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KODAK

Kodak Professional 100 Tmax Black and White Negative Film (ISO 100) 35mm 36 Exposures (853 2848)

  • Based on 403 reviews
Condition: New
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Availability: In Stock.
Fulfilled by Amazon
Arrives Nov 2 – Nov 4
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Size: 1-Pack


Features

  • KODAK T-GRAIN Emulsion that reshapes pebble-like crystals into a tabular form with more surface to catch light
  • Maintains subject detail in prints at higher degrees of magnification than conventional films.
  • Expanded exposure latitude

Description

KODAK T-MAX 100 Professional Film is a continuous-tone panchromatic black-and- white negative film for general outdoor and indoor photography. It is especially useful for detailed subjects when you need maximum image quality. It is also excellent for copying black-and-white photographs, for making black-and-white copies from color transparencies, and for photomicrography. This film features medium speed (ISO 100/21° in most developers), extremely high sharpness, extremely fine grain, and very high resolving power.

Brand: KODAK


Model Name: B000E0RCMU


Film Color: black-and-white


Film Format Type: 135


Exposures per Roll: 36


Brand: KODAK


Model Name: B000E0RCMU


Unit Count: 36 Count


UPC: 531479581061 041778532843 041773835406


Number of Items: 1


Item Weight: 17.01 g


Manufacturer: kodak


Model Number: 853 2848


Manufacturer Part Number: 853 2848


Warranty Description: B000E0RCMU


Film Color: black-and-white


Film Format: 135


Exposure Count: 36


Compatible Devices: Camera


ISO Equivalent: 100


Lighting Type: Daylight


Film Development Process: Black and White


Compatible Camera Film Format Type: 35mm


Roll Quantity: 1


Screen Size: 35 millimeters


Color: Yellow


Iso Range: 100


Light Sensitivity: ISO 100


Media Type: ProductImage


Minimum Shutter Speed: 1/60 seconds


Water Resistance Level: Not Water Resistant


Frequently asked questions

If you place your order now, the estimated arrival date for this product is: Nov 2 – Nov 4

Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.

To initiate a return, please visit our Returns Center.

View our full returns policy here.

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Top Amazon Reviews

    • Just shoot it, Fox!
Size: 1-Pack
Review Image by W. Ellison
Review Image by W. Ellison
I'm a Pan F man for the most part; it's my favourite back and white film, and I love its fine grain and higher contrast than other B&W films. Everyone who knows my photographic preferences knows this: Canon cameras, Pan F B&W film, and Ektar colour film. Ahem. I'm a sucker for fine grain, and so when I saw that TMX is supposed to have very fine grain indeed, I had to order a few rolls and give it a shot. I exposed my first test roll of the stuff in an old Pentax K-1000 (made in Hong Kong, no less) and developed it in T-MAX Developer. Talk about your deviations from the norm. I'm still learning the art of developing film, but the prescribed regime (7:30 at 68 F in T-MAX Dev) gave negatives with excellent density (hooray for somewhat accurate metering) and serviceable contrast. More importantly, the negatives scanned brilliantly for use in a hybrid workflow. I'd recommend the now-discontinued Kodak BW400CN or Ilford XP2 for those serious about pursuing a hybrid B&W workflow, since those films are dye-based and work with the dust-removal algorithms of modern film scanners, but for serious B&W devotees, there is no substitute for silver-based films. Note that the box says "finest grain," not "non-existent grain." Grain is fine yet visible; your scans will let you know that there's some texture there but it's not distracting like it would be with a faster film. (Before anyone asks: yes, I do appreciate the utility of grain as a form of artistic expression, but nobody using a 100-speed film is going to be considering grain a part of the medium. Want grain? Push some Tri-X or HP5, or shoot Delta or TMZ.) Sharpness was merely OK, but I put that down to the glass I exposed this lens through: the SMC Pentax-A 50 mm f/2 was never known to be excessively sharp. With better glass, obviously, your results will be better. I shot this film, as I shoot almost all my B&W film, through an orange contrast filter (I prefer the Hoya multi-coated O(G) filters for this) to accentuate contrast more than with the standard yellow filter. This film wants a fine-grain developer, like Kodak T-Max or Ilford DD-X, to live up to its full potential. You can soup it in any developer, however, and get serviceable results with sane exposures. I prefer this film to its faster sibling, TMY, and I think I'll find it useful for landscape work where I don't need the crazy contrast of Pan F. Like Peppy Hare says in Starfox 64, just shoot it, Fox! ... show more
Reviewed in the United States on November 28, 2014 by W. Ellison
    • Great!
Size: 1-Pack
100% recomendado
Reviewed in the United States on November 11, 2021 by maria belen millan
    • Don't waste your time/money on this film unless you hate photography
Size: 1-Pack
Review Image by Multi-Interest guy
Review Image by Multi-Interest guy
Review Image by Multi-Interest guy
Review Image by Multi-Interest guy
I bought this and a roll of Tri-X 400. I really liked the idea of the fine grain of TMax100, but WOW idk how anybody actually likes shooting on this film. Not only is it totally boring it's *very* finicky! Biggest reason why I hate this film: there are no true blacks or whites. When I first started looking through the roll post-development I thought I may have just underexposed too many shots but then there were photos like Arizona Wash (1st Photo) I've attached that had noonday sunlight on full blast and yet somehow there are no true whites, and no true blacks. The image is very bland and unappealing despite conditions that would dictate a very washed out look - which is what I was going for. Every time I've considered buying this film again (or it's sister the 400 which I have not tried) I feel my gut clench and my teeth gnash. If I were to ever try to shoot this film again it would be on ISO 80, but even then who knows if it would actually work out. Some people (like the nerds running Indie Film Lab's instagram) might describe this film as "multifaceted" and "tonal" but the truth is that it's just plain ugly and unresponsive. ***The last photo I've attached (Wandering Sagebrush Road) is with Tri-X for comparison and it came out beautifully! Tons of true black and whites. ... show more
Reviewed in the United States on September 16, 2017 by Multi-Interest guy
    • Current stock
Size: 1-Pack
This is current stock. Happy Kodak is still mfg this film.
Reviewed in the United States on August 31, 2020 by J. King
    • Nice results, fine grain film
Size: 1-Pack
Review Image by Wilfredo
Shot on an Olympus OM-2n
Reviewed in the United States on August 16, 2020 by Wilfredo
    • Classic
Size: 1-Pack
My go to film
Reviewed in the United States on July 5, 2020 by Justine
    • Kodak Professional 100 Tmax Black and White Negative Film (ISO 100) 35mm 36...
Size: 1-Pack
Yes, Virginia, some of us still shoot real film; we like the ability to 'create', the ability to manipulate the negatives before printing and the look that emulsion film gives the photos are why some of us cling to old ways... somehow using the wonderful computer to do all the creativity is not the same. Just seeking to keep some of the tried and proven methods alive and well. ... show more
Reviewed in the United States on June 13, 2014 by CHARLIE
    • Still With Us... for Now
Size: 1-Pack
I love this film. I wonder how long it will be with us. I had repurposed my stainless steel developing tank as a cocktail mixer but decided to go back to film for a spring fling and have fallen in love again.
Reviewed in the United States on June 22, 2014 by C. Smith

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