Search  for anything...
UNIVERSAL

Rear Window - 4K Ultra HD + Blu-ray + Digital [4K UHD]

  • Based on 12,380 reviews
Condition: New
Checking for product changes
$13.99 Why this price?
Memorial Day Sale · 53% off was $29.98

Buy Now, Pay Later

As low as $3 / mo
  • – 4-month term
  • – No impact on credit
  • – Instant approval decision
  • – Secure and straightforward checkout

Ready to go? Add this product to your cart and select a plan during checkout.

Payment plans are offered through our trusted finance partners Klarna, PayTomorrow, Affirm, Afterpay, Apple Pay, and PayPal. No-credit-needed leasing options through Acima may also be available at checkout.

Learn more about financing & leasing here.

Selected Option

Free shipping on this product

Returnable until Jan 31, 2025

To qualify for a full refund, items must be returned in their original, unused condition. If an item is returned in a used, damaged, or materially different state, you may be granted a partial refund.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

Availability: Only 3 left in stock, order soon!
Fulfilled by Amazon
Arrives Tuesday, May 27
Order within 22 hours and 7 minutes
Available payment plans shown during checkout

Format: 4K September 7, 2021


Description

Directed by the Master of Suspense, Alfred Hitchcock's Rear Window is an edge- of-your-seat classic starring two of Hollywood's most popular stars. When a professional photographer (James Stewart) is confined to a wheelchair with a broken leg, he becomes obsessed with watching the private dramas of his neighbors play out across the courtyard. When he suspects his neighbor of murdering his nagging wife, he enlists his socialite girlfriend (Grace Kelly) to help investigate the suspicious chain of events, leading to one of the most memorable and gripping endings in all of film history. Honored in AFI's 100 Years…100 Movies for excellence in film, Rear Window has also been hailed as "one of Alfred Hitchcock's most stylish thrillers" (Leonard Maltin's Classic Movie Guide). Bonus Content: Includes 4K UHD, Blu-ray and a digital copy of Rear Window (Subject to expiration. Go tofor details.)Features High Dynamic Range (HDR10) for Brighter, Deeper, More Lifelike ColorRear Window Ethics: An Original DocumentaryA Conversation with Screenwriter John Michael HayesPure Cinema: Through the Eyes of the MasterBreaking Barriers: The Sound of HitchcockHitchcock/TruffautMasters of CinemaProduction PhotographsTheatrical TrailerRe-release Trailer Narrated by James StewartFeature Commentary with John Fawell, Author of Hitchcock's Rear Window: the Well Made FilmHitchcock / Truffaut Interview ExcerptsFeature Commentary with John Fawell, Author of Hitchcock's Rear Window: The Well-Made Film

Genre: Drama, Mystery & Suspense/Thrillers, Mystery & Suspense


Format: 4K


Contributor: Various


Initial release date: 2021-09-07


Language: English


MPAA rating ‏ : ‎ PG (Parental Guidance Suggested)


Package Dimensions ‏ : ‎ 6.85 x 5.47 x 0.51 inches; 0.02 ounces


Media Format ‏ : ‎ 4K


Run time ‏ : ‎ 1 hour and 55 minutes


Release date ‏ : ‎ September 7, 2021


Actors ‏ : ‎ Various


Studio ‏ : ‎ Universal Pictures Home Entertainment


Country of Origin ‏ : ‎ USA


Number of discs ‏ : ‎ 1


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Tuesday, May 27

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

  • Klarna Financing
  • Affirm Pay in 4
  • Affirm Financing
  • Afterpay Financing
  • PayTomorrow Financing
  • Financing through Apple Pay
Leasing options through Acima may also be available during checkout.

Learn more about financing & leasing here.

