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Availability:
Only 1 left in stock, order soon!
Arrives
Sunday, Sep 7
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Format: DVD
Description
Based on Muriel Spark?s best-selling novel, the film The Prime Of Miss Jean Brodie earned a Best Actress Oscar for its star, Maggie Smith, in 1969. The theme song, ?Jean? written by Rod McKuen, was also nominated for a Best Song Academy Award. An inspiration to the young girls she teaches and a challenge to the 1932 Edinburgh school who retains her services, Jean Brodie (Smith) espouses her wisdom on art and music, defends fascism, and otherwise encourages fiercely independent thinking in her students. As she engages in ongoing battles with the school?s rigid heads and bewilders two men in love with her, Miss Brodie also faces the biggest trial of her life when her career and livelihood become threatened.
Genre: Romance
Format: Dubbed, Widescreen, NTSC, Multiple Formats, Anamorphic, Color, Subtitled
Contributor: Lesley Paterson (II), Molly Weir, Antoinette Biggerstaff, Jane Carr (II), Shirley Steedman, Helen Worth, Isla Cameron, Antonia Moss, Ann Way, Helena Gloag, Ronald Neame, Hilary Berlin, Diane Robillard, Kristin Hatfield, Janette Sattler, Robert Stephens, Margo Cunningham, Gordon Jackson, Maggie Smith, Rona Anderson, Gillian Evans (II), Pamela Franklin, Jennifer Irvine (II), Celia Johnson, Diane Grayson, John Dunbar, Heather Seymour, Lavinia Lang See more
Language: English, French
Runtime: 1 hour and 55 minutes
Aspect Ratio : 1.851
Is Discontinued By Manufacturer : No
MPAA rating : PG (Parental Guidance Suggested)
Product Dimensions : 7.5 x 5.5 x 0.5 inches; 3.21 ounces
Item model number :
Director : Ronald Neame
Media Format : Dubbed, Widescreen, NTSC, Multiple Formats, Anamorphic, Color, Subtitled
Run time : 1 hour and 55 minutes
Release date : July 1, 2004
Actors : Maggie Smith, Robert Stephens, Pamela Franklin, Gordon Jackson, Celia Johnson
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Top Amazon Reviews
"The Prime Of Miss Jean Brodie" (1968) is the best stage play ever to be presented in movie form..a great movie. The charge that most modern day movies (and possibly all movies throughout history) are air-headed, no-content exercises in providing viewers with a clever light show along with interesting sound of different flavors is true enough. The best stage plays over history made us think, appealed to our mentality and education, and needed good actors to get the play writer's point off the stage and into the audience. Good set decoration and other visuals are nice to have, but not absolutely needed. The Globe Theater in Shakespeare's day had almost no "set decoration" of the type seen in modern times. The "groundlings" (many of whom were well educated and worthy audience members, the noble sort who used to buy "stand up in the back of the theater" 50 cent tickets for Broadway Theater NYC shows 60 years ago) sat on the dirt floor in front of the open air play presented in daylight hours outside before the age of electricity and artificial light, when plays could not be presented lit by candles, the only night-time illumination before Thomas Edison (and others) changed things at the end of the 19th century. "The Prime Of Miss Jean Brodie" (1968) is a very high quality play written in play form by Jay Presson Allen, based on a book by Muriel Sparks, and was a big stage hit both on Broadway in NYC, and in London in England before it came to the screen in 1968. "A Man For All Seasons" (1966) was another play made into a movie which came to movie houses at roughly the same time. Both movies starred gifted stage actors in lead roles, both movies resulted in Best Actor Academy Awards for the main stars. "Plays which became movies, and were left mostly untouched" account for some of the very best movies in all movie history. "The Prime Of Miss Jean Brodie" (1968), which got Maggie Smith a well deserved Best Actress Academy Award, is perhaps the very best play ever filmed with the very best results in terms of technical and artistic movie making. It is a treasure. The subject of "movies based on plays" needs much more study and publicizing than it ever gets. The big money from movies never depended on delivering the quality available in movies like "The Prime Of Miss Jean Brodie"(1968). The movie "business" always was (still is, mostly) all about mass taste and appeal to the mostly unwashed, uneducated hordes willing to spend money in return for a light and sound show which they (the hordes) find agreeable, stimulating, and distracting....a brief escape from their hard, unattractive lives, or at least the hard, unattractive parts of their lives. The percentage of truly "high quality" movies like "The Prime Of Miss Jean Brodie" (1968) with great writing, great actor and technical movie work, great music, great direction, all blended wonderfully....the percentage of such movies made over history and still available to be got in the marketplace is tiny.....less than 5% of all movies available, and probably less than that....less than 1%. It is important to know about the "best of the best" in movies, just as it is regarding stage plays (e.g. important to know that the plays of Shakespeare are "the best of the best," and have never been equaled, or probably ever will be). "The Prime Of Miss Jean Brodie" (1968) is a breathtaking movie based on a great stage play about a brilliant early middle aged female schoolteacher in a private school for girls in Scotland in 1932 who is fired from her job in disgrace, thanks to the head administrator of the school "Miss Brodie" (Maggie Smith) works for, and thanks to help provided Miss Brodie's main enemy, the "Headmistress," by one of Miss Brodie's most "loyal" students and protégés, "Sandy" played by Pamela Franklin (perfectly cast as the ugly duckling