Hidizs MP145 Pro in-Ear Monitors, WDC Coengineered, 14.5 mm Planar IEMs, Ergonomically Optimized Design, Upgraded 4-Core 6N OFC Cable, Exclusive Sea Anemone Eartips & Leather Case, 3.5 & 4.4mm, Black
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Arrives
Tuesday, Sep 8
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Color: Black
Features
- [Studio-Grade Planar Power] Building on the success of our in ear monitor MP145 and MP143, Hidizs proudly presents the evolution MP145 PRO. Engineered with a 14.5mm ultra-precision planar diaphragm (+30% copper content for faster transient response) and upgraded N54H magnetic arrays (40% stronger flux density), these Hi-Res IEMs achieve studio-track clarity all revealing micro-details with holographic realism.
- [Precision Mastered] This planar IEM delivers reference immersion: surgical bass control with deeper sub-bass punch yet zero mud, plus refined mid-bass for complex track clarity. Its transparent midrange reveals natural vocal/instrument textures without coloration upper mids carve pinpoint imaging for live-recorded depth. Treble extends with silky airiness, creating holographic soundstage width unmatched by dynamic drivers.
- [All-Day Comfort] Engineered for marathon sessions, these in-ear earphone feature contours for a pillow-soft, locked-in fit (just 9.5g per earpiece). The upgrade? Redesigned acoustic tubes eliminate ear fatigue while optimized chambers deliver throne-room acoustics. Grade cable weaving 99.9999% single-crystal copper + silver platinguntangleable, crackle-proof, and transmitting studio-blackout silence. Despite added magnesium alloy reinforcement, weight remains ultralight at 9.5g/side.
- [Endgame Comfort Arsenal] We are providing you with extra 'Sea Anemone' high-end liquid silicone eartips and upgraded premium customized pouch this time. Elevate every session with studio-grade liquid silicone tipsmolding a whisper-seal isolation chamber where bass stays locked in and treble floats untethered. Paired with a vault-like case, your wired iems transform into life-proof critical-listening rigs.
- [Sound Remix On Tap] Swap filters in seconds to match ANY genre. Silver nozzles deliver razor-string separation for orchestras & anime soundtracks. Rose Gold balances Mandopop/J-Pop with liquid-smooth vocals floating over warm staging. Red nozzles pressurize EDM and hip-hop with seismic bassyet no bleed into mids. As physical EQ tools for wired ear buds, they unlock studio-grade personalization no wireless rival can touch. Plug in. Tweak on.
Description
Building on the success of the MP145 and MP143, Hidizs proudly presents the MP145 PRO—an evolution in sound that combines cutting-edge planar magnetic technology with a commitment to ocean conservation. Designed to deliver an immersive, reference-grade listening experience, the MP145 PRO offers transparent sound with more controlled bass, a rich midrange with minimal coloration, and exceptional treble extension for a wider, more expansive soundstage. These key upgrades elevate the auditory experience to a new level. From MP143 SALT to MP145 and now MP145 PRO, Hidizs continues to tell the same oceanic story. This is not a fleeting inspiration but a sustained commitment. Hidizs once again partners with WDC to contribute their conservation efforts in 2026 especially with Whale Jam Concerts. The MP145 PRO upgrades a reinforced cable with higher hardness and tangle-free, offering superior durability and ensuring a stable connection. Choose the optimal setup for your audio device with flexible 3.5mm and 4.4mm plug options, providing compatibility with a wide range of systems. In addition to regular eartip sizes, the MP145 PRO includes high-end liquid silicone eartips, ensuring a comfortable, snug fit. Keep your MP145 PRO safe and secure with an upgraded custom-designed case, ensuring it stays in pristine condition for extended use.
