Buy Now, Pay Later
As low as
$6
/ mo
Learn more
- – 4-month term
- – No impact on credit to apply
- – Instant approval decision
- – Secure and straightforward checkout
Ready to go? Add this product to your cart and select a plan during checkout.
Payment plans are offered through our trusted finance partners Klarna, Affirm, Afterpay, Zip, Apple Pay, and Google Pay. No-credit-needed leasing options through Acima may also be available at checkout.
Learn more about financing & leasing here.
Selected Option
Free shipping on this product
30-day returns
Learn more
FREE 30-day refund/replacement
To qualify for a full refund, items must be returned in their original, unused condition. If an item is returned in a used, damaged, or materially different state, you may be granted a partial refund.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
Availability:
Only 3 left in stock, order soon!
Arrives
Saturday, Sep 26
Recently Viewed
Format: Back In Black
Description
Vinyl LP pressing. 2003 digital re-master of the Australian rockers' seventh album. Released in July, 1980, Back in Black was the first AC/DC album recorded without former lead singer Bon Scott, who died in February of that year. Back in Black was the first album to feature vocalist Brian Johnson, formerly of Geordie. Producer Robert John "Mutt" Lange, who had previously worked with AC/DC on Highway to Hell, was again brought in to produce. The album was recorded at Compass Point Studios in Nassau, Bahamas, and Electric Lady Studios in New York, where the album was also mixed.
Language : English
Product Dimensions : 12.2 x 12.2 x 0.2 inches; 11.2 ounces
Manufacturer : Legacy Recordings
Item model number : 69699802071
Original Release Date : 2003
Run time : 41 minutes
Date First Available : November 22, 2006
Label : Legacy Recordings
Number of discs : 1
Frequently asked questions
If you place your order now, the estimated arrival date for this product is:
Saturday, Sep 26
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
- Klarna Financing
- Affirm Pay in 4
- Affirm Financing
- Afterpay Financing
- Zip Pay in 4
- Financing through Apple Pay
- Financing through Google Pay
Learn more about financing & leasing here.
Similar Products
$5/mo*
Permanent Dream
$21.63
$5/mo*
Bad Company
$23.99
$9/mo*
1984
$54.77
$7/mo*
Led Zeppelin II
$28.79
$7/mo*
Highway To Hell
$29.99
$6/mo*
Let There Be Rock
$26.90
$2/mo*
AC/DC Back in Black
$9.98
Top Amazon Reviews
This was a gift for my teenage niece !! Absolutely wonderful
Reviewed in the United States on May 28, 2025 by Krystal kendall
Great album definitely played to death by radio, MTV, still a good album
Reviewed in the United States on May 13, 2025 by Rich
February 19 1980. AC/DC's legendary lead singer Bon Scott chokes to death in the back of his car following a typical all-night drinking spree in London. The challenge faced in replacing a band member is always problematic. Replacing a lead singer is hardest of all, because a singer embodies the band's attitude, image and music, and few singers have personified their band's music like Bon did. Angus and Malcolm Young, guitarists and founders of AC/DC, faced a huge task in replacing Bon. It would've been easier to call it a day, but the notoriously dogmatic brothers were not going to back down from a fight. They were never going to try to find a copy of Bon, because it was too hard and would've been the end of their image. They opted for a man with a husky, gritty voice who wouldn't try to completely fill the void, but partially fill it so that Angus, whose stage act was to act convey a possessed, frenzied imp, could expand his role further. That man was Brian Johnson. His onstage persona was simple: he wore a flat workman's cap and blue jeans, put punch and rasp into every word and shuffled around with arthritic grace. He was genuinely the perfect choice. And so they made Back In Black: half a tribute to Bon, half a defiant slam back into the business. Back In Black opens with a lone, eerie church bell, clanging slowly and murkily. After five tolls, Angus stalks in, carrying his slow, menacing Grim Reaper riff. The drums enter, one at a time and slow, like the footsteps in a horror film. This is ‘Hells Bells’-AC/DC’s best song with one of the greatest rock intros ever. The explosive lyrics, Brian says, came to him on a stormy night, and he just didn’t stop or think about him: just wrote them was if he was possessed. He implies that it was Bon, beyond the grave, leaving his legacy to paper by writing some of the best damn lyrics AC/DC would make. It wouldn’t be an AC/DC album without some risqué, unsubtle, single entendre songs, and ‘Givin’ The Dog A Bone’ takes out the title of dirtiest song on Back In Black, followed by the blatantly self-explanatory ‘Let Me Put My Love Into You.’ Both have some delicious riffs, the later in particular with a sinister intro. ‘Shoot To Thrill’, the second song on the album, has its lyrics drowned by some astonishingly precise work by the Youngs. This is the best example of their immaculately locked, in time guitar work: each responds to the work of each other without missing a beat. The title track is one of AC/DC’s most well known songs. My defining memory of it is turning it up as loud as I could, then scurrying for cover as Phil Rudd counted off, sounding like the final few seconds of a bomb timer. The iconic riff then exploded out. It is strutting and bad; it is everything that people love about AC/DC: that small, wicked part in everyone that appreciates straight-up, no fuss rock. ‘You Shook Me All Night Long’, one of five songs ‘Back In Black’ that became radio staples, is about as close as AC/DC ever came to a love song, which is another example of their astonishing ability to doggedly stick to their own style for thirty years, ignoring trends, and remaining successful. It’s a magnificent anthem live, with Angus’s famous, phrased solo and the chant of the chorus ringing out loud and long. The tough bar room ditties ‘Shake A Leg’ and ‘Have A Drink On Me’ are followed by the sneering anthem to AC/DC’s critics, and the critics of all hard music, ‘Rock n Roll Ain’t Noise Pollution,’ with the hazy hangover riff and the thudding chorus, the fifth radio hit off the album. Back In Black is, at the least, one of the most remarkable albums of all time. To recover from the blow that they suffered and deliver their most powerhouse album was an astonishing effort. In doing so, they produce the blueprint for hard rock artists for decades to come: keep it simple and then crank it up.
...
show more
Reviewed in the United States on October 9, 2017 by Carbona Not Glue
Good quality. This and Flick of the Switch are the best AC/DC albums
Reviewed in the United States on May 5, 2025 by Fook Mi
If you haven't heard this alblum before, it's time to come out from under the rock , and get ready to rock. Sound quality is excellent. Not blasted away with over compression The way all CD'S should be. Good old fashion Rock from beginning to end. I think you'll enjoy this a lot !
Reviewed in the United States on March 21, 2025 by Burton S
The CD arrived in perfect condition and sounds amazing through my audiophile grade stereo system. AC/DC is a great band and I think this is their best album. I will be buying other AC/DC albums as well. The album is superbly mastered which is a good thing because my 5k system can be revealing on lower quality masters which ruins the experience.
...
show more
Reviewed in the United States on February 1, 2025 by Adam
The jacket lists tracks in one order, the label on the vinyl lists another track order. Aside from entirely confusing labeling, the audio quality is good and the gold vinyl is a fun touch.
Reviewed in the United States on January 29, 2025 by Bax Bax
Excellent
Reviewed in the United States on March 30, 2025 by Luciano Reyes