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JEYFLAW

Blue Velvet

  • Based on 32 reviews
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Availability: Only 8 left in stock, order soon!
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Arrives Sunday, Feb 15
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Description

Beneath the surface of small-town serenity lies a dark domain where innocents dare not tread and unpredictability is the norm. It is the haunting realm of Blue Velvet. Spawned from the mind of David Lynch (Mulholland Drive, "Twin Peaks"), Blue Velvet is a "shocking, deeply disturbing...startling mixture of the heartfelt and the horrific" (Newsweek).Clean cut Jeffrey Beaumont (Kyle MacLachlan) realizes his Mayberry-like hometown is not so normal when he discovers a human ear in a field. His investigation catapults him into an alluring, erotic murder mystery involving a disturbed nightclub singer (Isabella Rossellini) and a drug-addicted sadist (Dennis Hopper). Soon Jeffrey is led deeper into their depraved existence... to the point of no return.

Number Of Discs: 2


UPC: 048984074891


Package Dimensions: 7.7 x 5.5 x 0.5 inches; 2.89 ounces


Type of item: DVD


Item Weight: 2.89 ounces


Date First Available: September 26, 2019


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If you place your order now, the estimated arrival date for this product is: Sunday, Feb 15

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Top Amazon Reviews

    • Strangely moody mystery thriller
Mystery thriller about a teenage couple getting involved in bizarre events. Soundtrack features music by Roy Orbison. Great acting and a unique plot. Isabella Rosellini has a nude scene.
Reviewed in the United States on March 9, 2022 by CVtex
    • This one worked
Our first Blue Velvet--Criterion Collection, would not play but this one did. We had not seen this in years and it does seem like a logical lead into Twin Peaks.
Reviewed in the United States on September 27, 2020 by Gordon Wilson
    • Received with care!
Came faster than expected and in great condition!
Reviewed in the United States on November 18, 2021 by Derek Gutierrez
    • fast
good
Reviewed in the United States on January 17, 2022 by Amazon Customer
    • Great price
Perfect gift for my son! Great price!
Reviewed in the United States on January 11, 2020 by Marilyn Fingerlin
    • Not as advertised on DVD box
DVD box said there was supposed to be a special features section, where there was supposed to be a "mystery of love" documentary, deleted scenes etc. Siskel & Ebert original review. Nowhere were these to be found. Very disappointed.
Reviewed in the United States on September 11, 2021 by Marie Berberich
    • Not really the classic everyone seems to think it is
If there’s anything that can ruin an otherwise perfectly good David Lynch thriller, it’s all the attempts at humor. I’m not just talking about your typical comic relief legitimately used in this movie. I’m talking about Lynch’s trademark sly, cute, winking, hip, ironic humor that he puts in and between his scenes of dark, ugly despair and violence as though to suggest that those scenes are just a joke and if you’re offended, you don’t get it. It undercuts the power of his vision and comes across as insincere. You probably thought I was going to say the problem was all the misogynistic violence. Well, still you’d be at least half right. I don’t like watching depictions of abuse and humiliation of women any more than victims of such abuse like receiving it, but if you’re going to make a movie that explores those dark themes, don’t joke around, because it's not funny. At least use the opportunity to treat the subject matter with the seriousness that it deserves and enlighten the audience about what it really means to be trapped in the type of abusive relationship that Frank and Dorothy find themselves in. Who really is Frank, and why is he such a violent pervert, and why does Dorothy enjoy it and submit to him? This is never explained. They are presented only as satirical archetypes, but what Lynch doesn't realize is that by putting humor into those violent scenes, somehow he's making them even more cruelly misogynistic than if he had played them straight. To me it seemed the purpose of satire has always been to speak truth to power. Here he's poking fun at 1950s white middle America, which isn't what it seems on the surface, as everyone knows, but there's a point when the name of satire is just used as an excuse to vent an artist's own personal demons, and this movie goes far beyond that point. I get how the movie is a surrealistic, Freudian, postmodernist pastiche of old noir films from the 50s. All that is very skillfully done. The photography, editing, cinematography, music, sound, wardrobe. All well done. But Lynch is fundamentally scared of his own material. He doesn’t want you to think that the scenes involving the abuse of a woman are the cinematization of his own twisted, personal fantasies. But they are. He wants to play it off and deflect responsibility, and he’ll say that he got the inspiration from dreams, meditation, old movies, satire, or images from the collective unconscious, and he adds the humor to let you know he doesn’t really mean it. Don’t be fooled. Frank Booth is David Lynch, and David Lynch is Frank Booth. Frank does all the things Lynch fantasizes about. If Lynch came right out and admitted this to himself, at least he would have made a movie that was more authentic, more serious, and truer to itself. What we’re stuck with is a movie that is dark and wounding but suffers from too much smug disingenuousness. You walk away from the movie feeling kind of scammed: you feel somewhat dirty, while Lynch gets away with having presented his own aggressive fantasies without owning them or honestly coming to terms with them, and the movie gets a lot of praise just because it breaks some taboos. None of this is enough to elevate this movie to the level of a classic everyone wants to think this is. If you want a classic Lynch film, there are two: Mulholland Drive and Eraserhead. Not this one. ... show more
Reviewed in the United States on January 15, 2023 by ET
    • Overrated piece of crap
I loved David Lynch's Twin Peaks and have saught out his movies hoping for greatness. He has delivered letdown after letdown.....and this is no different. This is supposed to be an offbeat mystery, but this is just offbeat. Things start off ok - the first half is fine.....But then it self destructs. This doesn't tie in very well. You become left with so many questions as to what's going on. You the viewer are really clueless as to what the director is trying to convey. This movie becomes a confusing mess. I don't want to give anything away....but this is muddled nonsense. Say no to drugs. ... show more
Reviewed in the United States on February 24, 2020 by Mars

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