Brand: Hidizs
Color: Black
Ear Placement: In Ear
Form Factor: In Ear
Impedance: 30 ohm
Brand Name: Hidizs
Model Number: MP145 PRO
Model Name: MP145 Pro
Built-In Media: Protective Case
Number of Items: 1
Manufacturer: HIDIZS
Item Type Name: In Ear Monitor
Headphones Ear Placement: In Ear
Headphone Folding Features: In Ear
Earpiece Shape: in_ear
Impedance: 30 ohm
Noise Control: Passive Noise Cancellation
Sensitivity: 104 db
Audio Driver Type: Planar Magnetic Driver
Audio Driver Size: 14.5 millimeters
Frequency Range: 20 HZ - 40 kHZ
Compatible Devices: Cellphones
Cable Features: Detachable
Water Resistance Level: Not Water Resistant
Headphone Jack: 3.5 mm Jack
Connectivity Technology: Wired
Color: Black
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If you place your order now, the estimated arrival date for this product is:
Tuesday, Sep 8
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Top Amazon Reviews
Color: Black
TLDR: This is a fantastic set of IEMs with really impressive accessories, build quality and sound quality. I would recommend these to everyone but bassheads. For bassheads you might be happier with the original MP145 that has a stronger lower end. The Review Unboxing Thoughts: This is great packaging. I really like how there are layers and past each layer is a new reveal. The IEM shells first, the star of the show, and then the excellent selection of eartips, laid out beautifully organized, then the really nice carry case. The carry case is a gargantuan step-up from the thin spring-mouth pouch that came with the original MP145 (and the MP143, the MS2 Pro, the ArcSonic MK10's and the Turris MK12). It's too big to be pocketable for those without baggy cargo pants, but it's such a vast improvement over the old pouch. The color seems to be a pale grey-blue with maybe a hint of green. Excellent quality leatherette material from top to bottom on the outside, with a light grey felt-type interior material. The spring hinge is quite strong; I have no concerns that anything's going to fall out. There is a very well done Hidizs logo stamped on the top of the lid, and light grey/blue stitching around the perimeters. All in all, an extremely nice case. Hidizs went above and beyond on it. The Cable: The cable is a similarly massive improvement over those that came with the previous models. I’ve reviewed quite a few of the modern Hidizs lineup including the original MP145, the MK12, the MP143, the MK10 and the MS2 Pro and one of my consistent issues with them has been the cable. With all of those I found the included cable to be much thinner than I prefer. With thinness comes a propensity to tangling, and that has definitely been an issue. Also, the thinness of the earhooks has been an issue for me, particularly with the heavier sets. The earhooks just weren’t strong enough to secure the shells comfortably and securely. All that is context to say that the cable included here is a HUGE improvement. I’ll compare this one directly to the original MP145 cable, since I feel like that’s the most appropriate comparison but also because it had one of the better cables of the older ones. They both have a simple 4 wire braid between the jack connector and the Y-Split, but the diameter of the wires on the new cable are significantly bigger. The old cable has an individual wire diameter of roughly 1.1mm, while this one is about 1.6mm. Nearly 50% thicker. Thicker cables aren’t necessarily always better, but this is just about the perfect size in my experience. Both cables have a good surface feel and are plenty flexible for my taste. Both also have a semi-loose but functional chin slider as well. The Eartips: This set comes with a really impressive set of eartips which I really appreciate. It has 3 sets of small/medium/large standard silicone tips in small bore, medium bore and wide bore and a small/medium/large set of their green Sea Anemone tips with a really nice texture to the silicone. The different bore sizes act as a very small EQ on the tuning: the narrower the bore the softer the treble (but not normally more than a decibel or so as indicated by measuring the frequency response). So the very narrow bore tips emphasize the bass and tone down the treble a bit and the very wide bore tips do the opposite. Note that these are very small changes but they’re noticeable and measurable. To be honest I would prefer less sets of different bore sizes and more overall eartip sizes. Azla does that with their IEMs and I think it’s a great idea. They often include in-between sizes such as a ML (medium/large) and MS or SM (medium/small), in