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Behringer Ultracurve Pro DEQ2496 2-channel Equalizer and Mastering Processor

  • Based on 194 reviews
Condition: Used - Good
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Availability: Only 1 left in stock, order soon!
Fulfilled by Roftech

Arrives Jun 29 – Jul 15
Order within 12 hours and 50 minutes
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Features

  • Feedback Destroyer Mastering Process with 4 EQ Modules
  • 24-bit/96kHz Equalizer
  • Feedback Destroyer
  • Digital Delay
  • FFT Analyzer

Description

BEHRINGER ULTRACURVE PRO DEQ2496Ultra-High Precision 24-Bit/96 kHz Equalizer, Analyzer, Feedback Destroyer and Mastering ProcessorUltra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technologyAudiophile 24-bit/96 kHz A/D- and D/A converters offering 113 dB dynamic range4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)Ultra- high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalizationUnique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQsState-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applicationsMulti-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)64 user memories for complete setups and/or individual module configurationsSeparate mic/line input with phantom power for RTA and Auto-EQ applicationsBalanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updatesOpen architecture allowing future software updates via MIDI"Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy savingHigh-quality components and exceptionally rugged construction ensure long lifeConceived and designed by BEHRINGER GermanyThe DEQ2496 is a highprecision digital 24-bit/ 96 kHz EQ/RTA mastering processor, ideal for sophisticated live sound trouble-shooting or audiophile mastering. Whether you're putting the finishing touches on recorded material or creating an optimal live sound for a multi-way PA, the DEQ2496 is built to provide meticulous control.Equalization? Dynamics? Feedback correction? Yes, yes, yes. You can have it all with the DEQ2496. Automatic FFT analysis with Auto EQ? We added that too.The DEQ2496 is a whole rack of flexible equalization, dynamics and time correction functions designed to fix problems and generally optimize sound quality.ual 31-band Graphic Equalizers (stereo linkable)Dual 31-band Virtual Paragraphic Equalizers (stereo linkable)Dual 10-band Parametric EQ's per stereo sideDynamically-activated EQFeedback Destroyer with Learning ModeStereo ImagerCompressor/ExpanderLimiterDigital DelayRTA/SPL/FFT Analyzer with Auto EQ functionDual 31-band Graphic Equalizers, 31-band Virtual Paragraphic Equalizers and 10-band ParametricNaturally the DEQ2496 has phase-neutral digital graphic EQ...but in addition we've added a function that allows you to change the bandwidth of each frequency from standard 1/3 to as much as 59/3. Or, if you prefer the old-school approach to variable bandwidth, we've included 10-band parametrics that can be fine-tuned in increments down to 1/60 of an octave.Dynamically-activated EQDynamic EQ automatically raises or lowers a defined frequency range based on volume level. It's literally a combination of an equalizer (with frequency center and bandwidth controls) and a dynamics processor (with ATTACK, RELEASE, THRESHOLD and RATIO parameters). DEQ opens up a world of both creative mastering and PA problem solving possibilities. We've given you total control with multiple filter types including bandpass mode. And of course you can store DEQ settings for recall at any time manually or via MIDI. Feedback Destroyer with Learning Mode With the digital capabilities we've just listed, it's easy to see why we were able to include a highly- effective Feedback Destroyer (FBD) feature - it's essentially a dynamicallyactivated parametric EQ that "watches" the whole frequency spectrum in 1/60-octave bands and then instantly identifies and notches out feedback. FBD can be run in AUTO mode to compensate for movements of performers on stage, or in SNGLE mode that locks onto individual frequencies and then varies the amount of attenuation and bandwidth depending on feedback stimulus - more suited to fixed microphone installations. We also included a LEARN mode that generates short audio pulses, raises their gain until feedback occurs and then locks into potential trouble-causing band centers.Stereo Imager (WIDTH)While usually considered a mastering technique, the ability to widen the stereo image can be useful in live sound work, too. When you hear it in action, we think you and your audience will be impressed. The DEQ2496 WIDTH processor provides control over STEREOWIDTH (how clearly the two sides of the stereo image are separated from each other), ASYMMETRY (relative volume of left/right stereo signal), ROTATION (panning of stereo + mono in the stereo image), and a multipart SHUFFLE function than can generate an additional low-frequency Stereowidth effect.Compressor/Expander and LimiterThe DEQ2496 has a comprehensive set of dynamics processing tools that can be used as two independent channels or stereo linked. Everything you'd find on a dedicated compressor/ expander is here including variable rations from 1:1.1 to 1:100, ATTACK times from 0 to 200ms, 0-3dB variable knee and 20 to 4000ms RELEASE, all adjustable from a coarse/fine adjustment scale. The built-in separate LIMITER has Threshold, Hold and Release functions.Digital DelayYou can delay either the DEQ2496's Main or AUX outputs anywhere from 0 to 300ms and can process left and right channels independently. Not only can you specify time delay in feet or meters but simultaneously compensate for ambient temperature which affects sound speed!RTA/SPL/FFT Analyzer with Auto EQ functionThe DEQ2496 features an FFT real time analyzer for precise graphic display of 61 frequency bands. You can monitor main or digital inputs and outputs, AUX/ digital out or a feed from an RTA microphone and display the results in a multitude of ways including funky retro VU meters. You get all of the usual peak/hold, display rate and scale features you would expect from a professional measurement tool, plus our user-definable AEQ (Auto EQ function), which allows you to analyze and adjust your system's frequency response automatically (perfect for "roughing out" initial room adjustments). In Graphic EQ mode, you can choose between UNCORRECTED response, which shows the mutual influence of adjacent bands, or select TRUE response to apply a specially developed algorithm that displays the actual results of the equalizer setting.Easy to set up and useThe DEQ2496 has balanced inputs and servo balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/ PDIF inputs and XLR and optical output. Configuration is intuitive, with on-screen block diagram displays and you get a separate RTA mic/line input with phantom power, a professional wordclock input and MIDI connections for full remote control, as well as preset dumps and system updates. You can maintain up to 64 comprehensive user presets at a time and of course dump and load as needed. You can also save and recall individual modules such as DEQ, PEQ, WIDTH or DYN. These subsets of complete presets let you maintain most of a preset's settings but vary a few (such as graphic EQ) without having to generate a whole new preset.Built tough for the road, precise for the studioThe DEQ2496 features high-quality 24-bit/96 kHz A/D and D/A converters and two high-performance 32/40-bit floating-point digital signal processors for incredible sonic resolution and 113 dB dynamic range. The internal switch-mode power supply assures maximum flexibility (100-240V~), noise-free audio, superior transient response, lowest possible power consumption and freedom from power surge damage.Compare features. Compare prices. Own ULTRACURVEQuite frankly, we believe that the DEQ2496 is the best multi-function processor value in the pro audio industry. Why pay much more for a status name?


