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Sigma 70-200mm f/2.8 APO EX DG HSM OS FLD Large Aperture Telephoto Zoom Lens for Nikon Digital DSLR Camera

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Availability: Only 1 left in stock, order soon!
Fulfilled by Neptune Photo Inc.

Arrives Sunday, Jun 2
Order within 22 hours and 39 minutes
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Style: Nikon Digital DSLR Camera


Features

  • 70-200mm focal length, Minimum Focusing Distance :140cm / 55.1inch, Maximum Magnification -1:8.FOCAL LENGTH SIMULATOR:The focal length changes the angle of view in an image. The longer the focal length, the smaller the angle of view and the greater the magnification
  • 105-300mm equivalent focal length on APS-C cameras, 112-320mm equivalent focal length on Canon APS-C cameras.SIGMA DC lenses cannot be used with digital cameras with an image sensor larger than APS-C size or 35mm SLR, and APS Film SLR cameras.
  • F2.8 constant maximum aperture; F22 minimum, Ring-type ultrasonic-type AF motor with full-time manual focusing
  • Image stabilization, 4 stops claimed. Dual mode, normal and panning, 77mm filters
  • Available in Canon EF, Nikon F (FX), Pentax KAF3, Sony Alpha, Sigma SA mounts. Dimensions (DxL) Approx. 3.4 x 7.8" (8.64 x 19.81 cm), Weight 3.15 lb (1.43 kg).

Description

SIGMA 70-200MM LENS NIKON F/2.8 LRG TELEPHOTO From the Manufacturer Large aperture telephoto zoom lens incorporating Sigma's original Optical Stabilizer functionThis large aperture telephoto zoom lens, incorporating Sigma's original Optical Stabilizer function, covers focal lengths from 70mm to 200mm and offers a constant aperture of F2.8 over the entire zoom range. The OS function offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. It makes shooting easy for many types of photography such as portraits and sports. Two FLD ("F" Low Dispersion) glass elements, which have performance equal to fluorite glass, and three SLD (Special Low Dispersion) glass elements provide excellent correction of color aberration. Super Multi-Layer Coating reduces flare and ghosting. The lens incorporates HSM (Hyper Sonic Motor), ensuring a quiet and high speed AF as well as full-time manual focus capability. It is also possible to attach Sigma's optional APO Tele Converters. No Optical Stabilizer (top). With Optical Stabilizer (bottom). Super Multi-Layer CoatingThe lens is equipped with Sigma's own unique OS (Optical Stabilizer) function. This system offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible, making telephoto shooting easy. Mode 1 is ideal for general photography and Mode 2 is designed for panning subjects such as racing cars. For Sony and Pentax mount, the built-in OS function of this lens can be used even if the camera body is equipped with an anti-shake function. As compensation for camera shake is visible in the view finder, the photographer can easily check for accurate focus and ensure there is no subject movement. For Pentax and Sony mounts, it is not possible to use the AF and the built-in OS function of this lens when attaching it to film SLR cameras as well as Pentax ist series and K100D. When using the OS function of a lens with a camera which incorporates a stabilizer unit, please turn the camera's stabilizer unit off. This lens cannot be used with film SLR cameras with the exception of the Nikon F6 and Canon EOS-1v.Compact constructionThis lens has a compact construction with a diameter of 3.4in, overall length of 7.8in. and weight of 50.4oz. This compact and lightweight construction makes it ideal for many types of photography such as portraits, landscapes and sports. No Super Multi-Layer Coating (left). With Super Multi-Layer Coating (right). Excellent Optical PerformanceThis lens features two FLD ("F" Low Dispersion) glass elements, which have the performance equal to fluorite glass, and three SLD (Special Low Dispersion) glass elements providing excellent correction of color aberration. The Super Multi-Layer Coating reduces flare and ghosting and ensures high contrast images. High image quality is assured throughout the entire zoom range. FLD glass is the highest level low dispersion glass available with extremely high light transmission. This optical glass has a performance equal to fluorite glass which has a low refractive index and low dispersion compared to current optical glass. It also benefits from high anomalous dispersion.These characteristics give excellent correction for residual chromatic aberration (secondary spectrum) which cannot be corrected by ordinary optical glass and ensures high definition and high contrast images. Hyper Sonic Motor High speed and quiet AFHSM indicates lenses equipped with a Hyper Sonic Motor, driven by ultrasonic waves. Incorporation of HSM (Hyper Sonic Motor) ensures quiet and high speed autofocus, while allowing full-time manual focus override. For Sony and Pentax mount, AF will not function with DSLR cameras that do not support HSM.Rounded diaphragmThis lens has a rounded 9 blade diaphragm which creates an attractive bokeh to the out of focus area.Lens ConstructionIn a conventional lens, focusing requires an extension of the entire lens or the front lens group. However, to better accommodate autofocusing mechanisms and closeup photography, a need has arisen for lenses that do not change their length during focusing or suffer from focus-dependent variation in aberration. Therefore, Sigma has developed focusing systems that only move elements within the lens barrel. These incorporate smaller and lighter moving lens elements which help improve auto- focus speed. With their unchanging barrel length and small variation in the center of gravity, these lenses also enhance balance and stability for the photographer. Furthermore, since the front of the lens does not rotate, polarizing filters can be used with extra convenience.Specifications Lens Construction 22 Elements in 17 Groups Angle of View 34.3 - 12.3 degrees Number of Diaphragm Blades 9 Blades (Rounded diaphragm) Minimum Aperture F22 Minimum Focusing Distance 140cm / 55.1in. Maximum Magnification 1:8 Dimensions Diameter 86.4mm x Length 197.6mm /3.4in. x 7.8in. Weight 1430g / 50.4oz. MTF ChartView Larger ImageMTF (Modular Transfer Function) is one of the measurements that evaluates a lens' performance, and it contrasts sensitivity at different spacial frequencies. The horizontal axis is in millimeters and shows the distance from the center of the image toward the edges, and contrast value (highest value is 1) is shown in the vertical axis.The readings at 10 lines per millimeter measure the lens' contrast ability (red lines), repeating fine parallel lines spaced at 30 lines per millimeter measure the lens' sharpness ability (green lines), when the aperture is wide open. Fine repeating line sets are created parallel to a diagonal line running from corner to corner of the frame, are called Sagittal lines (S) and sets of repeating lines vertical to these lines are drawn, called Meridional (M) line sets.DistortionView Larger Imageeffective distortion: When you take a picture of a lattice pattern, it will appear as the blue dotted line shows. the red line illustrates how the lattice pattern will appear in the actual picture when any lens distortion is taken into account.relative distortion: In this chart, the horizontal axis shows the ideal image height (the distance from the center to the edge of the image [mm]). The vertical axis shows the extent of distortion. The extent of the distortion is represented by how much Y, which is the actual image height, grows (or shrinks) against Y0 which is the ideal image height.Extent of distortion: D[%]=(Y-Y0/Y0)x100When you take the picture of a square object, if the distortion amount show a minus value, the image will be seen as expanded (Barrel distortion). If the distortion amount is a plus value, it will be seen as a recessed (pincushi on distortion). When the distortion value is close to 0, the appearance of distortion is very minimal.VignettingView Larger ImageThe horizontal axis shows the image height (the distance from the center to the edge of the image [mm]). The vertical axis shows the amount of light in the image (based on the amount of light in the image center being 100%). If the peripheral amount of light is lower than the center, the four corners of the image will be darker (vignetting).

