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BlacKkKlansman [Blu-ray]

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Format: Blu-ray November 6, 2018


Description

From visionary filmmaker Spike Lee comes the incredible true story of an American hero. In the early 1970s, Ron Stallworth (John David Washington) becomes the first African-American detective in the Colorado Springs Police Department. Determined to make a difference, he bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. He recruits a seasoned colleague, Flip Zimmerman (Adam Driver), into the undercover investigation. Together, they team up to take down the extremist organization aiming to garner mainstream appeal. Produced by the team behind the Academy Award®-winning Get Out, BlacKkKlansman offers an unflinching, true-life examination of race relations in 1970s America that is just as relevant in today's tumultuous world. Bonus Content: Includes a digital copy of BlacKkKlansman (Subject to expiration. Go tofor details.)A Spike Lee JointBlacKkKlansman Extended Trailer Featuring Prince's "Mary Don't You Weep"

Genre: Art House & International, Comedy, Drama


Format: Blu-ray, Digital copy, NTSC, Subtitled


Contributor: Adam Driver, Corey Hawkins, Jason Blum, John David Washington, Jordan Peele, Raymond Mansfield, Sean McKittrick, Shaun Redick, Spike Lee, Topher Grace See more


Language: English


Runtime: 2 hours and 15 minutes


Aspect Ratio ‏ : ‎ 2.401


MPAA rating ‏ : ‎ R (Restricted)


