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Thursday, Oct 8
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Format: DVD December 1, 2015
Description
Roger Waters, co-founder and principal songwriter of Pink Floyd, fuses the epic and the personal in Roger Waters The Wall, a concert film that goes well beyond the stage. Based on the groundbreaking concept album, Roger Waters The Wall could be called a concept film: it's a state-of-the-art show that dazzles the senses, combined with an intensely personal road trip that deals with the loss Roger has felt throughout his life due to war. On stage and now on film, Waters has channeled his convictions into his art and his music. With Roger Waters The Wall, Waters – together with his fellow musicians and his creative collaborators – brings audiences an exultant ride of a rock and roll concert, and delivers an unforgettable, deeply emotional experience. Bonus Content: A Visit to Frank ThompsonTime Lapses
Genre: Art House & International, Documentary, Musicals & Performing Arts
Format: Color, Multiple Formats, NTSC, Widescreen
Contributor: Clare Spencer, Roger Waters, Sean Evans
Language: English
Runtime: 2 hours and 13 minutes
Aspect Ratio : 2.401
MPAA rating : R (Restricted)
Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.4 ounces
Item model number : 35222811
Director : Roger Waters, Sean Evans
Media Format : Color, Multiple Formats, NTSC, Widescreen
Run time : 2 hours and 13 minutes
Release date : December 1, 2015
Actors : Roger Waters
Subtitles: French, Indonesian, Japanese, Korean, Mandarin Chinese, Portuguese, Spanish, Thai
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Top Amazon Reviews
By now, many reviews have been written on this product. A number of reviewers who have criticized it (albeit in a very minor way) for not being a "complete" concert, or for not having the option of viewing/listening to the live show straight through (i.e., without any of the vignettes of Roger on the road), are, (with all due respect), missing the point. This is NOT just another concert. It is much more than a band getting up on stage and playing a set or two of music. This is musical theater in its grandest form. The portions of the show filmed outside of the stadium are an integral part of the production. Importantly, they do not take up very much time, but they do contribute significantly to the whole. If this were a recording of four guys playing on a small stage in a club, and the camera continually drifted away from the players to show trippy visuals or landscapes (like too many concert videos have done), I'd say thumbs down all the way, but that is NOT what this is. This production was MAMMOTH in size and scope; simply filming the band singing and playing the songs the whole time would have miserably failed to capture its essence. One reviewer who had attended the show in the tenth row and again in the middle of the stadium, (I should have been so lucky to have attended it just once, anywhere in the venue!), wrote that the film did not succeed in replicating the experience of the show and all that it had to offer, because it kept moving from the stage, to the POV of Roger looking out at the crowd, to a vignette on the road, etc., instead of staying in the middle of the stadium focused on the stage. (S/he opined that the middle of the venue was a better spot to be than up close.) Not having seen the show, I won't argue the point. The film did, in my opinion, give the viewer/listener a means of experiencing the production about as well as any film possibly could have done! One might criticize this film (and the live show) as pretentious, over-the-top, depressing, or any number of other things, but it is undeniably a HUGE artistic production and accomplishment. If you enjoy(ed) the album (i.e., Pink Floyd's 'The Wall'), then I highly recommend this film. You not only get to hear the music performed nearly flawlessly by its principal creator and a hand-picked bunch of cracking musicians, but you get to view a spectacle of truly epic proportions to boot. This necessarily means that you don't get to watch the musicians the whole time (like you would on most great concert video recordings... remember that this is NOT just a concert). In my opinion, this is NOT a flaw of the film, but rather an asset. While watching players play is usually the "raison de etre", this is not the case here... the players become more and more hidden by the wall being built as the show progresses, and this is a major part of the production. No stage production of this magnitude exists anywhere else, and it literally has to be seen to be believed! In this case (and perhaps only in this case), the "show" eclipses the players (intentionally and very successfully). The size and scale of the show is absolutely enormous, and for this reason, among others, the production (including the shots on the road and elsewhere) is worthy of a film (hence the film). Last but not least, the quality of everything is superb... the video production, the editing, the sound, the mixing, the musicianship, the stage production... everything. The content is a little dark, (to say the least, hence the R rating), but if you are not put off by it (most fans of The Wall clearly are not), then it's well worth the ride.
