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At a glance
- Condition
- New
- Format
- MP3 Music, May 2, 2006
- Dimensions
- 5.2 x 5 x 0.4 in; 4 oz
- Run time
- 1 hour and 16 minutes
- Label
- Adam
Description
Track Listings1 Vicarious2 Jambi3 Wings For Marie (Pt 1)4 10,000 Days (Wings Pt 2)5 The Pot6 Lipan Conjuring7 Lost Keys (Blame Hofman)8 Rosetta Stoned9 Intension10 Right In Two11 Viginti Tres
Specs 6
| Product Dimensions | 5.2 x 5 x 0.4 inches; 4 ounces |
|---|---|
| Manufacturer | Adam |
| Run time | 1 hour and 16 minutes |
| Label | Adam |
| Country of Origin | Canada |
| Number of discs | 1 |
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Top Amazon Reviews
Fantastic Album
The sound of the album is great, super thick and chunky guitar sound from Adam. While I don't understand the placement of Wings part 1 & 2 within the album and it really ruins the flow, the track list as a whole is stellar with favorites such as Rosetta Stoned, Jambi, Vicarious and Right in Two. One of my favorites from TOOL.
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Reviewed in the United States on April 28, 2024 by Keith Van Liew
My First Album, Still Holds Up
Tool is the first band I ever got into, after hearing "The Pot" on vacation. It was the heaviest earworm I'd ever heard; the bass hook and Maynard James Keenan's studio-enhanced falsetto seized my attention, and once it gave way to that simple, catchy-as-all-hell main riff, I had a new favorite song. Soon afterwards I bought the CD, and what a first album it was! I could scarcely have picked one better in terms of creative packaging. The artwork is much more thematic than the band's 90's albums, which were all over the place and tad dumb, I think (especially Aenima, what's even going on there?) After enlisting Alex Grey with Salival and Lateralus, the whole package just felt more in tune. It's dark and detailed and psychedelic, perfectly complimenting Tool themselves. However, I do have gripes about it: the 3D glasses built into the case for enhanced viewing of the booklet artwork is clever, but not totally practical. The case won't fit nicely anywhere, and it seems like they didn't know where to put the disc in all this, so it was shoved into a frustrating sleeve, which already increases scratching. If that wasn't enough, the sleeve faces inward, toward not only the crease of the gatefold but the STAPLES of the booklet! My original copy was so scratched it became unlistenable, and the one I just bought off Amazon was delivered brand new with scuffs already on the disc, proving how potentially damaging this case design is. But the music itself is fantastic, for the most part. The first half of the album is packed with quality, five full tracks that are some of the best work Tool has ever released. "Vicarious" is a little preachy and whiny, thanks to Maynard, but the instrumentation by Adam Jones and company is so good that it completely makes up for it. "Jambi" is one of the heaviest Tool songs ever; it still baffles me that this gets labeled as "rock", Tool is definitely on the far end of heavy metal and brushes up against extreme occasionally. The two-part "Wings for Marie" is a completely justified epic, unlike self-indulgent foolishness a la "Disgustipated". That's not to say "10,000 Days" doesn't have self-indulgent portions; after "The Pot", there is unapologetic filler in the form of "Lipan Conjuring" and "Lost Keys (Blame Hofman)", which is chanting and a nurse and a doctor talking, respectively. I guess part of enjoying Tool is accepting that they'll never have an album that doesn't waste your time at one point or another. "Rosetta Stoned" is an admittedly goofy title for the second longest track, which is comparable to "Third Eye" on "Aenima" for its length and irreverence. Tool, or at least Maynard, loves destroying any semblance of seriousness, at least for a little while, (see "Wings for Marie"), for the chance to repeat the phrase "G**damn, s**t the bed" over and over throughout an 11-minute song. Once again, however, Adam Jones makes it all worthwhile and even halfway brilliant with his guitar work, switching things up half a dozen times in true progressive fashion. "Intension" is a very ambient track, like the double-punch of "Disposition" and "Reflection" on "Lateralus". I love this side of Tool, it represents a more mature and thoughtful band at work. "Right in Two" makes a return to self-important preachiness about monkeys (humans) and their disappointed guardian angels, but is actually a wonderfully evocative piece of work with a cooing guitar and traditional-sounding drums. "Viginti Tres", like "Faaip de Oiad", is some filler to close out the album with, unless you are a bit more ambitious and want to piece it together with other songs to make a bonus track. I'm surprised by how much I still like this album, and Tool as a whole. I thought I was over them and music like this a few years ago, but I came back to metal with a vengeance and was interested in re-listening to my former favorite band. Tool is so idiosyncratic and compelling and full of itself, it's hard not to enjoy it in the end. It manages to be atmospheric and long-winded without sacrificing quality instrumentation, like Opeth, the band that became my favorite after I'd let some of the blood drain out of my achingly firm Tool loin-shark. I've relaxed on them, definitely, but they will always be a standby for me, not just for nostalgia but because they can produce such great music, complex or simplistic, and still maintain their popularity. Something this progressive and textured has no right being quite this well-known, but Tool did it, and I think that speaks for itself. I hope their new album turns out well.
