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DigiTech

DigiTech RP500 Integrated-Effects Switching System

    • Based on 123 reviews
Condition: Used - Very Good
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Availability: Only 1 left in stock, order soon!
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Arrives Thursday, Jun 6
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Features

  • 20-Second Looper-Full time, play, loop, change tones then overdub
  • Effect switching system offers control over internal stompboxes and effects
  • Exclusive Pedalboard mode changes the RP500 into 5 individual stompboxes and effects
  • Amp/Cabinet Bypass defeats internal amp and cabinet effects in all presets
  • 40 Tone and 40 Effects Libraries 200 presets (100 factory, 100 user Over 125 effects including stompboxes, choruses, delays, amps and cabinets Up to 5 seconds of delay time

Description

From the Manufacturer Make the complex simple. Pros use large effect switching systems to connect and make it simple to control large assortments of stompboxes, effects and amps. They need control over effect’s on/off state as well as the ability to completely change the effects in their “pedalboard” at the touch of a single button. Stompbox feel. Pros like stompbox type metal switches due to their feel when pressed and simplicity of operation. On/Off, or program number is all they have time to worry about in a performance. The Simplicity of a Stompbox. The Control of an Effect Switching System. The RP500 takes the complexity of an effect switching system and combines it with the simplicity of stompboxes. Professional tones are at your disposal, all easy controlled. Concentrate on performing. VersatilityEvery guitar player is different from their core tone, how they achieve it, and how they control it on stage. Whether you get your tone from your amp and just need a few effects or get your tone from a single box the RP500 has the sounds and control over them that you need. Unlike multi-effects that take over your tone and limit your control, the RP500 is an effect switching system over internal stompboxes, effects, and amps. Control your tones in Preset or Pedalboard mode. The Preset mode allows you to switch between saved presets and can drastically differ from one to another. The Pedalboard mode allows you to turn on an off individual effects and stompboxes with ease within a preset.To top it off, the unique Amp/Cabinet Bypass mode defeats internal amplifiers and cabinets in the RP500 leaving you with just stompboxes and effects. Your RP500 is now the perfect collection of stompboxes and effects with unprecedented control to use with your distorted or clean amplifier. Augment and spice up your sound any way you’d like and retain the control you need with the RP500. EffectsWahs: DigiTech® Wah Cry Wah Based on a Dunlop® Cry Baby™ Wah Clyde Wah Based on a Vox® Clyde McCoy™ Wah Compressors: DigiTech® Compressor CS Compressor Based on an Boss® CS-2 Compressor/Sustainer Dyna Comp Based on an MXR® Dynacomp™ Noise Gate: DigiTech® Silencer™ Noise Gate DigiTech Auto Swell Gate EQ:3-band semi-parametric EQChorus Stompbox Models: DigiTech® Dual Chorus DigiTech Multi-Chorus DigiTech Glistening Chorus CE Chorus based on a Boss® CE-2 Chorus TC Chorus based on a TC Electronics® Chorus Flanger Models: DigiTech® Flanger DigiTech Triggered Flanger MX Flanger based on MXR® Flanger EH Flanger based on Electro Harmonix® Electric Mistress™ AD Flanger based on ADA™ Flanger Phaser Models DigiTech® Phaser MX Phaser based on MXR® Phase 100 EH