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VILTROX

150W 2600K-6800K COB LED Video Light, 16700 lux@1m Bowens Mount Photographic Lighting Monolights , APP DMX Control Studio Video Lighting for Portrait, Wedding, Lives

    • Based on 27 reviews
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$399.00 Why this price?

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Availability: In Stock.
Fulfilled by Amazon
Arrives Saturday, May 25
Order within 4 hours and 41 minutes
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Features

  • Great Video Light-- from 100% down to 0% brightness, 2600K-6800K wide range color temp , Support App Control ,150w CRI 95+ COB monolight used for Portrait Photography, Video Recording and Outdoor Shooting.
  • Impeccable Color Fidelity-- High CRI 95+ TLCI 96+ ensure to present natural and true color effect.an indication of impressive accuracy in color rendition. you can quickly adapt the light to any scene.
  • Silent Operation-- Designed with an elaborate heat-dissipation system, the Silent LED Video Light Ninja 400 II With silent fan, it can switch between full speed mode and silent mode. Make your video shooting and news interviews more professional and solemn.
  • Dual Power System-- Power supply by DC power or V mount lithium battery. DC cable makes sure continuous and stable output in studio , by V-Mount batteries (sold separately). allowing users to power anywhere and travel light.
  • Lightweight and Durable-- Weight only 1.66kg/ 3.6lbs.So it can be easily held with one hand. Aviation Aluminum-Alloy Body and Universal Bowens Mount for mounting lampshade, softbox etc.
  • Portable bag -- Packed in a strong bag, more convenient to carry,can carry in the hand, or on the shoulder. can also carry some small accessories in that bag.

Description

The 150W Weeylite Ninja 400 II 2600K-6800K COB-led video Light emits an impressive 16700 Lux at 1 meter. the brightness is equivalent to 1500W Tungsten lamp, Plus with dimming from 100% down to 0%, you can quickly adapt the light to any scene. Perfect for use in the studio or on location, the Ninja 400 can run off either the included AC adapter or 2x 26w V-Mount batteries (Not Included) so you can operate in any location regardless of power availability. Key Features : 2500K-8500K Bi-Color.150W Ultra Bright Output 16700lux/1m.Color-rendering index 95+ and TLCI scores of 96+ Impeccable Color Fidelity3.7 lbs Lightweight Compact Design.Local fixture/DMX/ Wireless Remote/smartphone APP multi Control Supported.Bowens mount can attach different kinds of modifiersThe fan on the unit is super quiet which is a big plus when shooting video.Ready for worldwide use, works with DC adapter, also run on 14.8V batteries. 2600K-6800K color temperature & 0-100% brightness adjustable From 100% down to 0% brightness, 2500K-8500K wide range color temp. 150W COB LED output With outstanding color reproduction and a TLCI of 96, reduce editing time and ensure beautiful skin tones for fantastic results. Bowens mount Easy to be attached with All Bowens Mount studio lighting accessories, softbox, modifiers, umbrella reflectors, snoot and more . Lightweight yet mighty 150W 16700 lux@1m COB light, combines the shoot what you see benefits of continuous light, with a High-Speed Sync flash, for more power or to freeze action. Adjust color temperature Compared to most 5600K Led lights on the market, Adjustable color temperature can revolutionize your workflow and save time on set For when creativity can't wait. Native iOS & Android control With the all-new weeylite app, you’re always in control. Easily switch between lighting modes to adjust brightness, power, flash settings, and much more. Read more Dual power system Support 24V 8A DC adapter, or V-type battery, used in photography, video, studio, exhibition hall and makeup, etc., to fill light in scenes with any light source requirements Handle grip design Has an independent locking knob, which can be more convenient to grasp or carry, and be rotated 210° to adapt to different angles, and is easy to install and remove. DMX-controlled The control box also serves as the DMX connection point enabling the Ninja 400 to be quick adoption to any DMX-controlled environment. Read more After Sales Service A new replacement will be sent once there is any problem with the product within 1 year after purchase, please let us know with your order information via Amazon.The online customer support team stands by for you, and we will reply to you within 24 hours.Technical Support Team with rich experience focused on- camera accessories backs up here in case of any technical issues.


Package Dimensions: 17.4 x 13 x 9.5 inches


Item Weight: 3.7 pounds


Item model number: Ninja 400 II


Date First Available: November 19, 2020


Manufacturer: Shenzhen Jueying Technology Co., Ltd.


