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Black Sabbath Format: Audio CD

Heaven and Hell

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Availability: Only 9 left in stock, order soon!
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Format: MP3 Music, April 15, 1980


Description

HEAVEN AND HELL: 2CD DELUXE EDITION adds several bonus tracks that have never been released in North America, including versions of “Children Of The Sea” and “Die Young” recorded live in 1980 in Hartford, CT. The set concludes with live rarities like “E5150” and “Neon Knights” that originally appeared in 2007 on the Rhino Handmade’s limited edition collection, Black Sabbath: Live At Hammersmith Odeon.


Product Dimensions ‏ : ‎ 4.92 x 5.67 x 0.63 inches; 4.37 Ounces


Manufacturer ‏ : ‎ Rhino/Warner Records


Original Release Date ‏ : ‎ 2021


Date First Available ‏ : ‎ January 13, 2021


Label ‏ : ‎ Rhino/Warner Records


Country of Origin ‏ : ‎ USA


Number of discs ‏ : ‎ 2


Best Sellers Rank: #1,934 in CDs & Vinyl (See Top 100 in CDs & Vinyl) #851 in Rock (CDs & Vinyl)


#851 in Rock (CDs & Vinyl):


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Top Amazon Reviews

    • THIS REVIEW IS FOR THE HEAVEN AND HELL RHINO 2021 2 CD DELUXE EDITION...............
well what can i say??? THIS WAS/IS still my favorite black sabbath album of all time!!!!!, i remember when we where young in 1979/very early 1980 not being able to imagine WHO/HOW ozzy was going to be replaced in sabbath, it seemed like sabbath was over, then by late 79 the news broke that black sabbath had recruited former RAINBOW vocalist RONNIE JAMES DIO to replace ozzy, it did not make sense at first as ozzy always had that rough voice and ronnie well??? c, mon just listen to those first 4 rainbow albums INCLUDING LIVE ON STAGE(1977) and all a lot of us kids could think was how is ronnie going to sing iron man, paranoid etc etc, anyway spring 1980 came and HEAVEN & HELL got big promotion and was available in the shops with a huge tour booked to start that summer, so i got a copy about 2/3 days after its release, got the lp home, threw it on the turntable and when the needle dropped and i heard the opening riff to track #1 NEON NIGHTS i could not belive my ears, as side one continued it all only got better from there and wow!!!!!!!!! i was quite young then but i suppose that is why this has been my favorite sabbath record since 1980 almost 41 years now and last i will say on that note is the title track HEAVEN & HELL was for my then young ears was as good if not better then anything sabbath had ever done w/ozzy, anyway that is my story as im old now, anyway this gets 5 stars for remastering as this 2021 deluxe edition is top notch on the remastering, as for the bonus disc all of the stuff on disc #2 is great stuff well remastered BUT it is not anything a sabbath die hard does not already have, i do love the lady evil mono version, i only wish the live heaven & hell version here was the full live version not the B side single edit to die young, regardless at the 11th hour i decided to spring for this package and even though there is nothing on here i dont have already i am very pleased i did, great quality packaging here, for hard rock & heavy metal there where quite a few classics released in 1980 and this disc sure is way up at the top of that list, i will just add on a personal note that i feel the 1983 classic BORN AGAIN should get an upgraded deluxe edition as that was a killer overlooked record unlike the dio albums and lets try not to forget all the tony martin albums from headless cross (1989) onwards, a lot of that stuff was great!!!! anyway i will admit way back in 80/81 & 82 the late great RJD just did not sound right singing the ozzy era stuff live, his voice was just to damn good for that!!!! ps there was a born again deluxe edition about 10 years ago w/ the bonus disc consisting of there set live at the reading festival in the uk in august 1983 but i have a killer bootleg of all the tracks from there working stage & they sound even better then on the boot then the finished product (esp zero the hero), just a thought for rhino records to talk to tony about........ ... show more
Reviewed in the United States on March 5, 2021 by Edward J. mccarthy Jr.
    • Amazing
This is Black Sabbath's best album of all time.
Reviewed in the United States on November 30, 2022 by Amazon Customer
    • Cream of the Crop Music for a Great Price, but the Compressed Remastering Disappoints Hugely
