Donner Chorus Pedal, Tutti Love Analog Chorus Effect Classic Warm Chorus for Electric Guitar True Bypass
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Availability:
15 left in stock
Arrives
Saturday, May 2
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Color: Blue Chorus
Features
- [Analog Chorus Pedal]: Donner Tutti Love pedal reproduces the classic warm jazz chorus tone with a natural wave curve; Suitable for jazz, rock, and pop, for both electric guitar and bass
- [Flexible Chorus Pedal]: Tutti Love offers easy in/out and an extra LEVEL knob in addition to the traditional DEPTH and RATE parameters
- [Durable Guitar Pedal]: Aluminium-alloy classic, stable and strong
- [True bypass]: True bypass provides a transparent tone; LED indicator shows the working state
- [Notice]: Power supply is NOT included. Runs on 9V DC
Features
- [Analog Chorus Pedal] Donner Tutti Love pedal reproduces the classic warm jazz chorus tone with a natural wave curve. Suitable for jazz, rock, and pop, for both electric guitar and bass.
- [Flexible Chorus Pedal] Tutti Love offers easy in/out and an extra LEVEL knob in addition to the traditional DEPTH and RATE parameters.
- [Durable Guitar Pedal] Aluminium-alloy classic, stable and strong.
- [True bypass] True bypass provides a transparent tone. LED indicator shows the working state.
- Notice: Power supply is NOT included. Runs on 9V DC. 1-year warranty.
Item Weight: 8.8 ounces
Product Dimensions: 6.6 x 4.7 x 2.6 inches
Item model number: Tutti Love
Is Discontinued By Manufacturer: No
Date First Available: November 11, 2013
Color Name: Blue Chorus
Signal Format: Analog
Number of Strings: 6
Power Source: Electric
Voltage: 9 Volts
Brand: Donner
Style: Chorus,Bass,Mini
Color: Blue Chorus
Product Dimensions: 1.7"L x 3.7"W x 2"H
Item Weight: 0.25 Kilograms
Item Weight: 8.8 ounces
Product Dimensions: 4.8 x 1.77 x 44 inches
Item model number: Tutti Love
Is Discontinued By Manufacturer: No
Date First Available: November 11, 2013
Body Material: Aluminum Alloy
Color Name: Blue Chorus
Connector Type: 1/4 inch mono audio jack
Hardware Interface: USB 2.0 Type B
Signal Format: Analog
Number of Strings: 6
Material Type: Aluminium-alloy
Power Source: Electric
Voltage: 9 Volts
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Saturday, May 2
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
Color: Yellow Delay
I am hijacking my wife's account to post this. Hopefully it helps. Over the past couple years, I have purchased every Nano and Mini Pedal that Donner has made. Some of them I have two of. Some I do not use at all. Only because I prefer specific ones over the others. For instance, I have the Verb Square, Echo Square, and Mod Square pedals, but prefer the Yellow Fall pedal for its simple operation. I also have all the Super Mini or Nano pedals, which are also great, but decided on the Mini Pedals for my set up, just because of how they can be configured so closely using Getaria cables. After many reconfigurations and finally watching a 1 hour YouTube video interview with Steve Vai about the principles of splitting a signal and playing in stereo, I set up a couple amps, and now have the option of playing in stereo using several Donner pedals that I feel produce the best signal path that I can control to create the voicings I am looking to emulate. For starters, I have a 1973 Peavey Studio Pro 40 that I use as my amp head that has been in the family my whole life, though I have only seriously learning to play guitar in the past few years. It was barely used until it was passed on to me, and probably not utilized the way I am using it now. I also have an Acoustic A20, an Acoustic G120 DSP, and configured an old set of Infinity speakers (two 1x12's) into a cabinet for testing the quality of the unbalanced line out on the Peavey. After two years of playing around with the pedal configurations and watching the Steve Vai interview, I have settled on this configuration as the optimum path for pushing the cleanest signal until I am ready to manipulate it: I run the clean signal from the GTR into the following Donner pedals listed in order powered by two DP-1 power supplies, and one DP-2 power supply, with the majority of the pedals mounted on a DB-3 Pedalboard for the main signal path: Donner Wah Cry (wah/volume), DT Deluxe Chromatic Tuner (tuner)*, Ultimate Comp (compression/sustain)**, Stylish Fuzz (fuzz/distortion), Extreme Driver (boost/overdrive/distortion), Pearl Tremor (phaser), Blues