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Behringer

Behringer C-3 Dual-diaphragm Condenser Microphone

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Color: Silver


Style: C-3


Pattern Name: Microphone


Features

  • Medium Dual-Diaphragm Condenser Microphone With Cardioid
  • Omnidirectional Figure-eight Pickup Patterns

Description

BEHRINGER STUDIO CONDENSER MICROPHONE C-3Dual-Diaphragm Studio Condenser MicrophoneProfessional large dual-diaphragm condenser microphone for studio recording and live applicationsIdeal as main and support microphone for studio and live applicationsSelectable cardioid, omnidirectional or figure eight pickup patternPressure-gradient transducer with shock-mounted dual-diaphragm capsulePerfect for acoustic instruments, overhead, piano, etc.Exceptionally flat frequency response and ultra-high sound resolutionUltra low-noise transformerless FET input eliminates low- frequency distortionUltra-rugged construction with metal die-cast bodyGold- plated 3-pin XLR connector for highest signal integritySwivel stand mount and transport case includedHigh-quality components and exceptionally rugged construction ensure long lifeConceived and designed by BEHRINGER GermanyThe C-3 is a home recording enthusiast's dream come true. This professional- quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy. What is a Condenser Mic?Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V DC) for operation. You can power them from any phantom power equipped BEHRINGER XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps.Why the C-3?The C-3 is an affordable, high-quality way to put this essential studio tool to work for you. It has three selectable pickup patterns: omnidirectional for capturing sound equally on all sides; cardioid for picking up your source signal while rejecting off-axis sounds; and figure-eight for capturing sound both behind and in front of the mic, but not all the way around. With its excellent transducer and gold-plated XLR output, the C-3 is very neutral-sounding and truly delivers on the promise of noise-free transmission. But That's Not All...The C-3 is built to be your go-to condenser mic for years to come. Its tough, die-cast body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its rugged foam-padded carrying case, it travels in safety and style. We also included a swivel stand mount so it can be affixed to your studio's mic stands.This condenser mic is an excellent choice for live and studio applications, and it's available at a price that will leave you with enough cash left over to secure other recording essentials. Check out the incredible C-3 at a BEHRINGER dealer near you. The C-3 is a home recording enthusiast's dream come true. This professional- quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy. This professional-quality condenser microphone is designed to capture your sounds with incredible realism, sensitivity and accuracy. Click to enlarge. View frequency response. Click to enlarge. View polar pattern. Click to enlarge.What is a Condenser Mic? Condenser microphones are the ideal choice for capturing vocals and acoustic instruments. They're the primary type of microphone used in recording studios and radio stations. They are capable of capturing much more detail than dynamic microphones because of their wider, flatter frequency response. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V DC) for operation. You can power them from any phantom power equipped BEHRINGER XENYX mixer, plus enjoy the benefits of our state-of-the-art XENYX mic preamps. Why the C-3? The C-3 is an affordable, high-quality way to put this essential studio tool to work for you. It has three selectable pickup patterns: omnidirectional for capturing sound equally on all sides; cardioid for picking up your source signal while rejecting off-axis sounds; and figure-eight for capturing sound both behind and in front of the mic, but not all the way around. With its excellent transducer and gold-plated XLR output, the C-3 is very neutral-sounding and truly delivers on the promise of noise-free transmission. Built To Last The C-3 is built to be your go-to condenser mic for years to come. Its tough, die- cast body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its rugged foam-padded carrying case, it travels in safety and style. We also included a swivel stand mount so it can be affixed to your studio's mic stands. C-3 Specs Transducer type: Condenser, 16 mm Polar pattern: Cardioid, figure 8, omni Connection: Gold-plated balanced XLR connector Open circuit sensitivity: -40 dBV/pa (10 mV/pa) Frequency response: 40 Hz - 18 kHz Max. SPL: 142 dB Equivalent noise level: 23 dBA (IEC 651) Dynamic range: 119 dB Rated Impedance 350 ohms Supply voltage: +48 V Supply current: 7.0 mA Dimensions: Shaft diameter: 54 mm; Length: 180 mm Weight: Approximately 0.45 kg What's in the Box Behringer C-3 Microphone, Swivel Stand Mount, Carrying Case, User's Manual


Product Dimensions: 2.13 x 2.13 x 7.09 inches


Item Weight: 15.8 ounces


Item model number: C3/B


Is Discontinued By Manufacturer: No


Date First Available: December 4, 2007


Manufacturer: Behringer USA


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If you place your order now, the estimated arrival date for this product is: Saturday, Apr 27

