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Osee G7 7 Inch Ultra-Bright 3000 Nits DSLR Camera Field HDR Monitor 1920×1200 Full HD 3G SDI 4K HDMI in&Out Including Arm Trestle Dtap Cable Power Adaptor V Mount Battery Plate Sunshade and Hard Case

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Arrives Thursday, May 23
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Features

  • Ultra Bright Screen with Excellent Image QualityWith the super 3000 nits brightness, you may not even need a sun hood when shooting under strong daylight. Plus the 19201200 full HD resolution, 1200:1 contrast ratio and 16.77 million colors, G7 can present a sharp and accurate image from your camera. All G7 monitors are calibrated before shipping and have full manual calibration controls built in software for user adjustment.
  • Accurate Video Assisting ToolsWaveform, false color, focus assist, histogram, auto rotate, anamorphic etc. G7 has a full set of image assisting tools to help you nailing framing, exposure, focus and audio. It also has built-in SDR and HDR LUTs for realtime LUT preview when shooting LOG, you can add your favorite custom LUT via SD card as well.
  • Great Portability and Sturdiness7 inch is a great solution for satisfying the need for portability and detail viewing. G7s body weighs only 438g, reducing the overall burden for your camera setup. Meanwhile, with a built-in aluminum sheet and metal screw holes, its also steady and robust enough for varied on set environments.
  • Pro Kit with Accessories and A Hard CaseG7 has both Sony NP-F battery slot and DC in port, with the AC to DC power adaptor, v-mount battery plate and D-tap to lockable pole DC cable, you can power G7 through small/large capacity battery and AC power. The kit also includes a screw articulating arm wrestle, a sun hood and a pelican hard case that can protect the monitor and all accessories very well.
  • Convenient and Clean OperationG7s scene style UI allows user building up to 8 scenes containing different tools for various monitoring situation, after presetting these scenes, pretty much all you need to do on set is switching scenes. G7 uses one single joystick to navigate through menus, so you will have a clean screen, no need to constantly wipe fingerprints anymore.