addition to the regular small/medium/large pairs. They even sometimes include an SS (extra small) and LL (extra large). I would love it if Hidizs and other companies would include similar offerings. Having more in-between sizes would allow for a better overall fit and seal. The Nozzles: It's good to see Hidizs sticking with the changeable nozzles they've had a history of offering with their nicer sets. It's also good to see that the ones with these MP145 Pros are improved over the original MP145. I found that the original nozzles were a little more delicate and a little bit sketchier to remove and install. The threads were fragile and sensitive and more difficult to exchange. They changed from an internal thread on the original nozzles to an external thread on the Pros, and a longer nozzle unit overall. The nozzles on the original MP145s were also actually the biggest nozzles I’ve ever seen on IEMs, and while that didn’t bother me (beyond the difficulty in changing eartips) it’s a relief to see that they’ve managed to reduce that to normal levels. Listening Notes: <All music listened to through these has been lossless as either a rip of an owned CD or a purchase and download off of BandCamp> First listen: DVNE - The Crimson Path (progressive metal, bandcamp download, flac, Shanling M0 Pro DAP, green ear tips, gold nozzles): Wow, I can already tell I'm going to love these IEMs. I don't say this lightly, but I'm definitely noticing new things in this track I don't remember hearing before. There are two vocalists, and I just heard the second vocalist through a passage that until now I could have sworn was the first vocalist by himself. This set seems great at bringing out smaller details in familiar songs. I think that's going to please a lot of critical listeners. There's also a great balance to the frequency response tuning right off the bat. No part of the frequency range sounds too recessed or too forward. These sound very open. I'm not getting any sense of narrowness that some sets exhibit. This doesn't sound like a pair of speakers sitting on my ears, it sounds like I'm in a well acoustically treated room with an awesome stereo setup. I'm noticing the kick drums on this track (Viridian Bloom) for the first time. I feel like I'm not just hearing the fundamental frequencies but also getting a sense of the material of the drum face and the hammer that's striking it. It's almost painting a picture in my mind with each hit. A similar thing is happening in the next track (Thirst). I'm hearing the second vocalist singing his growly vocal parts and if I close my eyes I can almost see them shouting into their microphones. I've probably seen what these guys look like before once or twice but I wouldn't be able to give you any accurate details. Despite that my mind is painting the picture of them in my head, based almost entirely on what I'm hearing. This is a very "visual" set of IEMs; something I didn't know was a thing. They're feeding my imagination somehow. Listening to Dire Straits - So Far Away (classic rock, lossless flac cd rip, Khadas Tea Pro DAC wired, green tips, gold nozzles): This is an excellent reproduction of this song. Tons of separation between instruments. The bass guitar in particular has a great tone that I haven't really noticed before. The song sounds super well balanced. I honestly can't imagine it sounding better with different IEMs. Maybe just as good, but not better. Mark Knopfler's vocals carry a lot of emotion and additional information in his tone that might otherwise get lost in the mix without this much space, separation and detail. Listening to Dire Straits - Money for Nothing (same setup): There's a part of the intro to this song after the leadup where the drums come in and have most of the focus, they're not quite as impactful as I think they could be. I just went back and listened to the same song with the original MP145 (same eartips and analogous nozzle (gold to rose)) and yes, the drums in the intro section are noticeably more impactful and focused. I did also notice that the snare and higher frequency brass drums got awfully close to sounding of sibilance though with the original set. By sibilance I mean there's a bit of extra "hiss" on certain sounds in the song that doesn't sound entirely natural. I guess it's a trade off, like most things. In my opinion the bass is definitely better on the original MP145s. One other thing I noticed while going back and forth is that for the exact same volume level, the Pro's are significantly louder than the originals. I had to turn my DAC's volume down about 