Drive (gain/overdrive), Boost Killer (gain), Morpher (distortion), Giant Metal (boost/distortion)***, and Viper (passive volume) pedals into Channel 1 (high gain) on the front of the amp. On the back of the Peavey Studio Pro 40 amp are jacks for an FX loop, an Unbalanced Line Out (ULO), and a footswitch controller. From the back, it comes out of the Send jack into the following Donner pedals: Noise Killer (noise gate/ suppressor)**, Jet Convolution (flanger), Harmonic Square (octave/pitch shifter), Tutti Love Chorus (chorus), ABY BOX (line switch) [pay attention here], Yellow Fall (delay), Golden Tremolo (tremolo), and finally into a Looper (loop station) which then goes into the Pwr In (Return) on the back of the amp to complete the effects loop. On the back of the Peavey, since it ALSO has the ULO jack, the signal coming out of the ULO can go to a mixer, recorder, another combo amp, or speaker cabinet. Using the ABY switch to split the signal before the Yellow Fall (delay effects), I can send a signal path to another amplifier and play in stereo (in this case, simultaneously using the Studio Pro 40 and the G120 with the slider switch set to ABY). If I use the ULO and utilize another speaker cabinet set-up, it enables me to use the Peavey as a monitor with a simultaneous split for a 3-channel Surround Sound Stereo effect. Using the ABY switch immediately after the Tutti Love Chorus, the signal path 'B' gets sent into Channel 1 of the Acoustic G120 DSP (high gain) on the front of the amplifier. The signal comes out the FX Loop on the backside (Send) into a MOOER GE-100 (configured to preset #64 'PreAmp Driver', or #65 'JC Amp'), and then into a second Donner Yellow Fall (which is the same delay pedal as on the 'A' signal side of the ABY BOX) with the echo, time and feedback settings compensated so the Acoustic G120 sound washes over the output of the Peavey Studio Pro 40 so that the delays in sync. For a regular set up (Dual Channel stereo), the Peavey is directly in front of me, with all the foot controls comfortably within reach, and most of them on the Donner pedal board. Any other amps or cabinets are about 10 - 15' away to the left and right facing out. This set up CAN BE VERY LOUD! The Viper (passive Volume/Expression) pedal is key to controlling the signal level and achieving the sound you want, based on your guitar, how hot the pickups are, the strings you use, etc. But it can also be soft, clean, warm, bright, rich, or spacey. With just one ABY switch at the end of the signal path, just before any time effects are applied, the signal is split into A and B, enabling me to play, A, B, or Both (Y). Playing 'Y' (A and B together), I can play in stereo (up to 160 watts), and with the 'B' signal passing through the MOOER GE-100, I can wither use its metronome feature, or select from a variety of preset drumbeat styles and adjust the tempo to play along with. It also has an MP3 input, to play along with your favorite songs or prerecorded tracks. It also has its own looper with over dub features, so between the MOOER GE-100 and the Donner Looper, I have 2 loopers available to play multiple riffs of up to 10 minutes at the same time. And if I really want to get crazy, the MOOER has 80 preselected voicings to use with its own integrated volume/wah pedal (as well as room for 80 more user programmed presets). This enables me to split the signal and have one guitar playing like there are two; either playing the same notes with two separate effects signals, or playing in unison with the same effects signal. Yesterday I added another ABY BOX Line Selector between the GTR and the Wah Cry to go into an Acoustic A20 amp (for acoustic and hollow body guitars) to use as a lower watt amplifier head and/or monitor plugged into Channel 2 on the Acoustic G120 DSP. Using the ABY Boxes and a Line 6 (2 button latching footswitch) to switch Channels on the G120, I can direct the signal to go from the Peavey into the G120 DSP (toggling between channels 1 & 2) or into the A20 and come out the FX loop and through the MOOER and any other effects (I can take the MOOER out and toss in an entirely separate set of Donner effects or cabinet simulator effects pedals -- Dynamic Wah, Sweet Juice, Incredible V, Green Land, Force 2, Black Devil, or MOOER M005 Brown Sound as well or in the ULO path for different cabinet simulations). [A side note here: I am exploring the possibility of adding a EarthQuaker Devices Swiss Things Pedal Board