Handheld Sewing Machine, Quick Sewing Portable Sewing Machine, Mini Handheld Sewing Machine, Portable Sewing Machine Suitable for Home - White
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Availability:
In Stock.
Arrives
Saturday, May 17
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Features
- Purchase NotesCan use 4 xAA batteries or DC 6V power adapter (both are not included), But after repeated trials by the seller, the machine works 350 times per minute when using the battery. The faster the working frequency means the denser the sewing thread and the stronger the sewn clothes.Note: Because it is a monofilament sewing machine, you need to tie it yourself, otherwise the cord is easy to fall off.
- Wide Range of UsesSuitable for beginners and professionals, home and travel emergency use, can also be placed in the car for backup. Can be used to repair patches, sew clothes, aprons, baby bibs, pet clothes, plush toys, jeans, curtains, bed sheets, pillows, tablecloths, shopping bags, etc.Suitable for almost all fabrics with a thickness of 1.8mm. More importantly, you can sew without taking off your clothes!
- Wonderful detailsThe product is upgraded with new technology, increased power and reduced noise. It is simple to operate, versatile, lightweight and durable, and does not take up space for storage. It is more convenient and saves money and time than traditional desktop sewing machines. And equipped with a full set of the most complete sewing accessories and supplies, which can almost meet all your sewing needs.
- Practical Sewing ToolsThe handheld sewing machine is upgraded with new technology, and it is not easy to skip stitches. Convenient one-hand operation 21 x 7 x 5 cm. Beginners and professionals can easily meet their different sewing needs. The hand sewing machine is equipped with 4 thread set points and can be easily removed by simply sewing through the knob and adjustable mounting plate.
- Set IncludesThe sewing machine comes with an English manual, 8 x thread spools , 1 x scissors, 10 x safety pins, 1 x needle threader, 1 x sewing needles, 1 x extension spindle and 1 x measuring tape.There's one test cloth on it which is convinent for you to test it works.
Brand: TULIYET
Color: White
Product Dimensions: 1.97"D x 8.27"W x 2.76"H
UPC:
Product Dimensions: 1.97 x 8.27 x 2.76 inches
Item Weight: 10.5 ounces
Item model number: 1
Date First Available: May 24, 2024
Manufacturer: TULIYET
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Saturday, May 17
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Box came undamaged, the discs all work well. I’ve fully played the first and second disc without any issue. The video quality is amazing. One thing that isn’t bad persay but definitely odd is how wild the subtitles are. They rarely say the same words that the English dub does (I need English sub for dub because of my hearing). At times though, the subtitles are wildly aggressive and vulgar in comparison to what is being said. Still though, 5 stars
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Reviewed in the United States on June 3, 2024 by Owen
When I first moved to Las Vegas in 1986, I lucked out and got a two-week job as an extra in the Sylvester Stallone movie, Over the Top. The filming took place at the Las Vegas Hilton Hotel and dealt with the arm wrestling contest that Stallone's character enters so that he can win enough money to take care of his son. I was a member of the audience in the arena. Before Stallone would come onto the set to film a particular scene, the Assistant Director would rev the audience up by playing the theme to Rocky, "Gonna Fly Now." Of course, the audience didn't really need to be revved up for Stallone. I, and the hundreds of other people sitting in the stands, saw Stallone as his fictional character, and we would stand up and loudly cheek out of pure admiration. To us, Stallone was Rocky. Things haven't really changed much since that moment in time over twenty years ago. For me, Stallone is Rocky and will always be so. I still get a big, goofy grin on my face whenever I hear the theme to Rocky. So for me, Rocky Balboa was a dream come true. It was a chance to relieve the original "Rocky" movie and to reach a better understanding of the last thirty years of my life. More than that, however, it gave me hope for the future. Rocky Balboa is a true spark of life for all of us in my age bracket who are having trouble moving ahead. This is a movie about not giving up and being able to take the hits that come your way. It's certainly true for the character of Rocky as well as its creator, Sylvester Stallone and what he had to go through to get Rocky Balboa made. Let me just say this. The budget for Rocky Balboa was around twenty-four million dollars, which is extremely low for a movie in today's time. For a film to break even, it has to make at least three times what it cost, which also