intellectual favorite student always described as "reliable," yet never sexually interesting or attractive, even though Franklin appears in almost full frontal nudity poses during a scene with her studio art teacher, "Teddy Lloyd," played wonderfully by Robert Stephens, who is not really aroused by naked "Sandy" and is rebuked in the same scene for thinking only of "Sandy's" teacher, "Jean Brodie," played by Maggie Smith.... It's a movie so good, it should be ranked with "Citizen Kane" (1941) in importance for any who care for great movies over history....one of a handful of movies to take away to an island where the best movies of all are gathered to keep exiles company. A "Special Features" commentary by director Ronald Neame (1911 - 2010) and actress Pamela Franklin (1950 - ) was added to the 20th Century Fox "Studio Classics" DVD issue of this movie. The commentary provided by Ronald Neame was produced roughly 40 years after the movie was made, and Mr. Neame was about 85 years old. It is, by far, the very best "add on" commentary to be provided for any video I have ever seen. Mr. Neame is intelligent, complete, and insightful as he guides viewers through the movie and his direction of it. I've never witnessed a better job of "commentary" than this one. Pamela Franklin's contribution in assisting the commentary is also very well done, and notable. She stopped movie and TV actor work after 1981....and discusses what happened in a straightforward and poignant way during her commentary, compares her good treatment in the UK (England) to bad treatment she got in the USA toward the end of her 56 credit list of movie and TV actor jobs. -------------- Written by David "Tex" Allen, SAG Actor.
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Reviewed in the United States on November 9, 2012 by David R. Allen
You only begin to understand what the writer and screenwriter of "The Prime of Miss Jean Brodie" is trying to say when you realize that the student who ultimately becomes the most like Miss Brodie (Maggie Smith) is Sandy (Pamela Franklin), and that the story is really being told from Sandy's point-of-view. She learns to be as judgmental and irresponsible as her teacher, full of misguided ideals and grievances, and totally confident that the world is as simplistic as she wants it to be. Which is why the film begins with a shot of Miss Brodie on her way to the school and goes out on a shot of Sandy leaving the school, with a Brodie voice-over about her teaching philosophy. Once you understand that the Sandy transformation is the principle dynamic, the rest of the story fits together rather smoothly. The on-going struggle between Miss Brodie and the headmistress is almost a Hitchcock McGuffin, providing a lot of character motivation but ultimately of little importance. Another key is the use of Tennyson's "The Lady of Shalott". "When the Moon was overhead, Came two young lovers lately wed; "I am half sick of shadows," said The Lady of Shalott." In the poem she is a magical being who lives alone on an island upstream from King Arthur's Camelot. Her purpose is to look at the world outside her castle window in a mirror, and to weave what she sees into a tapestry. She is forbidden by the magic to look at the outside world directly. Looking at the world in a mirror and depicting it in a work of art is an allegory for the life of a teacher viewing the world from an ivory tower and interpreting it for her young students. And Miss Brodie's often fearless lifestyle is much like the heroic action taken by Tennyson's lady which leads to her doom. Finally there is the irony of the betrayal by the one student who is the most like her, the only one in whom she really confides. But the film illustrates the disconnect between Miss Brodie and Sandy, who gets her back up that Miss Brodie considers Jenny the ideal. Brodie is too self-absorbed to pick up on Sandy's growing disenchantment just as she does not have the insight to realize that Mary McGregor's brother was fighting against (not for) Franco in Spain. In many ways Miss Brodie is a wonderful teacher and most young girls would have benefited from membership in the Brodie set, mostly because of her encouragement to openly explore the possibilities life offers. She contrasts the word "education", derived from the Latin "educere" (to lead out)-seeing her role as leading out her students' own ideas by encouraging them to think for themselves with the conventional teaching style of "intrusion"- the stuffing of heads with required information. Which adds a lot of complexity to the production and makes it quite unique. One on level it is a rebel teacher fighting the repressive system to give her students a better education. While on another level it is clear that she is going a bit too far and messing up some of her charges. The film covers a five-year period and the 18 year-old Franklin believably manages a transformation from a mousy 12 year-old to a sexually liberated young woman. Her nude scene in the artist's studio shocks the viewer because the passage of time has been handled quite casually and because it is really a reverse striptease, starting nude and slowly putting "on" her clothes. The DVD has a commentary feature by Director Ronald Neame and Pamela Franklin. It too is quite unusual as they were not together in the studio and their voices alternate throughout the film without having any interaction. Neame tends to digress too often to other events in his career but the commentary still manages to provide some useful information. Ultimately this is a depressing but interesting story with Miss Brodie's colorful outfits standing out in the grays and browns that dominate the production design. Then again, what do I know? I'm only a child.
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Reviewed in the United States on September 29, 2006 by Only-A-Child