Reconciler for more control in place of the first ABY Box (between GTR and the Wah Cry) and letting it manage one of the signal paths to either the G120 DSP or a more aggressive cabinet setup like a 200w Marshall stack (400W total).] All the effects pedals (stomp boxes) are true bypass, so depending on whether I want to play some blues, pop, funk, rockabilly, country, rock, metal, or jazz -- it just depends on which guitar I pick up (acoustic, electric, hollow body, semi-hollow body), what effects I apply, and where I direct the signal. I have my sights set on a Marshall cabinet (or stack of two) to have a 200w (possibly 400w) option available and still use the Peavey as the amp head because it has the one thing the Acoustic G120DSP doesn't -- an Unbalanced Line Out to be able to play in stereo or with a smaller amp and integral FX loop as a monitor. With a double latching Peavey footswitch connected to the Studio Pro 40 (I cannot find a vintage Automix, so I have a Peavey multi-purpose 2 function footswitch), and a double latching Line 6 footswitch connected to the G120 to change between high gain or low gain input channels, though they create a pretty large footprint with all the pedals and footswitches, I have total control as I play. It is important to note that the placement of the PolyTune 3 serves as a kill/mute switch for everything but the drumbeat or metronome (there is a Rhythm switch on the MOOER GE-100 to turn this feature on and off). This set up can be pretty interesting, and is definitely a lot of fun! Though I have them all, I have spent significantly less on the Donner brand than any Boss, MXR, or other major brand to have all the effects available to recreate any voicing -- from a clean 50's vintage tube amp, to a heavily distorted or modulated brown sound -- I can dial it in through the Donner configuration, or choose a preset in the MOOER GE-100 and play along or improvise my own music. *Note 1: I will be replacing the Donner Chromatic Tuner with a PolyTune 3 for more immediate recognition of which string may be out of tune and higher tolerance. **Note 2: Depending on your amplifier's ability to apply more equalization to the signal pre amp and/or post amp, you may want to consider a 5-band Graphic EQ (filter) either between the Ultimate Comp and the Stylish Fuzz, or immediately after the Noise Killer. ***Note 3: Fuzz, gain, overdrive, boost, distortion are in increasing order of how many ohms they utilize and the dB they output in order to eliminate accumulation of line hiss that is common when high gain/distortion pedals are in series despite whether they are true bypass. Summary: GTR <cord > >ABY BOX 1 (line selector) [optional placement of EarthQuaker Swiss Things Pedal Board Reconciler (ABY/FX channel controller] > Path 'A' [Box 1] <cord> [Donner DP-3 Pedal Board] >Wah Cry (wah/volume) [may substitute with Auto Wah}, >PolyTune 3 (tuner), >Ultimate Comp (compression/sustain), >Graphic EQ (filter) [optional placement] >Stylish Fuzz (fuzz/distortion), >Extreme Driver (boost/overdrive/distortion), >Pearl Tremor (phaser), >Blues Drive (gain/overdrive), >Boost Killer (gain), >Morpher (distortion), >Giant Metal (boost/distortion), >Viper (passive volume/expression) <cord> into +Channel 1 (high gain) on the front of the amp (Peavey Studio Pro 40). >Path 'B' [Box 1] <cord> into +Channel 1 (high gain) on the front of the amp [Acoustic A20]. {Acoustic A20] +Direct Out into +Channel 2 (low gain) on the front of the amp [Acoustic G120 DSP]. [If your amp does not have an FX loop, then just connect the rest of the following pedals in series immediately after the Viper and then plug the entire signal chain into the high gain channel of your amp.] [Peavey Studio Pro 40] +FX Send >Noise Killer (noise gate/ suppressor), >Graphic EQ (filter) [optional placement] >Jet Convolution (flanger), >Harmonic Square (octave/pitch shifter), >Tutti Love Chorus (chorus), >ABY BOX 2 (line selector), >Path 'A' [Box 2] >Yellow Fall (delay), >Golden Tremolo (tremolo), >Looper (digital looper) <cord> into +FX Return (Peavey Studio Pro 40). +ULO (Peavey Studio Pro 40) <cord> >Marshall MG412BG and MG412AG cabinet stack +Peavey Two Button Multipurpose Footswitch {Activates or Defeats Saturation and Reverb functions} >Path 'B' [Box 2] <cord> into + Channel 1 (high gain) on the front of the amp (Acoustic G120 DSP). [Acoustic G120 DSP] +FX Send <cord> >MOOER GE-100, >Yellow Fall (delay) <cord> into +FX Return (Acoustic G120 DSP).