Description

Trouble Shooting: Q: Why are the SDI/HDMI ports not working? A: Make sure you have selected the right input/output type in MONITOR SETTINGS MENU. Scroll the joystick left for 3 seconds to enter monitor settings menu and then choose “INPUT/OUTPUT” and select SDI or HDMI for your input/output signal. Also make sure you are using the right signal format that this monitor supports, check support signal formats in the Specifications section below. (PS: G7 does not do cross conversion, the input and output have to be the same type of ports). Q: The monitor can't recognize my SD card? A: We suggest you use the SD Card that is 16G (or under 16G) and formatted to FAT32. Q: I can’t find some functions like Anamorphic, Volume Control etc？ A: The functions you can’t find are probably in Monitor Settings Menu, scroll the joystick left for 3 seconds, and the menu will appear. Q: Why is False Color disabled when LUT is activated? A: It’s a default setting when one of them is on, another one will be off. To ensure an accurate exposure of your original footage, we believe it’s best to let the exposure tools only analyze the original signal without LUTs. Q: When I am zooming, the Peaking is disabled? A: When you do x2 or x4 Zooming, the Peaking’s intensity will be reduced to a certain threshold value accordingly. Use Focus Assist to help if you feel needed. Specifications of Osee G7 Panel Size 7 inch Brightness 3000 nits Resolution 1920X1200 Contrast Ratio 1200:1 Color 16.77 Million Inputs 1x3G-SDI; 1×4k-HDMI(1.4a); SD Card Outputs 1x 3G-SDI; 1x 4k-HDM(1.4a)I; 3.5mm Stereo Headphone Support Format SDI In & Out: 2KP60/59.94/50, 1080P60/59.94/50/30/29.97/25/24/23.98, 1080i60/59.94/50, 1080SF30/29.97/25/24/23.98, 1035I60/59.94; HDMI In & Out: 4KP30/29.97/25/24/23.98, 2160P30/29.97/25/24/23.98, 1080P60/59.94/50/30/29.97/25/24/23.98, 1080i60/59.94/50, 720P60/59.94/50,480P60, 576P50 Input Voltage & Consumption Battery 6-8.4V/DC IN 11-17V; 16.2W Dimensions & Weight 192.0mm×116.3mm×24.7mm; 450g(Bare Monitor) Mounting Points 1/4’’ Thread Points (Top&Bottom) Anamorphic De- squeeze 1x, 1.33x, 1.5x, 1.66x, 1.8x, 2x, 2xMAG Zoom & Screen Rotate 2x, 4x Zoom and Pan; Auto/Manual Image Tools Aspect/Safe/Center/Crosshatch/False Color/Zebra/Histogram/Waveform/Vector/Focus Assist/Peaking/Luts/Audio Meter/Image Re-size/Level Package 1×Monitor, 1×Screw Articulating Arm Trestle, 1×D-tap to Lockable Pole DC Cable, 1×AC-DC Power Adaptor, 1×V mount Battery Plate, 1×Sun Hood, 1×Carrying Case Fan Adjustable rotate speed Osee T5 Osee T7 Osee G7 Megamon 15 Screen Size 5.5 inch IPS 7 inch IPS 7 inch IPS 15.4 inch IPS Signal Inputs/Outputs 4K - HDMI In 4K - HDMI In&Out 3G SDI In&Out; 4K - HDMI In&Out 2x 3G-SDI In&Out; HDMI In Brightness 450 nits 3000 nits 3000 nits 800 Resolution 1920×1080 1920×1200 1920×1200 1920×1200 Contrast Ratio 1000:1 1200:1 1200:1 1450:1 Weight 164g 438g 450g 3.7kg Package 1×Monitor, 1×Tilt Arm, 1×Sun Hood, 1×HDMI-A Cable, 1×HDMI-Micro Cable, 1×HDMI-mini Cable 1×Monitor, 1×Ball Head, 1×D-tap to Lockable Pole DC Cable, 1×AC-DC Power Adaptor 1×Monitor, 1×Screw Articulating Arm Trestle, 1×D-tap to Lockable Pole DC Cable, 1×AC-DC Power Adaptor, 1×V mount Battery Plate, 1×Sun Hood, 1×Carrying Case 1x Monitor, 1x V or AB-mount battery plate, 1x C-stand adapter, 1x softhooded carrying case, 1x table stand feet, 1x Cheese Plate, power cord Calibration Calman with Calibrite Colorchecker Display Pro/Plus Calman with Calibrite Colorchecker Display Pro/Plus Calman with Calibrite Colorchecker Display Pro/Plus Calman(osee calibrator will be released later) with Calibrite Colorchecker Display Pro/Plus


Product Dimensions: 7.56 x 1.65 x 4.57 inches


Item Weight: 6.01 pounds


Item model number: G7 Kit


Date First Available: January 15, 2021


Manufacturer: osee


Country of Origin: China


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If you place your order now, the estimated arrival date for this product is: Thursday, May 23

