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Set name: VX5 Vocal Effects Processor
Features
- From Subtle Pitch Correction to Hard Antares AutoTune Effect - VX5 is an intuitive vocal effects pedal with dedicated Retune Speed and Humanize knobs enabling adjustments with no computer needed
- The Classic AutoTune Sound - At the heart of VX5 is the iconic Antares algorithm, expanding the scope of effects available to vocalists; fit for live stage performance and studio sets alike
- Designed for Vocalists and Producers of All Skill Levels - Ensuring confidence and creative control with access to real-time vocal processing with no perceptible latency, all in a compact form
- Studio-Quality Features - Onboard compressor, reverb, delay, chorus and flavor FX allow you to adjust effects from song to song during a live set-as individual effects or simultaneously chained
- Easy Presets Adjustment - Includes 99 factory presets, stores up to 250 total; hands-free preset control via two footswitches; color display with simple up/down menus for seamless preset programming
- Intuitive Navigation - Individually program each song or activate Talk Mode to disable all FX for talking to the audience between songs; use A/B Mode to control individual effects within a preset
- Intelligent Vocal Harmony Mode - Automatically generates vocal harmonies based on the vocalists selected key and scale, or on chords from a connected instrument, such as a guitar or keyboard
- Flexible Connectivity - Stereo 24-bit/48kHz USB audio interface functionality to record your vocals directly to your device; USB MIDI connectivity to automate preset changes for your live show
- Pro Ins and Outs - Microphone In (XLR, Mono, Balanced); Main Out (XLR, Balanced); 1/8" Stereo Phones Out; 1/4" TS Mono Guitar In; 1/4" TS Mono Guitar Thru; USB-B Port; Power Adapter included
- Ground Noise Control - Premium XLR mic preamp with switchable +48V phantom power; XLR line output with ground lift switch to eliminate unwanted noise issues caused by ground loops
Description
Pro Technology for the Everyday Vocalist or ProducerHeadRush VX5 is an intuitive vocal effects pedal featuring the industry-standard Antares AutoTune technology. Designed for real-world performance settings and realtime vocal processing, the VX5 gives vocalists of all genres and styles confidence and creative control with access to a playground of pro-level audio effects in a compact package.At VX5's heart is the iconic AutoTune algorithm, used by some of the most important and beloved artists of our time. This essential music production software has redefined what it means to be an artist whose instrument of choice is the human voice.Beyond pitch correction, the VX5 also features dedicated Retune Speed and Humanize knobs, studio-quality compression, reverb, delay, chorus, and lo-fi effects, as well as an Intelligent Vocal Harmony that can generate vocal harmonies based on chords from a connected guitar or keyboard.With up to 250 presets available and the ability to function as a class-compliant USB audio interface, the VX5 is the ultimate vocal effects processor for both stage and studio use.
Brand: HEADRUSH
Style: VX5 Vocal Effects Processor
Color: Black
Product Dimensions: 5.9"L x 6.5"W x 2.7"H
Item Weight: 1.2 kg
Voltage: 9 volts
Amperage: 1 A
Audio Output Effects: Compression, Reverb, Delay, Chorus, Lo-fi
Controls Type: Knob, Footswitch
Power Source: Corded Electric
Hardware Interface: 1/4-inch Audio, 3.5mm Audio
Signal Format: Analog, Digital
Style: VX5 Vocal Effects Processor
Color: Black
Item Dimensions L x W x H: 5.9"L x 6.5"W x 2.7"H
Item Weight: 1.2 kg
Item Dimensions: 6.3 x 5.6 x 1.9 inches
Connector Type: USB-B
Brand Name: HEADRUSH
Number of Items: 1
Item Highlight: Antares Auto-Tune, Vocal Effects, Vocal Harmony, Real Time Pitch Correction, Audio Interface with Mic/Guitar Inputs
UPC: 694318026588
Unit Count: 1 Count
Included Components: Power Adapter
Manufacturer: inMusic Brands Inc.
Model Name: VX5
Model Number: AUTOTUNE
Manufacturer Part Number: AUTOTUNE
Set Name: VX5 Vocal Effects Processor
Warranty Description: 1 year manufacturer.
