Search  for anything...

Performance Practices in Classic Piano Music: Their Principles and Applications

  • Based on 25 reviews
Condition: New
Checking for the best price...

Buy Now, Pay Later


As low as $8 / mo
  • – 4-month term
  • – No impact on credit
  • – Instant approval decision
  • – Secure and straightforward checkout

Ready to go? Add this product to your cart and select a plan during checkout.

Payment plans are offered through our trusted finance partners Klarna, PayTomorrow, Affirm, Afterpay, Apple Pay, and PayPal. No-credit-needed leasing options through Acima may also be available at checkout.

Learn more about financing & leasing here.

Free shipping on this product

This item is eligible for return within 30 days of receipt

To qualify for a full refund, items must be returned in their original, unused condition. If an item is returned in a used, damaged, or materially different state, you may be granted a partial refund.

To initiate a return, please visit our Returns Center.

View our full returns policy here.


Availability: Only 4 left in stock, order soon!
Fulfilled by Amazon

Arrives Sunday, Sep 7
Order within 2 hours and 1 minute
Available payment plans shown during checkout

Description

Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility.Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. " . . . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." ―American Music Teacher"Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." ―Journal of Musicological Research"The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." ―Early Keyboard Journal"Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." ―The Musical Times"Its importance to thoughtful musicians cannot be overstated." ―Choice" . . . thoroughly musicological." ―Performance Practice Review" . . . indispensable . . . " ―New York Times Read more


Publisher ‏ : ‎ Indiana University Press; Reprint edition (November 22, 1988)


Language ‏ : ‎ English


Paperback ‏ : ‎ 544 pages


ISBN-10 ‏ : ‎ 0253206804


ISBN-13 ‏ : ‎ 00


Item Weight ‏ : ‎ 1.81 pounds


Dimensions ‏ : ‎ 6.69 x 1.1 x 9.61 inches


Best Sellers Rank: #849,684 in Books (See Top 100 in Books) #1,078 in Music Encyclopedias #1,152 in Music Reference (Books) #2,542 in Classical Music (Books)


#1,078 in Music Encyclopedias:


#1,152 in Music Reference (Books):


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Sunday, Sep 7

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

  • Klarna Financing
  • Affirm Pay in 4
  • Affirm Financing
  • Afterpay Financing
  • PayTomorrow Financing
  • Financing through Apple Pay
Leasing options through Acima may also be available during checkout.

Learn more about financing & leasing here.

Top Amazon Reviews


  • Think in your students and you!
Every serious piano professor should buy this book AMD incorporated to his or her lessons.
Reviewed in the United States on August 21, 2016 by Oscar Laredo

  • Five Stars
Good information but the author is clearly biased on some points.
Reviewed in the United States on May 8, 2015 by Gale Wolfe

  • Five Stars
very detailed I like it
Reviewed in the United States on January 17, 2015 by berthe honein

  • HIM analyses of early piano performance practice.
This is a historically informed musical (HIM) analysis of piano playing and musical tastes for early classical music period performance practices, giving an thorough but readable explanation of styles, piano techniques and tastes
Reviewed in the United States on July 10, 2014 by David Bowley

  • Wonderful Reference
This is a wonderful reference for learning how to interpret piano pieces from the classical era. Well-documented, in-depth and well-organized. I use this book often when starting a new classical-era piece.
Reviewed in the United States on September 3, 2013 by lechuan

  • The ultimate reference book
This is one of the finest books ever written on classical piano music. It is a valuable resource to any pianist wishing to make informed decisions on ornamentation, articulation, and all aspects of classical style. Thank you Dr. Rosenblum for your monumental work.
Reviewed in the United States on November 27, 2007 by Jennifer L

Can't find a product?

Find it on Amazon first, then paste the link below.
Checking for best price...