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Reviewed in the United States on July 7, 2017 by G. Brown
Having seen the live performance twice, including once from floor seats, I can say without reservation that you will not be disappointed with this product. Production: The concert is captured intimately both in terms of stage feel, short clips of audience participation, and video from both sides of the stage. Interspersed with the concert are a few short features of Roger on a road trip he takes to visit the graves and war memorials for both his father and grandfather. In a way, the short features provide an additional wall story within the context of the album, the original wall film, and the new concert tour. I feel like these features heightened the emotional catharsis of the wall production and did not detracted from the concert. Visual: The wall tour will likely remain the most visually stunning concert for decades to come. The shear power of the projector banks used to produce the wall imagery, the pyrotechnics, lights, animatronics, and the physical building of the wall are all captured here in glorious detail. I have a 135" 4k screen and the visuals are clean and vivid. Forcing a SDR to HDR conversion darkened the visuals a bit but the added color depth made me feel like I was back in my seat at the show. I still have to hold back tears during the stage reveal of Comfortably Numb Audio: Dolby Atmos! Wow! I cranked this up on a 7.1.4 Dolby Atmos system and the immersion is spectacular. The audio does not go overboard with sound shifting, isolation, or other movement effects, which is a good thing. When these type of effects are used, the immersion is perfect. Obvious Examples are the plane in the opening scene roaring from behind before crashing into the stage or gun fire sounding in front of you before ricocheting behind you. More subtle examples are used during "Is there anybody out there" when the band is obscured by the wall and the sound provides literal depth to the two dimensional edifice of the stage. Final Thoughts: If you are a fan of Pink Floyd, buy this. If you want a reference quality dolby atmos sound track, buy this. If you want to know what the greatest concert production of the early 21st century looks and sounds like, buy this.
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Reviewed in the United States on August 6, 2018 by R. Wilson
When Roger Waters announced he was going to do a massive tour of The Wall I was instantly very interested... When Ticket sales started I was disappointed because of how expensive the Tickets were... I never got to see the concert and was hoping for a dvd to be released... Roger Waters did a one night one showing in theaters The tickets were $18 so I bought 2... When I got to the theater and saw his movie it was better than expected... I was thinking it would be a video of the tour... What I got to see was an amazing beautiful eye candy spectacular event... My eyes didn't look away once... The movie I watched was a so good... The movie was the concert along with some deeply moving moments in Waters' life... The concert was more beautiful than I expected... It was so good the only way to improve the show was if the rest of the band were there to play... I went home and pre-ordered the Deluxe edition Blu-ray.... it was exactly the same as what I saw in the theater and I was thrilled with my purchase... I still watch it once a week at least... The only disappointment was that I was hoping to watch just the concert as an extra... the interruptions of Waters' story were great but I was hoping to be able to watch the concert from beginning to end as an option... I also wished there would be a 3D version as it would be even better... I highly recommend the purchase of this product, the sound is fantastic, the concert was more stunning than I expected, The visuals during the concert were amazing and much better than awesome... buy this product you will not be disappointed... you will be awestruck and left with your jaw dropping.... maybe Waters will release a concert only disk and I hope there would also be a 3D version... I can hope...
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Reviewed in the United States on June 11, 2016 by Kevin Holmes
I could probably sum this up in two words: Buy it. I am not going to bother going in to the details of the premise of the film itself as that has already been established. I will say that I have a LOT of concert DVD's and Blu Ray's from a variety of bands and this is by far the best sounding concert film I have yet to experience. This isn't Pink Floyd -you would think the title would give that away - but Roger Waters gathered an impressive cast of musicians for this tour and his musical vision is fully fleshed out on some of the songs. From the first exploding riff of In the Flesh (Part 1), to the final dramatic chaos of The Trial, you are engulfed by a perfect mix of at times numerous instruments and vocals and does it ever sound glorious. As if that weren't enough, visually it is absolutely stunning. Cuts of not only Waters himself, but of his fellow musicians and shots of the crowd are blended almost to perfection. The stage show itself - with giant puppets and the wall itself being used as a backdrop for a constant barrage of visuals - is captured in all it's glory. I don't want to just concentrate on the concert either as the actual shots of Waters on his travels to Italy capture the feeling of the internal search Pink is going through in the story of The Wall perfectly, which I'm pretty sure was at least part of the plan for this film. Extra's include 2 songs from 02 show, with David Gilmour performing Comfortably Numb and Nick Mason joining at the end for Outside the Wall. You also get a slew of interviews with Waters promoting the film, talking about the savages of war-with at times a more than slight political bent- and also showing Waters with the crew and other musicians. There are also visits from Waters to other locales of past fallen war heroes, the most interesting being that of A Visit to Frank Thompson. In closing, I wasn't fortunate enough to see this tour live and I'll kick myself for an eternity for that, but this release is a wonderful parting gift from a visionary artist who appears to have finally broken through his own personal wall for what should be documented for years to come as the highest standard for a performance release on any format.