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Sunday, Sep 13
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Set name: Core
The Core is amazing. First a bit of background. I have played guitar for over 40 years. These days I play mostly solo acoustic. I purchased the Core with an expression pedal to replace several older pieces of equipment. I have not been disappointed. I chose the separate pedal because I don’t like my expression pedal locked in one place. The Core does everything. If you don’t think it does something, you probably haven’t figured it out yet or have done something incorrectly. First bit of advice is read and print the manual off the HeadRush website. I can’t say this would be the best choice for a novice, and it is not plug in and play. You need an understanding of the equipment parameters you are asking it to simulate as well as the the key you are playing in if you intend to auto tune. The unit is all metal except the touch screen and feels very durable. It’s larger than I expected and given the build quality, it’s also heavier than I thought it would be. Whoever designed this has obviously spent a great deal of time on stage. It does EVERYTHING! Guitar, vocals, and has extremely well thought out features. Once you set up a rig, and fine tune each of the blocks, (effects) the sound quality is amazing. That being said, it can take time to get your sound just the way you want it. It’s a bit like having a 40 way adjustable driver’s seat. Editing is basically like editing a PdF. Just remember to Save. It is also helpful to review a list of effects, amps and cabinets so you know what HeadRush calls each of them. If you can’t find what you like, you can download or create your own sound in a few different ways. The core is able to run straight into a powered PA if you opt to leave the mixer behind. Input and output levels for guitar and vocals can be controlled from the touchscreen as well as controlling which outputs go where and at levels. The only problems I have had are some WI-FI connectivity. It actually seems to work best connected via cell phone. The other glitch is an occasional delay when switching between rigs. Not a big deal because it is between songs or when switching a rig to use with a different guitar. It would be nice to be see all effects when assigning hardware buttons, but that’s where having the manual available comes in handy. So far, (about a month) I’d say HeadRush has created a remarkably well thought out and capable piece of professional level equipment for this price point.
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Reviewed in the United States on February 25, 2024 by Chandler
Set name: VX5 Vocal Effects Processor
I’m confused by some of the negative reviews. The thing requires a firmware update as soon as you get it in order to have access to things like vocal compression. However, it was functional out of the box. At least for me, the firmware update was seamless and took five minutes I bought this unit for one reason; Live pitch correction. I have always had pretty decent pitch, but better is better, and this makes it better. If you cannot sing at all, I do not see how this would be of much benefit to you. But if you can sing, you can set the parameter on this thing to “chromatic“ and dial in the return speed and the humanize knob until you get transparent vocal pitch correction. If you have never used live pitch correction before, it can initially be a little bit disconcerting because you hear the corrected pitch through your monitor while hearing the original pitch via bone conduction in your head. It is like hearing a sound slightly out of phase. But you are the only person who can hear that sound. Before I ever used this unit live, I hooked it up to a full PA and set up a microphone in front of the speakers and recorded me playing and singing a song with an acoustic guitar and my vocal. The recording sounds great and was totally transparent. I’ve seen some reviews that complained about being able to hear the correction. That’s either a defective unit or they haven’t tinkered with the retune speed or the “humanize” KNOB. The second of those is actually more important. The knobs on this do not work the same as they do in a DAW, so some experimentation is essential. The harmony feature is not something I care about which is good because I do not think it’s great. I do run a guitar through it and I run it in chromatic mode and it does make some harmonic sound but I have heard way better from other manufacturers. The reverbs in delays are pretty nice but I do wish I could EQ the reverb because they tend to be pretty bright. But that’s what board EQ is for. My rating is based on the transparency and effectiveness of the pitch correction, which is the whole deal. If you are a good enough live singer where you can run this in chromatic mode and only have to think about it whenever you wanna talk to the crowd (it has a full bypass mode by stepping on the right button for two seconds) then this is the unit you’ve been looking for
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Reviewed in the United States on March 25, 2026 by Honest Mango
Set name: VX5 Vocal Effects Processor
I bought the HeadRush VX5 to replace my trusted TC-Helicon PlayAcoustic. Having previously tried and returned both the BOSS VE-8 and the BOSS VE-500 due to workflow limitations and tracking issues, I was hoping the VX5’s licensed Antares engine would be the silver bullet for my setup. After an exhaustive bench test using a Shure SM7B dynamic microphone (with a Micfuns M1 inline preamp booster) and an acoustic guitar equipped with hot, passive K&K Pure Mini pickups tracking directly into a DAW via USB, here is my honest breakdown. THE GOOD: Elite Lead Pitch Correction & Reverbs If you are strictly looking at single-line vocal pitch correction, the VX5 is highly capable. The Antares Engine on Lead: For locking down a single lead vocal track, the licensed Antares algorithm handles basic pitch correction tightly and quickly. If you want a snappy, modern pop effect, it transitions easily from transparent correction to a hard robotic snap. Premium Reverbs: The internal Hall and Studio space models sound pristine, deep, and high-fidelity, without muddying up the high frequencies of a dynamic vocal mic. THE BAD: Synthetic, Unnatural Harmonies If you are expecting smooth, natural, human-sounding background duets like you get from TC-Helicon units, you will be deeply disappointed here. Glitchy and Inconsistent Tracking: Even when ignoring the guitar input completely and setting the pedal to a fixed, manual musical key, the