Similar Products

Top Amazon Reviews

    • What You See Is What (You Think) You Get
Adapted from the French '𝑽𝒐𝒖𝒓' which means ‘to see’, voyeurism refers to the action of watching other people engaged in Intimate behaviors or those of a private nature. Little to no research has been done in regards to the demographics of persistent voyeurs, and consequently the contextualization of this pattern of behavior is important considering the criminality of this activity. 𝑾𝒆’𝒗𝒆 𝒃𝒆𝒄𝒐𝒎𝒆 𝒂 𝒓𝒂𝒄𝒆 𝒐𝒇 𝑷𝒆𝒆𝒑𝒊𝒏𝒈 𝑻𝒐𝒎𝒔. 𝑾𝒉𝒂𝒕 𝒑𝒆𝒐𝒑𝒍𝒆 𝒐𝒖𝒈𝒉𝒕 𝒕𝒐 𝒅𝒐 𝒊𝒔 𝒈𝒆𝒕 𝒐𝒖𝒕𝒔𝒊𝒅𝒆 𝒕𝒉𝒆𝒊𝒓 𝒐𝒘𝒏 𝒉𝒐𝒖𝒔𝒆 𝒂𝒏𝒅 𝒍𝒐𝒐𝒌 𝒊𝒏 𝒇𝒐𝒓 𝒂 𝒄𝒉𝒂𝒏𝒈𝒆 Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story "It Had to Be Murder." Confined to a wheelchair after an accident, a recuperating news photographer spends his time watching the occupants of neighboring apartments through a telephoto lens and binoculars and becomes convinced that a murder has taken place. As credited, 𝑹𝒆𝒂𝒓 𝑾𝒊𝒏𝒅𝒐𝒘’s screenplay is inspired by a short story published by Woolrich in 1942. Woolrich’s main protagonist goes by the name of Hall instead of ‘Jeff,’ but the primary conflict in Hayes' take mirrors that of its source material though key differences are present in both thematic exploration and interactive feedback encouraged by audience members. Hall, relative of Jeff, is largely an enigma: Meaning, very little is done to describe him with specifiers so as to maintain some sense of anonymity. The advantage this provides in the broad applicability of Hal’s deviant behavior, but this obviously does little to contextualize the perception of its main character. Jeff, however, is by nature all about ‘the look’: employed as a professional photographer (And, not to mention injured during the acquisition of a risky picture) viewers are primed for a round of observational limbo and inadvertently an enhancement of repertoire given how important the appearance of things becomes to 𝑹𝒆𝒂𝒓 𝑾𝒊𝒏𝒅𝒐𝒘’s character dynamics. Woolrich, in his publication, was himself inspired by H.G. Wells: Though known for his scientific fiction, he wrote a short story entitled 𝑻𝒉𝒓𝒐𝒖𝒈𝒉 𝑨 𝑾𝒊𝒏𝒅𝒐𝒘 in August, 1994. In it a man identified by ‘Bailey’ 𝒊𝒏𝒅𝒆𝒇𝒊𝒏𝒊𝒕𝒆𝒍𝒚 witnesses a murder in the context of a fight that breaks out, and this puts him in danger by virtue of being a liability. The resolution of conflict in both Wollrich and Wells’ writing are guided by peril and what ultimately turns into self-defense, with the difference being in how much Woolrich explicitly considers the ethical undoing of voyeurism - as to be expected given the capacity to explore innermost thoughts immersively on paper in the absence of visual stimuli. Haye's’ largest divergence from these source novels is the inclusion of a love interest opposite Jeffries. The lovely Grace Kelly as Lisa is described as perfectly snobbish and stilted owing to a persistent sense of self-preservation. Modeled after Hayes’ own wife (Who, was also a fashion designer) the enmeshment of love acts as a protruding stake, and makes it all the more important that Jefferies’ investigative coven be on par. Secondarily, it creates a wave of conflict that is socially applicable: driven to speculation with enough ambiguity, and the commonality of goals becomes a establishable at will. Hayes' screenplay, compared to what it is inspired by, prioritizes building a true space for headway and hearsay. This is done, more-or-less, through the distant spectacle Jefferies’ becomes enamored and projects a sense of familiarity on to as indicated by the pseudonyms used to introduce his unsuspecting neighbors that accentuate his recurring observations: observations that very well could be false or two-toned, but aren’t coming too far out of left field given how long Jeff is revealed to have been watching from afar. Anything discovered occurs opposite the drab of Jeff’s apartment (Perhaps to signify the monotony his condition lends to, which justifies voyeurism