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Availability:
In Stock.
Arrives
Thursday, Jul 17
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Style: 16 Fader Control Surface
Pattern Name: Controller
Features
- Mix with precision via 16 100 mm touch-sensitive motorized faders and 89 buttons covering 104 different functions, all in a compact chassis that easily sits on any desk.
- Features 16 high-definition Scribble Strip displays so you can identify channels at a glance.
- Contains complete recording-transport controls, general session controls, marker navigation controls, channel controls, and automation controls.
- Innovative Session Navigator provides quick control over Track and Timeline Scrolling, Zooming, Master fader control, and much more.
- Faders also have alternative modes to control plug-ins, bus sends, and pan position.
- Comes with over $1000 worth of recording software including Studio One Artist (for which it has seamless & native support), Ableton Live Lite, and Studio Magic plug-in suite.
- Also compatible with almost all recording software for Mac and Windows, including Logic Pro X, Cubase, Ableton Live, and Pro Tools via Mackie Control Universal and Mackie HUI emulation.
- Native MIDI control map for advanced users to create customized macros
- Footswitch jack included for hands-free punch in/out during recording (footswitch not included).
- Connects via USB 2.0 for easy connectivity.
Description
A superior solution for anyone who mixes in the box, only the FADERPORT 16 provides 16 100 mm touch-sensitive, motorized faders in a compact chassis that easily sits on any desk. Like Presonus’ popular fader port 8, the FADERPORT 16 features digital scribble strip displays; mute and solo for every channel; complete automation and transport control; plus level, pan, send, and plug-in control modes for every fader. The unique session Navigator makes mixing and controlling your favorite DAW Application quick and easy by putting eight critical functions under your fingers, including navigation, zoom, and Master fader control. The FADERPORT 16 is compatible with virtually any DAW host for Mac or Windows, with support for HUI and Mackie control, including customized Mackie control modes for Logic, Cubase, and Sonar. Its native studio one support provides even more functionality with Presonus’ easy-to-use DAW, including control link support as well as parameter follow, allowing you quick access to any control under your mouse. Its ergonomic design makes it a comfortable companion to your keyboard and mouse. From the Manufacturer Sixteen 100 mm touch-sensitive, motorized faders make mixing large sessions fast by providing control over many tracks at once. The unique Session Navigator provides eight different functions to speed up navigation, zooming, and more—all accessible with the push of a button. Mackie Control Universal support with customized modes for Logic, Cubase, and Sonar, plus HUI mode designed for Pro Tools, and native Studio One support make the FaderPort 16 ideal for use with any modern DAW.
Brand: PreSonus
Connectivity Technology: USB
Special Feature: Take your mix to the next level with 16 100 mm touch-sensitive, motorized faders and a unique complement of features that puts critical mix and editing functions beneath your fingers where they belong. With HUI, native Studio One, and customized Mackie Control Universal modes, the FaderPort 16 makes mixing and controlling your favorite DAW application quick and easy. See more
Model Name: FaderPort 16
Product Dimensions: 11.9"D x 19.6"W x 2.11"H
Item Weight: 8 pounds
Product Dimensions: 11.9 x 19.6 x 2.11 inches
Country of Origin: China
Item model number: FADERPORT 16
Is Discontinued By Manufacturer: No
Date First Available: March 17, 2009
Connector Type: USB
Hardware Interface: USB 2.0
Musical Style: Electronic
Mixer Channel Quantity: 16
Standing screen display size: 1
Voltage: 12 Volts
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Thursday, Jul 17
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Style: 8 Fader Control Surface
Pattern Name: Controller
I could not recommend one of these more. Once the software is installed and I opened Studio One for the first time, the board lit up like Times Square. It's so easy to use, I don't think I looked at the manual for a week or so. Even if you don't use SO, it's compatible with many other DAWs. PreSonus has incredible customer service and the quality is superb. I heard reviews about it being loud, but I've never even heard a fan turn on. It's seamless integration with SO got me into their world and I am loving everyday of it. For the money, an 8 motorized fader controller, that comes with a cutting edge DAW with 200GB of goodies is a steal. Spend your money on this first!
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Reviewed in the United States on May 30, 2025 by E E
Style: 1 Fader Control Surface - New Version
Pattern Name: Controller
Using this is a lot better than chasing things about with a mouse all the time. I use it with Studio One Six and find that for my compositions this control surface helps a great deal.
Reviewed in the United States on June 11, 2025 by Vernon Vernon
Style: 1 Fader Control Surface - New Version
Pattern Name: Controller
This interfaced with my DAW (Waveform Pro) almost immediately. Just needed to download the driver and put it in Midi mode (hold the "Next" button as it boots, then hit the "Solo" button while in your DAW" and I'm able to swap channels, pan, scroll the timeline, adjust master, turn metronome (click) on and off, solo or mute whichever channel, and arm for recording. It's a fairly nice piece of equipment. I was initially shopping for an 8 or 16 fader device, but having a single fader that I can swap to whichever channel is very handy. I would recommend this as a cost effective alternative. I can also start, pause playback, start or stop recording. I can't speak for the software included, honestly for items like this I don't think they need to include it. Kinda a waste for most people looking at this, as they will be intermediate or advanced users.