Phaser based on Electro Harmonix® Small Stone™ Pitch Models: DigiTech® Whammy™ DigiTech® Pitch Shift DigiTech® Detune DigiTech® Harmony Pitch Octaver based on a Boss® OC-2 Octaver™ Vibrato / Rotary Models: DigiTech® Vibrato DigiTech® Rotary DigiTech® Vibro / Pan Unovibe based on a Unicord Uni-Vibe™ Tremolo Models: DigiTech® Tremolo DigiTech® Panner DigiTech ScatterTrem – Dual tremolo effect Opto Tremolo based on a Fender® Opto Tremolo™ Bias Tremolo based on a Vox® Bias Tremolo Envelope / Special Models: DigiTech® Auto Yah™ DigiTech® YaYa™ DigiTech® Synth Talk™ DigiTech® Step Filter DigiTech® Sample & Hold DOD FX25 based on DOD® FX25 Envelope Filter Delays: Digital Delay Analog Delay Pong Delay Modulated Delay Tape Delay Reverse Delay DM Analog Delay based on Boss® DM2 Analog Delay Echo Plex based on a Maestro EP-1 Tube Echoplex Reverbs: Lexicon® Ambience Lexicon® Hall Lexicon® Room Lexicon® Studio Spring based on a Fender® Twin Reverb™ EMT240 based on an EMT® 240 Plate Reverb DistortionsSCREAMER (Based on an Ibanez® TS-9)TS 808 (Based on an Ibanez TS-808 Tube Screamer)SPARKDRIVE (Based on a Voodoo® Lab Sparkle Drive®)OD OVERDRIVE (Based on a Guyatone® Overdrive OD-2)DOD 250 (Based on a DOD® 250 Overdrive/Preamp)RODENT (Based on a Pro Co RAT™)MX DISTORTION (Based on an MXR® Distortion +)DS (Based on a Boss® DS-1™ Distortion)GRUNGE (DigiTech® Grunge®)ZONE (Based on a Boss MT-2 Metal Zone®)DEATH METAL (DigiTech Death Metal™)GONKULATOR (Based on a DOD® Gonkulator Ring Modulator)8TAVIA (Based on a Roger Mayer Octavia™)FUZZLATOR (Based on a Demeter Fuzzulator)CLASSIC FUZZ (Based on a DOD Classic Fuzz)FUZZY FACE (Based on an Arbiter® Fuzz Face™)BIG PI (Based on an Electro-Harmonix® Big Muff Pi®)REDLINE (DigiTech® Redline Overdrive)Amps57 CHAMP Based on a '57 Fender® Tweed Champ® 57 DELUXE Based on a '57 Fender® Tweed Deluxe™ 59 BASSMAN Based on a '59 Fender® Tweed Bassman® 62 BROWN BASSMAN Based on a '62 Fender® Brownface Bassman® 65 TWIN REVERB Based on a '65 Fender® Blackface Twin Reverb® 65 REVERB (Based on a '65 Fender Blackface Deluxe Reverb® 65 JTM-45 (Based on a '65 Marshall® JTM-45 68 SUPER LEAD PLEXI Based on a '68 Marshall 100 Watt Super Lead (plexi) 68 JUMP PANEL Based on a '68 Marshall Jump Panel 77 MASTER VOLUME Based on a '77 Marshall Master Volume 83 JCM800 Based on an '83 Marshall JCM800 93 JCM900 Based on a '93 Marshall JCM900 01 JCM2000 Based on an '01 Marshall JCM2000 (Solo Channel) 62 AC15 Based on a '62 Vox® AC15 63 AC30 TOP BOOST Based on a '63 Vox AC30 Top Boost 69 HIGH WATTAGE Based on a '69 Hiwatt® Custom 100 DR103 81 MARK IIC Based on an '81 Mesa Boogie® Mark II C 01 DUAL RECTIFIED Based on an '01 Mesa Boogie Dual Rectifier MARK 4 Based on an '93 Mesa Boogie Mark IV TRIPLE RECTIFIED Based on an '01 Mesa Boogie Triple Rectifier 99 LEGACY VL-100 Based on a Carvin® Legacy VL-100 96 MATCH HC-30 Based on a '96 MatchlessTM HC30 88 SLO-100 Based on an '88 Soldano SLO-100 GA-40 Based on a Gibson® GA-40 5150 II Based on a Peavey® 5150® II JAZZ COMBO Based on a Roland® JC-120 SOLAR 100S Based on a Sunn® 100S HT-100 Based on a Randall® HT-100 OJ 120 Based on a Orange™ OR 120 SUPER G Based on a Laney™ Supergroup DIGITECH SOLO DigiTech® Solo DIGITECH METAL DigiTech Metal DIGITECH BRIGHT CLEAN DigiTech Bright Clean DIGITECH CHUNK DigiTech Chunk DIGITECH CLEAN TUBE DigiTech 2101 Clean Tube DIGITECH CRUNCH DigiTech Crunch DIGITECH BLUES DigiTech Blues DIGITECH FUZZ DigiTech Fuzz DIGITECH SPANK DigiTech Spank DIGITECH HIGH GAIN DigiTech High Gain DIGITECH MONSTER - Maxed out gain DIGITECH “TWEEDFACE” – Tweed preamp