in this context as an emotional escape) in an aesthetically loud camp that explodes with contrasts, all made possible by lead architect Joseph MacMillan attention to detail and a literal framing of mind. The influence of Hitchcock’s filmography is reflected on and debated in modern times, but this rarely happens as acknowledgement of his evolution as both a consumer and producer in the cinematic industry. Teleporting approximately twenty-fives years prior to the release of 𝑹𝒆𝒂𝒓 𝑾𝒊𝒏𝒅𝒐𝒘, Hitchcock’s 𝑩𝒍𝒂𝒄𝒌𝒎𝒂𝒊𝒍 (1929) is debuting in theaters; it would be the first film made by Hitchcock that utilized diegetic sound, and made approximately two years after the technology to do so become accessible while he simultaneously worked on other silent projects. Though mostly known for his talkies, Hitchcock remained partial to silent films as reflected in comments made about their story-telling potential, and informed his knowledge regarding composition and information that audience members benefit from being privy to when attempting to encode clarity or suspense. Why do people spy regardless if it is opportunistic or intentional? 𝑹𝒆𝒂𝒓 𝑾𝒊𝒏𝒅𝒐𝒘, 𝑰𝒕 𝑯𝒂𝒅 𝑻𝒐 𝑩𝒆 𝑴𝒖𝒓𝒅𝒆𝒓, and 𝑻𝒉𝒓𝒐𝒖𝒈𝒉 𝑨 𝑾𝒊𝒏𝒅𝒐𝒘 are not collectively here to answer such a question save different approaches to information that wrangles viable motives.. Across the board, all of the Jefferies are immobile, with Hitchcock using his injury for deliberately expositional purposes so as to substantiate his brush with deviance in a containable manner. In being absent of principled berating what would otherwise be an unsavory demonstration of spectatorship is cheekingly normalized in 𝑹𝒆𝒂𝒓 𝑾𝒊𝒏𝒅𝒐𝒘 as a way to pass time when one has an excess of it to kill, though what constitutes as permission for one to play out surveillance remains a completely different story. ... show more
Reviewed in the United States on December 30, 2022 by Christina Reynolds
    • Classic Movie! 🎥 I watch it every month
I bought Rear Window for 3 reasons Alfred Hitchcock Jimmy Stewart Grace Kelly And Thelma Ritter This movie just Clicks for me, Romance, Suspense, Outstanding Cast and Performance
Reviewed in the United States on November 18, 2024 by dena j clark
    • Great
Stands test of time
Reviewed in the United States on November 14, 2024 by Garrett
    • Perfect Hitchcock
James Stewart, Grace Kelly, Raymond Burr, Hitchcock in 1954. What more is left to be said? A classic.
Reviewed in the United States on November 4, 2024 by j ARCHITECT
    • Hitchcock
I think this is one of Hitchcicks best movies. Romance, murder, thrills, suspense, everything rolled into one. Love it!
Reviewed in the United States on October 31, 2024 by Joyce Chappell
    • Hitchcock, Grace Kelly, Jimmy Stewart
This is suspense. Without gore. Leaving things to imagination. Not a film critic. Just a great movie with masterful performances.
Reviewed in the United States on October 31, 2024 by alia
    • Peeping Tom almost gets his girlfriend killed.
Weird scene with three of them "warming" their drinks. Did Hitchcock want the audience to laugh at this?
Reviewed in the United States on November 15, 2024 by Audrey Beckstrom
    • A masterpiece!
A guy stuck in his apartment with nowhere to go. What trouble could he get into? I watched this again the other night. Watch Stewart's eyes. His performance is virtually perfect. Grace Kelly looks fantastic and does very well as a spoiled rich girl trying to convince her would be lover that she has the right stuff to fit into his world. Strong supporting roles, an amazing set, and Kelly's wardrobe (that isn't too dated unlike many '50s film that turn attractive women into period stereotypes) make this a joy to watch. The Blue Ray features many extras and a fairly easy to navigate menu. ... show more
Reviewed in the United States on September 12, 2024 by J. boyle

Can't find a product?

Find it on Amazon first, then paste the link below.