I would love to give this album, Heaven & Hell (H&H),a five star review. H&H still ranks quite highly on my lifelong Top 100 Rock Album list. However, this remastered audio CD recording deserves a 3 star review, tops. The complete Amazon package that I purchased deserves at least four stars because of its great vaiue: $3.99, with shipping included for Amazon Prime members, plus the AutoRip MP3 album available for instant download. I am, BTW, most thankful that the Sabbath-Ozzie break-up happened. Listen to this album, Iommi, Butler and Dio sound positively energized and inspired. Listen to Diary of a Madman and Blizzard of Ozz, but do be sure to take care to listen to the original first issue CD versions - not the ones retouched by Ozzy to remove certain musicians. Ozzy, Rhoads and Co. were also clearly on fire while recording these two Top 100 rock albums, during the same time period as H&H was recorded. The energy infused into H&H lifts everything up and it does sound less heavy and ominous than the older Sabbath-Ozzie albums. In the bargain, H&H rocks full tilt and really grabs the listener by the ear. I'll Keep Sabbath Bloody Sabbath, Paranoid and Volume 4 too, but I am thrilled to have this masterpiece in my collection. Dio does sing about princes, kings, demons, witches, and other "D&D" like things, but this bothers me not in the least. The Dio-Sabbath sound does, as another reviewer more eloquently expressed, get increasingly and progressively heavier going on to the Mob Rules and eventually the Dehumanizer albums. The songs on Heaven and Hell still make me want to get up and boogie, almost thirty years after I was initially blown away by this album. The AutoRip feature definitely does add good value for me. However, this doesn't change the fact that I do view and use music for portable listening, e.g. MP3s and music played by my iPod and to some extent my car stereo, quite differently than I use music recordings when I want to listen critically. When I want to really hear an album clearly and focus on it, particularly when feeling a CD out for the first time, I like to take the time to listen to it at home, while sitting as close to the "sweet spot" for my speakers as I can get. I do really wish that my original AAD CD audio recording of Heaven and Hell sounded less muddy and that I could hear RJ Dio's voice more clearly. I am saddened by a Recording Industry that continues to apply a near-standard recording practice that robs music of dynamism and clarity, while simultaneously evincing the chagrin to complain about losing audio CD buyer market share at an ever-increasing rate. Brickwalling causes listening fatigue for folks that listen to audio CDs, that have been recorded that way, at home - on decent 2.1 audio gear with decent drivers. When I say "decent drivers" I mean reasonable home speakers, e.g. even drivers as mundane as the Klipsch Reference series, or the Boston Acoustics or Definitive Technology home audio product lines. Brickwalling a recording does nothing for MP3/iPod/Android listeners that could not be achieved, much better, by employing a portable headphone amp. The practice of Brickwalling DOES succeed at making the Recording Industry look short-sighted, greedy and petty. Worse yet, it completely alienates the community of prospective, serious Audio CD purchasers. Higher bit-rate recordings, Super-Audio CD, DVD audio, Blue ray audio... those are all gimmicks to get us to buy albums again for more money. The real irony is that none of those gimmicks contribute even one eighth as much to the clarity, quality, dynamism, general sound quality and enjoyability of a recording as an attentive, neutral, natural sound engineering and recording effort does. This is true for both live and studio recordings. We are not talking about song-writing, or musicianship right now, just how the music is recorded, and mark my words, this is critical. Well recorded music is worth MORE MONEY to me and to most of the remaining audio CD buying audience. None of those gimmicks are required to achieve a great recording. If you don't believe me, then listen to the original AAD CD audio recordings of Aerosmith's Toys in the Attic, Talk by Yes, Iron Maiden's Piece of Mind and Crash & Burn by Pat Travers. Numerous more modern recordings have been properly engineered and recorded and these recordings sound great on a decent rig, reference Stealing Fire by Bruce Cockburn, Enema of the State by Blink 182 and Third Eye Blind's Blue. It is very possible to clean up a noisy recording and lower the noise floor, or theshold, without resorting to sound engineering practices like Brickwalling. I just hope the Recording Industry, which still has an interested audience of serious, critical CD listeners and buyers, catches on to this fact again, before the audio CD changes from Dinosaur to fossil. Better recordings bear more real value in the marketplace. Leverage that, but be fair and PLEASE quit with the gimmicks and the gouging. ... show more
Reviewed in the United States on July 15, 2013 by RDJMS

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