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Saturday, May 25

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

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Top Amazon Reviews

    • Sturdy, bright, and feature packed!
I bought the 150W Weeylite Ninja 400 to be a more powerful/brighter option to the GVM 80W lights I bought previously for my studio. While I like GVM’s small, light form factor, I couldn’t get quite as much brightness as I wanted. Enter the Ninja 400. Not only could I double the output, but I could control color temperature from 2500k to 8500k with the bicolor LEDs. To start with, the construction is sturdy - the case is metal as is the yolk and mount. The angle adjustment lever on the right-side make it easy to open adjust the angle, and clamp shut confidently without sagging. My GVM would sag when I attach my 60” Neewer softbox, but the Ninja 400 doesn’t hesitate and holds strong. That’s the difference a metal construction makes over plastic. My softbox does use the Bowens mount, so it is easy to attach things like a Fresnel or barn door. The included reflector dish really helps to focus the light when I don’t use my softbox. I noticed that the mounting hole/tube for attaching to a light stand or baby plate can be attached vertically or horizontally at 90 degrees. I don’t know that I need that feature, but I thought it was pretty cool and it’s nice to have if the need arises in the future to be able to do that without an adapter. The controller is simple and easy to use. It has the option to use V-mount batteries, so you don’t need to be tied to a cabled power source. I didn’t test this, but I’m sure that I’ll use this feature one day. It’s also worth mentioning that the cables are really long and sturdy. It’s about 10 feet from the attachment of the light to the controller and roughly 8 feet to the wall from the controller. That means that you can either hang the controller from the light stand or just set it on the ground without it dangling. The controller has a backlit LCD and can dial the intensity from 1% to 100% in 1% increments. The color temp goes from 2500k to 8500k in 100k increments. The wheel on the controller makes it simple to get it dialed in and the “select” button toggles between intensity and color temperature. A remote is also included that works in a similar way. It pairs instantly and has the option to control multiple lights in multiple groups on multiple channels. While I don’t use a DM512 controller, you have the option to use DMX In/Out connections as well. The last way to control the light is with a Bluetooth app (iOS and Android). It’s a little nerve-wracking installing an app directly from an APK rather than through a certified app store, but I didn’t have any issues. The app is intuitive and easy to use as well. It automatically pairs instantly and has presets for certain color temperatures. If I had a bigger studio, I’m sure I’d use the app and remote more, but for me, it’s simple enough to use the controller. While the Ninja 400 does have a fan for cooling, I found it to be very quiet. Even when I was very close at full power, I don’t pick up and sound when I record my videos. Going back to my initial need about more power/brightness over what was offered with my GVM, I tested by using the Zebras feature on my Sony a6300. I set the Zebra to 107 and anything higher than that would clip. I then shined the GVM at a white wall from 1M away and positioned my camera also at 1 M away. I manually dialed in the camera settings and to the point when the Zebras would appear. I then switched the light to the Ninja 400 and found that I had to close down the aperture 1 full stop to reproduce the Zebras. 1 stop of light means that the Ninja puts out twice the brightness at the same distance. I also tested the color temperature of the Ninja 400 against a Gary Fong 18% grey dome. I found that my a6300 read between 4900k and 5100k at 1% and 77% light intensity respectively when the Ninja 400 was dialed into 5500k. That means that the light runs somewhat warmer than the controller indicates. Not a big deal since I’m always color calibrating before I start a shoot, but it is worth noting. Side note, I recommend the X-Rite Color Checker Passport Video. It greatly improved the color accuracy in my shoots. There is a lot of competition in this space with different light manufacturers and that makes it good to have options as a consumer. For me, it’s a good fit because I like the sturdy build and improved brightness over what the GVM offered me. The construction also seems much more solid than what I’ve seen from Aperture Amaran 100x reviews. The bi-color nature offers me a lot of flexibility for different studio needs and I appreciate having that option in my back pocket. The remote and Bluetooth app are both nice to have as well. For a 105W bi-color light at this price point, I’m impressed that it has so many “bells and whistles.” In summary, I’m impressed with this robustly built, bright light and can definitely say that it is worth buying. I recommend! ... show more
Reviewed in the United States on February 17, 2021 by Patrick Jaszewski
    • Perfect companion to the Ninja 200. Very Bright!!!!
Review Image by Jimmy Blanco
Review Image by Jimmy Blanco
Review Image by Jimmy Blanco
Review Image by Jimmy Blanco
Review Image by Jimmy Blanco
Review Image by Jimmy Blanco
Review Image by Jimmy Blanco
Review Image by Jimmy Blanco
Here's my Rundown of this Light as a Working cinematographer. I First owned the Ninja 200 and it's a cool little light but I found myself needing more punch. Enter the Ninja 400. the CCT range is wider than most lights in this form factor or price range. the color is very accurate at either end of the spectrum +-<200 kelvin with a CRI rating of 95. The color accuracy is almost perfect metering at a +0.8 green so it leans towards magenta, I however don't see this as a problem since most LED's tend to green over time so i see this light lasting a bit longer than others. Also the Fan is very quiet, it's quieter than any other COB light i've ever owned( that's saying a lot!). The tightening knob has geared Teeth and is very secure( sometimes it's hard to adjust the light) which is a good thing, this can hold very large modifiers with no problem. It comes with a remote and can also be controlled with the weeylight app (IOS) No FX work on this light in the app though. you can also control it with the controller box and it has a hanging strap that you can snap right on your light stand, it has a V-mount attachment on the back of the controller so you can use battery power but be warned when you use Batteries you're limited to 85% of the full brightness. It also has DMX in/out on the controller box. the ballast is also Hard wired to the power brick so be careful not to damage it as it seems to be proprietary and i'm not sure if a replacement is available for purchase. It comes with the Newer "Hyper" reflector design that focuses the light and boosts your output as well as a high quality carrying case that is as durable as the other brands and should hold up to travel use for location shooting. Overall if you're looking to step up your lighting game this is a great light to have in your kit. The small cons are not a deal breaker for me seeing as I can use this light to match others in my kit and easily modify it. This is a No-Brainer at Half the price of other well known brands with less output. HIghly Recommend this Light. ... show more
Reviewed in the United States on February 27, 2021 by Jimmy Blanco

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