Product Dimensions ‏ : ‎ 0.5 x 5.4 x 6.7 inches; 2.96 ounces


Item model number ‏ : ‎ BR62198632


Director ‏ : ‎ Spike Lee


Media Format ‏ : ‎ Blu-ray, Digital copy, NTSC, Subtitled


Run time ‏ : ‎ 2 hours and 15 minutes


Release date ‏ : ‎ November 6, 2018


Actors ‏ : ‎ Adam Driver, Corey Hawkins, John David Washington, Topher Grace


Subtitles: ‏ ‎ French, Spanish


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Top Amazon Reviews

    • Loved this movie! Weird end though and optional bonus rant.
Fresh off of watching it and I really love this movie. First off, straight to the point of why I like this movie the most. The characters. I really like the characters because to me, they're more than just their role in the story or what they represent. They're likable characters I could see being in their own series like this movie. The writer did an excellent job with the humor because there were many times I was rolling from some of the scenes. Some people complain about the pacing, but I was invested the whole time personally. I agree it's a bit slower than normal, but I knew the premise before going in and they were doing cool things before getting into the juicier cuts of story. The progression of the story made sense to me, despite the pace, and it was always interesting, which is why I never got bored. In fact, I was always anticipating what was happening next, often gripping my pillow at times. I also liked the juxtaposition between both supremacy movements throughout the movie, visually, auditory, and otherwise. I particularly find the initiation of Flip with the other robed Klansmen before they watch Birth of A Nation with one of Jesse Washington's friends talking about the horrific injustice and brutal treatment that claimed Jesse Washington that day to be the most poignant. I also like David Duke's lines being interwoven with the scene before the C4 goes off to be pretty cool. However, this is why I find the ending a bit weird, because of the false equivalency Spike Lee makes between then and today. It didn't completely obliterate my viewing experience like it did for some people, but it definitely did have me like but "Why?". I know it's a thing Spike Lee does, you know with the whole incorporating real world footage often times to show that the message he's showing in one of his "joints" has a broader historic scope and that "history repeats itself", but idk I just find comparing the struggles of the people in the movie to those of today to be really overgeneralizing how much things have changed and are not the same nowadays. This is where you start to see Lee's bias and ofc the jab at Trump makes everything go into unsavory territory. Believe what you want, but don't try to make a false equivalency between Trump and those white racists in the movie. He's not explicitly saying that, but he's heavily implying it. That can misguide people who don't know what's going on enough to make an informed decision about how they feel. I'm not so mad despite how I sound, but it's just the taste in my mouth would've been more pleasant leaving this film. At the end of the day, Spike Lee's been doing this too long to change what he does in that sense. Gotta take it or leave it, and clearly some people left it XD I still rate it 5 stars cuz I can't rate it 4.5 P.S. (OPTIONAL READ)There were some weird details that seem off to me in the movie like Ron not sticking to doing Flip's more laid-back voice after the guy (I think his name is Walter) called him out on it the first time. To be fair, he was only really talking with David Duke in that voice from then on out, but with the way some of the promotional posters look, I actually thought Ron himself was gonna don a Klan robe and interact with him, which makes that poster(s) kinda misleading. I thought the voice consistency detail would've mattered in that scenario but it never was a thing later. Also, the guy that aids Felix with the C4. He just stands out like such a sore thumb with his NY wiseguy accent and his more tan looking complexion and his curly hair. I know that whites in general in the Klan movement don't make it such a big deal to discriminate on looks in the sense of not looking like a blue eyed, blonde haired individual with super Anglo-Saxon features. It helps your cause, but it's not a must (i.e. Mengele and even Hitler himself). Like, as long your ideology aligns and you look the part and you're not obviously a part of any ethnic grouping they don't like, it's fine. But with how much Felix was riding Flip's ass throughout the course of the movie, you would've thought that guy would've been met with more suspicion than none. Maybe he proved himself like Flip? It's still weird though. You have to wonder if Spike Lee did it for any reason like visual dissonance. Maybe it's just me being unnecessarily descriptive and adamant about this one detail. And I'd be ok with that. I don't know, that's just a weird thing that stuck out to me like a sore thumb. Phew, rant officially over. ... show more
Reviewed in the United States on June 10, 2019 by Natalie Anantua
    • A Terrific and Important Film Everyone Should See
Do The Right Thing! and Malcolm X established Spike Lee as a unique (and angry) voice in Hollywood in the 90's, but that voice has been growing quieter and more restrained over the decades. But not anymore: his extraordinary talent is in full form here, as is his passionate message, which has never been more disturbingly relevant. When I was younger, I would see films such as Schindler's List, Amistad, or even Mississippi Burning and be emotionally torn apart, but there was always a certain naive ability to go to sleep with the belief that "things aren't like that anymore." Frankly, that was never true: the events of Hotel Rwanda were taking place at the height of the attention Schindler's List was getting and the same world leaders who demanded we see Spielberg's masterpiece were turning a blind eye to third world atrocities. But with BlackkKlansman, Lee has made a searing and powerful film that smacks you in the face with just how scary things are right now, in our own backyard, and our leaders are a big part of the problem. The choice to release the film on the first anniversary of Charlottesville is no accident, but it's no crass gimmick. It's a much needed wake up call. As a leading man, John David Washington has both the advantage and handicap of reminding one so much of his legendary father (and frequent Spike Lee collaborator) Denzel Washington. The fact that he doesn't have quite as commanding a presence is no slight against him, because frankly no one does. But the younger Washington proves to a serious talent deserving of his own accolades, and promises a bright future, a rising Michael Douglas to Denzel's Kirk. Ironically, given some of his vociferousness in the past, the most promising Oscar contender performances come from white actors, specifically Drive and Grace. A great supporting characters is made to make a huge impression, and both of these men absolutely nail their performances, with Grace finally finding the vehicle to allow him to put Spider-Man 3 in the past. This is a great film the truest sense of the term, and while the cast, script and the excellent cinematography by Chayse Irvin all deserve major kudos, it's a director's picture all the way. Lee tones done some of his most frenzied tendencies, but his signature shots are still there, and they've never worked better (what we like to call the "Segway shot" is expertly employed to make Ron and his girlfriend look like blacksploitation heroes as they brandish guns walking down a hallway.). This film is a labor of love, albiet an angry one, and it comes from a true artist at his most inspired level. While the element of Driver's character Judaism is an invention of the film, and not part of the true story, it's more than a strong dramatic choice. It's essential one in order to fully convey the message of the film's ending, and it shows a growth and maturity from Lee in wanting to make sure that aspect of the klan's insidious agenda is given as much attention as their hatred on black people. This is a movie everyone should see, and even watch with their kids. ... show more
