Judy At Carnegie Hall: Fortieth Anniversary Edition
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Availability:
Only 1 left in stock, order soon!
Arrives
May 9 – May 12
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Format: Judy At Carnegie Hall
Description
CD
Is Discontinued By Manufacturer : No
Language : English
Product Dimensions : 5.51 x 4.92 x 0.39 inches; 4.09 ounces
Manufacturer : Capitol
Item model number :
Original Release Date : 2001
Date First Available : December 7, 2006
Label : Capitol
Number of discs : 2
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If you place your order now, the estimated arrival date for this product is:
May 9 – May 12
Yes, absolutely! You may return this product for a full refund within 30 days of receiving it.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
To initiate a return, please visit our Returns Center.
View our full returns policy here.
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Top Amazon Reviews
What a magnificent artist she was. On stage she seemed to find her true happiness - a raw, magical place where she could be free. An entertainer first and foremost. A voice where nothing could fail. One of the greatest in American Arts.
Reviewed in the United States on April 8, 2024 by Believer
I've been a fan of Judy's for over 50 yrs. I've brought this CD 5 times now for myself and gifts. Fabulous. I listen to this CD just about everyday with the speakers on full blast. I love it and hope my neighbors do also. No one has said to turn it down. I live in Florida and my windows are always open. We Love You Judy!
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Reviewed in the United States on March 18, 2024 by Norman Harrison
Judy Garland was at her peak when I was a kid, and I never paid any attention to pop music or movie musicals. Only recently have I broadened my tastes in entertainment to include such legends as Humphrey Bogart, Jean Harlow, and now, Judy Garland. First off: The two-CD set is beautifully done, with remastered, flawless sound and all the original liner notes from the earlier LP set. It even says here the LP set has also been redone and may be ordered from Amazon. I have both old and modern LPs and a state of the art rig, and if you one click the LP set, I'm sure you will not be disappointed, altho you'll need to keep getting up to turn over the records. Second off: Realize this isn't just the recorded songs. It's a complete, two-hour recording of the entire event, including applause and the fun interludes during which she chats and tells stories, most of which are hilarious. In this set, you're getting Judy Garland the performer, not just studio recordings of the songs. The event itself has been described as the greatest ever night in show business, and Garland at her most intense and powerful best. Finally off: If you didn't realize or are too young to have experienced her at the time, Judy Garland was the consummate performer with a magnificent, operatic contralto voice and a commanding presence on stage or in the recording booth. She has been described as the female Frank Sinatra. Some would say it is Sinatra who should be described as the male Judy Garland. She is that good and that powerful. Garland didn't just sing the songs. She realized them, and I confess, old buzzard that I am, that by turns I was prompted to leap from my seat or dry tears from my eyes. She's so good, it's positively eerie! Do It Again, The Man That Got Away, and Over the Rainbow will make you cry. Stormy Weather has incredible impact. After Chicago, her last encore, you may want to jump on a train and go there. Of note is that she refused a request by a producer from Capitol Records to ask her drummer to ease back a bit so as to make a simpler, more even recording of just the songs and her voice. In no uncertain terms, she threw the producer out and instructed her orchestra, and particularly the drummer, to play their hearts out and as they had always done for her. The result is an overall event of incredible power and realism in which, occasionally, the background is slightly too large. No matter. It all works, and the effect is like being there, cheering yourself hoarse and clapping until your arms ache, and just letting Judy Garland blow your mind for two hours. If you're a long time fan, or interested, or maybe just curious, you need to get this set!
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Reviewed in the United States on May 9, 2022 by Mike Morrison
I once sat in on a graduate seminar on gender studies when the whole discussion turned to the question of why many gay individuals are attracted to Judy Garland. The reasons given were all plausible, so convincing, moreover, that they seemed to explain why Judy would appeal to most of us. With the improved audio of the 40th Anniversary Edition, it's clearer than ever that when we're with Judy at Carnegie Hall, we're experiencing not merely an extraordinary talent but a subtext of meanings that speak to our deepest selves: 1. "Rock-a-bye Your Baby." First, there are the memories of childhood that we bring to the event. Our inner child was not that different from Dorothy's, and there's something downright unfair about the way life has treated it--from business failures and broken relationships to physical ailments and the aging process itself. Every note that Judy sings represents a triumph of that idealistic child-like spirit against the the authoritative voices of acculturation, conformity, and stifling propriety. 2. "The Man That Got Away." Much of her pain was self-inflicted, but who among us can't say the same? Regardless of the finger-pointing and lawsuits, most of us feel that somehow we're at fault. In Judy we sense someone who shares our guilt, someone who screwed up badly but not so badly that it can't still be made right. She's the ultimate argument against giving up and proof positive that you can make it all the way back. 3. "Alone Together." She lives a double life, one public and one private, and her secret is one we share--rooted in desires, excesses, and habits that we fear would be disapproved of by the vast public majority who represent the status quo. When she takes the stage, she takes on a role that resembles our own daily masquerade. And yet with Judy we sense a merging of public and private personae, holding forth the possibility of self-integration and acceptance. 4. "Over the Rainbow." She's a lone diminutive person practically dwarfed by her surroundings into insignificance, yet by risking it all she appears to rise to the eternal realm of the stars, lifted by our applause and unconditional love. Her realization of the dream brings it within our own field of the possible. 5. "That's Entertainment." That voice--it transcends time, place, and its own limitations. Her detractors will point out that she doesn't swing, that her phrases are disconnected, that her upper range is contained. It doesn't matter. Hers is the most soulful voice of the past century, falling short only in proportion to the failure of ears to comprehend.
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Reviewed in the United States on June 15, 2006 by Samuel