covers distribution and the percentage that the theaters get from the sell of each ticket. To date, the worldwide gross is right at $148,000,000.00. Stallone did what was originally thought to be impossible by many others--he gave new life to Rocky and made another hit movie! In Rocky Balboa, our lead character is now living in South Philadelphia and is struggling to recover from the lost of his wife, Adrian, who died of cancer. His only friend appears to be Paulie (played by Burt Young), who's still working at the meatpacking plant. Rocky and his son, Robert (played by Milo Ventimiglia), have grown apart and see very little of each other. Though Rocky owns and operates a small Italian restaurant called Adrian's, his heart isn't into it. He has little to look forward to and sees his life as nearly over. The only pleasure he gets is from visiting Adrian's grave. Everything begins to slowly change for Rocky when two important events take place. The first is when Rocky runs into Marie (played by Geraldine Hughes), a person from his past who gives him a reason to keep going forward with his life. The second thing that happens is when a sport's show does a virtual reality computer fight between him and the new world champion, Mason Dixon (played by Antonio Tarver), displaying that Rocky, though older, would win the bout without any problem. This creates in Rocky the desire to want to fight again, but only on a local level. Dixon's people view the computer fight and immediately see a way to make a great deal of money. After Rocky renews his fighting license, he's asked to do a celebrity fight against Mason Dixon in Las Vegas with part of the proceeds going to charity. Though hesitant at first to get back into the ring with a heavyweight champion, Rocky finally agrees to do so with Marie's encouragement. Robert, however, is totally against his father fighting again. He's lived in his father's shadow for years and this will only make matters worse. Rocky explains to his son that this is something he has to do in order to feel alive again. He also tells Robert that he has to stop blaming others for his problems and to learn to deal with life by not giving up when things gets tough. Of course, all of this leads to the preparation for the big fight and then to the fight itself. I still get goose bumps when Rocky runs up the steps to the Philadelphia Art Museum with "Gonna Fly Now" playing in the background. What Sylvester Stallone was able to do with Rocky Balboa is to return to the roots of the original movie in the series and tap into its heart and soul. You see it in the streets of Philadelphia, the poignant music of Bill Conti, Rocky's old home and Mickey's gym from the first movie, the shadows and dark overtones of the film, the return of Burt Young as Paulie and Tony Burton as Duke, and the haunting presence of Adrian (played by the lovely Talia Shire) throughout the film. Stallone put his own heart and soul into the making of this movie, fighting an up-hill battle against the studios who thought his career was over and never giving up, knowing that this film was a reflection of his own life and struggles. Rocky Balboa is definitely the way the series needs to be ended. It's a direct mirror of what can be good in a person's life if he's willing to put forth the effort. I don't know about other people, but when I saw this movie in the theater last December and then again of DVD last night, it brought tears to my eyes, but in a good way. This is the last Rocky movie. Stallone knew that he was finally saying goodbye to his most famous character and to an intricate part of his own life. As the final credits roll in the movie, dozens of everyday people are shown running up the famous steps of the Philadelphia Art Museum. Each year thousands of people run up these steps and throw their arms victoriously up into the air just like Rocky. That's how powerful the impact of this series has been on the mass public. I used to live outside of Philadelphia during my early teens. If I still lived there, you'd see me running up the steps, too. Well, maybe halfway up the steps. I'm not in as good of shape as I used to be. But, all is not lost for us "Rocky" fans. There will be a Director's Cut coming out before the end of the year. My guess is that it will be a Two Disc Special Director's Cut Edition, which will include the twenty minutes of deleted scenes that were originally cut from the film. That's something to look forward to. With regards to the DVD extras on Rocky Balboa, there's a fifteen-minute featurette on the making of the movie, another fifteen-minute featurette on doing the big fight scene at the finale, twenty minutes of deleted scenes with an alternate ending, bloopers, and a great film commentary by Stallone. This is definitely a movie that the fans of the "Rocky" series will love, and as the last words in the film say, "Yo, Adrian, we did it!"