Reviewed in the United States on January 21, 2019 by Patrick
    • Uncomfortably brilliant! Near perfect screenwriting! Standing ovation!
A mussst see film.. Words cannot express this more! If you don't see any film this year but 1, this is the 1. If I could give it 10 stars I would. Best Spike Lee film yet! Very unlike others he has done. Definitely worthy of it's nomination and Denzel's son is fantastic in this. He's an adorable, nerdy version of Denzel but dispite Denzel's sex appeal as an adult I definitely picture Denzel being alot like his son is (stubborn, smart, but super nerdy...late bloomer). I can't wait to see more from the main character in future films. He is NOT in the shadow of his father he is definitely unique as an actor and extremely funny. This film will make you cry laughing, get uncomfortable being white myself from NC, that we once and still carry stigmas of racism almost without noticing that were doing this. Growing up in NC and having family from Virginia, I definitely related to the pure ignorance and hate people can display in a so called "Christian" community. I've heard the whispers all my life always including a " I'm not racist or anything.." or "well, I have a black friend/neighbor.." excuse for their racially bias tounge 'n cheek grocery line comments or comments on "must have been a black guy" when a crime is committed. We still have a lot of work to do with equality, even today. It goes for ALL races as well towards eachother. And let's be honest, in American there, especially the south, it is extremely rare anyone is purely a 'white' race. I am white as snow w/ blonde hair, light blue eyes, but my father is a Mulligan (Native American, Black, Purto Rican, European) mix so there you go. Great film to put in the light some issues that still need some work that has been put on the shelf for a time now. I love how uncomfortably racist this film is because sometimes candy coating the truth just doesn't cut it. This film lays it's all out, crystal clear, and will get your attention. And no, this isn't just because it's Spike Lee, this is uncomfortable because it is full disclosure, TRUTH. It's going to make you uncomfortable that you are laughing at white people calling people the 'N' word and other slurs, but don't worry this is the point. Sometimes, when other methods fail, it's that universal humor that can heal the worst of situation or bring to light how truely ridiculous something really is. ... show more
Reviewed in the United States on February 18, 2019 by Sunny B
    • Pretty good movie
Good movie started to get boring by the middle of the movie but I loved the end of the movie. I love the way real events were brought to light and given exposure. I loved the message of this movie.
Reviewed in the United States on March 27, 2025 by Lauren
    • Watch with caution
Crazy movie but worth the watch if you care about injustices in the world
Reviewed in the United States on August 13, 2026 by Amazon Customer
    • Brain hurts post-work? No worries, its fun! + artful, & easier than Holiday singing Strange Fruit
Im shocked the genre "tragic comedy" doesnt appear. *No spoilers* Like all great theatre, it uses laughs to tell the divine story of our cultural evolution. I felt a little unnerved by all that at first. It looked a little too cool, too trite; spending more time laughing at Duke than showing the story of the postcards... or did it. And then I realized... oh, its unnervingly palatable blacksploitation as life. Brilliant. Still challenging to see so much of the movie NOT be about the -seriousness- of the matter (even though the title is as ridiculous as the real premise, let alone, the situation that positioned it all). But then the end reels come into play-- and forget about it! The floodgates opened. This movie reminded me that one can actually enjoy a 2+hr fun romp of triumph over adversity, with just 3min to emote what needs to come out at the end. Then, looking back, you realize how exquisite that bridge of storytelling, between Comedia and documentation really can be. Suppose I should have acknowledged the "suspended bridge" strolling discussion as more literally metaphorical than on first watch. This is, by far, my favorite Spike Lee to date. His bookends, juxtapositions, and angles would be appreciated by any film student as much as by the casual observer. But one scene, in particular, stands out: Dumbbunz turns back to face Ron in the lunch hall to give him a what-for... And all he can muster is primal, squirmy noises of deeply muddied agitation. He cant find words, not just in his pee brain, but because there is no sound logic, eugenics or otherwise, to support all that gross crazy. His humane face decorporates like decomposing rubber bands. And while Ive seen that before... (the bully turns around and then has nothing to say) ...the timing here, the angle, the pause in attention for that moment is divine. He captures the power pawing rapture of the hopelessly lost and deluded too poignantly. Don't worry if you're tired and your brain hurts after work, its an easy watch with plenty to think about afterward. Easier to ingest than experiencing Holiday sing, Strange Fruit. Bravo, on finding such a groovy medium to open up the senses to what is really not discussed enough outside of "slavery and then we fought the war". Bravo, Spike Lee! ... show more
Reviewed in the United States on October 20, 2019 by G
    • True story and powerful toward the end.
Quick Story Recap: Colorado Springs rookie cop, the first and only black cop on the force infiltrates the KKK. This is based on a true story. Acting, was pretty great . John David Washington does a great job as the black cop, Adam Driver pulls more a quiet but solid performance, I was impressed that the casting team put actors that really played off each other well. Overall, its such a powerful movie. There is just a undertone of tension throughout the whole movie. And seeing confederate flags, KKK robes, and the use of the N-word, it's jarring - its like you are really watching these people because they do exist in real life just like this to this day in America. The fact that this story is true in the past as much as it is true today (which the movie addresses at the end PERFECTLY) makes this movie really hit home for me. It actually brought me to tears at the end just using real footage, at a moment I was expecting the movie to be in it's downward tension after the resolution. It really hit home, you can feel the pain. The story was good, I think it's put together well. and again, the way the movie crafts the movie aspect bridged into the real life footage together was a masterpiece. I'm glad I watched this movie. I hope everyone can watch this and America can come to grips with it's racist ways and end racism once and for all. ... show more
Reviewed in the United States on July 20, 2020 by penname
    • good movie after the first 30 minutes
I almost turned it off after the first 10 minutes. The movie starts out with Alec Baldwin doing a very racist rant followed by a black power speech which add nothing to the actual story. It was like Spike Lee's message to black people. After that it's actually a pretty good movie. Good storytelling and with good acting. You won't be disappointed from that point on. I personally didn't like that even though the story was about the klan vs a black student union, there was hardly any characters that weren't either for white power or black power. But this is a Spike Lee movie. It's too bad that Spike Lee has always been so focused on race throughout his career because he's actually a very good director. After the ending of the movie he shows footage of the Charlotteville march and of the guy who drove his car through a crowd as a political statement. After watching it, I felt like he was depicting white people as the enemy. Yeah, a very small percentage of us buy in to that bs but the great majority of us just want to live in harmony with our neighbors. ... show more
Reviewed in the United States on May 6, 2019 by Amazon Customer

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