20~30% when I went back to the Pros. After going back to the pros and listening to the same song yet again (doing my best to volume match, I still feel like the original MP145's have a superior presentation of the low end drums in this intro, but not hugely superior. I think overall I would lean towards the Pro version for the song as a whole. The near-sibilance experienced with the originals was nowhere to be seen in the Pros. Maybe the next generation of Hidizs planars will be able to include the incisive bass of the originals with the smoother treble of the Pros. Listening to Pink Floyd - Dark Side of the Moon (lossless CD rip, Hidizs AP80 Pro Max DAP, green tips, gold nozzles): The frequency response measurements show less energy in the lower regions than the original MP145, which implies less bass and sub-bass, but honestly I don't feel a lack of bass at all. The amount I'm getting here feels really natural. I can hear the bass guitar and the bass drums, they have just the right amount of punch. The amount I would expect if I was watching Pink Floyd perform in a small pub. More bass might be more "fun" sometimes, but it often comes off as less natural in my opinion. The panning of the warbling synthesizer on "On the Run" from left to right while the sound of a horse clopping past from right to left is very well represented here. The contrast of something very real with something very not is striking. As an aside, it's really nice to be able to go to a darker nozzle when I have a headache. I switched to the red nozzles and I feel like I'm having a bit of a new understanding of the swappable nozzles in general and what they can do for me. At first I didn't really notice a particularly big difference, but then I kind of realized/hypothesized that I might be setting my comfortable listening level based on what I'm hearing primarily in the vocal range (2~5kHz I believe), which is exactly the range that these nozzles have the most affect on. What this may mean in practice is that while the vocal frequencies might end up sounding the same to me, the overall balance shifts. The red nozzles will end up shifting the overall tuning to more V/U shaped; the silvers will flatten things out or even make it more of a W shape. So when I use the red nozzles I'll end up turning the perceived bass and treble up relative to the vocal frequencies. This new (potential) understanding of what's happening makes me appreciate the swappable nozzles even more, because it allows a listener some flexibility to find their preferred balance. It's also nice as a way to compensate for mixing in an album that doesn't particularly fit your preference. One of my favorite bands tends to lower the vocals in the mix to the point where I feel like I'm always struggling to hear them at the level I'm hoping to. In that case I could put on the silver nozzles and pull the vocals up out of the mix. It's really an awesome feature and one I hope Hidizs sticks with. Other brands could benefit from that; or at least, the consumers of those brands could benefit from it. Alright, I swapped to the silver nozzles for the first time and played one of the songs I listened to with both the red and gold nozzles as well: DVNE - Scion (lossless, 24bit 44.1kHz, silver nozzles, green tips, AP80 Pro Max DAP): Holy cow, this balance is beautiful. It really pulled the vocals up out of the mix. I think this might be my favorite set of nozzles out of the bunch, but I am conscious of the possibility that they will be more fatiguing and I might need to drop back to the gold nozzles after a while. But for now, this song sounds absolutely amazing with this combination. Every little detail is vying to get my attention. The bass in the balance has definitely fallen a bit, but I can't convince myself to mind. It's still there, it's just not as front and center as it is with the red nozzles. I have a feeling if you're not a super vocal lover like myself you'll probably prefer the gold nozzles for their overall balance or the reds for the bass emphasis, but for me these silvers are perfect. At least, for this track and album. I'll have to continue listening. I expect some albums will be complemented more by the other nozzles. That's one of the awesome things about having these nozzle options, especially where each set is itself a great tuning. As a comparison I've also reviewed the MP143's and while they're a set I love, the red nozzles on that set are overbearingly dark. They absolutely flatten out the vocal region by about 5dB compared to the gold nozzles and almost 9dB compared to the silver