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Reviewed in the United States on April 4, 2007 by Wayne C. Rogers
I'm not much of a hip-hop fan (I'm a hater, just hatin'), so I avoided watching Samurai Champloo despite the many recommendations for it that came my way. The few clips I had seen of the series had annoying (for me) background music and weird art, so that was that...or so I thought. Destiny arrived in the form of a bout of severe bronchitis that left me stranded in bed with nothing to do for a week and a half. Since I had exhausted all other options for entertainment by that point, I reluctantly decided to go for it with Samurai Champloo, which had to beat staring at the ceiling, right? Other fans of the series won't be all that surprised to hear that I was hooked from the very first episode I saw, notwithstanding the fact that the opening song made my eardrums bleed and still does. I really (really) do not like hip-hop, but I LOVED the way that it is incorporated into this series. Samurai Champloo would not be what it is without its musical and hip-hop influences, so I decided to suspend my judgments and go where it took me, which is a classic chanbara jidaigeki with all of the usual suspects - Fuu, the naive and feisty waitress with just enough street smarts to keep her alive (but not out of trouble); Jin, the ultimate traditional swordsman and warrior; Mugen, the wild-haired ronin from Ryukyu, with his exceptional natural talents and battle instincts; and the colorful side characters who float in and out of the episodes. At the time that Samurai Champloo was made, hip-hop was a battle cry for a new Japan, while nothing is more traditionally appealing than the jidaigeki (which in itself is a vehicle to criticize government abuses and corruption). To put the two together and tell these stories is truly inspired. "Tabi ni deru" or going on a journey is a classic Japanese cultural element that is central to why Samurai Champloo is structured the way that it is. The belief that you grow exponentially as a human being through travel is so fundamental to the way that Japanese experience life that many televisions specials are based upon sending a celebrity on a "Journey Of Discovery." I have actually seen a special in which a boy-band member travels to the absolute sticks in the Chinese countryside to learn how to make fried rice. This kid is from a famous studio that takes young people from their families and raises them to be stars, usually from a ridiculously early age. I am sure that having money, fame, and fortune is nice work if you can get it, but seeing him bloom like a flower under the caring eyes of his host family, who were as far from the glitz and glamour of his life and career as you could possibly get, was kind of...special (sorry). I found it touching to see how he experienced the poverty and emptiness of the countryside contrasted with the warmth and kindness of the Chinese family who took him in and not only taught him about making fried rice, but a lot more about the richness and value of human connections. Yes, he grew exponentially. Meanwhile, I, as a member of the audience, honked in a tissue whispering "it's...beautiful...", and I also gained some excellent tips on making fried rice! Win-win, my friends - food for the body and food for the soul. That's why we have these episodes in Samurai Champloo that seem to be connected by nothing, but there is a major life lesson in every single one. Oh, it's not heavy-handed by any means - blink, and you'll miss it. These human elements, done with a lot of delicacy, are what make Samurai Champloo so amazing. The music...is...incredible. I'm ranting, but traditional singing (Ryukyu-style - somewhat like sean nos) and shamisen have its moments here, along with Nujabes and Minmi's "Shiki no Uta" (lyrics that brought images of Japan to life behind my eyelids, so beautiful). The ending credits of the episodes are full of hints about Fuu, sepia-toned and nostalgic, which kept me guessing on her bizarre quest, which at first struck me in the same way as it strikes Mugen and Jin, Fuu's unwilling companions. She's searching for the Samurai that Smells of Sunflowers - whaaaat?? I've got sunflowers in my garden, and they don't smell like anything - which is kind of the point. Please just watch it if you've come this far - I'd have to write a book to explain the story without spouting spoilers left and right. You'll get what Fuu is looking for. And what Jin is looking for. And what Mugen, who is determinedly not looking for anything, finds, despite himself. There is so much going on in this series that I often return to watch it just one more time and go away thinking on what I saw. Don't let the sword fights and non-stop action fool you. Samurai Champloo is a brave piece of social commentary on persistent and deep-rooted beliefs that are part of traditional Japanese society and are often widely and uncritically accepted by people who ought to know better. Like what? Well, the status of women is a very big one, and so is xenophobia (Mugen is from Ryukyu, and I cannot tell you how many times that I have had people tell me in all seriousness that people from Ryukyu are not really Japanese, with the implication that they are ever so slightly inferior), and let's not forget the episode with the eating contest, and the "why" behind the story of the Samurai Who Smells of Sunflowers - you don't have to agree or disagree, by the way, it's just put out there for you to see and think about. I enjoyed all of the episodes, but the ones that especially stood out for me were the two Misguided Miscreants ones, which tell of Mugen's past; the two Elegy of Entrapment ones in which our friends meet Sara, the blind shamisen player; and the last three, called Evanescent Encounter, which end the series. Just wow. I'm sorry I wrote a book instead of a review, and thank you for reading it! I hope you will give Samurai Champloo a shot, and enjoy it as much as I did.
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Reviewed in the United States on July 3, 2012 by Mary Rice
Must watch
Reviewed in the United States on May 23, 2024 by Valerie Smith