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Availability:
Only 3 left in stock, order soon!
Arrives
Sunday, Oct 18
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Format: Greatest Hits [Explicit]
Description
Double vinyl LP pressing 2009 collection from Dave Grohl and the Foos including two brand new tracks, 'Wheels' and 'Word Forward', both recorded with producer Butch Vig (who also produced Grohl's former band, Nirvana!). This excellent collection features some of the finest melodic Rock released in the last 15 years including 'The Pretender', 'All My Life', 'Learn To Fly', 'Best of You', 'Times Like These', 'My Hero', 'Everlong', and many more.
Language : English
Product Dimensions : 12.2 x 0.4 x 12.4 inches; 1.15 pounds
Manufacturer : Legacy Recordings
Original Release Date : 2009
Run time : 1 hour and 3 minutes
Date First Available : September 23, 2009
Label : Legacy Recordings
Number of discs : 2
Best Sellers Rank: #273 in CDs & Vinyl (See Top 100 in CDs & Vinyl) #6 in American Alternative Rock #30 in Metal #34 in Hard Rock (CDs & Vinyl)
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Sunday, Oct 18
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Top Amazon Reviews
I currently have this in my car CD player. The songs are great and have a great energy to it, great for driving to. I have liked their songs, but after seeing The Other Guys, I can't look at the song There Goes My Hero the same way again 😂
Reviewed in the United States on April 8, 2026 by Shane H.
A bit of context: While I'm not at the hundred thousand dollar mark of pro-audio and audiophile gear. I do have a pretty "high-end" audio setup (or at least what most would considered high-end) that comes in just under the $3000 price point. I do spin records that I feel like would blow my mind, but a lot of my collection is sealed. I crack records like expensive wine or buy a pair, and keep one for collecting while one gets spun. I take vinyl collecting, hi-fi music, and this hobby to heart, as it's one of the things I literally look forward to every month. My collection, which currently exceeds 1000 records, has been carefully curated, with most of my records acquired new. Usually from places like Amazon, Walmart, Target, and Discogs (via random sellers), with occasional acquisitions from eBay and independent record labels and stores across the US to secure exclusive releases and desired variants. As well as the rare stuff that I tag as collectors items. I am meticulous about the condition of the records I receive, prioritizing their display and quality. Records that arrive with bends, tears, or rips are promptly returned and do not remain in my collection. I strive for pristine appearance, playback, and sound quality. To a point where it needs to be a museum quality display piece essentially. Though there are some records that fall through the crack and are just glorified .MP3s thrown on wax. I try to review and keep that in mind, that sometimes there isn't an analog tape that could be pressed to wax (in fact most times it's this way) wherever I can be honest, I will. It's just there is only one way I review records and that's through the ears of a audiophile. In evaluating records, I do aim to provide fair, unbiased, and neutral ratings, considering factors such as pressing quality, performance, production details, and overall packaging. Once again, keeping in mind that somtimes pressing are just a .MP3 file placed on wax and when it comes to GZ Mastering (usually starting off at a 6/10 in the sound quality department) the quality can only be so good with what there is to work with. I reflect that in my reviews. My current setup features a Pro-Ject T2W turntable, which I use with various styluses. I typically use the Sumiko Moonstone and Rainer as these sounds best for comparison and neutrality to let my system come alive. For speakers, I use a pair of Monitor Audios, Silver 100s and a Polk Audio Signature Elite ES10 sub. Currently, I use a Fosi Audio V3 as the amplifier currently to power the Silver 100s. Along with various pre-amps that sound killer, I love the Douk Audio P1 Plus and WiiM Ultra. They both punch well above their weight and give you really warm sound and feel. This setup allows for music to come through as close as the artist and mixing/mastering engineer intended. Sometimes that's good, sometimes...well not so much (thanks again GZ Mastering). Every record in my collection is meticulously cleaned before playing. I use a ultrasonic cleaner (Vevor + iSonic Cleaning Solution) and maintain them with regular vinyl cleaning tools and brushes (Boundless + Music Nomad). Each record is then stored in anti-static rice paper sleeves (Mofi or Hudson Hifi) and high-quality plastic protectors (Invest In Vinyl) to ensure their pristine condition is preserved. Sound: The pressing quality of this album is almost perfect on my