Brand: Sigma


Focal Length Description: Telephoto


Lens Type: Telephoto


Compatible Mountings: Nikon F (FX)


Camera Lens Description: 200 month


Product Dimensions: 7.76 x 3.39 x 3.39 inches


Item Weight: 3.2 pounds


Item model number: 589306


Is Discontinued By Manufacturer: No


Date First Available: February 1, 2010


Manufacturer: Sigma Corporation of America


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Sunday, Jun 2

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews


  • Great zoom lens - wonderful for wedding photographers!
Style: Sony Digital DSLR Camera
This is truly a wonderful camera lens. The 70-200 zoom range is great - I use this primarily when shooting wedding ceremonies. It is also nice on vacation for getting shots of things a little further away, or photographing birds at home. A 400 zoom range would be better, but you lose some aperture abilities there, and I need to be able to shoot in low light. It was tough deciding between this and the longer length, but this ultimately won out because I needed the low light capabilities. Inside of a church, this works great (and outside, of course, it is outstanding). There are two oddities: the zoom is the reverse of every other zoom I own (or have owned). Isn't that odd? I ALWAYS have to think about which way to turn this to zoom - and sometimes that extra second can cause me to miss the shot. Also, if you take the lens hood off and attach it to the lens, you can no longer use the zoom - another oddity! If I ever do take it off, I end up wearing it on my arm like some odd piece of jewelry until I have a chance to get back to my camera bag and stash it. I find the focus is accurate and fast - which I can't say about my Sigma 35mm prime (I despise that thing and that lens almost made me not order this one). But this one has a great focus. It is a heavy lens, and your arms will feel it after an 8-10 hour wedding day, but it takes beautiful photos. I like this also during the reception because I can be further away and still get great shots. I highly recommend this! It is a reasonable price for a nice piece of glass that should last a very long time. ... show more
Reviewed in the United States on February 6, 2016 by Larry