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Reviewed in the United States on August 4, 2019 by KimmB
Color: Blue Overdrive
I've found my perfect match with this guitar pedal, and I couldn't be happier. As a guitarist who primarily uses a Godin A6 Ultra Hybrid Acoustic Guitar with a humbucker pickup, I've been on the hunt for a pedal that would seamlessly enhance my sound without taking up too much precious space on my pedal board. This pedal not only fits the bill but also exceeded my expectations. My main goal was to find a pedal that could provide that sweet crunch when I blend in my humbucker with the piezo pickup for lead guitar moments. This pedal has proven to be the ideal solution. Its subtle yet effective impact on my tone is just what I was looking for. I've been using the warm setting predominantly, and I must say that the pedal's crunch isn't overpowering. It adds a layer of depth and character to my sound, enhancing my humbucker's output without overshadowing the uniqueness of the piezo pickup. It's like the pedal was tailor-made for my setup. One of the aspects that truly stood out to me is the pedal's ability to maintain the balance between the different pickups. It's a delicate dance, and this pedal has nailed it. The warm setting, in particular, has become my go-to choice, providing the perfect level of grit without compromising the overall harmony of my sound. Overall, I'm thoroughly pleased with this pedal's performance so far. It has enhanced my playing experience and brought a new dimension to my music. If you're like me, searching for a pedal that complements your hybrid acoustic guitar setup without overwhelming it, I highly recommend giving this pedal a try. It has certainly earned its place on my pedal board and in my heart. Pros: Ideal for blending humbucker and piezo pickups Subtle crunch without overpowering Maintains balance and harmony Compact size perfect for pedal boards Cons: None encountered in my experience In summary, this pedal has filled a void in my setup that I didn't even know existed. It's a versatile, compact, and harmonious addition that has elevated my sound to new heights. Kudos to the creators for crafting a pedal that truly understands the needs of hybrid acoustic guitarists.
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Reviewed in the United States on August 16, 2023 by John
Color: Red Octave
I was seriously impressed with my new Octave guitar pedal. I couldn't stop grinning from all of the cool sounds that I heard when I initially plugged in. All I really wanted it for was just for the drop tuning but it does so much more than just drop tuning and harmonizing. First: I wasn't expecting the build quality to be so impressive and Second: I an just blown away with the range of the sounds and the quality of the signal. I'm seriously gushing because I was going to buy a Digetech Whammy pedal and then I saw the Donner pedal. I was thinking if it sucks Ill just return it. Nope this isn't going anywhere. So if you don't need the Whammy wha wha type foot controller, I highly recommend the Donner Octave Pedal VS the nearly $400 Digitech which has way too many gimmicky options that you will never even use.to be clear, I have nothing to do with Amazon or Donner and I hardly ever write reviews. But for this purchase, I just had too. Get it and enjoy.
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Reviewed in the United States on August 14, 2023 by Nat
Color: Blue Overdrive
I'm a pedal junkie that doesn't have the budget to fill out my pedalboard with expensive effects. I actually received this pedal by mistake in a prior Amazon order, but while I had it in hand I tossed it in my effects chain and played around with it a bit. I fell in love with it: heavier than my boost but not as extreme as my high-gain distortion chain. After I received the proper item and returned it, I regretted it immediately. It went on sale soon after, and here we are. I have not been able to use it to perform yet, but considering it's been flawless on my board since I installed it, I can't imagine it letting me down during a show.
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Reviewed in the United States on August 10, 2023 by TechnoWOW!!! TechnoWOW!!!