setup. It's clean, it's dynamic, and more than anything it sounds so huge and fat everywhere. The low end in both bass and kick drum are super tight, the mids in all of the guitars and occasional piano sounds sharp, high end is airy and lush. The thing that shines the most on this are vocals, they just pop. It feels like an incredibly well mixed rock album, because it is. The mix is absolutely perfect. The master is great. On a high-end setup, the audio quality is really something, and an experience for sure. I can't speak for a suitcase table type player like a Crosley, though I imagine if this sounds perfect on my setup, it'd at least sound vocally solid on a low end starter setup. Bass may be a little weird cause this record has some slight low end rumble behind every track that contains some thumpy kicks and crunchy rock bass that really come through in certain parts of almost every song. Low End + Low End Table = Meh. I always include a recording with my reviews and you can hear it even through an iphone, just how great it sounds. Packaging: This packaging is very straight forward. It was actually pretty clean inside too, not a lot of dust and debris, but it did need a cleaning. The inside sleeves that hold the vinyl are trash, but that's expected. You should be replacing them anyways. The black "standard" pressing which is what you'll get here is your typical dual LP packaging, with nothing special. It's just a solid gatefold. Looks/Color Variant: As mentioned above - I got the "standard black" option. It looks like your typical record. I do believe there are some other color ways for this, but the standard is the one readily available. Sound over looks here for sure. Cost: Which was $13 on sale. It's currently $30, the "new" standard for vinyl pricing. It's still absolutely worth it. You're getting an incredibly mixed, mastered, and beautifully pressed record with incredible well written music on it. Whether you justify the new norm of vinyl price or despise it, one thing doesn't change, the way this record sounds and feels in your hands. I can't speak enough great upon this album. It's a no brainer. Issues: None. It's an amazing pressing, with great looks, packaging, sound quality, and aesthetic. This entire album feels well worth the price I paid. Which was actually $13 on sale, it's more than solid with zero issues even at the current price-tag. While I did clean it hydroponically like I do all my records, this pressing had some dust/debris from the factory. Which is a common trend with most things you get pressed. No warping, no skipping, pops, clicks, gouges or scratches. Another reason this clears and then some. No issues once again. Overall: The pressing itself and entire package deal is a 8.5/10 for the standard black pressing. Which is as close to perfect as you can get without going colored in my rating scale and not being clean inside. Mini Album Review: Foo Fighters rule, this is a greatest hits. Literally just Side A is a masterpiece to listen to, containing Everlong, Best Of You, and The Pretender. Which all stand out as some of the best written Foo Fighters tracks. On top of that you get 3 other sides to experience 12 of their best, including an acoustic rendition of Everlong, which on great speakers; will blow your mind. This is a must if you're a fan of The Foo Fighters and want something to enjoy on vinyl that sounds huge.
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Reviewed in the United States on October 21, 2023 by Lemon Lime Cola
Was anybody really that surprised when it was announced that the Foo Fighters would be releasing a greatest hits package? If anything, the only surprise has been the fact it’s taken so damn long to happen. Over a span of six records, you’d be foolish not to give the band credit where credit is due. After all, it’s not every day that the band that stemmed from a bored drummer wanting to try and make some music after the singer in his band dies evolves into one of the biggest entities in modern rock music. What’s great about the band especially is that even people who don’t register themselves as fans can happily admit to enjoying at least a couple of the band’s singles. It’s not as if there’s slim pickings, either. Essentially, if you’ve turned on a radio in the past decade, there’s a good chance you’ve heard a few of the band’s songs. Each single carries that sturdy rock edge, driven by big guitar and an even bigger chorus – sure, you might not be crazy about them, but it’s a little hard to not at least like them. It’s for this reason the Foo Fighters’ Greatest Hits is more than just a stocking filler for this holiday season. It is a landmark of a band nearly fifteen years into their career, and a near-perfect arrangement of the songs we’ve grown to love over the years. The older stuff holds up well – “Big Me”, from the self-titled record, still has dollops sweetness