channels: 8
Item Weight: 4 pounds
Product Dimensions: 19.02 x 5.12 x 1.81 inches
Item model number: UMC1820
Is Discontinued By Manufacturer: No
Date First Available: April 28, 2016
Color Name: Black
Compatible Devices: Personal Computer
Hardware Interface: USB
Supported Software: S/PDIF
Size: 8-Channel
Operating System: Mac
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Sep 5 – Sep 7
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
I'm a “one man band” Multi-Instrumentalist operating out of a well-equipped home studio, playing and recording each instrument individually. It's not unusual that one of my productions consumes 25 tracks or more. My previous recorder was a standalone Tascam DP-32SD. Although this is a great unit for home studio starters, following the actual recording I had to export tracks, transfer them to my PC via USB, then mix/master the completed song using my Windows-based DAW. While this worked okay, the process was getting to be quite the tedious hassle, not to mention the fact that REAPER (in my opinion, the best DAW on the planet) has so much more recording function than the Tascam standalone it's almost unbelievable. That said, I decided to purchase a Behringer UMC1820 and give direct-to-DAW recording a try. Man, the difference was like night and day, especially sampling at 48kHz/24-bit. Plus, all of the required post-processing work I previously discussed is now a thing of the past. The only remaining problem was, I use 8 drum microphones. This required cabling my mixer to one of the UMC1820 inputs to accommodate the 8th sub-kick drum microphone, and all other instruments. So, I took it a step further, purchased a Behringer ADA8200 and attached it to the UMC1820 as a slave using Toslink fiber cables, providing me with 8 additional inputs. I should note that Windows and REAPER immediately picked both interfaces up without the need to install any additional drivers whatsoever... They're truly plug-and-play. To avoid being redundant and going over all the features of these two excellent interfaces which are already listed on their product pages, I think it would be much more beneficial to continue discussing my personal experience with them, along with the end results. This configuration has allowed me to totally dedicate the UMC1820 to my drum microphones, and use the ADA8200 for all other instruments. I was also able to keep my mixer involved by cabling it to one of the inputs on the latter interface. I then topped the whole thing off by mounting them both in a “Procraft 2U 9" Deep Equipment Rack”. This is one super-high quality rack, and an incredible value: https://www.amazon.com/gp/product/B01CDG8QLI/ The bottom line: Between these two interfaces I now have 16 MIDAS pre-amplified XLR/TRS inputs fed directly into my PC with all controls at my fingertips, sitting directly under my DAW displays (see photo). Most importantly, I'm able to take full advantage of REAPER's myriad of recording functions, which completely blow the Tascam standalone recorder away. If you're thinking about using direct-to-DAW recording, this combination absolutely can't be beat for the money. The only regret I have is, I'm kicking myself in the butt for not going to A/D interfaces long ago. Look up my latest song “May You Never” on SoundClick, and judge the sound for yourself. In closing, these Behringer interfaces have exceeded my wildest expectations. I can certainly say without hesitation they're deserving of my highest recommendation, and if I was able would rate them both at 10 stars in a heartbeat.
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Reviewed in the United States on January 10, 2020 by Craig G. Craig G.
i struggled with a malfunctioning pre sonus for a while and finally decided to get a rack mount interface. i was notably appalled at the price of other units and i have had very good luck with behringer in the past. let me tell you. this thing is friggen awesome. there’s ZERO noticeable latency, plenty of inputs, heavy feeling quality build, and it’s a damn good looking unit to boot. the only thing i wish was different was if there was an on off switch for phantom power for each channel instead of grouping the channels like they did. the drivers installed and worked perfect on my windows based computer and with the tracktion7 t7 free software man man man man ... i love it. this unit would not work properly with my extremity old and not that great DAW i was using (pro tracks) but it was time for me to let that silly addiction die. new program, new interface, new found appreciation for a properly working DAW program. i am free at last, free at last, thank god almighty i am free at last. and thank god for behringer and their reasonably priced great quality products. This is a real rewiew from a real consumer.
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Reviewed in the United States on September 16, 2018 by August Will Decay
AUDIO INTERFACE: I really like this audio interface. I bought this rather than the various cheaper and more popular 2x2 or 2x4 versions so as to leave all my options open, including surround sound. Most audio interfaces that are offered assume you want to create stereo 2.0. But what if you want to go further than that? You might have heard of 2.1, 5.1, 7.1 or even Dolby Atmos 11.2. There are other surround sound options like 3D audio and Spacial Audio and more. So take Dolby Atmos 11.2 as an example. For 11.2 you need 13 OUT ports for all those speakers. Or scale back to 5.1. You still need 6 OUT ports for your 5 speakers plus your 1 subwoofer. Most Studio Audio Interfaces do not support that many outs. This interface supports 20 outs but you need an additional piece of equipment to fully realize that - see below. Without that addition, Behringer UMC1820 will still give you 10 OUTs. 10 is enough for 7.1 for example. So really consider if you want to be able to create surround sound or just stereo. Or at least be able to, without having to start over and buy another interface. The 8200 is the ideal unit to add to the Behringer UMC1820 and it is made for it. This adds the other 10 OUTs. And yes, more INs also. Behringer ADA8200: https://amzn.to/4aBOTVc While the 8200 is called a mic preamp it also supports 10 more OUT PORTS. Not just IN and not just mics, but INs for instruments too. This threw me for a while, because the name “Mic Pre Amp” is what most people focus on, which is have enough INs for the whole band and a drum set. OUT is not always the focus as most small home studios only create in 2.0 stereo. You can also pair two 1820 units together as long as your DAW allows you to align the wordclock for the unit you want to be the master. The Behringer ADA8200 is less expensive though than another 1820 and has a switch for the wordclock built in. I also like that this is rack mountable or not as it has little rubber/silicon feet. Some might concern that the bit rate and resolution is not as high as some other audio interfaces. However, even Dolby currently uses this bit rate and resolution and so does the current new (2024) Apple Logic Pro for surround sound. Thus, this is still state of the art for most types of surround sound. My other top choice (and what I would have bought budget permitting) was this unit which is built from the ground up for surround sound. https://amzn.to/44TFZ4a Clean Power is the foundation of any rack so I started with a Furman Power Conditioner which is shown in the photo. I am still shopping for a rack. Furman: https://amzn.to/3WUnzhH Note the two screen captures with the 8200 connected to realize all 18 and 20 ports. Don’t forget you need two ADAT cables if you add an 8200: ADAT Cables: https://amzn.to/3KwiDsf If this was helpful let me know.
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Reviewed in the United States on May 24, 2024 by VitalBodies VitalBodies
I'm used to fire wires and not USB interfaces. So it took me a while to figure out the correct buffer settings. However, once I did it was on and popping! This interface helped me organize my home studio. I replaced a Mackie VLZ 32 channel mixer with this one device! This interface works great! It allows you to do everything that you need to do; even live monitoring while recording. I love this interface. The audio quality is great and the workflow is a no brainer. If you are looking to do some home recordings, this is the best deal on the market ($300). The SPDIF I/O help me reserve hard drive space as there is no need to bounce tracks down to one for the final mix (of course you need an ADAT). Great product!
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Reviewed in the United States on January 27, 2017 by Theodore W.