harmonies do not feel smooth or consistent. The pitch tracking feels jumpy and unstable, rather than a steady, reliable backing blend. The "Digital Clone" Problem: There is a severe limitation to the harmony selections. The generated output does not sound like a real second singer standing at a separate mic. Because the pedal lacks advanced human modeling or formant shifting, the backing tracks sound exactly like your own voice being mechanically stretched and digitally modified. It is an artificial, synthetic blend that completely lacks organic warmth. THE UGLY: A Dealbreaker for Acoustic DAW Recording This is where the pedal completely failed my workflow. If you intend to run the VX5 directly into your computer via a USB cable to record into a DAW, be warned: It cannot separate your guitar and vocal tracks. The Flattened USB Mix: Unlike the TC-Helicon PlayAcoustic (which can split discrete Left/Right channels over USB to keep your guitar and vocals completely isolated), the VX5 forces a fully mixed, flattened mono sum down the USB line. Acoustic Masking & Tone Ruin: Because the guitar and vocal signals are mixed internally before hitting the USB port, your raw guitar tone gets completely crowded out by the heavy vocal frequencies and the 30% Hall vocal reverb. This creates massive phase clashing and acoustic masking, making a premium acoustic guitar sound strange, hollow, and metallic in your monitoring headphones. The Defeated Guitar Thru: While the pedal features a passive 1/4" Guitar Thru jack, this is a purely analog circuit block. It cannot convert your guitar to digital data for the USB cable. Therefore, you cannot split the tracks in your DAW software. PHYSICAL LIMITATIONS: No Remote Pedal Ports For a live solo performer, the physical design choices introduce immediate friction. HeadRush completely omitted standard 1/4" external footswitch or expression ports to keep the chassis small. If you want to toggle harmonies on and off between verses and choruses, you cannot use an external accent pedal. To bypass this, you have to use clunky software workarounds like duplicating identical presets side-by-side (one with harmony off, one with harmony on). Final Verdict: If you are a live pop/rock singer who uses a separate mixer, wants manual key selection, and demands aggressive Antares pitch correction on your main voice, the VX5 is brilliant. But if you are a solo acoustic singer-songwriter who relies on natural-sounding background harmonies and a clean USB connection to record pure, uncolored guitar tracks alongside your vocals, I would recommend to not buy this pedal. It requires too many external hardware splits, separate interfaces, or DI boxes just to protect your acoustic guitar tone from a synthetic internal vocal mix.
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Reviewed in the United States on May 28, 2026 by Geronimo
Set name: Core
The Headrush Core has completely transformed my guitar rig. It’s hands down one of the most powerful and versatile multi-effects processors I’ve ever used. The amp and cab models are incredibly realistic, and the tone-shaping options are deep yet intuitive. It responds beautifully to dynamics, which makes it a dream for expressive playing — from bluesy bends to fusion-style legato runs. What really stands out is how reliable and flexible this unit is. I’ve built several rigs on it now, including ones that emulate Eric Johnson, Greg Howe, and Andy Timmons — and it nails the feel and tone. The fact that I can stack overdrives, tweak delay timing, and sculpt EQ curves all in one compact unit is a total game changer. The touchscreen interface is fast and responsive, editing is smooth and enjoyable, and the sound quality is absolutely studio-grade. Whether you’re gigging, recording, or crafting tones at home, this unit delivers consistently and effortlessly. It’s also worth noting — I haven’t even touched the looper yet, which is one of its headline features! That tells you how deep and inspiring the Core already is before even unlocking its full potential. If you’re on the fence, don’t hesitate. The Headrush Core is inspiring, expressive, and built to handle whatever style or setup you throw at it. A true workhorse for modern guitarists.
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Reviewed in the United States on August 7, 2025 by Timothy A.
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Great device and I love user friendliness of the 7” screen. Most people rave about Headrush for its guitar features, but my primary reason for purchasing was for its promised Vocal Processing features. The fact that both Guitar and Vocal effect are included in one unit is a huge plus. I own and have owned many T.C. Helicon vocal pedals as well as the BOSS VE-500 pedal. I believe the Boss is King in ability and Helicon Number 1 in user friendliness and both are Very Excellent pedals. During my first few days of use with the Headrush Core it looked like the Headrush Core was coming at third place on vocal capabilities and now after using it for awhile third place sadly is confirmed. However, after digging deeply into its settings I believe as a Vocal pedal the Headrush Core could be King but it needs a few more voice changing improvements especially the pitch and gender areas. For me final results mean everything and if you’re willing to spend the time learning the ins and outs it will meet most of your requirement however not yet in par with both the Helicon and the Boss. The T.C. Helicon is still Number 1 for ease of use and the Boss is still excellent number one in the results capability arena. Headrush Core has many presets for each of its vocal and guitar pedals and numerous adjustments for the presets. It also has the ability to arrange the order of each effects pedal and on top of that you can use any guitar pedal within your vocal setup. Even if the pedals were subpar (and they’re not) you still have a huge advantage in achieving you needed result. The catch is that it’s not as straight forward as the Helicon or the Boss which try to do most of the work for you, the Headrush’s extremely versatile and it requires putting time into creating that perfect sound. However, once you achieve your desire outcome and save it, it’s yours forever. I prefer the Core over the Prime because of the preferred size. Because the Headrush Core is an Electronic Beast I recommend you get a 3year extended warranty. Why only 3 years? Because others will be chasing the Headrush Core and by the end of 3 years you’ll want the next best thing. As an all in one pedal however it's hard to fine something better, but I'm always looking.