and understated charm, whilst “This is a Call” maintains that out of nowhere sucker-punch when the guitar tone switches into overdrive and the drums charge through your speakers. And if we’re talking Foo singles from this era, who could even try to forget “Everlong”, regarded by many as Grohl’s post-Cobain piece de resistance. In a flurry of Taylor Hawkins’ high-speed drums, matched up with dual guitar crunch and Grohl’s vocals nailing both restrained melody and unleashed screech-singing, the band nailed their collective sound in a four-minute montage of everything that has contributed to the band’s longevity. Hell, put it this way - the song’s so good, it’s on here twice (the acoustic version closes most versions of the release). One could easily accuse the band of weakening and declining in overall quality following the release of The Colour and the Shape. Singles featured here, however, such as “The Pretender”, “All My Life”, “Learn to Fly” and “Best of You”, are more than willing to contradict this mindset. It’s these tracks that perhaps best represent their respective albums – admittedly, something a single probably shouldn’t be doing; but the songs themselves are so well-structured and enjoyable it’s easy to ignore. “The Pretender”, the opener from 2007’s Echoes, Silence, Patience and Grace rollicks along consistently on an edgy groove before roaring through that unmistakably excitable, anthemic shout-along of a chorus. In Your Honor’s “Best of You” brings the tempo down slightly, but keeps the energy levels at a high – especially following the second chorus, with the introduction of Chris Shiflett’s buzzsaw guitar break that scales the heights of the instrumental section at an impressively quick rate. Yes, at this point in their career, the Foos could have released pretty much anything and they’d still be packing stadiums. The fact there was still quality material to be found, nonetheless, is impressive and a merit to the band themselves. Of course, it wouldn’t be a Greatest Hits CD without at least one or two new tracks. The problem with this, however, is that most bands know this; and therefore put significantly less effort into them. Indeed, lethargic songwriting is what hinders the twangy “Wheels” and the jarring, uneven “Word Forward” (which can’t decide which kind of Foo Fighters song it wants to be) – there’s no spark or engaging accessibility here. The former features some lovely harmonies from Hawkins and Shiflett in a call and response with Grohl’s rambling chorus lines, but has little else to offer. The latter, meanwhile, drags from the get-go; burdened with cheesy acoustic guitar, a lame-duck chord progression and ill-fitting scowls of “they’re just ***ing words!” that completely belie the dorky “Farewell, Jimmy/Goodbye, youth” that commences the song. Additionally, it wouldn’t be a Greatest Hits CD from a major label created sans the band’s blessing without some glaring omissions. So “Skin and Bones” was a hit, yet the Orange County soundtrack single “The One” was not? Furthermore, of the five singles released from There is Nothing Left to Lose (including the fantastic “Generator” and “Next Year”), only two are deemed worthy of inclusion? Granted, there’s only so much time we’ve got for the band, but the selections present only just get the green light – a few tweaks and we could have gotten a lot more value for money. Sure, the “Greatest” is a little questionable at times (the new tracks, the slightly cheesy “Long Road to Ruin” et al.). Don’t try questioning the “Hits” element, though. The bulk of what we have here is certified rock radio gold. Foo Fighters’ Greatest Hits works for all kinds of fans – the diehards can complete their collection and have all the band’s great videos with the bonus DVD; and the passing fan can see the release as a mixtape for people who aren’t willing to wade through entire albums. The system works. Thanks, Dave.
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Reviewed in the United States on October 9, 2017 by Carbona Not Glue
Awesome. Great song list.
Reviewed in the United States on June 2, 2026 by michael guffey
The CD finally came after 10 weeks and me contacting Amazon that it never arrived when it played it played perfectly and was in decently condition
Reviewed in the United States on July 3, 2026 by KARL NICHOLAS URSO
Quality products and very fast shipping
Reviewed in the United States on July 22, 2026 by Michael Wimmer
Muy buen disco, llegó muy rápido pero el disco 2 tiene una raya que atraviesa el disco de lado a lado, afortunadamente no interfiere en nada, la carátula tiene los remaches en alto relieve y le da un toque original.
Reviewed in the United States on October 2, 2025 by Fabian Esquivel
Excelente edición, un sonido espectacular. Buen precio para un vinilo doble.
Reviewed in the United States on July 16, 2026 by Sergio Iván Benavides Chaves