w/Blackface poweramp DIGITECH “BLACKBASS” – ’65 Blackface preamp w/ Bassman poweramp DIGITECH STONERROCK – Thick, sludgy distorted amp tone DIGITECH DARKMETAL – Responsive, tight metal tone DIGITECH TRANSISTOR – Solid state transistor amp sound DIGITECH BROWNSOUND – Hot rodded 80’s stack tone DIGITECH MOSH – Chunky metal tone with just the right amount of sizzle 2101 CLEAN TUBE DigiTech GSP2101TM Artist Clean Tube 2101 SATURATED TUBE DigiTech GSP2101 Artist Saturated Tube DIRECT No amp model DREADAUGHT ACOUSTIC JUMBO ACOUSTIC Cab ModelsCHAMP 1X8 Based on a 1x8 '57 Fender® Tweed Champ® DELUXE 1X12 Based on a 1x12 '57 Fender Tweed Deluxe® DELUXE REVERB 1X12 Based on a 1x12 '65 Fender Blackface Deluxe Reverb BRITISH 1X12 Based on a 1x12 '62 Vox® AC15 w/20W Vox Speaker BLONDE 2X12 Based on a 2x12 '57 Fender Blonde Bassman® TWIN 2X12 Based on a 2x12 '65 Fender Blackface Twin Reverb® BRITISH 2X12 Based on a 2x12 '63 Vox® AC0 Top Boost w/ Jensen® Blue Backs BASSMAN 4X10 Based on a 4x10 '59 Fender Tweed Bassman® BRITISH 4X12 Based on a 4x12 Marshall® 1969 Straight w/ Celestion® G12-T70 GREENBACK 4X12 Based on a 4x12 Marshall 1969 Slant w/ Celestion 25W Green backs FANE 4X12 Based on a 4x12 Hiwatt® Custom w/ Fane Speakers BOUTIQUE 4X12 Based on a 4x12 '96 VHT® Slant w/ Celestion Vintage 30’s VINTAGE 4X12 Based on a 4x12 Johnson® Straight w/ Celestion Vintage 30’s DIGITECH SOLO 4X12 4x12 DigiTech® Solo DIGITECH BRIGHT 2X12 2x12 DigiTech Bright DIGITECH METAL 4X12 4x12 DigiTech Metal DIGITECH ROCK 4X12 4x12 DigiTech Rock DIGITECH ALT 4X12 4x12 DigiTech Alt Rock DIGITECH VINTAGE 4X12 4x12 DigiTech Vintage DIGITECH CHUNK 4X12 4x12 DigiTech Chunk DIGITECH SPANK 4X12 4x12 DigiTech Spank DIGITECH SPEAKER COMP 4x12 DigiTech Speaker Compensation DIRECT No cabinet model SpecificationsGeneral Specifications Chassis: Durable cast metal construction Display: Large 8 character alpha-numeric and 2 character numeric LED display Controls Footswitches: 9 heavy duty vacuum-style switches control Bypass, Tap Tempo, Bank up/down, Program up/down, Tuner, program access and stompbox/effect on/off Expression pedal: Built-in A/D Converter: 24-bit high performance audio D/A Converter: 24-bit high performance audio Sampling Frequency: 44.1kHz throughout DSP Section: 1 Audio DNA2™ DSP Processor Preset Memory: 99 User / 99 Factory Presets Analog Input Connections Guitar input: Impedance: 1M Ohms Maximum Output signal: 8 dBu Analog Output ConnectionsLine outputs: Impedance: 1K Ohms unbalanced / 2K Ohms balanced Maximum Output level: 23 dBu Mixer Outputs: Impedance: 2k Ohms balanced Maximum Output Level: 23 dBu Headphone Outputs: Minimum Headphone Impedance: 50 Ohms Output Power: 250mW / channel Electronic SNR: ≥ 110dB USB: 2.0 compliant Audio streaming: 2 channels to computer, 2 channels from computer Sample rate: 44.1 kHz Size/Dimensions Unit Dimensions: 19.5” x 2.25” x 8.75” (W x H x D) Shipping Dimensions: 21” x 4” x 11” (W x H x D) (approximate) Shipping Weight: 8.0 lbs (approximate Windows Software Requirements Vista Home/Premium XP Home/Professional (SP2 installed, .NET 2.0 installed)Pentium®/Athlon™ 1.4GHz or later 512MB RAM (1GB RAM recommended) 180MB hard disk space for applicationDVD-ROM driveUSB PortInternet connection required for Cubase activation .NET 2.0 will be installed during installation of X-Edit software if required on XP systems Mac Software RequirementsOS 10.4.x or later PowerPC G4/G5 1GHz or later 512MB RAM (1GB RAM recommended) 180MB hard disk space for application DVD-ROM driveUSB PortInternet connection required for Cubase activation