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Reviewed in the United States on March 3, 2025 by Evan
Style: 8 Fader Control Surface
Pattern Name: Controller
This has been a great investment, it's saves me time while mixing.
Reviewed in the United States on May 9, 2025 by Papa
Style: 1 Fader + Audio Interface (2 Mic Pres)
Pattern Name: Controller
The media could not be loaded. En principio lo compre para que cumpliera la doble función, de superficie de control y interfaz de audio, va muy bien pero el sonido de sus preamplificadores de microfono no me convencia realmente, pero en general es excelente, ahora e actualizado a una tarjeta de audio de formato grande y solo es usado para superficie de control.
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Reviewed in the United States on May 6, 2025 by Carlos Hernández
Style: 8 Fader Control Surface
Pattern Name: Controller
Purchased the PreSonus FaderPort8 to aide in mixing sound for livestreaming a church service. We are using Reaper for our DAW and have between 18 and 25 channels being mixed. The original purpose was to make the mixing process easier for other volunteers that were not involved in setting up the system and are less computer savvy. I am not sure it is going to help as much for new volunteers. I've been mixing on a full soundboard for 10+ years so I forgot how intimidating the faders on a soundboard can be, even with only 8. It will take a little time for new people to get used to the board. For those used to mixing this board works exactly as you would expect. In Reaper all you have to do is select a channel and the FaderPort8 will transition to include that channel as one of the 8 you are controlling. If you cannot show all the channels on your screen at once, you can press Select on the FaderPort8 and your screen will shift to show the channel you just selected. The movement of the faders is smooth. The faders being motorized is key and one of the main reasons I didn't go with less expensive solutions. Having the fader automatically move to the correct level when you select the channel is a must for mixing live sound. Only issues I have are minor. First, in Reaper, only the left most channel shows the channel number in the scribble pad area. They all correctly show the name of the channel however so it's not a big deal. The other issue is if you move the fader in Reaper all the way to the top (past 0) the fader on the FaderPort8 drops back to the bottom. Not a problem, just a behavior. All in all, if you are mixing for live sound and have the budget, I would recommend this device.
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Reviewed in the United States on February 6, 2024 by SC
Style: 16 Fader Control Surface
Pattern Name: Controller
I am a studio veteran and previous touring professional with primetime TV appearances. I do not leave reviews, but if I can help others with it, I will do so. I have the Studio live 32 Series III - A faderport V2 - Atom Drum Pad, and Studio One Professional 5, and have also had the Studio Live 24 Series III - and their stage boxes AVB monitoring and their discontinued digital remote CS mixer too. As you can see I have been a major supporter of Presonus even going back to their Firewire Firepod interface back in the day. Faderport 16 usage for channel button on, and left right arrow buttons does not connect with the on screen mixer in studio one and is a useless function - the assumed movement like on Faderport V2 (single channel) is the channel arrows scrolls the software mixer window on the Studio One screen fader by fader to help you keep track of your movement. On the faderport 16 the channel arrows only move into view the unseen faders on the physical mixer's tiny scribble strips and still leave the previous selected channel engaged and highlighted. Movement around on this mixer as a whole takes 3 times longer fiddling with what is what and where you are at and what track is in view. Depending on what button mode you are in, there is no consistency to what the blue scroll wheel does or left right buttons do - In a constant state of checking your mode, then asking yourself can I use this button for this, and that scroll wheel for that. Add to this the shift button mess, as buttons that you were using for this, are all the sudden doing something else because the shift button is on - even though you turned it off. So cumbersome and its a function overload with poor design for software navigation on every level. I was blown away by how much more logical, functional and fast the single channel faderport v2 is in comparison to this. The LCD scribble strip screens above the faders are near useless and as you can see on the youtube videos horribly invisible (those videos don't lie) - and of the same embarrassingly cheap quality as the studiolive series III scribble strips. The only way to effectively use this mixer is to have the studio one mixer viewable on a computer screen, and then you are battling with what your touching on the faderport16 and what mixer channel on screen is in view. Double the work and focus, its a constant back and forth. The single faderport v2 you always know what channel you are on, and can control the entire mixing workflow with one hand stationary. Mute, Solo, Arm Volume pan - right there in front of you underneath your hand - and all the functions of automation with one handed operation. The record arm buttons are hidden underneath the select layer toggle button to the left. Meaning, even on a faderport v2 single channel you can go directly to a channel with one hand using the arrows or scroll wheel and engage the record arm with one button press, literally just resting your hand in a stationary position and working the whole studio app with your fingers (not even moving your wrist). Faderport 16 however requires fishing for the channel you need which is a chore on those tiny scribble strips, using two arms, then going to the arm button on the side, then remembering which track you were going to arm (because the