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Availability:
Only 3 left in stock, order soon!
Arrives
Friday, Nov 6
At a glance
- Condition
- New
- Dimensions
- 12 x 0.2 x 12 in; 6.4 oz
- Run time
- 42 minutes
- Label
- Legacy Recordings
Description
The materials used to create picture discs and color vinyl are not the same as traditional vinyl. Picture discs will have an inherent surface noise in playback. This is a novelty item and not intended for a listening experience.
Specs 7
| Product Dimensions | 12 x 0.2 x 12 inches; 6.4 ounces |
|---|---|
| Manufacturer | Legacy Recordings |
| Item model number | 28941703 |
| Original Release Date | 2008 |
| Run time | 42 minutes |
| Label | Legacy Recordings |
| Number of discs | 1 |
No specs match.
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Friday, Nov 6
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View our full returns policy here.
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![Wonderland [180g LP]](https://m.media-amazon.com/images/I/A1+KMNXIHcS._AC_US500_.jpg)
Wonderland [180g LP]
$61.43
Top Amazon Reviews
MJ's Growth to Genius Level as a Songwriter, Singer, Arranger, Performer Obvious and Undeniable
Fans of J5, The Jacksons, and the first solo album OFF THE WALL, received a record-shattering thrill that exceeded expectations with MJ's second solo album. Responsible for proving beyond any lingering doubt MJ's dominance in the pop world, the album also served to pierce longstanding institutional radio and television segregation of Black American music artists and resulted in a fairer, more competitive marketplace for fellow artists such as Prince and Rick James. Wanna Be Startin Somethin is an explosive fast-paced disc opener unleashing a frenetic, kinetic dance groove. Beats aside, the perceptive lyrics by MJ reveal awareness of the dubious nature of the people around him. He jabs the listener with assurances that he is nobody's fool and can cut through manipulative excuses like nobody's business. Baby Be Mine is a sweet mid-tempo R&B love song by Rod Temperton with delightful backing vocals. The Girl is Mine is pure bland cornball outdone in lameness only by the Paul McCartney-authored Girlfriend from OFF THE WALL. But MJ liked The Girl Is Mine enough to write it and invite McCartney along to help him sing it, so listeners can either have to love it or skip it. Thriller is Rod Temperton's exploration of the darkness inside the self as well as the world around. Upsetting to religious groups who tend to forget about the most frightening nightmare ever put into words--The Book of Revelations--MJ's lead and multi-track backing vocals blend seamlessly, interrupted only by Vincent Price's gimmicky rap. Written by MJ, Beat It reveals MJ's effort to appeal beyond the urban audience to capture lovers of lead guitar riffs by Eddie Van Halen, plus his appeal to pacifism over violence, plus his increased songwriting skills that showcase the ability to tell stories through lyrical expression. Massive radio and video airplay caused further seismic shifts in the pop world. An excellent follower to Beat It, Billie Jean is another MJ composition whose demo (included in this package) proves that even at this early stage in his career, MJ's songwriting and ability to arrange instrumentation were solid. Another fascinating story inside MJ's world, dominated by a destructive out-of-control groupie who causes legal and media mayhem with her lies and wishful thinking. Sexy, complex, excellent, instantly-recognizable with the first few notes. Human Nature is a song written by members of the soft rock group, Toto. The lyrics describe wonderment at city lights and nightlife and an acceptance of a man's place in that world. Absolutely beautiful synth arrangements around MJ's soft lead and strong backing vocals. P.Y.T. (Pretty Young Thing) was silly upon release and remains silly today. Fortunately not written by MJ, but instead contributed by James Ingram and Quincy Jones. MJ's own Carousel (demo included in this package) likely should have taken its place, but at this early point in his career, he probably had to go along to get along with Jones. Backing vocals by Ingram and Howard Hewitt (of Shalimar). Janet and LaToya on the na na nas. The Lady in My Life is a gorgeous, lush, sexy adult assurance of lasting love well-written by ever-reliable Rod Temperton. This fortunate rescue from P.Y.T. closes the album on a high note. BONUS TRACKS: The Billie Jean and Carousel home demos are a revelation of young MJ's intelligence, talent, and musicianship plus the high level of his contributions to THRILLER, not as a product of Jones, but as a full participant in the creative process. Carousel, in particular, sounds delightful. Also includes interviews of Jones.