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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Top Amazon Reviews

    • BUYER PREPARE - Fantastic overall product, but a few points that come up...
Color: Silver Style: C-3 Pattern Name: Microphone
This is my first condenser microphone, and there were a lot of things I had to learn in the process... My goal with this review is to outline several things mostly that amateur buyers need to be aware of, but even a few things that experienced audio individuals may want to be aware of. ***** The #1 thing that caused me to give it only 4 stars instead of 5 is this calls itself a 48V phantom power microphone. This is NOT exactly true. This is not the result of a faulty product either, if you're wondering, because I DID think it was faulty and got a replacement. If you use a full 48V, you are going to get a bit of added noise in the signal, and 12V vs 48V does NOT reduce the sound quality any. I am aware that many many condensers calling themselves 48V don't use a full 48V, but if it allows added noise to come in because of the excess voltage, there is some negligence. Most preamps and mixers I am aware of that provide phantom power provide only a 48V phantom power. I am using a "Behringer PS400 Ultra-Compact Phantom Power Supply" and not the 48V my preamp provides BECAUSE this device has an option between 12V and 48V. The 12V option is PLENTY sufficient, and it cut down the noise from when using 48V from my preamp. For me I wish the microphone would have better technology to limit its intake of power to only what it needs or something. Kind of odd I haven't seen this come up in other reviews; but like I said, I did get a replacement mic, and this was the same for both. There is not EXCRUCIATING noise at 48V by any means when a preamp is used, but my level meter shows that the noise level at 12V is an obvious HALF of what it is at 48V. When a preamp is NOT used and only phantom power from this Behringer device is used (eliminating signal modification from the equation), 48V renders the raw output COMPLETELY unusable vs not so at 12V; this is eliminated with the use of a preamp, but that is still very telling. Any kind of noise reduction in the system is an improvement, and I would think the power technology here would be more streamlined. Note that this is not an issue of my mixing/amping, as the ONLY change between going to great lack-of-noise quality is using 12V from the phantom power box instead of 48V from the box or my preamp. I simply turn off the 48V on the preamp and run the line through the 12V phantom power with the result of cutting the noise in half and not losing any sound quality. I would be very interested if anyone else has any comments on this to share. THINGS FOR AMATEURS TO BE AWARE OF: - You DO need a preamp or a mixer with preamp capabilities (and not just because of phantom power needs). Apparently SOME condenser microphones are hot enough to already be at line level without pre-amplification. That is not the case with this product. AGC (Auto Gain Control) on your devices may up your gain without you realizing it so you'll have a normal level, but this brings up noise at a 1:1 SNR (Signal-to-Noise Ratio) and possible distortion because you don't have legitimate preamp technology. If you do not need or desire a typical XLR version of the microphone, CONSIDER A C-1U. The C-1U obviously does not need anything added because it is a USB mic, even though the C-2 and C-3 are higher and better models with more functions. It is up to the buyer to weigh their needs and whether their needs are worth paying for the versatility of XLR, a preamp, cords, adapters, phantom power, USB interfaces or USB input, etc. - Every single device you use will have its own set of hidden audio settings. I am using the "AGPtek 3M USB" for cheap USB input until I can invest in a USB interface, and with Windows, by default, the microphone level is all the way down, and AGC is I think turned on. With my Canon Vixia camera, by default when I plug in a line microphone, the ATT setting is set to Auto. What this does is when nothing is coming into the microphone, the camera ups the gain to make the before-hand SLIGHT noise in the signal very prominent. Then when you speak or something, the ATT On kicks in and cuts it way down to make the sound level normal. Because of this, I have to video in Manual so I can set the ATT to "ATT On" (not Auto) where this doesn't happen. ** These things aren't the microphone's fault; you just need to be aware and always dig and find your audio settings on your devices. OVERALL, so far, I don't have much to say about quality or longevity etc yet, because I haven't had it long enough yet! I just felt the need to post this immediately to save others the headache of figuring these things out on their own! :) I will Edit this when I have more information. And anyone critical to my or others' lack of understanding and experience with audio can go better spend their time minding their own business. I personally am training to be an opera singer and voice teacher, and I wanted a condenser to capture the classical singing voice better than a dynamic would. I opted for the typical XLR instead of the specialty USB C-1U to be able to adapt to line output for my video camera, voice recording device, etc and so that in the future I will be able to add a mixer etc to my repertoire to mix with a keyboard and possibly other microphones for other instruments or voices. So far, I am satisfied with the quality AND MOST CERTAINLY THE PRICE of this product! I completely acknowledge that this is extremely low cost for the quality provided! I only wish the product information would quit only hyping the product up and be a little bit more informative about some of the more obscured points I've listed, because this product is more designed for amateur and home use in the first place! ... show more