nozzles. (The silver nozzles also being my favorites for the MP143) The differences in the nozzles for the MP145 pro are much gentler, with about a 2dB difference in the vocal region between red and gold and just 1dB between gold and silver. That might not sound like much but it's noticeable. The small changes shift the entire balance in an audible way. Usability with Different Sources: I had no problem with these across any source device. Even the Apple dongle was sufficient to power these beyond comfortable listening levels. I _do_, controversially, believe that some DACs sound better than others, but I don’t use those I’ve found to sound worse. If a DAC sounds good I think I would have a pretty difficult time telling between them. If a DAC doesn’t sound good it sounds bad in a very obvious way in my experience. Normally the bass is gutted and the treble sounds tinny. That could have more to do with the amplifier chip but at that point I don’t think it matters. This set paired wonderfully with both the Hidizs AP80 Pro Max and my Shanling M0 Pro DAPs and worked perfectly with every other source I use regularly, as expected. Frequency Response Measurements: I have measured the frequency response of this set and will attach the measurements in the photos section. This visually shows off the amount of difference and in what area of the audible frequency spectrum is changing when you change nozzles, as well as shows the overall tuning. Comparisons: Hidizs MP145 Original: These are extremely good IEMs. I own a pair and don’t regret it at all, but I believe the Pros have outclassed them in most ways. Some of the biggest issues of the originals have been totally fixed for the Pros. The nozzles are significantly smaller, the cable is an order of magnitude better, as is the included case. (The “case” that came with the original MP145 was just a spring mouth thin pleather pouch) The treble is much smoother on the Pros and the focal frequencies have gotten a boost which really fit my preference. I think the only place the originals win out is with bass. There’s less of it and it’s not quite as tactile on the Pros. Tipsy M3: The only reason I’m including these in the comparisons is because they have an MSRP of $200. This set is entirely outclassed in almost every single way. The build quality is much worse. The materials are inferior (subjective, plastic vs metal). The tuning on these is fatiguing; the cable is absolutely pathetic and tangly. The case is pretty decent, the packaging/presentation is quite nice and the faceplates are very attractive. That’s about it. The eartip selection is really just sad with the M3s as well, being a single set of SML silicone tips and a single pair of foams. Simgot SM4: This is a great set of IEMs. I bought these about a year ago and they’ve been one of my favorite sets since. The only issue with this set is that the treble can be fatiguing. There’s a lot of extension. It matches the Harman 2019 target very closely and I’ve come to realize the Harman target is quite a bit different from my ideal tuning. This is also a fairly bassy set (to me). It’s very V shaped and quite fun, but not something I’d want to listen to all the time. The treble fatigue prevents these from being a daily driver. Compared with the MP145 Pros, these have a nice cable but without the awesome modular termination, these are resin instead of metal, these have a decent case but not nearly as nice as the Hidizs and the tip selection is much poorer. Final Thoughts / Conclusion: This has become my favorite set of IEMs. To put that into context I have reviewed maybe 100 sets ranging from $5 to $200 (though granted mostly towards the cheaper end). The original MP145’s were quite high up on my list and for me this has improved on those in most ways. The tuning just sounds right to me. It sounds natural and incredibly detailed while still being immersive and punchy. I do believe the bass is a bit better on the original MP145s but I have been totally happy with the bass on the Pros. The bass was about the only thing on the originals I would call better though. The Pros have a smoother treble, a more vocal forward tuning (a big preference of mine), tighter tuning options, much smaller nozzles, a _much_ better cable and case and better eartips with the included Sea Anemones. I would absolutely recommend them for anyone that shares my love of detailed, vocal forward tunings and high quality accessories. I would not recommend them to bassheads or anyone that dislikes vocal forward tunings. The bass isn’t going to be sufficient for super bass lovers.