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

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Top Amazon Reviews

    • Well balanced, high-speed field monitor with a great look
Review Image by Eric Guideng
Review Image by Eric Guideng
Review Image by Eric Guideng
Review Image by Eric Guideng
Review Image by Eric Guideng
Review Image by Eric Guideng
Review Image by Eric Guideng
Review Image by Eric Guideng
Review Image by Eric Guideng
Review Image by Eric Guideng
The media could not be loaded. UPDATE: I used the G7 to "wash" an HDMI line running into a switcher. The switcher wouldn't recognize the HDMI cable, so I ran the cable into the Osee G7 first, then used the G7 HDMI output to run it back into the ATEM swiitcher. Boom. It worked. Usualy, I use the Atomos Shogun 7" to "wash" HDMI signals, but I'm glad to see Osee G7 can do this as well. I’ve already invested in and have done hundreds of hours of production field use on my trusty Shogun 7” which is arguably The standard swiss-army-knife of all on-camera, external, general-purpose monitors. At the upper echelon, SmallHD monitors dominate as it is what is available thanks to their tight integration with Teradek (same company), availability among rental houses, and familiarity of it with freelance DP/AC’s. All this gives me an idea of how to macro-evaluate the Osee G7 besides evaluating it as a stand alone product. I love the Shogun 7”. It just solves so many problems and it adapts to what is needed. The screen is great even in the brightest of days, the menu system is a joy to navigate, and it just works. Whenever I have trouble with HDMI or SDI connections with any other product, I take out my Shogun as it often connects when others fail. This tells me Shogun engineers actually proactively looked at connection issues and spent extra silicone and/or firmware engineering hours to address them. These are a pretty solid baseline to compare and contrast with the Osee G7. So there I am perfectly happy using my Shogun on in-house productions and SmallHD when I freelance for bigger productions. I also own a couple big Osee monitors for use as Director’s monitor or as client review monitors in video village. These are my monitors of choice professionally where I spend a lot of time as a Digitech for high-caliber still photoshoots. It’s literally my job to take the image tethered to me from the camera and present it to the client or VIP for approval. The workday can be a total train wreck -- camera issues, bad weather, terrible talent, etc, etc -- but if I can get the thumbs up and image approval from the client, then the universe is a-ok. The production lives another day, get's paid another day. So yes, I know perfectly well how crucial it is to have a good and reliable monitor for the sake of production financial health. At the end of the day, what I really want is not so much just a good monitor but a monitor that’ll help me get the thumbs up from the client. Now to the G7. I’ve been eyeballing the G7 as the Shogun wasn’t always the ideal tool. It’s comparatively heavy. When you are shouldering or flying a rig, it feels like the weight doubles every minute you are hand holding it. So every gram that can be shaved off is indeed welcomed. Also the Shogun chews through batteries like no other. It’s basically a computer packed into a tiny frame. It’s not inaccurate to call the Shogun a laptop squeezed into a fat envelope. I love how it can compute anything I can throw at it, but the electricity it uses and the heat it spits out is glutinous. The weight and frequency of battery swaps is often more than what’s needed. Many times, I can make do WITHOUT all it’s capable of and just need a good, bright, solid monitor image. As a pro though, it’s hard to step down on standards when you’re used to a certain standard. So far, the Osee G7 has filled in well in this regard. I want-want-want the big bright 7” viewing space. That’s about as big as it can get before becoming impractical for handheld use. It’s 3000nits which is actually more than needed. High-end monitors like Red’s Touch Monitor and SmallHD’s high end offerings could easily match nits but they know it’s more then needed. HOWEVER, I absolutely like gear that has headroom. I like to use gear at 50% of capacity. Batteries last longer, and the electronics which would be rated for higher capacity can work at a less stressful level which is good to have when working in stressful environments like really hot weather. Make no mistake, like the Shogun and any other monitor, the Osee G7 gets hot. It’s nice that it is over-engineered at a higher capacity so I don’t have to drive it at full throttle at its upper limits. Its power source is rated 36 watts but the G7 operates in the “<18w” range and I find it’s default brightness (5 out of 10) is fine, especially with the hood installed. At 