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Reviewed in the United States on July 1, 2017 by Duncan Douglas
Great Quality!!!...
Entertainment...
Reviewed in the United States on April 16, 2024 by Brian D Howerton
A work of pure genius.
Tool is one of the best bands today - standing high above the dull I IV V repetitive progressions and whiny "singers", mindless thrash and talentless garbage that clutter the rock/metal genre. They are a diamond in the ruff. Always testing limits, always making music like no other. A number of factors add up to make this band almost perfect. For one, they have one of the best rhythm sections of any metal/rock band today - Justin Chancellor on bass and Danny Carey on percussion. These two musicians are outstanding enough on their own, but locking in tight to create not only solid rhythmic structure but also almost melodic sonic texture in the background makes them unstoppable. Listening to The Pot, Jambi, Rosetta Stoned, or Vicarious makes it clear just how advanced these two are. Adam Jones, on guitar, is a perfect blend of metal and ambience, melody and rhythm. His solos, while not the shredding you would expect from a metal band, are emotive and powerful, and his harmonies with Justin are nothing short of brilliant. Maynard James Keenan, the vocalist, has an incredible vocal range, and his enigmatic lyrics and musical arrangements give a fresh, unique sound to their music. Another thing that sets them apart is their use of odd time signatures and phrases, which are often quite complex and give a much looser feel to their songs, as they are not afraid to step outside the bounds of strict 4/4 to get the sound they are going for. The first two songs are mainly in 5/4 and 9/8, respectively, yet they are able to make these odd times feel natural and not forced. There are several songs on this album that shows their brilliance (I will give commentary on a few that stand out): -Vicarious: A solid opening piece that carries an important social commentary, with one of the best endings on the album. -Jambi: Truly incredible, this masterpiece almost entirely takes place in 9/8, and what's more, Danny divides each measure into 3 beats, while Justin and Adam divide them into four and a half - this creates for some MAD plyrhythms and syncopations, yet it all comes together perfectly with all parts doing their thing. Most other bands would end up with a trainwreck - not so here. And the whole arrangement is awe-inspiring, from the bass to the drums to the guitar to the lyrics. -Wings of Mary (Parts 1 and 2): These two songs have a radically different structure compared to most other songs. Part 1 is slow and emotive, Part 2 continues this and builds and builds in intensity - the musicianship in this one is outstanding. Words can't really do it justice; just lay down on the floor in the dark, put on some headphones, and listen to these two songs for an experience you'll never forget. -The Pot: While this is one of the only songs that takes place mainly in 4/4, it is nonetheless quite technically impressive. The bassline is pure genius, and Maynard's surreal lyrics make you wonder if the title had anything to do with the song's conception. -Intension: This isn't a song, but more of a transitional piece and an intro into Rosetta Stoned. -Rosetta Stoned: Perhaps the most chaotic and diabolical song on the album, this beast goes through several phases, changing time signatures often and switching moods and tones. Brilliantly executed, Justin and Adam have many off-timed counterparts that seem to float away on their own yet are tethered to the essense of the song by Carey's lines. Sounding like a dream at some points, and a nightmare at others, this is one surreal-as-hell piece that makes use of every second of its 10-minute-plus length. The solo section is perhaps the most powerful moment. Once again, no one element stands out here - it all weaves together to complete the mood. The diabolical-sounding bassline in the background (locking in with the drums) accentuates the slow, emotive and distorted guitar melody. As it progresses, the force of Justin's playing increases to match the darkening mood of Adam's playing. A work of genius. -Right in Two: I'm out of creative words to describe things right now - suffice to say that this song is brilliant as well. To sum it all up, if you're looking for a change of pace in music, something to get you away from the repetitive themes of many of today's rock bands, this is an ideal buy. If you're new to Tool, this is a great album to start off with, and you will not regret it. Just keep in mind that this is very different from what you normally hear, so don't get put off by its new flavor.
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Reviewed in the United States on September 7, 2007 by CDM