  • Amazing Lens, Amazing Value
Style: Canon Digital DSLR Camera
My images are sharp, can I compare it to the Canon L glass? No. I have not shot anything with one. But I did some homework for a couple of months, reading online reviews, seeing sample images and finally decided to pull the trigger and get the Sigma. This is my second Sigma lens. I am shooting a APS-C sensor camera and my overall experience with Sigma is outstanding with this 70-200 being the absolute standout. No focusing issues. I am using it to shoot my daughters travel basketball team and wish I would have done it sooner. I've used it both indoors and out (early spring). I absolutely love this lens and am more than satisfied with the results. The fact that it comes with a hood (and APS-C hood adapter, that I have not used), tripod collar, and a carry case (not that I will use it much if at all) makes what you get from this lens dollar for dollar over the Canon makes it a steal for an amateur/hobbyist like me. Great sharp images, nice "blown out" backgrounds (bokeh), fast focus, excellent image stabilization with handheld shots. Focus ring and zoom ring work well and it has full time manual unlike the other Sigma EX lens I own (again, I still like that lens too, that's my only real gripe with the 17-50mm). Sure, it is not weather proof, but I have little need for a rain proof lens for my needs. Others may want to step up to the Canon L, but remember, no hood or tripod collar is included with the Canon (not sure why, really). Affordability did factor into my decision as well. Sure, based on what I read and saw, the EF 70-200mm f/2.8L IS II USM is better, but is it $1200+ better? For someone that wants better pictures, has a family, and a budget, I really don't think you can go wrong with this glass on any mount (Canon, Nikon, Pentax, Sony, or Sigma). ... show more
Reviewed in the United States on March 25, 2012 by SithTracy

  • Amazing lens, too heavy for me
Style: Canon Digital DSLR Camera
I loved this lens, but I had to return it. Why 5 stars? Well, it's everything I hoped it to be. Incredible sharpness, fast aperture, and $1000 less than the Canon for a [reportedly] very slight decrease in quality. Why did I return it? Two reasons, it's too bulky to travel/have fun with, and I don't need f/2.8. On the first point, I'm well built @ 175lbs 6', and 28 years old. Strong enough to lug around 3.5 pounds. But for my style of photography - hanging out with friends, photographing family, fly-on-the-wall type stuff - it was just too damn big. Every time I pulled it out, I felt like Christoph Waltz in Inglorious Basterds, casually and awkwardly unsheathing out my huge pipe. I also have a bad back, and I'll be damned if 3.5 pounds at a weird backpack angle doesn't wear me out. Your mileage may vary on this point, but for me, the cost/benefit didn't make sense. On the subject of f/2.8 - I don't have kids, I don't have indoor soccer games to photograph, generally no indoor events where speed at this focal range would be useful (e.g., a house - you have to be across a large room or down a hall for 70-200 to make sense on an APS-C)... I just have no need for it. I convinced myself prior to buying this that I wanted the best, and this is certainly it. But after playing around with it for a few weeks, I realized that I don't need the f/2.8 and I don't need the weight. I ended up with the Canon 70-200 f/4L IS USM. It's a nice lens, way lighter, less conspicuous, and reportedly sharper (though I can't tell the difference). I also tried the 70-300 f/4.0 - 5.6, and it was OK, but felt too cheap. It was also noticeably less sharp when compared side-by-side with the Sigma & Canon. One last note - I ordered all of these lenses used but 'Like New' from Amazon Warehouse. The lenses I received were in almost-perfect condition, so I highly recommend exploring the "used" options from Amazon Warehouse. That said, when I finally decided on the Canon 70-200 f/4L IS USM, I bought it via Amazon Warehouse. They shipped the non-IS version to me, which is worth about half of what I paid. I calmly but firmly called Amazon, and they agreed to refund full return shipping costs, as well as overnight a brand new 70-200 f/4L IS USM to me, which I received the very next day. To be clear, I paid full price for the f/4L IS, though I saved 7% due to a running promotion - 4% off camera equipment, plus 3% cash back from the Amazon Visa. So it ended up costing the same as the used version due to the savings! But anyway, Amazon agreed to waive the overnight shipping fee on the replacement, which was awesome, so that felt pretty fair. All-in-all, if you are sure that you need f/2.8 and that 3.5 lbs isn't a big deal, then buy this thing and don't look back. ... show more
Reviewed in the United States on August 10, 2013 by N. Bledsoe

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