5 out of 10, it’s using 11.1 watts. At full brightness of 10 out of 10, it pulls 21.2 watts. At full brightness, it’ll also create more heat. Like I said, it gets hot just like any other monitor, high end or not. Physics is physics, there’s no way around it with current technology. The fan speed can be adjusted by setting the temp it should kick in. That's new. So if I’m in a hurry and need to just go go go, I can slap on the monitor and max out the brightness. Ideally though, take 10 seconds and throw on the hood, set the monitor to half brightness, and not stress just the battery supply but it also mitigates (maybe?) the overheating issues. It’s also nice that the G7 has a built in accelerometer. This is the same thing on your phone that tells it which way is up or down and flips your screen accordingly. On the Shogun, currently and arguably the most advanced monitor out there, whenever I needed to flip the image, I had to dig into the menus and do so manually. So it’s nice that G7 just knows which way is up or down. I want-want-want the dense DPI. I want to be able to pixel peep it like I do my iPhone where I can hold it in front of my nose and not be able to see individual pixels. I will pay extra for this. The included hood is nice, but the rubber loop it uses to mount is questionable for long term commercial use, I give it a year or two, if not a few months, before the rubber loop breaks. I'd like to see another version where the rubber is user replacable with common expendable blank rubber bands, then just keep extra rubber bands on hand. I want-want-want ARRI locating pins. These are extra pins that keep the monitor from inadvertently spinning on it’s mount. This is often not needed, but when you need it, you really need it. In filming action scenes that require the camera to be handheld in a run-n-gun fashion, nothing is more annoying than a monitor that gets spun left or right on it’s screw mount. This is because on a regular screw mount, there’s only one point of connection, the screw itself. So it can inadvertently be spun with enough inadvertent force. With the ARRI locating pin, two more pins, hence two more points of contact, are used to mount the monitor. Like a tripod, this is much more firm and solves the spin issue. This option is often only found on higher-end monitors. A work around is to put the monitor in a cage, but that’s just adding more weight. A room for improvement although a bit nit-picky is the mounting arm included with the Osee G7. It’s cute, i’ll use it in a pinch, but I’d like to see Osee commit to using only locating-pin-style accessories. This would indeed be a commitment to excellence. I want-want-want an on-the-fly interface. I want to be able to jump into the menu system and navigate quickly using only muscle memory. The stick control panel is cool. I’m growing to like it. It (me) was an awkward mess at first since I’m used to the touch screen on the Atomos, but surprisingly it’s intuitive. I can see myself becoming fast at this and doing what I need to do with but a mere few flicks and clicks. It’s comparable to the stick system found on professional DSLR cameras. Whenever I pick up any other DSLR cameras without a stick control, it’s like a slap in the face indicator that it is a consumer camera which immediately makes me want to wash my hands. This is a personal feeling but I have a feeling others may feel the same. I actually prefer a tactile, clicky interface instead of a touchscreen. That’s why professional DSLR cameras can be used with hot sweaty fingers or cold, gloved fingers. Try doing the same on a touchscreen. Also, the Osee G7 menu is all programmable at the first level. No need to dig into the menus. You can literally program the functions you want at the top level. That’s how fast the stick system can be, a double flick or so in the blink of an eye can activate a function. Cool. I want-want-want a versatile power system. The Osee G7 by default is powered by standard Sony NPF battery. Osee also includes a vmount adapter to screw on top of the NPF mount so that vmount batteries could be used. Vmount batteries are preferred in Asia and Europe so I prefer them as there’s a larger ecosystem for it. However, in the US, goldmount batteries are just as prevalent and can’t be ignored. An improvement would be to also include a goldmount adapter and not just a vmount adapter. That would indeed be a commitment to excellence, at least to the US market. I like and expect the Dtap to locking barrel pin. Not just that, but they’re both right angle. Though unneeded, it’s a nice nod to us pros working in the field. Also, another nitpick that really doesn’t affect the performance of the G7 but would be nice, it’s a right angle barrel pin for the power supply. It’s done for the dtap battery cable, why not the main power cable? That’s a low