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Reviewed in the United States on June 25, 2026 by Troy
Color: Blue
I'd like to start this review by saying everyone here is differently so you got to understand that what I hear might be different than what you hear. With that out of the way I own over 60 sets of IEMs ranging from $20 to $500. I'll post a picture of my collection below. (Well as many as I was able to fit in the shot lol.) Anyway, I mention this (not as a flex, cuz honestly embarrassing to show you how unhinged I am lol,) but because that's how much these stood out to me. I kept getting highly recommended 300ish dollar IEMs. And they all sounded very similar to each other. I was getting bored of that. When I spent time with the first set of MP145 Pros I got, (the day I went to Canjam NYC '26) I literally experienced something that I thought this far into my "Hi-Fi life" I would never experience again. Although that never stopped me from chasing it. I experienced that same moment I had when I first got into Hi-Fi and heard all kinds of things that I never knew were in tracks that I've listened to a million times. The instrument separation is natural. It's not etched out, it's smooth. The timbre is natural too... especially for a planar! And I don't even care that much about timbre. At least not as much as most other people into Hi-Fi, but it actually gave me more of an appreciation for it. Because all the sets like the Ziigaat Horizons (which are great in their own right) and the Dunu 142s (which I also really like), had a more extended treble which I thought was the key to instrument separation. Which is my highest concern as far as sonic preferences go. But then I realized you can have instrument separation without that extended air. In fact, that extended air is what puts that unnatural etch around the instruments. So basically it's more like turning up the sharpness on your 1080p TV instead of getting a 4K OLED with a sharpness all the way down. That's true resolution. I'm not treble sensitive, So if you are I just recommend listening at a lower volume because this is a good lower volume set due to the fact that it presents every single thing in the mix at any volume. It's not a set that you feel like you have to crank up to hear all the sounds. It's got very low masking but still somehow has more lower end bass than a frequency response chart would lead you to believe. And it's actually quite punchy too. This IEM literally broke me lol. I've purchased several IEMs trying to find something I liked better lol. I'm weird like that. I don't know it's the thrill of the chase for me I suppose. But the MP145 Pros stay in my ears longer than any other set I own. Not to mention the value for the money and the premium build quality and the machining is chef's kiss. I the details let go into in the machine work and the process of making that type of a shell and faceplate. (I'm also into pocket knives so I guess it stems from that.) The one caveat I have is that they are big. There's no getting around that in fact I think that is why they sound so spacious (just my theory). Maybe the triple vented faceplate helps with that too I don't know. But, they have a long taper leading to the nozzle which is smaller than the original MP 145s. Oh also before I forget, If you have the originals getting these isn't like getting the same set it's a totally different set. But back to the size, So because of that narrow taper leading to the nozzle it allowed me to use the included premium sea anemone eartips in a size small when I usually use a size large. I usually do shallow depth insertion with a large tip. With these I was able to use a size small and do a deeper depth insertion. Which actually helps with certain sound characteristics. It actually changes the frequency response. You could check it out on squig link. But more importantly that allows the stability to have it sit in your ear without movement. That and if the ear hooks are looping over your ears and not tucked behind them you can use a hair dryer to reshape the ear hooks there's YouTube videos on how to do this. I literally do with it every single cable I get and I never have a problem with IEMs falling out. That, and it's good to use the chinch, and luckily, this one stays put. I have plenty of large IEMs so I do these things with them all. I also think they pair very well with the AP80 Max Pro from Hidizs. That's another product that is amazing. I'm pretty sure I've done a review for that too. I try to review the stuff that I love the most. The included accessories are amazing. I'll post pictures of the IEMs with other aftermarket cables (that cost a 3rd of this entire package) But I just did it for pictures cuz they look cool. But the ones that stay on the IEMs are the stock cables. The twist at the Y split is immaculate and that's kind of my most important part of the cable almost. So in closing these are a definite recommendation if you're not absolutely treble sensitive and have tiny little concha bowls. But even then I try to recommend people lean