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Reviewed in the United States on December 23, 2023 by M. Marks
Set name: Core
So I wanted a modeling unit that was super easy to learn to use unlike most of them taking some form of a mad scientist degree to learn to use. This unit is rock solid and pretty much untouchable for the price for what it has to offer. First off 7 inch touch screen, built in looper and drum machine. If that's not enough it's got vocal effects and powered microphone input. But best of all it has full cpu and processing power no matter which unit you choose. Each step down offered by the competitors is a loss in cpu and processing power but not with Headrush. I would recommend to anyone wanting to enter and learn the modeling world. Oh and both the prime and core models offer the antares auto tune, something that no one else offers.
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Reviewed in the United States on January 16, 2026 by Stephen E Gates Jr
Set name: VX5 Vocal Effects Processor
Definitely has a lot of high-end effects. The issue is cycling through them to get to the one that you need to change from one effect to the other rapidly. There’s probably a way to do this, but it’s not straightforward. There is precision adjustments for those who discern enough to spend the time to figure things out. I like the physical knobs and the digital read out is easy to see when standing directly over it. A little bit tougher at an angle, like if you set it on top of a bar or counter, that is closer to head level. Overall, a good value for the money, considering the complex features that it executes. Autotune is probably the biggest highlight!
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Reviewed in the United States on July 11, 2026 by Mike B.
Set name: VX5 Vocal Effects Processor
1.0 out of 5 stars HeadRush VX5 Vocal Effects Pedal: My Tropical Rock Dreams Drowned in a T-Pain Tsunami! As a national recording artist with my songs spinning on tropical rock radio stations across the country, I’m no stranger to crafting a vibe—think laid-back, beachy tunes with just me, my guitar, and vocals that carry the salty breeze. I was hunting for an affordable vocal effects pedal to add a little magic to my live sets: a splash of reverb for that open-air feel, a hint of delay to let my notes linger like a sunset, and a touch of chorus to fatten up my solo sound into something as rich as a piña colada. The HeadRush VX5 seemed like a budget-friendly ticket to paradise—compact, guitar-thru for harmony detection, USB for studio tweaks, and even some Auto-Tune I figured I’d use sparingly, like a pinch of pitch correction to keep things polished. Spoiler: I was wrong. So very wrong. Unboxing was fine—sturdy build, nice lights, all the makings of a solid pedal. Then came the setup. Holy shipwreck, Batman—I spent six hours wrestling with this thing, and I’m still not sure who won. The instructions? They’re less helpful than a paper towel in a hurricane—vague, cryptic, and obsessed with pushing Auto-Tune like it’s the only trick in the bag. I hit YouTube for salvation, expecting some guru to guide me through basic effect chains. Nope. Just a couple of vids (shoutout to Budda Foster’s walkthrough 11 and a quick hookup clip 13 ) and a whole lotta tutorials on how to sound like T-Pain circa 2008. I’m out here trying to channel Jimmy Buffett, not Cher’s “Believe” remix. The effects are there—reverb’s got that dreamy wash when you accidentally find it, delay echoes like a distant wave, and chorus does beef up the vocals—but good luck dialing them in without losing your mind. The interface feels like it was designed by someone who hates singers. And the Auto-Tune? It’s not a gentle nudge; it’s a full-on robot takeover. My tropical rock ballads turned into a glitchy karaoke nightmare, like I’m auditioning for a sci-fi boy band. I wanted a subtle polish, not a vocoder vacation. I returned this pedal faster than you can say “margarita meltdown” and grabbed a Boss VE-20 instead—set it up in 10 minutes, got my beachy vibe locked in, and never looked back. If you’re aiming for that hard Auto-Tune pop-star sound, the VX5 might work (folks say the pitch correction’s pro-level 0 2 ). But for a national artist like me, chasing warm, tropical vocal textures? This pedal’s a castaway. One star for the potential it teased but never delivered—better luck next tide, HeadRush.
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Reviewed in the United States on September 26, 2025 by Theodore H.