Item Weight: 8.8 pounds


Product Dimensions: 19 x 1.75 x 8.46 inches


Item model number: DEQ2496


Is Discontinued By Manufacturer: No


Date First Available: October 2, 2001


Color Name: Silver & Black


Connector Type: Optical


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Jun 29 – Jul 15

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • A Must Have For Your PA Rack.
What a real good peice of gear to have in your PA rack forthe price. I paid more for ack in 2017. For the most part guitarist, bassist, drummers, keys and vocalist have a sound we like. Getting that sound to sound good in every room is the goal. IMO it takes more than the a GOOD ear, standard EQ tweaks, a PA and the right overheads subs. Bands/musicians tend to over EQ there sound unintentionally and frequencies xlash and cancel each other out. The sound guy compensates with his mix, its like multiplying and dividing instead of adding and subtracting. Some rooms are bigger, some smaller, some have a stage, higher ceilings, some with sheet rock or acoustic tiling, theres wood panel walls or standard sheet rock. Though experience sound guys can get a decent sound not every band has a sound guy handy. Most bands these days manage there own sound. This is were the Ultracurve comes in. Dont be fooled by the low price. I thought I was pretty good at mixing my bands sound until I installed the DEQ2496 in my PA to help speed things up as well. When I mixed my first few rooms with it, I got that smile you get when you know it sounds real good. Thats all I expect now at every gig and so does everyone else. Get a good measuring mic! The Ultracurves Auto Eq analyzer use white noise frequencys to eq the room flat which is what you want to start with. The band brings there sound up and you tweak it from there if need be. The auto eq analyzer is one part, there's the compressor, expander limiter, parametric EQ, feedback destroyer, stereo imaging, dynamic compressor, time correction solutions everything you need to master your end sound. There is a learning curve but nothing that good is ever that simple at first. There's YouTube demo videos to help you, so watch, read and follow instructions and be patient. Practice a few setups in your home or studio. Once you learn how to use your DEQ2496 save those gig settings for the next time or use the settings for similar rooms. It's all worth it IMO if your serious about your bands sound. The DEQ2496 will give you an edge and get club owners to notice that you sound better than the other bands. Good Luck... ... show more
Reviewed in the United States on June 11, 2022 by DB

  • Good Value and Sonic Performance
I purchased the DEQ2496 to compliment other rack processors and am enjoying the rich and numerous processing options it provides across a broad spectrum of sampling rates. The RTA (Real-time Analyzer) function is unique for optimizing the unit's frequency response to compensate for my Rockit active monitors interaction with room acoustics. This is accomplished in the same manner as how most new surround sound receivers now perform this task. I have the unit connected in series with the mixing console (DAW-based) using the digital AES/EBU interface and also outputting to a Behringer SX 3040 Sonic Exciter. Another exciting feature is the 31-band equalizer function which provides remarkable granular control useful for fine tuning output response. A full compliment of digital and analogue metering options are on tap except a display for assessing the stereo or multi-track phase and soundstage live which is notably absent. Instead a static map to display the width and depth variables is provided. The AD/DA performance is surprisingly good. Overall the signal-chain events are similar to high-end plug-ins such as Izotopes' Ozone 5 but the system lacks any on-board presets which I feel would add desirable functionality. Programming the unit for specific scenarios can take considerable time when compared to a plug-in equivalent or when compared to other types of rack processors that provide presets as a standard feature. (except for the RTA function which is very quick). The control and programming logic however is straight forward so the unit does its job pretty well. I will confess that some of the parameter functions' audible results are not readily apparent and that I am still working through some of the intricacies involved in programming the signal chain to produce desired results. The manual is verbose in nature offering an explanation of functionality but limited mixing tips and tricks content so prepare for some schooling. For the price it is proving to be a worthy tool for general mixing/mastering duties. Labor is not included. ... show more
Reviewed in the United States on September 19, 2012 by String Theory

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