hanging fruit that’s actually not necessary, but it’s one of those things pros see that would give a positive nod towards, reputation wise. Crew pros are weird like that. There’s no pass through power out from the monitor to power other preperhials. Then again, I’m ok with that function not being included and shaving the cost, because it’s not really a function that I find I use much at all in my rig. I want-want-want a fly pack. I have shelves of Pelican-type hard cases of “rental kits”. I like my gear organized, accounted for, and with “everything having a place and a place for everything.” When it’s time to go, I like a nice sturdy case to just grab and go. I want it so an assistant, who has never seen this thing before, can open it up and intuitively figure out how to rig it up. Then at the end of the day, it can be packed and with a quick glance, can be inventoried. It’s nice that Osee packed this into a “rental kit” package. I’m sure there’s lots more to talk about, but I think this will do for now. I covered mainly the functionality that I really wanted. All else is just nice to have to me. The G7 can actually do alot more, but me personally, I’d rather those functionalities be pushed up the work chain like to the DIT. The G7, unlike the T7, has SDI and is meant for a professional workflow. SDI is much more robust and can take connect-disconnect-repeat-again-and-again. HDMI on the other hand, it was not originally engineered for repetitive plugging and unplugging. HDMI is engineered to be plugged in and stay plugged in. In that sense, it’s actually more technologically advanced than SDI at a mass consumer level. However, unless you don’t mind replacing your HDMI port every 2-3 years, *cough* or even sooner if you have Blackmagic ATEM switches *cough*, then investing in SDI must be given thought. That’s if this is what you do dayin, dayout. If you only use your gear once in a while, that’s probably not enough to wear it out. If you're serious about going pro and doing this on a daily basis however, invest in gear that’ll do what you need it to do. Osee is new to the US market. I know first hand that a serious investment in setting up a local US support infrastructure is being committed to. I dig that. I remember jumping from Canon Pro Services to Sony Pro services. Sony was big in Asia/Europe but didn’t have the same level of support in the US. Until they committed to doing so and launched their Sony Pro Services. That wasn’t even that long ago. Osee is in the same boat. Before I invested in Osee, I’ve heard of export issues hindering transport of Osee parts and supplies at the border. That was my biggest concern when I first invested in my Osee monitors. I’m happy to report that I haven’t myself experienced those issues after having used Osee monitors for over two years now. Knock on wood. I have found that the online community of Osee users, though small, is active and vibrant with Osee staff quick to chime in whenever needed. I like that I have been able to give direct recommendations for improvement and air concerns directly to Osee, and I love seeing how other owners apply their monitors into their everyday gigs. ... show more
Reviewed in the United States 🇺🇸 on October 23, 2022 by Eric Guideng
    • Very close to greatness!! Could benefit from a couple minor firmware updates.
I bought two of these... the Osee G7 and T7 (they appear to be identical other than the T7 not having an SDI input/output). Due to the pricepoint, I thought I'd try it out as an onboard camera monitor (which I use to pull critical focus with). I'm an owner of several SmallHD similar sized monitors and wasn't quite ready to spend $2-3k for their 7" Hi-Bright monitor... especially since I needed two of them. I figured if the Osee didn't meet my expectations, I could just use as a handheld director's monitor. The Osee turned out quite nice though, and I think will be an AMAZING monitor with just a couple simple firmware updates. I was impressed with the brightness and overall picture quality. It is surprisingly good, and comparable to the SmallHD monitors. Its outer casing is made of plastic rather than the aluminum of the SmallHD, but it still feels well-built and looks "professional" on set. There are tons of included LUTs that seem usable, and I'm anxious to add my custom LUTs too. Resolution looks good and colors are surprisingly accurate. It is bright as advertised, and is indeed visible outdoors. Much much better than the standard 400-nit monitors which are almost unusable on a sunny day. I LOVE that this monitor has "peaking" (which is similar to image sharpening) as a focus assist instead of just the digital "focus assist" (which is a false-color-outlining). The "focus assist" feature has always been difficult and inaccurate for me to use for critical focus scenarios (shapes tend to glow when