into things and get used to a sound signature they're not accustomed to. Think of a cold swimming pool when you first get and it's freezing but after a while it's awesome. It's kind of like that. Also treble is a good thing not to be sensitive to because it can afford you detail, separation and impressive sound qualities that dark IEMs just can't do as well. The treble boost in these are mostly in the presence region. If I remember my graph sniffing correctly. If you want to hear a full sized planar magnetic driver with a high flux magnet, impressive speed yet natural timbre, with instrument separation/layering, texture, and high stereo contrast/imaging... I'd highly recommend you give these ones a shot. And the are one of those IEMs that just keep getting better. Spend at least 2 weeks with them and they'll reward you like a broken in recliner. Now onto the photo shoot lol. I play "Barbie dress up" with my IEMs lol. Also the picture of my collection is just to illustrate my earlier point. Obviously they're not included lol. But you're still getting so much bang for your buck! Oh and they're all in acrylic hockey puck display cases which are awesome for a person with a lot of IEMs that wants to be able to look at them from time to time instead of a watch case that like conceals them. Figured I'd share my little life hack with you. They're available on Amazon too✌️💙🐳🎶
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Reviewed in the United States on July 27, 2026 by RimeOne
Color: Blue
Great starts with unboxing cable is very nice iem are stout and premium feeling. They sound very good have not tip rolled im using sea urchin tips comfortable im satisfied enough to not have even tried the other to nozzles it comes with good buy and hey little money toward whales come on
Reviewed in the United States on July 18, 2026 by sabin
Color: Blue
El sonido es tan envolvente que incluso estando en el cine 🎥 para sincronizar una película con audio en diferentes idiomas no pierde la fidelidad del efecto sonoro, una recomendación a tener realmente en cuenta y por la cal no le doy las 5 estrellas es por la falta de un micrófono como es costumbre para los audífonos manos libres.
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Reviewed in the United States on August 18, 2026 by Kevin
Color: Gold
I've never heard the original mp145 but based on what I've read these sound very similar but have less bass and slighly more treble. The design is also very similar but they do change some things. Default nozzle - To me these have lots of detail but do sound a bit thin. There is not a lot of bass but the bass you get is super detailed, it has more sub bass than mid bass. You can hear complex bass notes very clearly with these. Its the best bass detail I've heard in an iem so far, it does bass so effortlessly. The mids are clean but sound thin because of the lack of mid bass. Treble is also super clean but it also sounds a bit sharp because of the lack of mid bass and has a bit of a metallic planar timbre. These come with tuning filters which actually do make a difference, not huge but you can definitely hear it. I believe the gold nozzle is the default one, the silver one seems to increase the treble a bit over the gold. The red one is the best one in my opinion, it reduces the treble a bit compared to the other two and increases the bass a bit. The red does reduce the detail a bit but it's think its worth it for a less sharp and much more enjoyable sound. With the red nozzle you undo the negatives of the default nozzle. It adds a slight warmth to the sound which makes these sound more neutral sounding. The red nozzle also removes the slight planar timbre which makes the treble sound weird and metallic on the original nozzle. With the red these sound impressive, they are the most detailed iem i now have, the previous was the hype 2. For accessories you get a very nice storage case to keep them in but its not a carry case because it is large. The included cable is pretty nice, I don’t have any complaints with it. Its modular and it comes with a 3.5 and 4.4 connector. You also get four types of ear tips, im using my own tri Clarion tups because its all i use for iems. The build quality on these is very nice considering that the shells are cnc milled. The design is weird but makes sense since these are meant to be inspired by whales. One thing to note here is that these are huge iems, they are very lightweight because they are made of aluminum but they are huge. Despite the size they somehow fit me very well, i recommend using smaller tips for a deeper insertion. Overall I don't know know how these compare to the original mp145 but with the red nozzle and the "bass ear tips" they sound impressively good. The bass is super fast and clean, this is one of those iems that let you hear new details in songs. My top iems are the Tanchjim- fission, Topping- hane, Thieaudio- hype 2, Sennheiser- ie200 and now these with these having the best overall detail. For listening im using a questyle m15i blue which further increases sub bass and relaxes treble.