select buttons go blank when you push it), arm it, then click arm button again to get back to the select button option to know which track you are on in a sea of 16 faders. This is the most ridiculous implementation of track arming I have ever seen. Above the scoll wheel on the right handside there are buttons on top that could have been used for this purpose to arm an engaged track that are not even in use or functional (not even coded for features) - Choose shift Arm to arm all track, and then there is no way to Un Arm all the tracks you just did other than un-button press them all one by one, or use your mouse to shift click the tracks in studio one - no toggle for arming all/ disarming all. When scrolling around the mixer - the master fader moves - meaning the faderport 16 puts the master fader on any available mixer channel not used - as you add more faders - the master channel moves to the right - what is the purpose of that? - a master fader is always in one spot - even when using the faderport v2 the master fader is never mixed in with the scrolling through tracks - I can't tell you how many times I accidentally hit the master fader volume thinking it was another track as they are all mixed together on the faderport 16. This is a side effect of their cheap deployment not including a physical master fader (there is a button for master that turns the master fader on the blue scroll wheel which is notched in steps and not smooth). Regardless of the master button option, the master fader should never be on a fader unless you want it there, and surely should never move around. The plug edit function would be a great feature if the scribble strips weren't of such a horribly bad resolution. the tiny text contrast, and fonts shown there force you to hunch over the unit and search around for what is what for the connected parameter. To even view those scribble strips you need this mixer propped in an angle. Its beyond cumbersome, and defeats the whole purpose of having nice plug in displays on a Large HD screen. These scribble strips are TINY. And I mean TINY. This once again, slows down the entire process of searching for what fader and button does what instead of just getting the work done with a click of the mouse, or setting up a midi remote which would do the same thing. They budget deployed this unit with no pans for each channel (have to use a notched pan knob on the side that is clicked with values that skip in between integers - its the most clunky deployment you can imagine, and if only 1 knob was to be used for panning function, why make it notched and step clicked? There is a panning button option that turns the faders into pans, but at that point you lose connection to the VOLUME FADER for synchronous automation runs!!! Although Studio One Daw is extremely stable and probably the most feature rich DAW out there bar none (I have used them all - ProTools - Cubase - Nuendo - Ableton - Studio one all versions - Studio One blows them all out the water) - the faderport 16 will disconnect from the recording session when instantiating certain Plugins - meaning the physical mixer will disconnect from Studio one while say Omnisphere gets added to a track. Once back online, the mixer connects but is now bugged with Lights that are incorrect colors, buttons that should be lit, are not lit, and non responsive to fader views using the buttons to the right of the faders, you will also see the scribble strips glitch out with incorrect data. Only way to resolve this is go to external devices in studio one and force a reconnect command which fixes it. Next time you add the plugin, it will do it again. I have tested this on 4 different DAW's, and different build versions of Studio one 5 to the most current 11 19 2020,, and also re-firmwared my Faderport 16 unit multiple times. All show the same bugs on every different PC system - This behavior is also seen with Addictive Drums vst. Last thing you want during a creative session is wrestling with these technical corruption breaking your mood just so you can have a fader to touch - its SO not worth it. A true mixing environment is one that can be man handled with very little eye requirements. knowing your hand is on an eq knob, or a fader or a pan knob, you name it, using your ears. A physical hardware target that is always the same, and always works is why hardware mixing is so addictive. Faderport 16 is a constant fight for I need to do this here, and do that there, then this here, then that over there, then wait, if its shift on, that its here, then wait no, its over there, oh my its glitched, let me fix it, rinse repeat. I had very high hopes for this unit, in fact was beyond excited to integrate it, but if making music is your critical priority - this unit can derail you very quickly artistically. It can take a powerfully speedy workflow and derail it to mud. It is not the end all controller many had hoped for. I have learned it inside and out, backwards and forward, every single function shift option, hack trick, and feature (i'm a total tech nerd and always on the cutting edge of equipment) -for the price its an expensive hyped paperweight that can be spent better on plugin instruments or real musical instruments or midi tools to get the job done. I have reported these issues to Presonus, and they have provided no resolutions for it, I do hope at some point, this item gets fleshed out before they simply discontinue it like they have done with other products, and move on to the next invention. As much as I like them, Presonus does have a history of this type of product evolution. My personal professional advise, get a faderport v2 if using Studio One, its all you need if you are recording and mixing in the box and want to get REAL work done, not battle with this process just to have a cool toy in front of you (it does look sexy). I like gadgets just like the next guy - however this one is going back.
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Reviewed in the United States on November 19, 2020 by RA