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Reviewed in the United States on March 11, 2015 by Lee McQueen
Its ok
Typical Thriller. The demos are ok. Good album for collectors.
Reviewed in the United States on August 15, 2026 by Amir the great
AWESOME MUSIC
Love Love this CD and all of Michael's music. CD came fast and not damaged.
Reviewed in the United States on August 14, 2026 by Hall
Best Record of All Time
It truly is the best record I've ever heard!
Reviewed in the United States on August 9, 2026 by Tracey Smith
Amazing
To be honest, I bought just to listen to carousel and some other less known songs I love. It looks amazing and sound even better!!!
Reviewed in the United States on July 4, 2026 by Urasha
Good songs,, nice sound
Beat it… BEAT IT.. “IT WAS A THRILLER…. Thriller Night..😄👍
Reviewed in the United States on September 17, 2026 by 1873Henry
I love this version of the album!
I am very happy with this two-disc set! The first disc, of course, you get the classic Thriller album, most likely remastered. The second disc is the reason I purchased this version… you get demos and a few songs that never made the Final Cut of Thriller, including Starlight, which was the original version of the Thriller song… same beat, different lyrics. Carousel was one that I am shocked didn’t make the Final Cut, but it is great to have in the collection! 😃
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Reviewed in the United States on June 11, 2026 by Andre Higgins
"King of Pop" Too Late/Too Early
I remember being in a record shop when `Thriller' arrived in the stores. Vinyl was taken for granted back then when rumors of C.D.'s with disks and lasers from Japan were filtering into our remote imaginations. I was going to buy another album. I can't even remember which one. What I do remember was seeing a poster for 'Thriller' on my way out, and thinking for the first time, by whim or intuition, of seriously buying a Michael Jackson album for the first time. Something told me I was witnessing an event, an opportunity to capture an instant classic. Something big and momentous was being heralded on my way out the door. A short time later I was electrified to hear "Billie Jean" from the radio of a dorm stereo during my junior year of college. In one fell swoop, Michael Jackson not only proved that disco wasn't dead, he proved it didn't suck, either. It didn't take me long to assess the song as among the very best of the eighties. Actually, it turns out to be one of the best ever. Lingering throughout 1983, the songs from 'Thriller' could be heard from every stereo, every car radio, and significantly, from every TV set. MTV was at its zenith back then. It had debuted two years earlier redefining pop music as we know it. Putting in the craftsmanship, time, talent, (and, yes money) necessary, MJ redefined it again, elevating the stature of music videos from mediocre advertisements to full blown works of art. Variety is a key component of every masterpiece, and with the able hand of producer Quincy Jones, Jackson blended the best of every category. He also tapped into talents from Van Halen to rock out on "Beat It," an infectious song with some great advice that only seems suitable from Jackson's pen and discerning ability to sort out a conflicted conscience. Soul and pop were expertly laid down with the reverberating energy of "Wanna Be Startin' Somethin'" as well as the superbly sweet "P.Y.T. (Pretty Young Thing)" and "Human Nature". How can one forget the playful nuances, like the late Vincent Price's recitation in the middle-end of the title track? `Thriller' was a showcase for a remarkably multi-talented musician and performer. His video work, dance routines, singing, choreography, and songwriting were all hallmark. There were other masterworks, too, such as 'Off the Wall,' but 'Thriller' single-handedly earned him the title "King of Pop". Sadly, heavy wears the crown that such a king bore. It didn't surprise me that the entire summer of 2009 was devoted to him. Like Elvis (significantly, the king of rock) John Lennon, and Marvin Gaye before him, the King of Pop was taken away from us early--only to leave us to grieve once more for a sensational talent who brought us so much joy in such a short lifetime.
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Reviewed in the United States on November 9, 2009 by Rocky Raccoon