Reviewed in the United States πŸ‡ΊπŸ‡Έ on March 1, 2014 by Ryan L.
    • You're not going to find better, with more features, for $70 than this.
Color: Silver Style: C-3 Pattern Name: Microphone
I've been doing sound as a hobby for many years, working with various types of microphones and sound boards, but I am by no means an expert. I'm just someone who might know a little more than many others when it comes to the technical aspects. The Behringer C-3 condenser microphone is a solid condenser microphone. It's not mind blowing, for $30 more you could get what I consider to be the standard "budget" condenser in the Audio Technica AT202, but this offers some things that the AT2020 doesn't. First, I needed a condenser that provided multiple polar patterns. A polar pattern is simply where it's designed to pick up sound. A "Cardioid" polar pattern picks up sounds right in front of the microphone, while discarding sounds off to the side and behind. For most people that's all they need. A "Figure 8" polar pattern picks up sounds in front and behind, while discarding the sound that comes from the sides. An "Omni" pattern will pick up the sounds that surround the microphone. The AT2020 only has a cardioid pattern, and what I'm looking to do is start a podcast with my wife using just one microphone, so I needed something that could do a figure 8 pattern as well. The dual-diaphragm design of the C-3 allows for that, as well as an omni pattern as well. And in case you are wondering what a diaphragm is in a microphone, it's what converts sound into electrical impulses, which in turn are sent down a wire to a mixing board and amplifier, which then converts it back into sound which we recognize. This being a condenser microphone, the diaphragm is an electrical plate that requires a current of electricity. This means it needs "Phantom Power" in order to operate, unlike a dynamic microphone which is a simple magnet and coils that is pushed back and forth by sound, or a ribbon microphone which uses a thin ribbon to vibrate, converting sound energy into electrical. The C-3 has two of those diaphragms, which allow it to have multiple patterns. I also wanted to mention another great couple of features. It has a setting on it that brings the initial recording volume down by 10db. Why is that important? Well, sometimes condenser microphones are used on instruments that produce a lot of sonic force, such as a drum set, and too much sound can overload and damage the diaphragm. So by reducing the level of sound that the diaphragm is sensitive to, it will prolong the life of the mic if you're using it in such a way. It also has a high pass filter on it, which can help eliminate some lower frequency noises. Condenser microphones are quite sensitive to a wide range of noises, and the more unwanted noises you can filter out at the source, the better. So, for $70, this is worth a look. I like this a whole lot, but there is one drawback that I want to mention. I'm not entirely certain though if it's the mixer I'm using or the microphone itself, but there is some noise when I go to record. "Noise" is that "hissing" sound you hear on old records or tapes. It's not a huge amount of noise, and with editing software such as Audacity, it's easy enough to get rid of, so it's not a deal breaker, but it is there. And the noise could very well be coming from the mixer itself (a Behringer XENYX 302 USB). The bottom line for me is, while the AT2020 might be a better vocal condenser microphone all around, considering what I want to do the Behringer C-3 is more than adequate. In my ears there's not enough of a difference in initial quality of vocals for me to spend an extra $30, particularly if it doesn't give me the polar patterns I'm looking for. You're simply not going to find a better condenser microphone at this price point with these features than you'll get with the C-3. It isn't perfect, it is a $70 microphone, but for my budget it was worth every bit of that $70 and more. Keep in mind though also that if you're looking to buy this, you will need to power it. As I mentioned I'm using this with a Behringer XENYX 302 USB which has phantom power and pre-amps built into the XLR connection. Plus it acts as a USB interface, so if you're looking to do podcasting or video chatting with the C-3, having that little mixer on hand will allow you to do it. Otherwise you may need to buy a separate Phantom Power supply (anywhere between $25 and $200) and USB interface. ... show more
Reviewed in the United States πŸ‡ΊπŸ‡Έ on January 2, 2018 by Christopher R. Cole

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