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Reviewed in the United States on July 5, 2026 by J-Zilla
Color: Black
I used to own the original MP145 IEMs, and while they were a decent set, I found their sound profile outside of my preference regardless of the filters I would use. They were a little warm and bass focused for my tastes and lacked the balance I greatly prefer. The MP145 Pro are an incredible upgrade that are far superior in their balanced presentation without feeling lifeless. These are a serious improvement and should be your go-to choice for planar IEMs that verge on reference quality sound. Along with the IEMs, the MP145 Pro comes with a robust set of accessories that includes 4 full sets of tips, optional tuning filters, a cable with both 3.5 and 4.4mm connector options, a leatherette case, and a pin. For the price, this is quite excellent to say the least. The tips are extremely useful as getting a good fit can be somewhat tricky due to the size/shape of the IEMs. I found that the balanced size small worked best for as they provided the best seal and fitment to my ears. make sure to test several sets to find which one is optimal for you. I do with that the tips had more accurate/precise descriptions instead of the current naming scheme. Using terms like short/wide, standard, and narrow bore would be far more useful to me than anemone, bass, and vocal which are more subjective terms. The interchangeable cable is a welcome upgrade from that standard MP145 although I do wish that they would have chosen a threaded insert rather than the friction fit it comes with. That being said, I have had no issues so far with the connector becoming loose or unattached. Another minor flaw I had with the cable was on the two-pin connector side. One side was twisted and made the ear loop difficult to keep on my ears. I used a hair dryer to warm the cable and bend it into proper alignment and I am hoping that this is a one-off issue, but be mindful that adjustments may need to be made. As stated before, I really like the tuning choices made with the 145 Pro. You can refine the tuning to your preference with the tuning nozzles provided, but I found the default set best suited for me. The frequency response works across broad genres of music from jazz, to 80's pop, to EDM music, and even to early 2000's and contemporary Hip-Hop. There was no music style that I felt lacked in sound quality and detail. There is good shimmer in the upper frequencies and a adequate, yet tasteful, amount of bass. The bass is less impactful than more "v" shaped IEMs, but I did not feel let down by is. Music came off quick and snappy with good transition between the frequency ranges. Throughout my testing, I found myself being absorbed into the music and less focused on critiquing it which is quite a compliment. Soundstage and placement are excellent and far superior to the original MP145. Frankly, I found nothing offensive and find the MP145 Pro unique in that I did not need to EQ them to get my preferred sound. I am very impressed with what Hidizs has done with this set of IEMs. If the size and weight of these IEMs are not a deal-breaker (they are somewhat chunky), then these are an excellent set of IEMs that should leave any audiophile satisfied. Hidizs really did an excellent job with the Mp145 Pro. They made one of the best tuned planar IEMs I have tried keeping up, if not surpassing my favorite Timeless IEM. They even come in at a lower price and have a far more robust set of accessories make these IEMs and exceptional value. If you're in the market for a reference quality planar IEM, than I can easily recommend the MP145 Pro. They are one of a select few IEMs that I feel are worthy of the Pro name.
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Reviewed in the United States on July 21, 2026 by Shane Cutting
Color: Blue
I've been using these during work, gaming, and evening music sessions. Great all-around performer. Definitely worth the money.
Reviewed in the United States on June 30, 2026 by Claudia
Color: Gold
As someone who primarily listens through a balanced setup, the included 4.4mm plug was a major selling point. Using the MP145 PRO with my portable DAP, I noticed excellent channel separation and a very clean presentation. Dynamic swings are impressive, likely helped by the low distortion rating. Complex tracks remain organized even when multiple instruments are competing for space. The midrange is where this set shines for me. Male and female vocals have convincing body and realism. Acoustic recordings sound particularly engaging. Build quality is excellent. The SPC cable feels durable and significantly better than many stock cables bundled with competing products. This is a well-thought-out package that doesn't require immediate upgrades.
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Reviewed in the United States on June 26, 2026 by William Frieson