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Reviewed in the United States on December 6, 2015 by mojo22
My credentials I graduated high school 1982 I've listened to the album dozens upon dozens of times, I've listened to the live bootleg recordings of the original tour dozens upon dozens of times. I saw the movie dozens upon dozens of times. I saw this tour twice. First I must criticize one criticism from another reviewer, the reviewer is dissatisfied that the continuity of the concert is disrupted though I agree to a certain extent, and I do agree with another reviewer that there should have been an alternative menu option where you can watch the concert uninterrupted. If you really don't want to see The Unwanted Parts just use the time to get another drink or something. The artist presented his work in many different versions of the wall, this particular DVD is one such version and should be viewed and critically appreciated for what it is. There are other options to view this tour via Pro Shot Video available on various different Avenues formats or platforms or what have you. No need to discuss the wall as far as interpretating analyzing or explaining one could do their own research. The audio and visual is very good. I didn't say anything about the extras so maybe I will in the future if I'm able to update usually the extras aren't good sometimes the extras are better I'll find out soon and will report. By the way on the director's cut of Pompeii there is a second video option to play would I believe is the original at the very least it doesn't have the space stuff in it. But don't think that space stuff is irrelevant because it's continuity and relationships to the space program and the album and of course there's interweaving themes that go through all the albums all the way up through and including the wall and beyond. But that's beyond the scope of this review.... big brother is watching
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Reviewed in the United States on December 30, 2022 by Glenn Sherwood
I was fortunate to see this concert live, and I count It among the most spectacular and moving that I have ever experienced in my life. I found myself looking forward to the concert footage I knew would one day be available. I was nine when 'The Wall' was released and was exposed to it when my brother bought it, along with 'The Final Cut', at thirteen. I was instantly won over and still count 'The Wall' as a desert island album to this day. Because of this long term appreciation of the record, I must have read and seen dozens of interviews in which Roger Waters, with surprising patience, over and over explained the inspiration behind 'The Wall' ... the infamous moment during the 'Animals' tour, the personal tragedy that so evidently shaped his life and his views. I felt I had a very good grasp of his motivations as the writer. Even so, I found myself fascinated by the documentary portion of the film, (shot beautifully incidentally), in which we see and hear Roger give us unparalleled access to the forces behind his drive to compose this classic work. I also understand his need to allow this access to be inexorably interwoven into the concert footage. His personal story and the narrative of the record have lines that blur intensely. My regret, however, is that I will want to experience the concert as a musical journey without anything to pull me away, however poignant and beautifully shot. 'The Wall' is, first and foremost, a brilliant record and should be allowed to shine in that way. Let the music speak for itself. I really wish there were an option to see the concert without the documentary inserts, and since the technology clearly exists that makes that an extremely easy request to execute, it is disappointing that it wasn't done. In a similar vein, when I saw 'The Wall' live I was on the center of the floor but not up close, and I consider myself fortunate to have had that vantage point. The show is so grand in scale and so magnificent, that I wish an option on the Bluray had been to simply select a static camera taking in the concert like I did, so as to not miss anything this visionary show delivered. I know plopping a HD camera on a tripod at the sound console is hardly technical filmmaking, but it would have been so nice to have that option. And, once again, not difficult to execute on Bluray. Still. Wonderful sound. Great concert footage from many venues around the world, with the River Plate stadium shows in Buenos Aires (and the typically passionate argentine audiences AC/DC and The Police also featured) getting a big percentage of the overall concert film. Overall a very worthy addition to anyone's collection. I remain hopeful that perhaps a future release will address the shortcomings of this first edition.
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Reviewed in the United States on December 5, 2015 by Gustavo J. Lovato
I'll start by saying I was fortunate enough to see this concert twice. Madison Square Garden, and an amphitheater in Hartford, CT. They were amazing experiences, easily the best shows I've witnessed. A great album, check. Sound quality, check. Light show, check. Massive puppets, check. Flying pig, check. No expense was spared, and it showed. As for the film, I have mixed feelings. I don't mind the inserted snippets, as they are the backdrop to the album. I also don't mind the different camera angles, as they add views the audience cannot see. I would have enjoyed it completely filmed from one angle, as it was meant to be seen. Other reviewers have stated this as well. The projection work on the wall was so amazing, I feel this film takes a lot of that away. If you've seen this concert live, be prepared to be slightly disappointed. If you haven't, be prepared to be utterly amazed. Either way, it's a must have for any Floyd fan.
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Reviewed in the United States on November 12, 2019 by Jason P
I LOVE THIS FILM! This is the first film that has touched me to the core in quite a while... If you know Waters' work with Pink Floyd you already know the premise behind The Wall and The Final Cut... and that Waters is anti-war and anti-isolationist. The way this was presented in the theater was simply amazing, especially the conversations in between the concert footage. The sound quality is very good indeed (do you ever expect any release from Pink Floyd as a whole or or Waters or Gilmour to have sound quality anything less than excellent?), the video quality is good, and the only thing that I really notice missing on the blu-ray release was the slide show, shown on the big screen leading up to the opening of the film (I have not yet checked out the bonus materials on the discs). The concert - the acting was rather good, especially for a concert film. You get the typical Pink Floyd trappings - Algie the flying pig (okay, it's actually not Algie as Algie has dry rotted long ago, but a surrogate pig ;)), the school master, and so on. Wall being built - check. Band playing behind the wall? Check. Fully automatic machine guns? Check. Social commentary on racism, fascism and warmongering laced throughout every element? You got it. Brillant packaging. collectibles, booklets? Check. Check. Check. New takes on old material? Check. Studio sound quality on a live production (always a very difficult thing to achieve)? Check! It makes me regret even more not making it to The Wall concerts (I only ever went to Gilmouir-led Floyd concerts... being too young to see them before the division/breakup). This film is the next best thing to seeing them at a live show. :-(
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Reviewed in the United States on March 29, 2016 by Kimberly Lazarski