Item Weight: 3.74 pounds


Product Dimensions: 24 x 11.9 x 4.75 inches


Item model number: RP500


Is Discontinued By Manufacturer: No


Date First Available: April 13, 2004


Color Name: Silver, Black


Hardware Interface: USB


Signal Format: Analog


Size: REGULAR


Voltage: 9


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Thursday, Jun 6

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • Excellent Product
This pedalboard is AMUSING, it has everything and more, I completly love it, it's portable, its tweak able to anything you want, the 24 bit AD/DA converters provide 16.777.216 samples at 44 khz wich means the signal reproduced by the processor it's exactly the same signal as the analog, to picture this better imagine a time line of 1 second then divide that time line in 1000 pieces, each little piece represents a millisecond, well this machine takes 16,7 millions samples of the analog signal in 2 milliseconds, there is no way possible not even for the most experienced person to find a difference between the sound produced by an analog pedal or this machine, so for those whom says "THEY DONT LIKE DIGITECH OR DIGITAL PEDALBOARDS BECAUSE THE SOUND ITS DIGITALIZED", well they are wrong, they need to accept the technology evolution, you can not compare in any way an old analog full of noise, wires, and poor sounding single array of stompboxes with this kind of technology, it's like comparing an old corvette from the 70s with a 2010 corvette. Also you can connect your SOUND MACHINE like I call it, to your computer and then upgrade it to the last fimware or download over 400 patches [...]or simply create via X-edit your own patch and download it to the pedalboard, very easy to use, it will takes you from 30 mins to 1 hour to be able to use it to the max capabilities, you can record direct to the pc because it's a high end sound card and you can use either the cubase LE 4 software provided with it or any other "studio like" software wich support ASIO drivers. So you got no limit on what you can do with this machine, I know you may say what about my suppa duppa tube 8500 us$ amp sound?... ok you can choose either going on stompbox/bypass mode and use the REAL sounding individual effects on each pedal meaning distortion/chorus/reverb/compressor etc, or simple improve and get a rich non boring sound with the presets/patch mode. The built-in expression pedal it's great you can also tweak the sensitivity to what ever you like, easy to create your own patch or set up any effect on the fly with the simple knobs. Several outputs for mixer/PAs/amps/loop connections capable/mp3 imputs/ noise gate,etc.. it comes otb with the fimware version 1.2 but you MUST upgrade to the 2.0 because they fixed several bugs and added a great and adictive 20 seconds Looper easy to use as well. The rp500 manual it's kinda simple but go ahead and download the rp1000 manual and read all the presets description and several other things wich are the same as the rp500 but explained deeply. The tuner it's very accurate, I compared the tune with any other recognized tuner like the Korg CA-30 Chromatic Tuner and it's the same, no flats or sharp notes. Some people say the distortions are not good yada yada... that's completly not true, if you don't like the presets you can always tweak any effect to what you desire... I could say the people whom say that, its just lazy people who wants everything done otb(out of the box) wich does not makes any sence for a musician. Overall this machine opened the pandora (of the guitar fx) box and puts in the hands of every young or experienced musician a very powerfull tool with limitless capabilities. I wish I could rate 10 stars.. if you buy this you are buying a world of godly sounding machine you won't ever regret and I bet you will replace all your old stuff with this only tool. Thanks for reading. ... show more
Reviewed in the United States on December 2, 2010 by Miguel O. Sedek L
    • Great value, great modeling, but a few small issues.
First and foremost, this unit makes really great tones. I own an old Line 6 unit and this, and this is every bit as good in terms of modeling (IMHO). Lots of amps to choose from, lots of cabinets to choose from, and even the pedals are modeled against commercially available units. The flexibility is fantastic, and it really does turn your amp into not much more than an amp - all of the tones come from the unit. The noise gate is really effective. I have a lot of line noise in my practice room, and single-coil guitars routinely buzz when used there - but this noise gate does a really good job at canceling that without harming the tones at all. Good tuner, that will show flat notes if you want to tune up or down. Easy to use, too, and it bypasses the output while its on so you tune silently. Very nice. It appears to be very rugged, too. Heavy case, etc. Caveat: I've only used it for a week, so it's not as if I've had it on the road for a tour or anything. Durability is really something that can only be measured with time, but first impressions are strong. So, why not a 5? Three reasons: Documentation stinks. 30 pages of detail, but it really doesn't tell you how to do basic things like "if you want to have two tones right next to each other, so that you can toggle between them during a song, here's what you have to do..." You can figure it out, with time and patience, and at some point the whole logic of the thing becomes clear and you really can dig deep. It's complicated only because it's so rich with choices, but the method of changing things is very consistent, very "learn-able," and ultimately quite easy... once you figure it out. Better documentation, including perhaps a few YouTube (or Amazon) videos would go far. The wah-pedal is a nuisance. If you really use it, it turns on and off whenever you step down on it. It's also a bit small. If a wah (or volume, or whammy - it can do all three) pedal is your prime reason for buying this, it might not be the best choice. For me, it's not a big deal. The main reason: No power switch. Unbelievably, there is no on/off switch for this unit. The most basic thing in the world, and they don't provide it. To turn it on, you plug it in... To turn it off, you unplug it. Completely impractical, and over time it will cause wear. So, use a power strip that has a power button. That's an easy solution, but it doesn't excuse DigiTech from their obligation. This unit is a value, and it puts out great sound. But even a value unit should have a power switch. If you are looking for an easy to use (once you learn it) system with a LOT of modeling capability, this is a great unit. ... show more
Reviewed in the United States on July 5, 2015 by RobMNJ2017

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