they're not completely in focus, so it can be hard to gauge). One reason I've always preferred the SmallHD monitors over others such as Atamos, is that they have the "peaking" feature in addition to "focus assist". VERY happy to find that Osee has PEAKING!!! The Osee peaking does need to be a little stronger though... at max level 10, it's only about half as intense as the SmallHD peaking. Boosting this in a firmware upgrade would make this a fantastic focus-pulling monitor. PROs: - Pricepoint is great. - PEAKING is such a great tool for focus! (just needs to be stronger on this monitor) - Image and colors are nice - Brightness is viewable outdoors - Build quality looks and feels great - Waveform is a nice feature (but doesn't take the LUT into account which makes it difficult to use) - Customizable frame guides (great for social media shoots like 1:1 or 5:4, etc) - Takes Sony NP-F batteries, which are MUCH more useful than the tiny Canon LP-E6 batts. - Anamorphic stretch for use with anamorphic lenses! (this feature was a pleasant surprise). It's missing the common 1.8x anamorphic stretch (it has 1.33, 1.5, 1.66, and 2x though). Could be easily added in a firmware update though. - User-uploadable LUT support (I haven't tried this out yet, but very glad it's a feature) CONs: - Needs stronger peaking (this would be a great firmware update). The peaking feature is fantastic, but not quite strong enough at its max setting to really nail critical focus. Stronger peaking would make this monitor MUCH more usable. - No cross-conversion on the SDI model (HDMI to SDI or vice-versa). Totally understandable at this price point though. - Anamorphic stretch is great, but it's missing the common 1.8x stretch factor. - Waveform feature reflects the Log image (not the LUT image when a LUT is applied). This makes it much more difficult to use since the levels are 'squashed' into the middle tonal range. This will hopefully be fixed in a firmware upgrade. All in all, I'd totally recommend this monitor. Time will tell if it lasts (I'll update this review if I discover long-term issues), but after a couple shoots, it seems well-built and I think this company has a promising future if they can keep the prices down while making such a usable monitor. Would LOVE to see them make a 3000-nit 5" version of this too!! To the people at Osee, please consider updating these issues in a firmware update: - Add stronger "peaking" so this can be used as a focus-pulling monitor - Make the Waveform react to LUTs when they are applied to the image - Add 1.8x anamorphic squeeze ... show more
Reviewed in the United States 🇺🇸 on June 18, 2021 by indianajohn
    • Best Value for all the features
I’ve been using the OSEE T7 monitor but wanted a monitor with SDI capabilities and this monitor checked the box in both price and features. Coming in at 3000 nits in a tropical island, this monitor holds its own during the brightest parts of my day. The 7 inch screen coming from a 5 inch monitor previously is so good, I can’t find myself going smaller. You really can lock in focus with peaking, exposure with histograms, false color, and other tools, with customizable screens to fit your workflow. The plastic build feels durable and makes it light, which I do appreciate often carrying heavy rigs. When it comes to power the Sony NP batteries last a few hours depending on the wattage you use. Over the OSEE T7 monitor, the G7 comes in a hard shell case, with a magic arm, vmount attachment for more power, sun hood, ptap, and power cords… all at this already affordable price. Monitors exceeding this price come with less output so it feels definitely like the best deal! Worth the buy for serious filmmakers on a budget. I would buy this monitor over and over again. ... show more
Reviewed in the United States 🇺🇸 on August 17, 2022 by BM
    • Very nice screen and excellent lighting, it's perfect
Review Image by awad aldhaheri
HD screen, use with Red Komodo camera and Canon 70-200 lens. Its specifications are great and the screen size is very nice.
Reviewed in the United States 🇺🇸 on October 23, 2022 by awad aldhaheri
    • I love it, however...
This is hands down the best 7" High Bright monitor available for under $500. It does have one bug that drives me crazy. When you set the peaking for focus pulling it defaults back to no peaking when zooming in to check critical focus. There is no use to using the zoom function if it is not going to keep the peaking setting. The image in 2X is just too soft. The 4X is useless. ... show more
Reviewed in the United States 🇺🇸 on July 13, 2022 by W F R
    • Great bright monitor!
Review Image by Caleb
I love my See G7! It is very bright and color accurate. For the price, it is a great monitor.
Reviewed in the United States 🇺🇸 on September 7, 2022 by Caleb

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